An updated edition of this classic title on the origins of 20th-century ideas in architecture and the applied arts.

The turn of the nineteenth century saw an extraordinary flowering of invention in architecture and design, leading to the emergence of two contrasting styles: Art Nouveau and the International Style. Professor Nikolaus Pevsner brings clarity to this period of dynamic change by tracing the origins of twentieth-century ideas in architecture and the applied arts.

Featuring a new foreword by the distinguished architectural historian Kenneth Frampton, this classic title has now been updated with colour illustrations throughout.

About the Author:

Sir Nikolaus Pevsner (1902-1983) was Slade Professor of Fine Art, University of Cambridge, 1949-55, and Fellow of St John's College, 1950-55. He was the first Professor of the History of Art Department at Birkbeck College, University of London, retiring in 1969. He is probably best known for The Buildings of England, completed in more than fifty volumes shortly before his death, and for his Outline of European Architecture, which has remained a standard work for over forty years. Kenneth Frampton CBE served as Ware Professor of Architecture at the Graduate School of Architecture, Planning and Preservation, Columbia University, New York, from 1972 to 2019. In 2018 he was awarded the Golden Lion of the Venice Biennale. His publications include Studies in Tectonic Culture, Labour, Work and Architecture, American Masterworks, Kengo Kuma: Complete Works and A Genealogy of Modern Architecture.
 

An extensively revised and updated edition of a bestselling classic on modern architecture and its origins

This highly acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980, and has helped to shape architectural practice and discourse worldwide. For this extensively revised and updated fifth edition, Kenneth Frampton has added a new section that explores in detail the modernist tradition in architecture across the globe in the late twentieth and early twenty-first centuries. He examines the varied ways in which architects are not only responding to the geographical, climatic, material and cultural contexts of their buildings but also pursuing distinct lines of approach that emphasize topography, morphology, sustainability, materiality habitat and civic form. It remains an essential book for all students of architecture and architectural history.

Contents List:

Introduction • Part I: Cultural developments and predisposing techniques 1750–1939 • Part II: A critical history 1836–1967 • Part III: Critical transformations 1925–90 • Part IV: World Architecture and the Modern Movement • Afterword: Architecture in the Age of Globalization

About the Author:

Kenneth Frampton was born in 1930 and trained as an architect at the Architectural Association School of Architecture, London. He has taught at a number of leading institutions in the field, including the Royal College of Art in London, the ETH in Zürich, the Berlage Institute in Amsterdam, EPFL in Lausanne and the Accademia di Architettura in Mendrisio. From 1972 to 2019 he served as Ware Professor of Architecture at the Graduate School of Architecture, Planning and Preservation, Columbia University, New York. He is the author of numerous essays on modern and contemporary architecture, has served on many international juries for architectural awards and building commissions, and is a member of the American Academy of Arts and Letters. In 2018 he was awarded the Golden Lion of the Venice Biennale. His publications include Studies in Tectonic Culturei (1992), Labour, Work and Architecture (2005), American Masterworks (2008), Kengo Kuma: Complete Works (2012) and A Genealogy of Modern Architecture (2013).

A revised and updated edition of a bestselling introduction on one of the leading architects of the 20th century.

Le Corbusier is probably the most famous architect of the 20th century. The richness and variety of his work and his passionately expressed philosophy of architecture have had a gigantic impact on the urban fabric and the way we live. Weaving through his long and prolific life are certain recurrent themes – his perennial drive towards new types of dwelling, from the early white villas to the Unité d’Habitation at Marseilles; his evolving concepts of urban form, including the Plan Voisin of 1925 with its cruciform towers imposed on the city of Paris and his work at Chandigarh in India; and his belief in a new technocratic order.

The distinguished critic and architecture historian Kenneth Frampton re-examines all the facets of his artistic and philosophical world-view in light of recent thinking, and presents us with a Le Corbusier for the 21st century. This revised edition features a new introduction; some illustrations have now been replaced with colour.

About the Author:

Kenneth Frampton was born in 1930 and trained as an architect at the Architectural Association School of Architecture, London. He has taught at a number of leading institutions in the field, including the Royal College of Art in London, the ETH in Zürich, the Berlage Institute in Amsterdam, EPFL in Lausanne and the Accademia di Architettura in Mendrisio. From 1972 to 2019 he served as Ware Professor of Architecture at the Graduate School of Architecture, Planning and Preservation, Columbia University, New York. He is the author of numerous essays on modern and contemporary architecture, has served on many international juries for architectural awards and building commissions, and is a member of the American Academy of Arts and Letters. In 2018 he was awarded the Golden Lion of the Venice Biennale. His publications include Studies in Tectonic Culture (1992), Labour, Work and Architecture (2005), American Masterworks (2008), Kengo Kuma: Complete Works (2012) and A Genealogy of Modern Architecture (2013). The fifth edition of his classic text Modern Architecture: A Critical History was published by Thames & Hudson in 2020.
 

The major monograph on Kengo Kuma, revised and expanded to include five new projects

The quintessential Japanese architect of today, Kengo Kuma has forged a modern design language that artfully combines the country’s traditional building crafts with sophisticated technologies and materials. From his iconic Glass House (1995) to Dundee’s V&A (2018), this is the complete record of Kuma’s built work, comprising thirty projects to date.

Kenneth Frampton’s updated essay frames Kuma’s work in the context of post-war Japan’s flourishing architecture scene and influential figures, and recounts the international acclaim that Kuma’s ideas and buildings have received. The heart of the book consists of projects presented in detail, accompanied by descriptive text and detailed drawings, and organized by the material themes that have come to define the architect’s output. This new edition includes five new projects: Komatsu Seiren Fabric Laboratory fa-bo, Under One Roof project for the EPFL ArtLab, Japan House São Paulo, China Academy of Art Folk Art Museum, and the V&A Dundee.

Contents List:

Preface • Introduction by Kenneth Frampton • 1. WATER-GLASS: Water/Glass • River/Filter, Kitakami Canal Museum • Forest/Floor • Z58 • Glass/Wood • 2. WOOD-GRASS-BAMBOO: Noh Stage in the Forest • Great Bamboo Wall • Nakagawa-machi Bato Hiroshige Museum • Takayanagi Community Centre • Ginzan Onsen Bath House • Ginzan Onsen Fujiya Ryokan • Yusuhara Town Hall • Masanari Murai Memorial Museum of Art • GC Prostho Museum • Yusuhara Marche • Yusuhara Wooden Bridge Museum • Komatsu Seiren Fabric Laboratory fa-bo • Under One Roof project for the EPFL ArtLab • Japan House São Paulo • 3. STONE-EARTH-CERAMIC: Lotus House • Chokkura Plaza • Adobe museum for a Wooden Buddha Museum of Wisdom • Paper Snake • Ondo Civic Centre • Nezu Museum • Casalgrande Ceramic Cloud • China Academy of Art’s Folk Art Museum • V&A Dundee

About the Authors:

Professor Kenneth Frampton is a distinguished architectural historian and the author of many books, including Renzo Piano: The Complete Logbook and Le Corbusier, both published by Thames & Hudson. He is Ware Professor of Architecture at the Graduate School of Architecture, Planning and Preservation at Columbia University.

Kengo Kuma established Kengo Kuma & Associates in 1990 and went on to become Professor at the Graduate School of Architecture, University of Tokyo in 2009. He is the author of several books, including Anti-Object and Kyokai: A Japanese Technique for Articulating Space. His work has been featured in numerous publications, including XS Extreme (Thames & Hudson).

Architecture as Reflective Practice

This publication features projects that the partnership PROMONTORIO developed over the past 30 years. Together they constitute an impressive body of work for various places across Europe, Africa, the Middle East and the USA, ranging from city planning, to culture and education, heritage and conservation, commercial and mixed-use, in addition to hospitality and leisure. The idea of a reflective practice, set forth by PROMONTORIO, summons the ability to critically and ethically reflect on its own actions, while engaging in a process of continuous adaptation and learning. Perceived as a kind of "practicing school" for various generations in Portugal, the practice evolved, in both theory and practice, through the idea that deliberate reflection on experience is essential to cultivate a developmental insight on architecture.

Founded in Lisbon in 1990 by Paulo Martins Barata, João Luís Ferreira, Paulo Perloiro, Pedro Appleton and João Perloiro as an experimental practice, PROMONTORIO progressively grew into a multidisciplinary team of 60 architects, planners, landscape architects, interior designers, and graphic designers.

The first book to feature this modernist masterpiece, one of Walter Gropius and Marcel Breuer's most important residential commissions.

Offering a rare opportunity to explore the largest and most luxurious house designed by Walter Gropius, founder of the Bauhaus, and Marcel Breuer, leading architect and furniture designer of the twentieth century, this beautifully designed volume celebrates the Alan I W Frank House in Pittsburgh, Pennsylvania.

Built in 1939-40, the house embodies the Bauhaus "total work of art" philosophy, with Gropius and Breuer having designed every aspect of the building and its site. Illustrations including new and archival images and the architects' plans and sketches highlight an exquisite balance of proportions and colors. Accompanying essays place this house firmly within the American modernist canon just as the Bauhaus celebrates its one-hundredth anniversary in 2019.

About the Authors:

Alan I W Frank, son of the original owners, is president of the Alan I W Frank House Foundation, whose mission is to restore and preserve the Frank House. Kenneth Frampton is one of the world's leading architectural historians of modernist architecture. Barry Bergdoll, former curator of architecture and design at the Museum of Modern Art, is a professor of modern architectural history at Columbia University. Charles A. Birnbaum is president and CEO of the Cultural Landscape Foundation.

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Пролистать книгу Alan I W Frank House: The Modernist Masterwork by Walter Gropius and Marcel Breuer

A sumptuous treatment of the architecture of modernist masters Charles Gwathmey and Robert Siegel, whose apartments, houses, and commercial buildings are gleaming beacons of clarity and refinement. Quintessential modernists, the principals of Gwathmey Siegel have championed an aesthetic that is at once refined and lyrical, and ultimately richly enticing. Clientele of the legendary firm includes a virtual who’s who of the entertainment and business worlds, and with good reason, as vibrantly evidenced here. Rizzoli’s third monograph on this distinguished New York firm presents the exquisite residential work for which the firm is so justifiably renowned — from private apartments and three residential skyscrapers in Manhattan to homes in Aspen, Colorado, a ranch in Texas, the new Setai Hotel on Fifth Avenue in New York, and the new W Hotel in downtown Manhattan. Also shown, and representing a large part of the firm’s creative output of the last decade, are cultural and institutional works, notably the U.S. mission to the United Nations.

About the Authorы:

Brad Collins, principal of the design firm Group C, has designed and edited numerous volumes, including monographs on Eric Owen Moss, Antoine Predock, and Gwathmey Siegel Architects for Rizzoli.

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Пролистать книгу Gwathmey Siegel Buildings and Projects, 2002-2012

The seventh volume in Rizzoli’s best-selling series on the work of Richard Meier, one of America’s most important and acclaimed architects.

This comprehensive volume documents Meier’s work since 2011, featuring thirty residential, commercial, and civic projects in a variety of locales, including Manhattan, Beverly Hills, the Hamptons, Las Vegas, Hawaii, Mexico City, Tel Aviv, Rio de Janeiro, and Tokyo, among others. Extensively illustrated and was designed by the late renowned graphic designer Massimo Vignelli, it vividly conveys the purity and power of Meier’s unique and celebrated vision.

The development and significance of Meier’s work is discussed in an authoritative introduction by the architectural historian Kenneth Frampton. The architect himself contributes a preface that offers firsthand insight into his thought processes and working methods. A biographical chronology and selected bibliography complete this exhaustive and lavish monograph on a modern American master.

About the Author:

Richard Meier began his career in the 1960s designing private residences. Since that time, his international practice has included museums, courthouses, city halls, corporate headquarters, educational facilities, and public housing. He has received numerous awards, including the Pritzker Architecture Prize and the Gold Medal of the American Institute of Architects. Kenneth Frampton is the author of numerous volumes, essays, and articles of architectural criticism and theory. He is the Ware Professor of Architecture at Columbia University in New York.

Richard Meier, Architect: Volume 5 comprehensively documents Meier’s work since 2004. This extensively illustrated presentation vividly conveys the purity and power of Meier’s vision. Thirty residential, commercial, and civic projects are featured, including the Ara Pacis Museum in Rome, the Burda Collection Museum and Arp Museum in Germany, San Jose City Hall, the Broad Art Center at UCLA, apartment towers in Manhattan and Brooklyn, and master plans for Newark, New Jersey, and Manhattan’s East Side. Richard Meier received his architectural training at Cornell University and began his career in the early 1960s designing private residential projects whose elegant modernist style and white facades have become icons of modern architecture. Since that time, his international practice has included museums, courthouses, city halls, corporate headquarters, educational facilities, and public housing, in addition to private houses. He has received numerous awards for his work, including the Pritzker Prize for Architecture and the Gold Medal of the American Institute of Architects.

About the Authors:

Richard Meier began his career in the 1960s designing private residences. Since that time, his international practice has included museums, courthouses, city halls, corporate headquarters, educational facilities, and public housing. He has received numerous awards, including the Pritzker Architecture Prize and the Gold Medal of the American Institute of Architects. Kenneth Frampton is the author of numerous volumes, essays, and articles of architectural criticism and theory. He is the Ware Professor of Architecture at Columbia University in New York.

Kenneth Frampton is the author of numerous volumes, essays, and articles of architectural criticism and theory, including, for Rizzoli, American Masterworks. He is the Ware Professor of Architecture at Columbia University. Paul Goldberger is an architecture critic for The New Yorker magazine and has won the Pulitzer Prize for his work at The New York Times. He holds the Joseph Urban Chair in Design and Architecture at the New School in New York.

A comprehensive survey of the work of a master of modernist design today.

Alberto Campo Baeza, one of contemporary architecture’s most distinguished voices, is renowned for a body of work that exudes the power of radical simplicity. The architectural ideas expressed in his buildings have ranged in scale from such small but beautiful residential structures as the Turégano, Gaspar, and De Blas houses to cultural facilities such as Andalucia’s Museum of Memory in Granada, an addition to his earlier achievement, the Caja General Bank Headquarters. All share an uncompromising dedication to simple composition and demonstrate the ways in which he so brilliantly deploys disciplined restraint to achieve architectural silence in the face of the clamor of the modern city.

This monograph features projects spanning four decades of international architectural practice. Contributions by Richard Meier and David Chipperfield offer critical commentary on Campo Baeza’s persistent quest for beauty and relevance through his adherence to simplicity and a deeply felt devotion to modernist principles of architecture.

About the Author:

Alberto Campo Baeza is the founding principal of his eponymous architecture studio and emeritus head professor of design at the Madrid School of Architecture, ETSAM, where he has been a tenured professor for more than thirty-five years. Richard Meier received his architectural training at Cornell University and began his career in the early 1960s designing projects that have become icons of modern architecture. David Chipperfield founded his own architecture practice in 1985, which comprises offices in London, Berlin, Milan, and Shanghai. Architect, critic, historian, and author Kenneth Frampton is the Emeritus Ware Professor of Architecture at the Graduate School of Architecture, Planning, and Preservation at Columbia University, where he taught from 1972 to 2020.

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Пролистать книгу Campo Baeza: Selected Works на сайте издательства.

Frank Lloyd Wright is not only synonymous with architecture, his name is also synonymous with the American house in the twentieth century. In particular, his residential work has been the subject of continuing interest and controversy.

Wright's Fallingwater (1935), the seminal masterpiece perched over a waterfall deep in the Pennsylvania highlands, is perhaps the best-known private house in the history of the world. In fact, Wright's houses-from his Prairie-style Robie House (1906) in Chicago, to the Storer (1923) and Freeman (1923) houses in Los Angeles, and Taliesen West (1937) in the Arizona desert-are all touchstones of modern architecture.

For the first time, all 289 extant houses are shown here in exquisite colour photographs. Along with Weintraub's stunning photos and a selection of floor plans and archival images, the book includes text and essays by several leading Wright scholars.

Frank Lloyd Wright: The Houses is an event of great importance and a major contribution to the literature on this titan of modern architecture.

About the Authors:

Alan Weintraub is an architectural photographer whose recent work includes Bay Area Style. Alan Hess is an architectural writer and author of Rizzoli's The Architecture of John Lautner. Kenneth Frampton is Ware Professor of Architecture at Columbia University's Graduate School of Architecture, Planning, and Preservation. Thomas S. Hines is Professor of History and Architecture at UCLA. Bruce Brooks Pfeiffer is Director of the Frank Lloyd Wright Archives at the Frank Lloyd Wright Foundation. Kathryn Smith is an architecture historian, preservation consultant, author and lecturer. Margo Stipe is Registrar of the Frank Lloyd Wright Archives at the Frank Lloyd Wright Foundation. Eric Lloyd Wright, great-grandson of Frank Lloyd Wright, is an architect based in California.

A comprehensive survey of the work of a master of mid- to late-twentieth-century modernist design. Over the course of a career spanning more than five decades, Australian architect Harry Seidler embarked upon a long series of dramatically innovative and sculptural houses with a rare sensitivity to site, space, and structure. And while these soaring, inspiring houses have been the source of Seidler's fame within architectural circles, this book gives a complete view of this modern master's body of work for the first time. Seidler is now widely acknowledged as a leading member of the postwar generation of modernists and one of the most influential architects of the twentieth century in the southern hemisphere. With commissions not only in Australia but also in Austria, France, Israel, Italy, Mexico, and Hong Kong since establishing his own practice in Sydney in 1948, his work has influenced the course of modernist design into the twenty-first century.

About the Authors:

Vladimir Belogolovsky is the founder of the New York-based Intercontinental Curatorial Project, which focuses on organizing, curating, and designing architectural exhibitions worldwide. Kenneth Frampton is the Ware Professor of Architecture at Columbia University's Graduate School of Architecture, Planning, and Preservation. Oscar Niemeyer, best known for his civic buildings in Brazil's capital Brasilia, was the recipient of the Pritzker Prize, the Royal Gold Medal of the Royal Institute of British Architects, and the Praemium Imperiale by the Japan Art Association. Norman Foster is the founder and chairman of Foster + Partners. He was awarded the Royal Gold Medal for Architecture and the American Institute of Architects Gold Medal, and is a Pritzker Architecture Prize Laureate. Frank Stella is an American painter, sculptor, and printmaker.

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Пролистать книгу Harry Seidler LifeWork на сайте издательства.

The quintessential Japanese architect of today, Kengo Kuma has forged a modern design language that artfully combines his country’s traditional building crafts with sophisticated technologies and materials.

From his iconic Glass House to Yusuhara Wooden Bridge Museum, this complete record of Kuma’s built work comprises 25 projects to date. Kenneth Frampton frames Kuma’s work in the context of post-war Japan’s flourishing architecture scene and influential figures, and recounts the international acclaim that Kuma has received.

The heart of the book consists of projects presented in detail, accompanied by Kuma’s personal descriptive texts and detailed drawings, and organized by the material themes that have come to define the architect’s output.

Offering a rich insight into contemporary interpretations of Japan’s ancient building traditions, this beautifully produced book will be an inspiration to any designer who aims to create spaces for history and the future.

Richard Meier, Architect: Volume 5 comprehensively documents Meier’s work since 2004. 

This extensively illustrated presentation vividly conveys the purity and power of Meier’s vision. Thirty residential, commercial, and civic projects are featured, including the Ara Pacis Museum in Rome, the Burda Collection Museum and Arp Museum in Germany, San Jose City Hall, the Broad Art Center at UCLA, apartment towers in Manhattan and Brooklyn, and master plans for Newark, New Jersey, and Manhattan’s East Side. 

Richard Meier received his architectural training at Cornell University and began his career in the early 1960s designing private residential projects whose elegant modernist style and white facades have become icons of modern architecture. 
Since that time, his international practice has included museums, courthouses, city halls, corporate headquarters, educational facilities, and public housing, in addition to private houses. 

He has received numerous awards for his work, including the Pritzker Prize for Architecture and the Gold Medal of the American Institute of Architects.

About the Author

Kenneth Frampton is the author of numerous volumes, essays, and articles of architectural criticism and theory, including, for Rizzoli, American Masterworks. He is the Ware Professor of Architecture at Columbia University. 

Paul Goldberger is an architecture critic for The New Yorker magazine and has won the Pulitzer Prize for his work at The New York Times. He holds the Joseph Urban Chair in Design and Architecture at the New School in New York.

This new title in the Modern Masters series is dedicated to the distinguished American architect and includes an introductory essay by Kenneth Frampton, one of the most prestigious names in the field of architecture history. This complete monograph presents 89 of Meier’s buildings, documenting the principal stages of Meier’s career in chronological order, from his early private homes and residential buildings—such as the two large complexes of Twin Parks, Bronx, New York and the Bronx Development Center—to recent major projects in the United States and in several European countries, including Italy. Among the well-known works in this volume are the Getty Center in Los Angeles, the Barcelona Museum of Contemporary Art and the church of Dives in Misericordia, Rome. In the early 1970s, Meier was one of the “New York Five,” an informal group of East Coast architects who shared a preference for new and original contributions to the modern tradition and shaped an alternative to the “gray” architecture that dominated highrise East Coast buildings at the time.