Get into this year’s interior design trend: Japandi, a style that combines serene Scandinavian design elements with the richness of Japanese design tradition. It is characterised by a combination of beauty, functionality, and clean lines with a lot of attention to materials, textures, and natural touches. In addition to more than 200 images of the most beautiful Japandi-interiors and designs, this book gives practical tips on how to implement these ideas in your own home.

This book will inspire you to create minimalist, yet luxurious Japandi interiors, where the design styles from two parts of the world meet.

About the Authors:

Laila Rietbergen is passionate about the Japandi interior trend and its way of life. She follows the trend closely and inspires her 630,000 followers on a daily basis. Marlous Snijder is a freelance writer, content maker and columnist.

_More than 200 images of interiors in which Japanese aesthetics and Scandinavian design go hand in hand
_Author Laila Rietbergen has more than 340,000 followers on Instagram and with this book she provides the best of Japandi inspiration
_With practical tips and tricks, you will create your own Japandi-inspired home in no time

An exclusive insight into glamour of Edo–period society through the medium of 140 exquisite ukiyo-e

This sumptuous book explores the important role that woodblock prints played in the fashionable world of Edo–period Japan (1603–1868). One hundred and forty ukiyo-e (“pictures of the floating world”) offer us a vivid view of the culture of entertainment, style, and glamour that developed in bustling urban centers. Expert curators bring to life the scenes and figures depicted, and highlight the fashions, dress accessories, and hairstyles shown in these colorful and compelling images by artists such as Utagawa Kunisada and Utagawa Hiroshige.

Benefitting from the V&A’s world-leading collection and including many rarely seen prints, this is a fascinating glimpse into an exciting world of celebrity actors, courtesans, kimono retailers, fabric workshops, makeup brands, theatre managers, brothel keepers, and restaurant owners.

About the Authors:

Anna Jackson is Keeper, Asia Department at the V&A. Masami Yamada is Curator, Asia Department at the V&A

This book presents tattoos in Japan with all their astounding richness and sophistication.

The history of this unique folk art, its meaning, social background, and evolution as well as a collection of rare interviews with master tattooists made over the past thirty years.

In the world of tattoo art, few traditions can rival the elaborate and refined artistry of Japanese tattoos. In this richly illustrated book, The Tattooed Body by the French historian and journalist who specialises in Japan and Korea Phillipe Pons, readers will find a wealth of detailed information about the history of this unique folk art, its relation to literature and art plus great colour photographs of their work. Remarkable for the richness of their iconography, the balance of their compositions, and their refinement in details, Japanese tattoos have seduced since the fifteenth century Western travellers, merchants and later, in the 18th and 19th century sailors, soldiers, eccentrics and artists such as Degas, Monet, and Toulouse-Lautrec. Yet, despite its cultural significance and aesthetic beauty, while recognised worldwide, tattoos don't share in Japan itself the status and official recognition and support of other traditional art forms such as "the way of tea", the flower arrangement (Ikebana), or Kabuki theatre.

The book explains why and shows the historical influence of Japanese tattooing on the worldwide tattoo community and its integration into the modern global cultural landscape. Readers will learn about the shift from "brocade skins" covering the entire body to the current Japanese tattoo renaissance where "one-point" tattoos are favoured by young people which combine ancient motifs and anime, to the point where traditionalists are wondering if the "tattoo" is losing its authenticity.

With over 270 illustrations, this book is a powerful tribute to the artistry, skill, and enduring charm of Japanese tattooing. Perfect for tattoo enthusiasts, this comprehensive and visually stunning book is a must-have also for East Asian art lovers and those with an appreciation for cultural traditions.

About the Author:

Philippe Pons (10 August 1942) is a French historian, specialist in Japan and Korea, and the Tokyo correspondent for the daily Le Monde, covering current events in the Far East. Along with Christian Sautter, in 1973 he co-founded the Centre for Research on Japan (CRJ), a research institute dedicated to contemporary Japan, now part of the prestigious French National Centre for Scientific Research (CNRS), and served as its co-director. His first articles for Le Monde date from 1974. In 1976, he became the daily's correspondent in Japan, from where he also covered the Philippines, South Korea and North Korea, countries which he visited twenty times between 1979 and 2020. As a specialist he is the author of many books and articles on the history, culture and politics of Japan and North Korea, and with the historian Pierre Francois Souyri, of a volume about the history of sexuality and eroticism in Japan (all publications in French). Aside from five years spent in Rome, he has lived in Tokyo since the late 1970s.

Featuring breathtaking photographs of masks created by a renowned twenty-first-century craftsman, this book provides a unique perspective into noh and kyogen, two of the oldest surviving forms of theater in the world.

Kitazawa Hideta is a traditional Japanese master craftsman, Shinto-temple carver and mask maker for both classical noh and kyogen theater. This gorgeous volume features more than sixty of his performance masks, presented in striking full-page photographs that allow readers to appreciate their level of detail. These meticulous creations are carved from hinoki wood, decorated with layers of gesso-paint, and thin watercolor antiquing, and sometimes include materials such as horsehair and gold paint.

Readers are introduced first to classical and then to contemporary noh and kyogen masks and are invited into Hideta’s workshop to explore the characteristics of the wood he uses, and the processes of creating, restoring, and wearing the masks. An overview of the basic elements of noh and kyogen theater, and reflections from museums that have worked with Kitazawa, complete this vibrant, immersive journey that celebrates the work of a contemporary artist who is not only preserving a centuriesold theatrical tradition, but also remaking it for modern audiences.

About the Authors:

Jannette Cheong is a poet, playwright, and designer. She has collaborated with Oshima Noh Theatre, Richard Emmert, and Kitazawa Hideta for almost two decades. Uniquely, she has written three noh pieces in English: Pagoda (2009, 2011); Opposites-InVerse (2017), blending noh, opera and ballet; and Between the Stones (2020). She lives in London.

Richard Emmert is the founder and former artistic director of Theatre Nohgaku, which is dedicated to performing noh in English. He has worked in North America, Europe and Asia and has composed music in noh style for English, French, and Spanish language noh. Awarded the Koizumi Prize in 2019, he is Professor Emeritus of Musashino University. He lives in Tokyo.

Inspired by the gift-giving tradition of her Japanese heritage, acclaimed gift-wrapping and packaging artist Megumi Inouye shares her clever techniques and creative designs for wrapping with repurposed materials, while also exploring how wrapping and gift-giving can be acts of gratitude that fosters connection and community.

With a combination of inventive wrapping designs, inspiring personal essays, and step-by-step techniques, Megumi Inouye invites readers to transform the act of wrapping into a gratitude practice. Drawing on the gift-giving traditions of her Japanese heritage, Inouye explores how the act of giving a thoughtfully wrapped gift can be a creative, caring act for both the giver and the receiver. Using recycled and repurposed materials, Inouye's approach inspires readers to think intentionally about the presentation of every gift, whether it's a tip for an unseen hotel housekeeper, a simple gift of fresh fruit for a neighbor, or a special birthday gift for a beloved family member. Detailed step-by-step photos teach Inouye's artful approach to every aspect of wrapping-including tape-free folding, paper and fabric bows, clever message tags, and one-of-a-kind approaches for odd-shaped items-and guide readers in creating their own unique gift presentations.

About the Author:

Megumi Inouye is a gift wrapping and packaging artist. Known for her sustainable wrapping designs and creative innovations, she encourages repurposing, utilizing everyday things around us and using organic and recyclable items. She attributes her passion for gift wrapping to her Japanese heritage and the cultural values that underlie the meaning behind the art of giving. Her work has been featured on the Ellen DeGeneres Show and in Yahoo! Lifestyle, American Craft Magazine, and the San Francisco Chronicle. Megumi splits her time between San Francisco and Sonoma in Northern CA. You can find her online at giftwrapbymegumi.com.

Japanese swords, particularly those wielded by famous samurai warriors, hold a continuing fascination for collectors of fine arts and historical military weapons. This book is designed to enhance one's appreciation for the wide variety of Japanese swords (as well as their related polearms), their manufacture and their preservation.

A fascinating opening chapter explains how the elite Samurai class dominated Japan for more than a thousand years, how technological and ideological advances overtook the Samurai in the 1860s, heralding a more up-to-date political and military system of governance, and how such changes affected Samurai sword design and manufacture.

Subsequent chapters present topics of greatest relevance to today's sword collector: namely, the modern Japanese sword; different types of swords and their construction and testing; collecting and studying Japanese swords (and the tremendously important etiquette involved); and techniques of preserving and polishing swords.

This book is beautifully illustrated with paintings, photographs, drawings, and maps. In addition, there is an in-depth glossary and useful tables explaining Japanese calligraphic symbols relating to swords, both of great value to the collector.

About the Author:

Clive Sinclaire is an instructor in the kendo form of martial arts and has been collecting Japanese swords for more than forty years. He is Chairman of the To-ken Society of Great Britain and frequently writes articles on Japanese sword culture and collecting that are featured on the society's website (www.To-ken.com) as well as in magazines. He has become a frequent visitor to Japan in the course of his research and studies, and in particular to the NBTHK (Nihon Bijitsu To-ken Hozon Kyodai) sword shows.

A striking and unusual view of the rich variety of Japanese art.

Offering a superb insight into a wide array of Japanese art, the book highlights – close-up and in colour – outstanding examples of design and craft in prints, paintings and screens, metalwork, ceramics, wood, stone and lacquer and will provide endless creative inspiration.

By showing the complete artwork alongside enlarged details – sometimes virtually invisible to the naked eye – intriguing comparisons can be drawn between seemingly unrelated pieces and the full craftsmanship can be seen.

This title is ideal for anyone interested in decorative arts and design, general readers, students and art historians alike.

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Beautifully illustrated with an array of Japanese art, this book offers a closer look at the rich variety of styles, decoration, motifs and patterns – and the sheer craftsmanship – of Japanese culture. Opening with an introduction that asks ‘What is Japanese art?’, this book presents a selection of striking and fascinating art from Japan, organised into a series of thematic chapters in which the author provides cultural context while pointing out exceptional features. By showing the complete artwork alongside enlarged details – sometimes virtually invisible to the naked eye – intriguing comparisons can be drawn between seemingly unrelated pieces. The selection of illustrations evokes the hand and eye of the most accomplished Japanese craftsmen and women past and present. Offering a superb insight into a wide array of Japanese art, the book highlights – close up and in colour – outstanding examples of design and craft in prints, paintings and screens, metalwork, ceramics, wood, stone and lacquer and will provide endless creative inspiration.

Founded in 1852, the V&A has acquired Japanese objects from its earliest years and played a significant role in bringing the art of Japan to the attention of designers, manufacturers and the British public.

This tradition continues to the present day and in this new book some of the world’s leading researchers in this field bring their attention to the V&A’s unparalleled collection. Ten chapters focus on subjects such as the effects of Buddhism on the country’s arts and culture; the samurai; the highly aestheticized tea ceremony, which has been a notable feature of Japanese culture from the Medieval period up to the present day; Ukiyo-e and the graphic arts (prints, illustrated books, paintings and screens from the Edo period); exchanges with the West and imperialism, right up to modern and contemporary crafts and design including manga and high-tech design.

About the Author:

Gregory Irvine is Senior Curator in the V&A's Asian Department, where he specializes in Japanese metalwork.

The definitive overview of and ultimate resource on the iconic architect-designed houses built in Japan from 1945 to the present

Imagine a terraced house whose courtyard separates the kitchen from the bedroom. Or a tiny, triangular tower of rooms stacked one above another. Quirky, experimental and utterly fascinating, the houses produced in Japan since the end of the Second World War are among the most exceptional in the world. The Japanese House Since 1945 is a cohesive chronology of the most compelling architect-designed Japanese homes, showing developments in form, material, architectural expression and family living over almost eight decades.

Unparallelled in their conceptual purity, many Japanese houses have become icons at home as well as abroad. Presented with clear prose and accompanied by compelling photographs and drawings, this book features 97 houses, divided among nine chapters and organized by decade. In addition to acquainting the reader with individual homes, the book illuminates the social, technological, geographic and historical factors behind these era-defining houses. Developments over the period are underscored by the visual presentation, as it evolves from monochrome to colour and from hand-drawn to digital. Decade lead-ins set the historical context for each chapter, while ‘Spotlight’ segments draw attention to the separate components of the Japanese house. ‘At Home’ sections, most written by architects and their family members, bring to life the experience of living in these unique houses.

About the Author:

Naomi Pollock is an American architect, journalist and author. She has lived in Japan since the 1980s, reporting on architecture for international magazines. A special international correspondent for Architectural Record, she has written a number of books on Japanese houses and architects and is the author of Japanese Design Since 1945, also published by Thames & Hudson.

Enter the enchanting world of legendary director Hayao Miyazaki's My Neighbor Totoro.

Including 30 different hand-drawn final frames from the film, this collection of postcards (to keep or send) celebrates the beautiful art and story of Totoro.

A true delight for Studio Ghibli and animation fans!

About the Author:

Studio Ghibli is a Tokyo-based animation film studio founded by directors Isao Takahata and Hayao Miyazaki. The studio has produced several short films and more than 20 feature-length films, including My Neighbor Totoro, Kiki’s Delivery Service, Princess Mononoke, and the Academy-Award winner Spirited Away.

Showcasing impactful and effective poster designs from Japan, POSŪTA POSTER shines a spotlight on the new generation of graphic design work inspired by unique Japanese culture, elements, and aesthetics.

From the iconic 1964 Olympics poster by Yusaku Kamekura to the psychedelic posters of Tadanori Yokoo, Japan has made its way to the forefront of impactful and effective graphic and poster design since its post-war days. Fast-forwarding to the Reiwa era, Japan’s graphic design scene has continued to evolve in terms of design values and aesthetics.

Known for their dedication to craft and ingenuity, Japanese design aesthetics are not only timeless, but also incorporates unique elements found only in their culture. POSŪTA POSTER serves to showcase poster designs from Japan’s new generation of talent, spanning categories from political/social, advertising, experimental and more.

250 Japanese Knitting Stitches contains the original collection of knitting stitches first published by Hitomi Shida in 1996.

Copies of the original Japanese edition have been jealously coveted by knitters around the world, and now Tuttle Publishing brings you this classic in English for the first time!

Hitomi Shida's previous work, the Japanese Knitting Stitch Bible was released by Tuttle in October 2017 and has already been purchased (and tested) by thousands of avid knitters who are thrilled to discover a treasure trove of elegant and intricate new patterns. 250 Japanese Knitting Stitches was Hitomi Shida's first effort and, like its successor, is filled with her highly original and beautiful designs and variations on knitting classics.

Translated and introduced by veteran knitting instructor Gayle Roehm, the best-known teacher of Japanese knitting in America. Roehm guides knitters through the particulars of the patterns and explains how to execute the stitches.

This knitting reference book features the following:

- Stitches designed for borders and edgings
- Beautiful cable stitches, both simple and elaborate
- Elegant popcorn stitches from fine to bold
- Multiple variations on individual patterns

Shida's finished projects are a wonder to behold and accomplished knitters will brave even the most daunting of stitch patterns to create them. Filled with 250 distinctive and inventive patterns--with a stitch diagram and photo for each pattern--this highly anticipated book is destined to be on every knitter's bookshelf.

About the Author:

Hitoi Shidma is a well-known Japanese designer of thousands of original knitting stitches and knitted garments, cultivating a worldwide following of fans. Her intricate and elegant patterns have made her the most famous knitting guru in Japan. She has been teaching, designing and writing books for over 20 years.

Keiko's unique approach to ikebana, the Japanese art of flower arranging, combines traditional techniques with modern tastes. Her influences -- which range from sculpture to today's Western floral design -- come together to create one-of-a-kind arrangements that are authentic and eye-catching, simple and graceful, and possible for anyone to achieve.

This book presents step-by-step instructions for creating 20 stunning ikebana arrangements in a range of sizes and styles. Each of the flower arrangements can be completed in just three simple steps and uses easy-to-find floral materials and containers. The book also includes an introduction to the history of ikebana as it relates to Japan and Japanese culture, as well as a guide to the basic rules of ikebana design and floral techniques. Suggestions for finding and choosing materials and supplies make it easy to learn how to arrange flowers and gain a hands-on appreciation of the art of Japanese flower arranging.

About the Authors:

Keiko Kubo started taking ikebana classes as a teenager in Japan. After coming to the United States to pursue her art, she graduated from the School of Art Institute of Chicago with a master of fine arts degree, majoring in sculpture, and has also studied Western floral art. Keiko resides in Chicago, IL.
Erich Schrempp is a Chicago-based photographer specializing in illustrative images. His fine art and commissioned work can be viewed at www.schremppstudio.com.

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Пролистать книгу Keiko's Ikebana: A Contemporary Approach to the Traditional Japanese Art of Flower Arranging на Google Books.

In 1868, Japan underwent a dramatic transformation following the overthrow of the shogun by supporters of Emperor Meiji, marking the end of feudal military rule and ushering in a new era of government that promoted modernizing the country and interacting with other nations.

Japanese print culture, which had flourished for more than a century with the production of color woodcuts (the so-called ukiyo-e, or “floating world” images), also changed course during the Meiji era (1868–1912), as societal changes and the once-isolationist country’s new global engagement provided a wealth of new subjects for artists to capture. Featuring selections from the renowned Achenbach Foundation for Graphic Arts’ permanent collection, Japanese Prints in Transition: From the Floating World to the Modern World documents the shift from delicately colored ukiyo-e depictions of actors, courtesans, and scenic views to brightly colored images of Western architecture, modern military warfare, technology (railroad trains, steam-powered ships, telegraph lines), and Victorian fashions and customs.

About the Authors:

Rhiannon Paget is the curator of Asian art at the John & Mabel Ringling Museum of Art in Sarasota, Florida. Karin Breuer is curator in charge of the Achenbach Foundation for Graphic Arts.

A crimson fish wrestles a man. A horned demon stares menacingly. 

These vivid scenes are tattoos, created in pain, incised in the flesh of the Yakuza, Japan's feared secret society of gangsters. They are the visions of the Irezumi, the legendary tattoo artists, who spend years creating living masterpieces. Photographer Sandi Fellman describes this strange and violent world both in her text and in her stunning, large 20 x 24 inch Polaroid photographs.

About the Author:

Sandi Fellman is a well-known photographer whose work has been featured in many one-person and group exhibitions in the United States, Europe, Japan, and Australia. Her photographs can be found in numerous private and public collections, including the Museum of Modern Art, The Metropolitan Museum of Art, Bibliotheque Nationale, and Center for Creative Photography. Her work has also been widely published over the past fifteen years.