The beauty of the Japanese garden lies in its combination of natural and artificial beauty. It represents the unique aesthetic taste of the Japanese people, mainly because of the distinct seasons of the insular country. Under the influence of religion, culture, history and customs, Japanese landscapes feature delicacy in design and elaboration in materials. An exquisite garden often reflects ideas in literature, calligraphy, paintings, ikebana and teaism, becoming an art work that assembles the essence of Japanese culture. We thus can find the zen implied in the design of Japanese gardens. The concept of Zen could be found throughout their designs. In their works, a narrow space could turn into a deep, richly-layered, savoring and meaningful landscape that was poetic and somewhat zenic.

This book consists of three chapters, Japanese gardens, public landscapes and interior landscapes, including the outstanding works of Japanses landscape designers, and giving full expression to the essence of Japanese landscape. May the book a source of inspiration to all the lovers of landscaping design.

Exceptionally drawn in a realistic fashion and awash in spectacularly rich colors, this one-of-a-kind art book — masterfully reprinted from a rare and costly edition — combines the perennial appeal of flowers with the art of Japanese woodblock prints.

Nothing expresses the richness and vigor of life like blooming flowers. A stunning showcase of 120 full-color plates, this specially chosen collection features beautiful Eastern and Western botanicals that will delight flower lovers, artists, designers, and devotees of fine art. Admire such familiar and unusual blossoms as the poppy, rose, anemone, cyclamen, delphinium, water lily, lupine, passion flower, allamanda, phlox, dahlia, petunia, tulip, freesia, pansy, begonia, and many more beautiful blooms!

Tanigami Kônan (1879-1928) was a genius at the art of woodblock creation and color gradation, and he is still celebrated as one of the finest artists of this highly specialized technique. Captions and a complete index are included in this distinct keepsake edition.

Explore the art of Rodrigo Melo's Japanese style tattoos through more than 150 lush studio photographs of bodysuits, rib pieces, back pieces, and sleeves featuring traditional themes and imagery. See peonies, koi, tigers, dragons, and characters from Buddhist mythology presented in authentic form and color but with some modern techniques and stylings, like the use of "angry black" to increase contrast. In addition to the body art pieces, this contemporary study of traditional Japanese tattoo styles includes hundreds of images of Melo's flash paintings, a body suit in progress, and new aesthetics for Japanese style tattoo art. This book is a must have for tattoo enthusiasts, art and tattoo students, and anyone interested in learning about tattoo culture and history.

The delicate beauty of the kimono and its appealing designs embody Japan's ancient and venerable tradition of textile arts. This unusual design treasury recaptures the graceful art of the kimono in all its subtle elegance, with authentic designs from a nineteenth-century source.

Reproduced directly from a rare and costly original portfolio, these luminous designs include allover patterns, nature scenes, magnificent floral sprays, and other finely detailed motifs. Sixty-two lavish full-color illustrations offer a vibrant resource of inspiration and browsing pleasure to devotees of fashion, art, and Asian culture.

Reprint of a rare, undated, late-19th-century Japanese volume.

The natural Japanese affinity for decorative art is apparent in this striking collection of exquisite stencil designs. A centuries-old tradition of capturing nature in striking floral and wildlife motifs is reflected in the graceful shapes and lovely lines of more than 100 illustrations. Lush blossoms, bamboo branches, butterflies, birds on the wing, and rustic country homes, among other subjects long associated with Japanese art, are boldly printed in black and white.

Ready for use as patterns for wallpaper, textiles, graphics, and needlework, these delicate royalty-free images are ideal for a host of modern decorative and graphic needs.

Republication of Japanische Motive Für Flachenverzierung, Verlag von Julius Becker, Berlin, 1897.

This example-packed overview of contemporary Japanese illustration showcases the works of 100 of Japans most successful and exciting artists and designers.

The images embrace a huge range of styles, from traditional to futuristic, from classic ukiyo-e prints to the worlds of manga and anime. Some look towards urban street culture or build their own surreal dreamscapes, while others revisit a playful world of childhood innocence or explore darker realms of violence and terror. The book also includes ten interviews in which the illustrators discuss their work and what inspires them.

The range of amazing images and subjects in this book is hugely memorable, an exciting journey to the utterly idiosyncratic but wonderful world of the Japanese sensibility.

Storefront design in Japan is part of Japanese culture and reflects the traditional concern for aesthetics, symmetry, discretion and simplicity. The commercial culture from brand identity to consumer psychcology calls for distinctive, innovative design statements consistent with widely diverse and high quality goods and services. This book presents the best of contemporary storefront design taking account of layout, colour, lighting, advertisement drawing, logo design, display cases and materials. It also shows the critical importance of the store window space to both the brand owner and the storefront designer.

TABLE OF CONTENTS

004/ Preface
006/ Brand Store
108/ Bags, Shoes and Hats
128/ Jewelry Shop
154/ Watch and Spectacles
170/ Cosmetics
184/ General Category
206/ Japanese Restaurants
214/ Chinese Restaurants
228/ The Restaurants Inside
236/ Cafés and Bakery

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The elegant design of the hotel and the perfect harmony between Japanese traditional culture and the modern design concept in this book present you both sensual and psychological appreciation of the affluent spa culture of Japan, the spa kingdom in the world. With more than fifty well-known and distinguished Japanese hotels included, the book gives detailed descriptions of the scales, facilities, and the design styles of the Japanese spa baths of each hotel in particular. From the interior design of the spacious and bright reception halls, the luxurious ocean-front guest rooms, and the cozy beauty and wellness salons to the exterior landscape design of Japanese gardens and the ideal location near the mountains or by a river, and especially the individualized recuperative spa baths, all demonstrate the work of the Japanese spa hotel master designers.

This book features the following Japanese Spa Resort projects

Shimoda Yamatokan
Otsuki Hotel Wafuukan
Seizanyamato
Hotel MICURAS
The Prince Hakone Resort
Ootaki Hotel
Hakone Hougetu
Gora Tensui
Hotel Kajikaso
Yushintei
Kamogawakan
Amagisou
Mizuniwa no Hatago Sumiyoshikan
Nishiizu Toi Onsen Hotel Miyabi
Toi Hotel Sankaitei
Ochiairou Murakami
Hotel Izukyu
Hoshinoya Karuizawa
Hotel Hananoi
IZUMISOU
ANGINE
Horai
Kishoan
Sun Hatoya Hotel
Hotel Hatoya
Sora Togetsusou Kinryu
Atami Sakuraya Ryokan
Yagyu-No-Sho
ASABA Ryokan
HANAFUBUKI Ryokan
Isawa View Hotel
Hotel Hana-Isawa
Kasugai View Hotel
Southern Cross Resort Hotel
Hotel Laforet Nasu
Laforet Club Hotel Naka-Karuizawa
Laforet Club Hotel Yitou
Zagyosoh
Yokikan
Inatori Ginsui
Dougashima New Ginsui
Tubaki
Sansuirou
Seiransou
Onyadomegumi
Mikawaya Ryokan
Hakone Hotel Kowakien
Hotel ChooBoo
Yugawara Mizunokaori
Hotel Shiroyama
Prince Hotel Manza

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Japan embodies the fascinating cross-section of a country endowed with a rich and varied culture, firmly imbued with traditional knowledge, skill and experience. The book features 50 of the best of Japanese interior design trends in Japan in different categories such as offices, bars, culture, living and shopping, from traditional tatami to modern minimal. The interiors presented in this book offer a glimpse into the eastern design and its philosophy of simplicity: the use of neutral and natural colors to minimize feelings of clutter and the color black to lend definition and form; furthermore, it reveals the ingenious, minimalistic way of living and being.

The Art of the Japanese Garden traces the development and blending of gardening traditions, as well as the inclusion of new features as gardening reached new heights of sophistication on Japanese soil. The book features a number of the most notable gardens in Japan, including graveled courtyards, early aristocratic gardens, esoteric and paradise gardens, Zen gardens, warrior gardens, tea gardens and stroll gardens.

The creation of a Japanese garden combines respect for nature with adherence to simple principles of aesthetics and structure. In Japanese Garden Design, landscape architect Marc Peter Keane presents the history and development of the classical metaphors that underlie all Japanese gardens.

Keane describes the influences of Confucian, Shinto and Buddhist principles that have linked poetry and philosophy to the tangible metaphor of the garden. Detailed explanations of basic design concepts identify and interpret the symbolism of various garden forms and demonstrate these principles in use today.

This lavishly illustrated book examines the profound influence of Japanese prints on the Impressionists and their American contemporaries.

Richly illustrated throughout, this elegant volume introduces two hundred years of Japanese prints and examines their evolution, innovative techniques, and radical impact on the European and American avant-garde of the nineteenth century. The book commences with a chronological survey of the Japanese print, including works from early masters such as Harunobu and Utamaro, classic prints by the renowned artists Hokusai and Hiroshige, and nineteenth-century examples by Kunisada and Kuniyoshi. The second half of the book focuses on Western artists such as Pierre Bonnard, Mary Cassatt, Edgar Degas, Paul Gauguin, Henri Rivière, Henri de Toulouse-Lautrec, and James Abbott McNeill Whistler, who drew on the Japanese aesthetic in their own diverse ways. The result is a beautiful book that offers a fascinating glimpse of how the great Japanese prints affected modern art, from Impressionism and beyond.

This book contains more than 350 masterworks of artists such as Hiroshite, Utamaro, Harunobu, Eisen and Hokusai, all from the collections of the Victoria & Albert Museum

Originating from Japan's Edo period (1615-1867), tansu refers mostly to wooden cabinets, boxes and chests. The gifted creators of this art were deservedly esteemed by Japanese society, leaving a rich and influential legacy. Their work was almost anonymous, though, and the history has remained in the shadows - until now. Japanese Cabinetry: The Art and Craft of Tansu is the first truly definitive volume on tansu, giving voice to the long-overlooked craftsmen and overdue respect for the craft. This book provides a broad representation of cabinetry designs along with contextual history, gleaning insights from the cabinetry itself. From trunks with wheels to shipboard safes, from kitchen cupboards to clothing chests, tansu were the receptacles of an age of economic expansion. Japanese Cabinetry chronicles not only the physical characteristics and details of tansu, but also the historical eras and societal factors that influenced the craft.

Recently Japanese swords have gained enormous popularity as art objects with collectors and enthusiasts around the world, but until now much of the most detailed information on the subject has been available only in Japanese. This comprehensive guide to the appreciation and appraisal of the blades of Japanese swords provides, at last, all the background that readers need to become true connoisseurs.
The book is organized along historical lines for the sake of clarity and convenience, and its approach is always practical. Broad discussions of each tradition within the Gokaden focus on the features that distinguish specific schools and smiths - the various kinds of jihada, hamon, boshi, and hataraki favored in different periods and regions - making this an invaluable reference tool for all enthusiasts, especially those who wish to take part in kantei-kai, or sword appreciation meetings. Each section closes with an easy reference chart summarizing the distinctive features of the work of various schools and smiths.

The chapter on terminology gives advice on what to look for when examining the different parts of a blade, again making reference to the unique features of particularly significant smiths. The chapter on care and appraisal of blades tells precisely how to handle blades and what to expect at a sword appraisal meeting, including an explanation of all the various responses that a judge may give in response to a bid.

Richly illustrated throughout with more than 550 of the author's own painstaking oshigata illustrations - sword tracings onto which details are penciled in by hand - THE CONNOISSEUR’S BOOK OF JAPANESE SWORDS is easily the most informative and comprehensive guide to the blades of Japanese swords ever to appear in English.

Kokan Nagayama, who is widely recognized as one of the foremost living sword polishers, compiled the notes for this book over the course of many years spent teaching the arts of polishing and appraisal.

Nagayama-sensei is widely recognized as one of the foremost living sword polishers and is a veteran teacher of both polishing and appraisal. Here in one accessible volume he distills the store of knowledge he has gained over a lifetime of intensive research.

From the Back Cover:

"Nagayama-sensei and his senior pupils have for many years now taken an enlightened approach to study of Japanese swords outside of Japan. They have been of great assistance to collectors here in Great Britain and in other countries, traveling and living abroad, organizing exhibitions, teaching us and polishing our swords, always in an altruistic spirit. This translation is another example of this same approach. In the past we have often struggled on our own or in small groups to gain an understanding of this peculiarly Japanese cultural asset, and with many of the definitive books on the subject still untranslated, a wealth of information has in the past been inaccessible to the non-Japanese reader. THE CONNOISSEUR’S BOOK OF JAPANESE SWORDS will be of great help in making educated judgments at kantei sessions, and will be an invaluable and constant reference work." - From the Foreword by Clive Sinclaire, Chairman of the Token Society of Great Britain.

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