Le Corbusier is a Modernist icon whose buildings and theories have influenced structures the world over. With the help of Marc Hagan-Guirey's new book, Le Corbusier Paper Models, you can create 10 of his most important works in paper using the art of kirigami (cutting and folding). Each project features step-by-step instructions, cutting tips and a template that you can remove from the book. All you need is a scalpel, a cutting mat and a ruler. When you are done, simply display your model and admire your handiwork!

Le Corbusier Paper Models is a must for Corbusier fans and architectural model enthusiasts.

Marc's first book Paper Dandy's Horrorgami was published by Laurence King in September 2015. His second book, Frank Lloyd Wright Paper Models was released in June 2017 to mark the 150th anniversary of its namesake's birth.

About the Author:

Marc Hagan-Guirey is a kirigami paper artist and design director. His kirigami commissions for both private and commercial clients include pieces for the National Theatre, London Transport Museum and Samsung Galaxy. He is the author of Paper Dandy’s Horrorgami and Frank Lloyd Wright Paper Models (both Laurence King).

Building the future. The man with a modern mission

Even in his unrealised projects, Le Corbusier redefined modern living, synthesising functionalism, expressionism, and expansive urban thinking from Switzerland to Chandigarh, India. This book provides a succinct introduction to his trailblazing ideas, writings, and buildings, which continue to resonate and influence to this day.

Born Charles-Édouard Jeanneret, Le Corbusier (1887–1965) is widely acclaimed as the most influential architect of the 20th century. From private villas to mass social housing projects, his radical ideas, designs, and writings presented a whole-scale reinvention not only of individual structures but of entire concepts of modern living.

Le Corbusier’s work made distinct developments over the years, from early vernacular houses in Switzerland through dazzling white, purist villas to dynamic syntheses of art and architecture such as the chapel at Ronchamp and the civic buildings in Chandigarh, India. A hallmark throughout was his ability to combine functionalist aspirations with a strong sense of expressionism, as well as a broader and empathetic understanding of urban planning. He was a founding member of the Congrès international d’architecture moderne (CIAM), which championed “architecture as a social art.”

This book presents some of Le Corbusier’s landmark projects to introduce an architect, thinker, and modern pioneer who, even in his unrealized projects, offered discussion and inspiration for generations to come.

The author:

In 1997, the French Minister of Culture appointed Jean-Louis Cohen to create the Cité de l’architecture — a museum, research, and exhibition center in Paris’s Palais de Chaillot. Cohen’s research has focused principally on 20th-century architecture and urban planning, and his studies on German and Soviet architectural cultures. The author and curator of numerous books and exhibitions on architecture, he is an internationally acknowledged authority on Le Corbusier’s work.

The editor:

Peter Gössel runs an agency for museum and exhibition design. He has published TASCHEN monographs on Julius Shulman, R. M. Schindler, John Lautner, and Richard Neutra, as well as several titles in the Basic Architecture series.

About the series:

Each book in TASCHEN’s Basic Architecture series features:

- an introduction to the life and work of the architect 
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)

A revised and updated edition of a bestselling introduction on one of the leading architects of the 20th century.

Le Corbusier is probably the most famous architect of the 20th century. The richness and variety of his work and his passionately expressed philosophy of architecture have had a gigantic impact on the urban fabric and the way we live. Weaving through his long and prolific life are certain recurrent themes – his perennial drive towards new types of dwelling, from the early white villas to the Unité d’Habitation at Marseilles; his evolving concepts of urban form, including the Plan Voisin of 1925 with its cruciform towers imposed on the city of Paris and his work at Chandigarh in India; and his belief in a new technocratic order.

The distinguished critic and architecture historian Kenneth Frampton re-examines all the facets of his artistic and philosophical world-view in light of recent thinking, and presents us with a Le Corbusier for the 21st century. This revised edition features a new introduction; some illustrations have now been replaced with colour.

About the Author:

Kenneth Frampton was born in 1930 and trained as an architect at the Architectural Association School of Architecture, London. He has taught at a number of leading institutions in the field, including the Royal College of Art in London, the ETH in Zürich, the Berlage Institute in Amsterdam, EPFL in Lausanne and the Accademia di Architettura in Mendrisio. From 1972 to 2019 he served as Ware Professor of Architecture at the Graduate School of Architecture, Planning and Preservation, Columbia University, New York. He is the author of numerous essays on modern and contemporary architecture, has served on many international juries for architectural awards and building commissions, and is a member of the American Academy of Arts and Letters. In 2018 he was awarded the Golden Lion of the Venice Biennale. His publications include Studies in Tectonic Culture (1992), Labour, Work and Architecture (2005), American Masterworks (2008), Kengo Kuma: Complete Works (2012) and A Genealogy of Modern Architecture (2013). The fifth edition of his classic text Modern Architecture: A Critical History was published by Thames & Hudson in 2020.
 

A spectacular visual biography of the life and work of Le Corbusier – one of the twentieth century's most influential architects

A decade after its first publication, the bestselling monograph Le Corbusier Le Grand is finally available in a new paperback edition. Documenting the life and work of one of the giants of twentieth-century architecture and design, the book presents an array of sketches, photographs, and correspondences, charting the vast and varied output of Le Corbusier, an artist who continues to fascinate those inside and outside the architectural world.

About the Author:

Jean-Louis Cohen is undoubtedly France's most authoritative and knowledgeable historian of twentieth-century architecture and urbanism. He divides his time between Paris and New York, where he is the Sheldon H. Solow Professor in the History of Architecture at the Institute of Fine Arts of NYU University.

Le Corbusier is often remembered as having been aggressively indifferent to the sites in which he placed his buildings and plans. However, new research reveals that, in keeping with his proposition that ‘the outside is always an inside’, all of Le Corbusier’s projects responded emphatically to specific geographies.

This book examines Le Corbusier’s relationship with the landscapes of five continents, in forty essays by thirty of the foremost scholars of his work.

His sketchbooks, letters and publications confirm that he was deeply involved with both optical and physical relationships to landscapes – in observing them, rendering them and building them.

From his beginnings in Switzerland, as a disciple of the regional style sapin in his hometown of La Chaux-de-Fonds, to the creation of the new Indian city of Chandigarh; from touring Europe in his Avions Voisin automobile to mapping South America from the air; from inserting grand plans into existing urban layouts to setting the Ronchamp chapel on an isolated hill in France, Le Corbusier created forms that responded to the horizons and welcomed them in

Le Corbusier had perhaps a more profound effect on visual culture than any other architect of his generation and his influence and development was inextricably connected to the rise of the twentieth century’s central form of popular media: photography.

Long before many in his field, he harnessed the power of the photographic image to define and disseminate his persona, his ideas and his buildings around the world.

Coinciding with the 125th anniversary of Le Corbusier’s birth and the 100th anniversary of the foundation of his first studio in La Chaux-de-Fonds, Switzerland, this book – the first devoted solely to the relationship between Le Corbusier and photography – brings together contributions by leading scholars and experts on the man to explore his use of and engagement with photography, offering many fresh perspectives on his genius.

From the early pictures he took as a young travelling architect and snapshots of his surroundings, to his approach to the design of his influential publications, and large-scale photographic images and collages for architectural spaces, this collection of insights into Le Corbusier’s photographic eye reveals the scope of his innovation, as well as offering candid and often unexpected images of the man himself.

A spectacular visual biography of one of the greatest architects of the 20th century.

Le Corbusier (1887-1965) is one of the giants of twentieth-century architecture and design. Born Charles Edouard Jeanneret in La Chaux-de-Fonds, Switzerland, the self-named Le Corbusier was not only the creator of some of the most important and impressive buildings of the last century--Villa Savoye at Poissy, the Chapel of Notre Dame du Haut at Ronchamp, the Parliament Building in Chandigarh, India--he was also an accomplished painter, sculptor, furniture designer, urbanist, and author. His work and social theories continue to be a dominant force in the world of architecture and design, while his elegant bearing, typified by his round black eyeglasses, which are still today a signature look for architects around the world, helped cast him as an heroic figure out of Ayn Rand's novel The Fountainhead.

Drawing on an array of archival material, including sketches, photographs, and correspondences, Le Corbusier Le Grand depicts in roughly chronological order not only the vast and varied output of Le Corbusier, but also the major events, people, and forces that shaped the life of an artist who continues to fascinate those in and outside the architectural world.

About the authors:

Jean-Louis Cohen is undoubtedly France's most authoritative and knowledgeable historian of twentieth-century architecture and urbanism. He divides his time between Paris and New York, where he is the Sheldon H. Solow Professor in the History of Architecture at the Institute of Fine Arts of NYU University.

Tim Benton, a highly regarded Le Corbusier scholar, is a Lecturer in the History of Art, Open University, Milton Keynes, England.

In his numerous writings, Le Corbusier remained uncharacteristically silent about his early career. This text examines his nascent years as a designer and architect, focusing on the period from 1907 to 1922 - the year he changed his name from Charles Edouard Jeanneret and established his identity as Le Corbusier.

The contributors to the book offer an account of Le Corbusier's formative years and the cultural, intellectual and artistic concerns that absorbed him as a young artist in Switzerland and Paris. From 1907 to 1922 Jeanneret learned the art and craft of architecture and design, and defined his own image as an artist.

The volume discusses the cultural climate of his Swiss hometown, La Chaux-de-Fonds; his early mentors, friends and clients; his educational pursuits, including his self-designed Grand Tour; and his first successes as an architect and designer.

More than 350 illustrations - including architectural drawings and models, watercolours, sketches, photographs and furniture - show the wide range of young Le Corbusier's work and illuminate the principal themes and issues of his formative years.

Beginning in the "heroic" period of the 1920s, Le Corbusier presented his work to the world in his lectures: in Paris and Rome, Geneva and Zurich, Barcelona and Brussels, Prague and Moscow, Buenos Aires and Rio de Janeiro, as well as at Columbia University in New York.

In this volume, the numerous excerpts, preliminary notes, accompanying drawings, and photographs that Le Corbusier produced in connection with his lectures are presented and contextualized by one of the leading experts on the great architect. In them, we see modernism at work. Always a great rhetorician and a master at staging his own persona, Le Corbusier takes the arguments and strategies, seminal ideas and most convincing highlights and fuses them into an architectural conception that every advanced architectural position and practice must still come to terms with today.

After presenting the lectures in detail in a series of thematic chapters, the final third of the book reproduces five pivotal lectures from the 1920s and 1950s.

Born Charles-Edouard Jeanneret, Le Corbusier (1887-1965) adopted his famous pseudonym after publishing his ideas in the review L'Esprit Nouveau in 1920. The few buildings he was able to design during the 1920s, when he also spent much of his time painting and writing, brought him to the forefront of modern architecture, though it was not until after World War II that his epoch-making buildings were constructed, such as the Unité d'Habitation apartment complex in Marseilles, and the chapel of Notre Dame du Haut in Ronchamp.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

A spectacular visual biography of one of the greatest architects of the 20th century.

Le Corbusier (1887-1965) is one of the giants of twentieth-century architecture and design. Born Charles Edouard Jeanneret in La Chaux-de-Fonds, Switzerland, the self-named Le Corbusier was not only the creator of some of the most important and impressive buildings of the last century--Villa Savoye at Poissy, the Chapel of Notre Dame du Haut at Ronchamp, the Parliament Building in Chandigarh, India--he was also an accomplished painter, sculptor, furniture designer, urbanist, and author. His work and social theories continue to be a dominant force in the world of architecture and design, while his elegant bearing, typified by his round black eyeglasses, which are still today a signature look for architects around the world, helped cast him as an heroic figure out of Ayn Rand's novel The Fountainhead.

Drawing on an array of archival material, including sketches, photographs, and correspondences, Le Corbusier Le Grand depicts in roughly chronological order not only the vast and varied output of Le Corbusier, but also the major events, people, and forces that shaped the life of an artist who continues to fascinate those in and outside the architectural world.

About the authors:

Jean-Louis Cohen is undoubtedly France's most authoritative and knowledgeable historian of twentieth-century architecture and urbanism. He divides his time between Paris and New York, where he is the Sheldon H. Solow Professor in the History of Architecture at the Institute of Fine Arts of NYU University.

Tim Benton, a highly regarded Le Corbusier scholar, is a Lecturer in the History of Art, Open University, Milton Keynes, England.

Эта книга приглашает нас на экскурсию по жизни и творчеству одного из самых необыкновенных архитекторов – Ле Корбюзье – всемирная слава которого сделала его имя почти нарицательным. Немногие архитекторы выразили надежды и разочарования века индустриализации с такой точностью, как Ле Корбюзье, и лишь некоторые подобно ему шокировали и возмущали своих современников. Здесь вы найдете великолепные фотографии из жизни знаменитого архитектора и изображения его наиболее знаменитых работ.

About the Series:
Every book in TASCHEN's Basic Architecture Series features:

- approximately 120 images, including photographs, sketches, drawings, and floor plans
- introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
- the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
- an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

Born Charles-Edouard Jeanneret, Le Corbusier (1887-1965) adopted his famous pseudonym after publishing his ideas in the review L’Esprit Nouveau in 1920. The few buildings he was able to design during the 1920s, when he also spent much of his time painting and writing, brought him to the forefront of modern architecture, though it wasn’t until after World War II that his epoch-making buildings were constructed, such as the Unité d’Habitation in Marseilles and the Church of Notre Dame du Haut in Ronchamp. 

Посмотреть русскоязычное издание книги Le Corbusier -  Ле Корбюзье

About the Series:

Every book in TASCHEN's Basic Architecture Series features:

• approximately 120 images, including photographs, sketches, drawings, and floor plans
• introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
• the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
• an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings