Архитектура

Born out of the drawingbuilding.org online archive, Architectural Inventions presents a stunning visual study of impossible or speculative structures that exist only on paper. Soliciting the work of architects, designers, and artists of renown – as well as emerging talents from all over the world – Maximilian Goldfarb and Matt Bua have gathered an array of works that convey architectural alternatives, through products, expansions, or critiques of our inhabited environments.

From abstract and conceptual visual interpretations of structures to more traditional architectural renderings, the featured work is divided into thematic chapters, ranging from 'Adapt/Reuse' to 'Clandestine'' 'Mobile'' 'Radical Lifestyle', 'Techno-Sustainable', and 'Worship'. Along with arresting and awe-inspiring illustrated content, every chapter also features an essay exploring its respective themes.

Highlighting visions that exist outside of established channels of production and conventions of design, Architectural Inventions showcases a wide scope in concept and vision, fantasy and innovation.

The physical model is an important communication tool for architects. Although the proliferation of CAD programs has enabled the creation of increasingly complex computer models and virtual environments, there is also a growing need to address the three-dimensional qualities of architecture that may be lost when using such media.

This book focuses on the inspiring possibilities for modelling the built environment with all the different media and techniques available. In describing the use of different models in different contexts, the book provides a practical guide to how and why models are used, and what they are used for.

This second edition includes more detailed step-by-step exercises, expanded discussion of materials and techniques, updated coverage of digital techniques and new case studies.

The first book to document the history of the groundbreaking company Architectural Pottery, tracing its critical influence on midcentury design and its enduring appeal today

Architectural Pottery’s strikingly minimalist designs heralded new domestic housewares that could uniquely accent the modern home - inside and out. Formally expressive yet accessible, their refreshingly unembellished, elegant pots and planters were enthusiastically received by the public upon Architectural Pottery’s launch in 1950, soon ubiquitous in spaces representing the epitome of modern living.

Highly coveted and prized in design circles, they were seen in houses by Richard Neutra, John Lautner, and the historic Case Study Houses, and featured in the first of MoMA’s legendary Good Design exhibitions alongside now-iconic designs by Ray and Charles Eames, Alexander Girard, and George Nelson. Over three decades, Architectural Pottery also developed innovations in stoneware production, expanded into fiberglass furniture, and included famed furniture designer Paul McCobb and sculptor David Cressey on its roster of designers.

A midcentury modern design enthusiast’s dream, Architectural Pottery: Ceramics for a Modern Landscapeis the first full history of this celebrated and influential brand. Richly illustrated with contemporary photography and extensive visual archival material—including the records of the founders Rita and Max Lawrence, and the personal archives of designers, art directors, and photographers associated with the company - it both tells a compelling story and is a valuable resource for collectors and interior designers.

The publication of this new book will coincide with a major exhibition at the American Museum of Ceramic Art in Pomona, California.

About the Authors:

Daniel Chavkin is a photographer, collector, and researcher of all things modernist, and the author of Unseen Midcentury Desert Modern.

Jeffrey Head is a writer specializing in architecture and design and is author of several books.

Jo Lauria is a Los Angeles–based curator, writer, and educator, as well as coauthor of Master of the Midcentury: The Architecture of William F. Cody, also published by Monacelli.

Have you ever wondered what the difference is between Gothic and Gothic Revival, or how to distinguish between Baroque and Neoclassical? This guide makes extensive use of photographs to identify and explain the characteristic features of nearly 300 buildings. The result is a clear and easy-to-navigate guide to identifying the key styles of western architecture from the classical age to the present day.

About the Author:

Owen Hopkins works for the Architecture Programme at the Royal Academy of Arts in London. He is the author of Reading Architecture: A Visual Lexicon (Laurence King, 2012).

The book presents outstanding hand drawings of German architects from various areas of architecture and design. The focus of the presentation is on the individual manuscripts of the architects and designers.

For some time now, many architects and designers are returning to manually drawn depictions of their designs – despite the fact that the latest computer-aided visualization techniques allow the creation of almost perfect illusions of planned buildings. However, they often lack in conveying life and atmosphere to the building resulting in a feeling of coldness and distance from the observer. Beyond the pure conveying of information through a mechanical drawing, the various techniques of manual drawing can convey individual sentiments and impressions. The result is a larger degree of authenticity coupled with an emphasis of the human dimension of architecture.

Finizio’s theme is one we can see on the streets: having changed the 19th-century city into a “metropolis” of suburbs and highways, the car as an object is, in turn, changing in relation to the modern city. A leading Italian design professional, Finizio has gathered an international symposium of architects to explore how urban planning, architecture, and design ideas can create a new design philosophy for the automobile as a sort of domestic moving space that interacts with the new urban environment.

This richly illustrated book focuses on the relationship between the static city and “mobile architecture” of the car through the works of some of the most important contemporary international architects such as Frank Gehry, Rem Koolhass, Jean Nouvel, Massimiliano Fuksas, and Alessandro Mendini.This is an urgent, exciting design mission that finally deals with how thinking about the urban car must coevolve in profound new ways.

Research is the driving force behind all innovation. Yet, for a long time, the research building, the nucleus of social change, languished as a purely functional building, ignored by architectural discourse. However, today there is consensus that structures for research and knowledge transfer can do and must do more than just provide workplaces and experimental areas. They are actually spaces of communication and inspiration, a reflection of our times.

In Architecture for Science, Christine Nickl-Weller and Hans Nickl share their wealth of experience in planning research and science buildings. They initiate a discourse on social significance, work-environment demands, and future challenges. Buildings dedicated to science are regarded within the context of urban structures, as highly specialized building styles, in their dimension as working and living environments, as well as regarding innovation in research and construction. An interdisciplinary approach is a key factor of this discussion, and thus this volume includes articles not only by architects, urban developers, and specialist planners but also by experts from a wide range of research areas.

Projects:

New SupraFABR Research Building, Free University Berlin, Germany (Nickl & Partner)
Novartis Campus in Basel, Switzerland (Vittorio Magnano Lampugnani)
Masdar Institute of Science and Technology in Abu Dhabi, UAE (Foster + Partners)

Essays:

Planned flexibility in laboratory construction
We need extremely good architecture!
Experimental zone
Innovative façade systems
Intuitive signage for all senses
Buildings as laboratories for robotics

The latest spectacular celebration from Architizer of the most inspiring contemporary architecture from around the globe.

The Architizer A+Awards represent 2021's best architecture and products, celebrated by a diverse group of influencers within and outside the architectural community. Entries are judged by more than 400 luminaries from fields as diverse as fashion, publishing, product design, real estate development, and technology, and voted on by the public, culminating in a collection of the world's finest buildings.

Each year, winners are honored in this fully illustrated compendium, and on Architizer.com, the largest online architecture community on the planet. Featuring select A+Award winners, this is the definitive guide to the year's best buildings and spaces.

About the Author:

Architizer is the premier online destination for design professionals to explore the world's best architecture and interiors, and discover the products and people behind them. Launched in 2009, the site has rapidly become the world's largest platform for architecture and design. Architizer publishes a must-read blog covering industry news, and honors the best architecture, spaces, and products annually with the A+Awards program.

A major new evaluation of the trailblazing Miami-based architecture firm upon the advent of its fortieth anniversary. Arquitectonica is the design firm that put Miami on the map for the cool, hip, very now architecture that was first celebrated on TV in Miami Vice. Since their founding four decades ago, the firm has grown exponentially in stature, and its energies have only increased.

Arquitectonica is a major presence on the world architectural stage, with offices in New York, Los Angeles, Paris, Hong Kong, Shanghai, Manila, Dubai, Lima, and São Paulo. Founded in 1977, the firm received critical and popular attention and acclaim almost from its inception, thanks to a bold modernism that was immediately identified with a renaissance in Miami’s urban landscape. Principals Bernardo Fort-Brescia and Laurinda Spear continue to this day exploring and pushing the limits of materials and design with their innovative use of geometry, pattern, and color.

The first book on this major international architectural design firm since Rizzoli’s own Arquitectonica (2004), this volume is a retrospective of the firm’s forty-year history, considering its earliest projects — the archetypal and hugely influential Pink House and Babylon Apartments — to Regalia Condominium tower, its twenty-first-century masterwork of undulant glass and steel.

About the Author:

Alastair Gordon is contributing editor for architecture and design at WSJ Magazine.

The first book to exclusively present Cleto Munaris latest creations in the field of the applied arts: a unique collection of art carpets.

Cleto Munari was born in Gorizia and he lives and works in Vicenza. After meeting Carlo Scarpa in 1973, who encouraged him in his work, he decided to focus his attention on the area of industrial design, and began to work for some of the most important companies in the world. Constantly in search of original ideas, over the years he has tirelessly been engaged in analyzing and experimenting with both forms and material. In 1985 he opened a laboratory-studio-jewelers, where, together with a group of worldclass architects, he designs and produces silver jewelry and other objects for avant-garde collections that truly represent historical revolutions in jewelry both in Italy and abroad, and have also led to the production of watches, pens and furniture.

Cleto Munaris objects have entered the permanent collections of some of the worlds top museums, including the Metropolitan Museum of Art and the Museum of Modern Art in New York.

This book is the first to exclusively present Cleto Munaris latest creations in the field of the applied arts. After his jewelery, silverware, watches and furnishings, the great designer has involved ten other designers and artists in the creation of a unique collection of art carpets. Signed by Lawrence Ferlinghetti, Dario Fo, Mario Botta, Alessandro Mendini, Javier Mariscal, Ettore Mochetti, Deisa Centazzo, Sandro Chia, Mimmo Paladino and by Cleto Munari himself, these creations are full-fledged works of art and represent the high point of the skills and expertise of one of the greatest creative designers in the world, who has been designing and producing for over forty years.

Sumptuously illustrated with over 1,000 illustrations and written by one of the world’s leading experts, Art Deco Complete will be the definitive work on the subject for many years to come.

In the most comprehensive account of the decorative arts of the Art Deco period ever assembled, Alastair Duncan celebrates the rich variety of form and diverse international roots that have made it a perennial favourite of collectors and a constant source of inspiration for designers.

Straddling two World Wars and the Great Depression, ushering in the Jazz Age and the era of the automobile and skyscraper, and shaping everything from the Golden Gate Bridge to the humble desk lamp, the story of Art Deco is the story of our modern world.

In its purest forms, it developed from a characteristically French image of luxury and refinement. Later, modernist European and American designers incorporated metal and plastic in styles described as ‘Streamline Moderne’, but which are now called ‘Deco’. Although Paris was the spiritual home of the movement, Art Deco was a truly global style, with designers from every country in Europe and the Americas inspired by a vast international catalogue of artistic and craft traditions.

The guide begins with essays on the major media of the period: Furniture and Interior Decoration; Sculpture; Paintings, Graphics, Posters and Bookbinding; Glass; Ceramics; Lighting; Textiles; Silver, Metal, Lacquer and Enamel; and Jewelry, each followed by lavishly illustrated in-depth biographies of the major designers and artists working in the medium.

The second half of the book is an authoritative illustrated A–Z listing of all significant designers in the Art Deco style, comprising over four hundred entries.

About the author:

Alastair Duncan was for many years an officer and consultant of Christie’s, New York, and is now an independent consultant on the decorative arts of the 19th and 20th centuries. He is the author of many books on the Art Deco period, including Art Nouveau and Art Deco Lighting, Art Deco Furniture, American Art Deco and Art Nouveau and Art Deco Bookbinding.

With over 1000 illustrations in colour and black and white

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Стильно оформленное, прекрасно иллюстрированное подарочное издание большого формата в суперобложке, упакованное в оригинальный подарочный футляр.

Это самая полная энциклопедия, посвященная искусству ар деко, за всю историю изучения стиля. Ар деко считается наиболее изысканным из всех декоративных стилей ХХ века, он возник на основе типично французского представления о роскоши и утонченности, что в 1920-е годы нередко выражалось в использовании экзотических материалов. Богатство и разнообразие форм, множество заимствований из других культур – характерные особенности стиля, благодаря которым ар деко не перестает быть фаворитом коллекционеров и источником вдохновения дизайнеров нового поколения.

Энциклопедия начинается серией эссе, посвященных мебели и декору интерьеров, скульптуре, живописи, графике, плакату и книжным переплетам. Предметом тщательного исследования являются  также художественное стекло, керамика, освещение, текстиль и ювелирные изделия. Каждая глава сопровождается иллюстрациями и подробными биографиями выдающихся мастеров. 

Arnold Schwartzman's stunning photographs of the finest examples of Art Deco from all over the world are collected here as a celebration of one of the world's most popular decorative styles.

Art deco is the 20th century's most glamorous architectural style and the one that shaped popular ideas of modern luxury. With over 200 photographs, this is a visual celebration of this very popular style. Unlike most other books on the subject that tend to be regionally specific, this book highlights Art Deco buildings from all over the world, from Australia to South America, with an emphasis on London, Los Angeles, New York, Chicago, Miami, and Paris. Art Deco features much careful and exacting detail, and of special interest in this book are photos that zoom in on murals, mosaics, flooring, ironwork, and other ornamental flourishes.

Art Deco began in 1925 and quickly swept the globe becoming the style epitomizing Jazz Age glamour and sophistication. It drew from a variety of influences including ancient Egyptian, Moorish, and Mayan motifs but also modernist movements like Cubism, Fauvism, and De Stijl. Its influence was felt everywhere, from the skylines of New York to Shanghai, and it gained prominence not only with architects and designers but enjoyed a passionate following among the public as well.

About the Author:

Arnold Schwartzman is an Oscar-winning filmmaker, a noted graphic designer, and the author of a score of books including London Art Deco and Deco Landmarks: Art Deco Gems of Los Angeles. He began his design career in British television before moving to Hollywood in 1978. He was the Director of Design for the 1984 Los Angeles Olympic Games and designed many of the key graphic elements for the annual Academy Awards. In 2010, he created the two murals for the Grand Lobby of Cunard's Queen Elizabeth. In 2001 he was awarded an OBE and in 2006 he was appointed a Royal Designer by the Royal Society of Arts.

Architect Bobby McAlpine and interior design partner Susan Ferrier share their poetic approach to creating beautiful interiors in this follow-up to the best-selling The Home Within Us. In their newest book, the famed design team discusses the principles that guide their extraordinary work and share ideas for creating atmospheric environments. The book profiles a selection of houses that resonate with the firm's nuanced and sensual aesthetic. Combining painterly hues, diverse textures, and rich patinas, these interiors include a mix of antiques and contemporary furnishings. Throughout, we are shown the methods that these masters have honed to produce striking, inspiring spaces. In one featured residence, dark and light tones play off each other, with shimmering accents of silver, gold, and glass. Another house epitomizes the power of white's purity to refresh the eye. The cool blue of water and shades of the forest floor make up the naturalistic palette of a third dwelling. In all, modern-day upholstered pieces combine with fine and rustic antiques to furnish rooms that are welcoming.

About the Authors:

Renowned architect Bobby McAlpine is the principal of McAlpine Tankersley Architecture. Noted interior designer Susan Ferrier is a partner of McAlpine Booth & Ferrier Interiors. They are included in the AD100 and Elle Decor's A-list. McAlpine Home has handcrafted furniture lines with Lee Industries and MacRae Designs, and Susan Ferrier designs fabrics for Coleman Taylor Textiles. Susan Sully is an expert on Southern style. She has authored numerous books, including Houses with Charm, and is a contributing editor to Southern Living. Adrian Ferrier is a fine arts photographer.

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Пролистать книгу Art of the House: Reflections on Design

A lavish publication dedicated to Studio Arthur Casas, an acclaimed architecture and interior design practice based in São Paulo and New York.

Arthur Casas has been one of the most prolific and innovative architects in Brazil since the late 1980s. His projects, the work of studios in both São Paulo and New York, can be seen in many of the world’s capitals, including Paris, Tokyo, London, and Lisbon.

Studio Arthur Casas has completed more than 500 projects in different areas, including residential and commercial architecture, public competitions, and interior and product design, in both Brazil and abroad. The firm has gained recognition over the years and received numerous national and international honors such as a World Architecture Festival Award 2015 for the Brazilian Pavilion at the Milan Expo.

Born and raised in São Paulo, Casas is strongly influenced by the city’s cosmopolitan spirit, something that inspires him to stay connected with the design community around the world. This ethos marks all of Casas’s work, which is defined by a very eclectic and ever-changing creativity. 

Casas strongly believes that architecture and interior design are inextricably related: he visualizes and embraces the spaces he designs on the condition of including the furniture that was created or chosen for them. Being a craftsman himself, he aims to create simple designs freed from all unnecessary details, imbued with artisanal qualities. 

The book features works by internationally acclaimed photographers Filippo Bamberghi, Fernando Guerra, winner of the Architectural Photographer of the Year 2015, and artist Mauro Restiffe.

About the Author:

Livia Debbane is a writer, researcher, and curator who specializes in design.