Искусство

The Manga Fashion Bible is "manga chic" at it's best. Through clear and appealing illustrations, best-selling art instruction author Christopher Hart gives beginning artists exactly what they need to draw manga characters with modern style. Packed with tutorials, this book offers many exciting drawing projects for the aspiring manga artist, from the classic outfits worn by popular manga characters to the edgy trends emerging from Tokyo. Chris begins by teaching how to draw glamorous eyes and chic hairstyles as well as the stylized fashion figure, different body types, and poses. He then goes on to guide artists through essential fashion concepts such as mixing and matching outfits, accessorizing, and creating complimentary color schemes. These tutorials cover the must-know elements of creating an exciting wardrobe for all seasons and demystify topics that typically puzzle beginning artists, such as how to draw the creases and folds of clothing and how to draw patterns on fabric. There's even a Troubleshooting Guide included that shows how to tackle common problem areas such as female hands and shoes. Using the contemporary fashion strategies in this book, manga drawing fans will quickly learn how to transform their basic manga characters into modern fashion plates.

About the Author:

Christopher Hart is the world's bestselling author of manga, basic drawing and cartooning books. His titles have set the standard for art instruction with more than 3 million copies in print in eighteen languages. Renowned for up-to-the-minute content and easy-to-follow steps, all of Hart's books have become staples for a new generation of aspiring artists and professionals.

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Пролистать книгу The Manga Fashion Bible: The Go-To Guide for Drawing Stylish Outfits and Characters

Become inspired, find your voice, and create work that matters.

Why are human beings driven to make?

It’s as if we collectively intuited, long before science gave us the language, that the universe bends toward entropy, and every act of creation on our part is an act of defiance in the face of that evolving disorder.

When we pick up a paintbrush, or compose elements through our camera viewfinders, or press fingers into wet clay to wrestle form from a shapeless lump, we are bending things back toward Order and wrestling them from Chaos.

But making things is often not enough.

We also want the things we make to be filled with meaning. We’re each trying to describe what we know about life, to create a collective sense of “safety in numbers.” When we reach the end of our traditional descriptive powers, it’s time to weave collective meaning from poetry, painting, writing, dancing, photographing, filmmaking, storytelling, singing, animating, designing, performing, carving, sculpting, and a million other ways we daily create Order out of the Chaos and share it with each other for comfort.

On this journey we need a creative philosophy which will help us find our voice, discover our message, deal with the responses to our work, maintain inspiration, and stay mentally healthy and motivated creators as we strive to find “the meaning in the making.”

Table of Contents:
Chapter 1: Order
Chapter 2: Logos
Chapter 3: Breath
Chapter 4: Voice
Chapter 5: Ego
Chapter 6: Control
Chapter 7: Attention
Chapter 8: Envy
Chapter 9: Critique
Chapter 10: Feel
Chapter 11: Shadows
Chapter 12: Meaning
Chapter 13: Time
Chapter 14: Benediction

About the Author:

Sean Tucker is a professional photographer and filmmaker based in the United Kingdom.

Featuring a foreword from Her Majesty Queen Camilla, this book is about the exquisite miniature library in Queen Mary’s Dolls’ House, one of the most beautiful and famous dolls’ houses in the world.

Running the full length of its ground floor is a spellbinding library filled with 300 miniature books and dozens of original paintings. Lining the bookshelves of this miniature Edwardian library are specially produced works by some of the finest authors of the 1920s. From poetry by Thomas Hardy to stories by Sir Arthur Conan Doyle, gardening books to atlases, miniature stamp albums to accurate train timetables, these works represent British aristocratic life and the best examples of art and literature of the time. This book presents the fascinating history of the Dolls’ House Library, including correspondence between its architect, Sir Edwin Lutyens, and the authors he commissioned together with Princess Marie Louise; a collection of selected works published for the first time since 1924 and lavish illustrations that capture the charming detail of this delightful little room.

About the Author:

Elizabeth Clark Ashby is Curator of Books and Manuscripts, Royal Collection Trust

In this beautiful new book, Olivier Dupon introduces the finest modern jewelers practising today. Featuring 108 both up-and-coming and established designers, the book is inspired not by traditional jewelry typology, but by style and look. Rough stones appear with exquisitely faceted gems; organic forms vie with geometric structures; feathers and leather take their place next to platinum and diamonds.

The book showcases fine jewelry, fashion jewelry, luxe jewelry, conceptual jewelry, and much much more.

Over 800 mainly colour photographs display the jewelry alongside portraits of the designers at work, shots of sketches and works in progress, studios and boutiques. Complete with short, informative profiles and useful contact details for the designers, as well as a listing of recommended shops, this publication offers a wealth of inspiring material and is a must for any aficionado of jewelry, design or craft.

An Unorthodox Guide to Everything Jewish

Deeply knowing, highly entertaining, and just a little bit irreverent, this unputdownable encyclopedia of all things Jewish and Jew-ish covers culture, religion, history, habits, language, and more. Readers will refresh their knowledge of the Patriarchs and Matriarchs, the artistry of Barbra Streisand, the significance of the Oslo Accords, the meaning of words like balaboosta, balagan, bashert, and bageling. Understand all the major and minor holidays. Learn how the Jews invented Hollywood. Remind themselves why they need to read Hannah Arendt, watch Seinfeld, and listen to Leonard Cohen. Even discover the secret of happiness (see “Latkes”). Includes hundreds of photos, charts, infographics, and illustrations. It’s a lot.

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From the hosts of Tablet magazine’s wildly popular Unorthodox podcast, The New Jewish Encyclopedia is an edifying, entertaining, and thoroughly modern introduction to Judaism. It offers everything: from an illustrated guide to determining different Hasidic sects based on their garb to practical advice for throwing an unconventional Jewish wedding to humorous, accessible explanations of Judaism’s myriad holidays. The book is an alphabetical encyclopedia of short entries - some profane, some profound, and some both - heavy on the graphics and, like contemporary Judaism itself, featuring a panoply of divergent voices, all amusing and well-informed and none in perfect agreement. By weaving together the essential and the esoteric, the snarky and the earnest, the Jewish and the Jew-ish, this book honors its title, offering a truly unorthodox approach to Judaism and allowing each reader to find his or her point of connection with the culture, the tradition, and the religion. Inside, under any given letter, readers will find short essays evocatively explaining Judaism’s key holidays and practices and why they still matter today; visual guides to things Jews love, like smoked fish, and how to tell your gravlax from your pastrami-smoked salmon; definitive lists of things that matter, from the best Christmas songs written by Jews to the most essential Seinfeld episodes; advice from an Orthodox sex guru, a bridesmaid-for-hire, and other people whose wisdom would benefit Jews and non-Jews alike; brief histories of Jewish traditions new and old, such as the sacred ritual of eating Chinese food on December 25; a vocabulary of words and phrases only Jews use; and so much more.

About the Authors:
Stephanie Butnick, Liel Leibovitz, and Mark Oppenheimer are the hosts of Unorthodox, the most popular Jewish podcast on iTunes. 
Stephanie Butnick is the deputy editor of Tablet and has written for the New York Times and the Wall Street Journal. 
Liel Leibovitz is a senior writer for Tablet and the author of several books, including, most recently, A Broken Hallelujah, a spiritual biography of Leonard Cohen. 
Mark Oppenheimer is the former Beliefs columnist for the New York Times and the author of Thirteen and a Day: The Bar and Bat Mitzvah Across America. 

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Пролистать книгу The The Newish Jewish Encyclopedia: From Abraham to Zabar’s and Everything in Between на Google Books.

A contemporary and accessible foundation of color theory and advanced techniques for the oil painter at every skill level

From Todd M. Casey, acclaimed artist and expert teacher, The Oil Painter’s Color Handbook: A Contemporary Guide to color Mixing, Pigments, Palettes, and Harmony provides everything the oil painter needs to understand all aspects of color and empowers the reader to paint with confidence. As Casey notes, every artist and artist-in-training must learn how to “master the main concepts of picture-making: drawing, light, shadow, value, form, composition, and color.”

A follow-up to the bestselling The Art of Still Life: A Contemporary Guide to Classical Techniques, Composition, and Painting in Oil (Monacelli, 2020), The Oil Painter’s Color Handbook begins with an in-depth look at the use of color throughout art history. Casey then breaks down the process of understanding color into easily digestible lessons—each clearly explained and richly illustrated with both historic and contemporary paintings — so that the reader can learn progressively and layer more complex ideas as each skill is achieved.

Through clear instruction, step-by-step demonstrations, and challenging exercises, readers will learn to apply these techniques and concepts to their own painting. Once educated with this fundamental knowledge, as an artist, one can begin to find the balance between the science and emotional intuition in creating art. This informative and visually dynamic book will be accessible and appealing to artists, art students, and art instructors, to serious amateurs and hobbyists.

About the Author:

A Massachusetts native, Todd M. Casey studied at art schools in Boston and San Francisco before embarking on the classical artistic education offered by Jacob Collins’ famed Water Street Atelier in New York City.

A modern master of the still life genre, Casey teaches at several institutions throughout the Northeast. He is represented by Rehs Contemporary Galleries, Inc., New York, and his paintings are held in numerous private collections worldwide. He lives with his wife and daughter in Connecticut.

The Penguin Guide to the 1000 Finest Classical Recordings brings together the experience and enthusiasm of four of classical music's greatest experts, Ivan March, Edward Greenfield, Robert Layton and Paul Czajkowski, to create an essential guide to the best recordings.

Downloads, CDs and DVD mean it is possible to listen to hundreds of thousands of classical recordings today - but how do you pick your way through the vast array of music now on offer? With clear, simple, easy-to-use A to Z listings of composers and performers, the pick of the latest CD releases, as well as established landmark recordings, short guides to ballet, opera and the history of recording, and indications of budget and mid-range price CDs, this guide offers a treasury of outstanding music, whether you are just starting to build a collection or tracking down a particular favourite.

About the Authors:

Ivan March is a well-known lecturer and broadcaster, he has contributed to a number of record-reviewing magazines. He now reviews solely for Gramophone. Edward Greenfield, until his retirement in 1993, was for forty years on the staff of the Guardian, succeeding Neville Cardus as Music Critic in 1975. Robert Layton is an author, translator and critic, specializing in the music of northern Europe. Paul Czajkoski has been a fanatical record collector from almost the age he could walk to a record shop.

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Пролистать книгу The Penguin Guide to the 1000 Finest Classical Recordings: The Must-Have CDs and DVDs на Google Books.

Without a doubt, Picasso is one of the most important and versatile artistic personalities of the twentieth century. But how does a body of work become so successful, and how does it wind up in major collections, museums, and exhibitions? Not infrequently, it is the courage of individuals who recognize genius in the works and advocate for them in the face of conservatism and criticism. In Picasso’s case, this role in Germany fell to the Bremen art dealer Michael Hertz. It was his commitment in the post-war period that resulted not only in the museumization of the artist after the Second World War, but that also greatly benefited Kunsthalle Bremen, which has one of the most extensive collections of the artist’s prints. This volume brings together the outstanding printworks, including lithographs, linocuts, and book illustrations. Picasso’s oeuvre of prints can be regarded as a fascinating collection, in which can be read the triumph of the affordable medium in post-war Germany, as well as the dealer’s strong commitment.

About the Authors:

Pablo Picasso (1881–1973) is regarded as the epitome of the twentieth-century artist. In addition to his paintings and sculptures, his graphic works also enjoy special fame.

Michael Hertz (1912–1987) made a name for himself in the post-war period as an art dealer. Through his contacts to the French art scene, he encountered the work of Picasso and became the exclusive representative for his printworks in Germany.

“A riveting book . . . few stones are left unturned.” — Roberta Smith’s “Top Art Books of 2019,” The New York Times

This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women’s everyday lives — from duchesses and country gentry to prostitutes and washerwomen — and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women’s stories into intimate focus.

“What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them.” — Kathryn Hughes, The Guardian

.”A brilliant book.” — Ulinka Rublack, Times Literary Supplement

About the Authors:

Barbara Burman is an independent scholar, and Ariane Fennetaux is an associate professor of eighteenth-century history at the Université de Paris.

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Пролистать книгу The Pocket: A Hidden History of Women's Lives, 1660-1900

Featuring the star pieces from fashion designer Yves Saint Laurent's art collection – including works by Cézanne, Picasso, Mondrian and Matisse

Yves Saint Laurent was more than a designer of clothing – he was, for many, one of the great style arbiters of the twentieth century. His talent made him the youngest and brightest star in the firmament of fashion, first with Christian Dior, who chose him as his successor, and later in his own right as the shy but daring creator of the modern woman’s wardrobe.

His private life was the subject of constant public fascination, and the homes that he shared with his lifelong friend and business partner Pierre Bergé were extraordinary private cocoons of taste and style. Ivan Terestchenko’s photographs – taken after Yves Saint Laurent’s death in 2008 – capture these exquisite surroundings and cultured luxury for the last time.

Yves Saint Laurent and Pierre Bergé amassed an exceptional collection of furniture and paintings over some forty years. It included important works by Picasso, Matisse and Mondrian, Old Master paintings by Goya, Ingres and Géricault, and masterpieces of furniture, sculpture and silver from the Renaissance to Art Deco.

Not a single piece from the collection was sold until the year following Saint Laurent’s death. A historic sale by auction at the Grand Palais in Paris became the stuff of legend months before it even took place.

This book, revealing a rare union of passion, taste and supreme connoisseurship, stands as a monument to two of the greatest taste-makers of our time.

About the Authors:

Robert Murphy is Paris correspondent for American fashion and lifestyle magazines W and Women’s Wear Daily
Born in England and educated in France, Ivan Terestchenko read History of Art at the Ecole du Louvre and was a painter until the age of 30 when he switched to photography and landed his first assignment with French Vogue. He contributes to many international publications.

This book provides the first authorised account of the history of the finest diamond jewellery in the world. Published on the occasion of the Diamond Jubilee of H. M. Queen Elizabeth II, it tells the story of the magnificent royal inheritance of diamonds from the time of Queen Adelaide in the 1830s to the present day.

Illustrated with a wealth of archive materials as well as extensive new photography of the jewels, this important publication includes stones of international importance as well as items of great historic significance, and will be a standard work of reference on diamond jewellery for many years to come.

Table of Contents:

Acknowledgements
Introduction
Queen Adelaide
Queen Victoria
Queen Alexandra
Queen Mary
Queen Elizabeth I
Queen Elizabeth II
Royal Family Tree
Glossary
Bibliography and Abbreviations
Picture Credits
Index

A completely redesigned and updated edition of The Queen’s Dolls’ House, to include new photography and discoveries made during the recent conservation of the Dolls’ House.

The Queen’s Dolls’ House is the largest, most beautiful and most famous dolls’ house in the world. Created for Queen Mary in the early 1920s by the renowned architect Sir Edwin Lutyens, it is a perfect replica of an aristocratic Edwardian residence, complete in every way – from the wine cellar, with its store of tiny bottles, each containing a thimbleful of vintage wine, to the library, with its exquisite volumes of original works by authors such as Sir Arthur Conan Doyle, Thomas Hardy and Edith Wharton. This astonishing little house also has a garden designed by Gertrude Jekyll, a garage full of miniature limousines, and electricity, running water and working lifts. Each room, from the servants’ bedrooms to the grand saloon, is fully furnished in every way, and waiting to be explored.

Lucinda Lambton guides the reader on an imaginative tour of this most magical of residences, from life below stairs to the high society setting of saloon and dining room, from the children's toys in the nursery to the miniature accoutrements of dressing-table and bathroom. Her narrative is complemented by documents from the Royal Archives, including previously unpublished letters between Queen Mary and Lutyens and the many contributing artists and manufacturers.

About the Author:

Lucinda Lambton is a writer, photographer and broadcaster, particularly renowned for her interest in art and architectural oddities. Her publications include Vanishing Victoriana, Temples of Convenience, Beastly Buildings, An Album of Curious Houses and Lucinda Lambton’s A–Z of Britain

This tour-de-force of Britain’s Royal Collection provides a very rare opportunity to see an art trove not readily accessible to the world at large-most of the paintings are not normally available for public viewing, including several that have never been publicly exhibited since entering the collection.

While it is known that the Crown has one of the world’s great collections of Leonardo’s, visitors to the Royal Academy’s recent Charles I exhibition were amazed by the richness of the Royal Collection and its many unseen works. This extraordinary volume reveals more of the unparalleled collection that is housed in thirteen historic royal residences, from Buckingham Palace and Windsor Castle, where the Royal Family regularly reside, to spaces specifically devoted to the public display of art, the Queen’s Gallery and Hampton Court Palace.

It comprises more than a million objects, including 7,000 painting and 180,000 watercolors, drawings, and prints. This stunning volume, prepared in collaboration with curators at the Royal Collection, showcases 240 masterpieces in exacting detail, including paintings by Titian, Michelangelo, Leonardo, Caravaggio, Canaletto, Dürer, Cranach, Holbein, Rubens, Rembrandt, van Dyck, Vermeer, Gainsborough, and many others. Also included are treasures from its vast collection of drawings, watercolors, and miniatures.

About the Author:

Anna Poznanskaya is curator and deputy head of the Department of 19th and 20th Century European and American Arts at the Pushkin State Museum of Fine Arts, Moscow. Tim Knox is the Director of The Royal Collection. 

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Пролистать книгу The Queen's Pictures: Masterpieces from the Royal Collection

A fresh look at a period of English art that has surged in interest and popularity in recent years, authored by one of Britain's leading art historians and critics.

The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names – Paul Nash, Eric Ravilious and Stanley Spencer – have reached new audiences. High-profile exhibitions have attracted recordbreaking visitor numbers and challenged received opinion. In The Real and the Romantic, Frances Spalding, one of Britain’s leading art historians and critics, takes a fresh and timely look at this rich period in English art.

The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting new ideas co-existed with a desire for continuity and a renewed interest in the past. We see the challenge to English artists represented by Cézanne and Picasso, and the role played by museums and galleries in this period. Women artists, writers and curators contributed to the emergence of a new avant-garde. The English landscape was revisited in modern terms. The 1930s marked a high point in the history of modernism in Britain, but the mood darkened with the prospect of a return to war. The former advance towards abstraction and internationalism was replaced by a renewed concern with history, place, memory and a sense of belonging. Native traditions were revived in modern terms but in ways that also let in the past. Surrealism further disturbed the ascetic purity of high modernism and fed into the British love of the strange.

Throughout these years, the pursuit of ‘the real’ was set against, and sometimes merged with, an inclination towards the ‘romantic’, as English artists sought to respond to their subjects and their times.

About the Author:

Frances Spalding is an art historian, critic and leading authority on 20th-century British art. Her books include acclaimed biographies of Roger Fry, Vanessa Bell, John Minton, Duncan Grant, Gwen Raverat and John and Myfanwy Piper, as well as a biography of the poet Stevie Smith. She is Emeritus Fellow of Clare Hall, Cambridge, a Fellow of the Royal Society of Literature and an Honorary Fellow of the Royal College of Art. In 2005 she was made a CBE for Services to Literature.

A luxurious and definitive exploration of how and why the Renaissance flourished in Italy for two centuries

The idea of “renaissance,” or rebirth, arose in Italy as a way of reviving the art, science, and scholarship of the Classical era. It was also powered by a quest to document artistic “reality” according to newly discovered scientific and mathematical principles. By the late 15th century, Italy had become the recognized European leader in the fields of painting, architecture, and sculpture. But why was Florence the center of this burgeoning creativity, and how did it spread to other Italian cities? Brimming with vivid reproductions of works by Leonardo, Michelangelo, Botticelli, Raphael, Titian, and others, this book showcases the creative achievements that traveled from Florence to Rome to Venice.

Art historian Norbert Wolf explores the influence of secular and religious patronage on artistic development; how the urban structure and way of life allowed for such a rich exchange of ideas; and how ideas of humanism informed artists reaching toward the future while clinging to the ideals of the past. Insightful, ccessible, and fascinating, this thoroughly researched book highlights the connections and mutual influences of Florence, Rome, and Venice as well as their intriguing rivalries and interdependencies.

About the Author:

Norbert Wolf is an art historian and author based in Munich. He has published several books with Prestel, including "Art Nouveau", "Art Deco", "Impressionism", "Spanish Painting", and "The Golden Age of Dutch and Flemish Painting", as well as monographs on Albrecht Dürer and Titian.