As seen in The New York Times, Architectural Digest, Forbes, ELLE Decoration, and Design Milk. An unprecedented survey of more than 250 architects who continue to define one of the most polarizing yet celebrated of styles

Brutalist architecture inspires a passionate response, be it adulation or contempt. There is no disputing, however, that the style produces some of the world’s most breathtaking buildings. This landmark volume documents the movement as never before, by profiling the architects behind the style.

Featuring more than 250 historic and contemporary architects (organised alphabetically) along with specially selected examples of their work, this book includes international icons alongside those who are less well known or who have for too long been neglected, providing a unique record of this influential global architecture movement. The book includes 350 stunning images of more than 200 iconic Brutalist buildings, alongside fresh and surprising masterworks from 1936 to the present day, creating the ultimate companion to the Brutalist masters.

Featured architects include: John Andrews; João Batista Vilanova Artigas; Lina Bo Bardi; Bogdan Bogdanović; Marcel Breuer; Douglas Cardinal; André-Jacques Dunoyer de Segonzac; Bertrand Goldberg; Ernő Goldfinger; Jadwiga Grabowska-Hawrylak; Agustín Hernández Navarro; John M. Johansen; Louis I. Kahn; Denys Lasdun; Le Corbusier; João da Gama Filgueiras Lima; Alberto Linner Díaz; Owen Luder; Paulo Mendes da Rocha; Oscar Niemeyer; William L. Pereira; Affonso Eduardo Reidy; Paul Rudolph; Moshe Safdie; Alison Smithson; Clorindo Testa; Decio Tozzi; and John Carl Warnecke.

About the Author:

Owen Hopkins is an architectural writer and curator. He is Director of the Farrell Centre at Newcastle University. He is the author and editor of numerous books about architecture, including Postmodern Architecture: Less is a Bore, also published by Phaidon. Hopkins has written widely on architecture for publications including the Independent, Dezeen, Icon, Architectural Review, and Domus.

Concrete architecture from the Alps to the Mediterranean Sea

Containing over 140 exclusive photographs – ranging from private homes to football stadia – across every region of the country, Brutalist Italy is the first publication to focus entirely on this subject.

What makes Italian Brutalist buildings different to their counterparts in other countries? Containing over 140 exclusive photographs – ranging from private homes to churches and cemeteries via football stadia – across every region of the country, Brutalist Italy is the first publication to focus entirely on this subject.

Architectural photographers Roberto Conte and Stefano Perego (authors of Soviet Asia) have spent the past five years travelling over 20,000 kilometres documenting the monumental concrete structures of their native country.

Brutalism – with its minimalist aesthetic, favouring raw materials and structural elements over decorative design – has a complex relationship with Italian history. After World War II, Italian architects were keen to distance themselves from fascism, without rejecting the architectural modernism that had flourished during that era. They developed a form of contemporary architecture that engaged with traditional methods and materials, drawing on uncontaminated historical references. This plurality of pasts assimilated into new constructions is a recurring feature of the country’s Brutalist buildings, imparting to them a unique identity.

From the imposing social housing of Le Vele di Scampia to the celestial Our Lady of Tears Sanctuary, Syracuse – Brutalist Italy collects the most compelling examples of this extraordinary architecture for the first time in a single volume.

With an introduction by Adrian Forty, The Bartlett School of Architecture, University College London.

A landmark survey of one of architecture's most controversial yet popular styles - in a great, new, classic edition

878 Buildings, 798 Architects, 102 Countries, 9 World Regions, 1 Style BRUTALISM

The Brutalist aesthetic is enjoying a renaissance - and this book documents Brutalism as never before. In the most wide-ranging investigation ever undertaken into one of architecture's most powerful movements, more than 850 Brutalist buildings - existing and demolished, classic and contemporary - are organized geographically into nine continental regions.

Much-loved masterpieces in the UK and USA sit alongside lesser-known examples in Europe, Asia, Australia, and beyond - 102 countries in all, proving that Brutalism was, and continues to be, a truly international architectural phenomenon.

Includes twentieth-century masters such as Marcel Breuer, Lina Bo Bardi, Le Corbusier, Carlo Scarpa, Ernö Goldfinger, Frank Lloyd Wright, Louis Kahn, Oscar Niemeyer, and Paul Rudolph. Contemporary architects featured include Peter Zumthor, Alvaro Siza, Coop Himmelb(l)au, David Chipperfield, Diller and Scofidio, Herzog & de Meuron, Jean Nouvel, SANAA, OMA, Renzo Piano, Tadao Ando, and Zaha Hadid.

Atlas of Brutalist Architecture - The New York Times Best Art Book of 2018

From luxury apartment towers to offices, places of worship to museums, Brutalist architecture is having a 21st-century moment — and this book is here to explore the new interpretations of the style.

From luxury apartment towers to offices, places of worship to museums, brutalist architecture is having a 21st-century moment -- and this book is here to explore the new interpretations of the style. Designed with the same bold aesthetic that informed Le Corbusier himself, this book features fifty recent examples of how architects around the world are embracing the principles of brutalism -- simplicity, functionality, and rawness -- reimagining them for today's standards and tastes. Drawing from the radical approach of the controversial architectural movement, today's Brutalist buildings are both sophisticated and elegant. As the hundreds of exterior and interior photos in this book reveal, architects have taken advantage of new technology to make concrete-based structures that are refined and alluring, as well as stylish and modish unlike their predecessors. Each chapter is dedicated to a different type of building and is introduced with a selection of iconic structures as an essential visual reference for Brutalism's new look. In some instances the overall strength of the aesthetic is paired with equally forceful materials such as glass, metal and brick; other examples show how classically brutalist lines are integrated into generously proportioned, light-filled spaces. An informative celebration of Brutalist architecture's legacy, this book is an exciting exploration of how today's most innovative architects are discovering the inherent beauty of powerful concrete volumes that was at the heart of Le Corbusier's original vision.

About the Author:

Agata Toromanoff is an art and design historian. She has worked for art collectors and galleries, and has curated and managed numerous contemporary art projects. She has authored several books on art, design, photography and architecture, including Raising the Roof. Women Architects Who Broke Through the Glass Ceiling.

In recent times, Soviet architecture in Ukraine has been rather in vogue abroad. At home, however, it is a different story: due to various political and economic factors and the stigma that is attached to everything Soviet, many buildings from the Soviet period are not maintained or even destroyed. The Ukrainian authors Alex Bykov and Ievgeniia Gubkina have decided to fight to save modernist architecture. Based on large-scale research, this book offers a rethinking of postwar Soviet architecture, with Bykov’s photographs documenting buildings in their current state and Gubkina’s criticism and analysis giving an unexpected spin on the multi-faceted modernist architectural movement, putting it in its correct global, historical, and political context. Gubkina also offers a revision of the term Modernism, which is most widely used in Ukraine, and the terms brutalism and post-modernist architecture. This lavishly illustrated title leaves us to question whether we should remain neutral to the steady destruction of these urban ruins and the attempt to wipe this legacy from our memory and whether this Soviet past that is portrayed is really past.

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Новая книга «Советский Модернизм. Брутализм. Постмодернизм» стала кульминацией комплексного исследования архитектуры советского модернизма на Украине. Авторы – архитекторы Алексей Быков и Евгения Губкина – посвятили многие годы изучению интернационального стиля. В этом издании они исследуют уникальность модернистских проектов во всех возможных формах (от дизайна интерьера до планировочной структуры города) на всей территории Украины и в течение трех десятилетий. Кроме того, в этой публикации анализируются основные понятия и идеи, фигурирующие в дискуссиях о позднесоветской архитектуре, в которых термин «брутализм» до сих пор понимался как исключительно западное явление.

This is the only book to thoroughly document the world's finest examples of Brutalist architecture. More than 850 buildings - existing and demolished, classic and contemporary - are organized geographically into nine continental regions.

878 Buildings, 798 Architects, 102 Countries, 9 World Regions, 1 Style BRUTALISM

Presented in an oversized format with a specially bound case with three-dimensional finishes, 1000 beautiful duotone photographs throughout bring the graphic strength, emotional power, and compelling architectural presence of Brutalism to life.

From 20th-century masters to contemporary architects, much-loved masterpieces in the UK and USA sit alongside lesser-known examples in Europe, Asia, Australia, and beyond - 102 countries in all.

Twentieth-century masters included in the book: Marcel Breuer, Lina Bo Bardi, Le Corbusier, Carlo Scarpa, Ernö Goldfinger, Frank Lloyd Wright, Louis Kahn, Oscar Niemeyer, and Paul Rudolph.

Contemporary architects featured include Peter Zumthor, Alvaro Siza, Coop Himmelb(l)au, David Chipperfield, Diller and Scofidio, Herzog & de Meuron, Jean Nouvel, SANAA, OMA, Renzo Piano, Tadao Ando, and Zaha Hadid.

Atlas of Brutalist Architecture - The New York Times Best Art Book of 2018

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Посмотреть новое издание книги Atlas of Brutalist Architecture

A collection of previously unpublished postcards from the former Eastern Bloc – sinister, funny, poignant and surreal, they depict the social and architectural values of the period.

Brutal concrete hotels, futurist TV towers, heroic worker statues – this collection of Soviet-era postcards documents the uncompromising landscape of the Eastern Bloc through its buildings and monuments. They are interspersed with quotes from prominent figures of the time, that both support and confound the ideologies presented in the images.

In contrast to the photographs of a ruined and abandoned Soviet empire we are accustomed to seeing today, the scenes depicted here publicise the bright future of communism: social housing blocks, Palaces of Culture and monuments to Comradeship. Dating from the 1960s to the 1980s, they offer a nostalgic yet revealing insight into social and architectural values of the time, acting as a window through which we can examine cars, people, and of course, buildings. These postcards, sanctioned by the authorities, intended to show the world what living in communism looked like.

Instead, this postcard propaganda inadvertently communicates other messages: outside the House of Political Enlightenment in Yerevan, the flowerbed reads ‘Glory to the Communist Party of the Soviet Union’; in Novopolotsk, art school pupils paint plein air, their subject is a housing estate; at the Irkutsk Polytechnic Institute students stroll past a five-metre tall concrete hammer and sickle.

"This book will enable a wider audience to engage with the brutalist architecture of London in a new way through crafting the models with their own hands"  - Norman Foster

In this fun and intellectually stimulating book, readers can recreate a number of London’s most renowned Brutalist buildings. Opening with an informative history of the origins and philosophy of Brutalist architecture, the book then focuses on 9 buildings, including the Barbican Estate, Robin Hood Gardens, Balfron Tower and the National Theatre.

The first part of the book looks at the significance of each of these buildings, with a short chapter on each, complete with texts and images.

The second part of the book consists of a series of 9 push-out and build cardboard models, printed on heavy card stock, that readers can detach and construct with easy-to-follow instructions.

At once fun and informative, this unique book offers a challenging and entertaining approach to architecture.