Искусство

Graffiti goes global in this extraordinary visual document, celebrating this universal art form and phenomenon which today has become an intrinsic part of popular and urban culture.

This outstanding compilation presents the best and most original projects in the field, showcasing the exceptional artwork of an international selection of artists. From innovative masterpieces and drawings to more personal murals and illustrations, 'The Graffiti Wall' showcases a dizzying array of style, techniques and designs from the world's most talented practitioners in street art.

Featuring an eclectic storyboard of quirky characters, urban landscapes, animals, surreal figures and cutting-edge typographic elements, the graffitis in this book serve as a stunning source of inspiration and creative reference to artists and multimedia creatives.

Bursting with examples of the artistic projects and ideas from a new generation of graffiti artists, this fresh and exciting compilation offers a fascinating journey through the urban landscape and an insight into the exciting graffiti scene.

This beautiful volume documents an important moment in the history of the watercolour, as its practitioners moved from the tinted drawings to the creation of fully fledged works of art that rivaled oil paintings in their expressiveness and technical brilliance. With its rolling hills, cloud-laden skies and ever-shifting light, Britain was the perfect setting for such a revolution, as artists packed sketchbooks, brushes and paints, and headed for the countryside. Authors Wilton and Lyles document the evolution of the British watercolour, from the more classically inspired eighteenth-century landscapes to the vivid experiments in Naturalism and Romanticism, with their concomitant studies in light and atmosphere. Over 300 exquisite reproductions allow readers to appreciate the delicate colours and fine lines of these important works, while the authors’ authoritative and eminently readable texts enhance the overall experience of witnessing the birth of an independent medium, and some of the most breathtaking examples of watercolours the world has ever known.

Buxom bombshells. Pictures from an age when eroticism was still innocent

They've been exciting generations of men, on calendars and covers, as centrefolds or even on playing cards: pin-ups. What started as an exercise in oils was soon taken up in various media - pin-up mascots graced the fuselages of American fighters, and became an essential feature of the male world of garages and barracks. And the age of political correctness hasn't ended their appeal.

This book tells the tale of a genre as utterly American as the paintings of Edward Hopper, describing its origins and development in detail and showcasing the most important artists. With over 500 illustrations, The Great American Pin-Up is a comprehensive studies of the genre.

The authors:

Charles G. Martignette was an art dealer and collector of original paintings by 20th century American illustrators and artists. His gallery in Hallandale Beach, Florida, housed the world’s largest collection of commercial illustration art. As of 1975 he published numerous articles about magazine, advertising, calendar, pulp, paperback, glamour and pin-up art. Paintings from his collection have been exhibited at the Smithsonian Institution as well as many other American and European museums. Charles G. Martignette died in 2008 in Hallandale, Florida.

Louis K. Meisel, owner-manager of one of the oldest galleries in New York’s Soho, has published several books and articles on contemporary art. In addition to art, he collects pin-up work.

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Посмотреть книгу  1000 Pin-Up Girls

Посмотреть книгу  Gil Elvgren. The Complete Pin-ups

At a time when music is increasingly being downloaded and uploaded, the art of packaging music is being lost. For the past five decades musicians have displayed their work inside packages that were often as integral as the music itself.

This book brings together 250 of the greatest album covers of all time and is arranged chronologically, beginning in 1956. There is a 50-strong judging panel selecting the final 250 entries, those judges having been drawn from the great and the good of the music industry. The panel includes famous designers, musicians, producers and record company executives whose reasons for choosing covers will accompany the illustration of the sleeve.

From rock ''n'' roll to pop, R&B to jazz, blues and even folk some of the album covers included are obvious and essential to such a volume, while others will surprise readers and jog memories. The chosen entries might not necessarily be of a best-selling release, but they will be important artistically, stylistically or culturally.

This book will undoubtedly be an object of discussion and argument for music fans the world over.

About the Author

Miles has written several seminal books on the Beat generations, including biographies of Ginsberg, Burroughs and Kerouac, and in October 2002 published his memoirs of the decade titled In The Sixties (Jonathan Cape). He is the author of the best selling Hippie (Cassell Illustrated, 2003). Grant Scott has art directed several leading magazines, including Tatler and English Elle, and has worked with photographers such as William Klein, Jean Loup Sieff, David Bailey and Don McCullin. Choosing to move behind the camera lens, Scott was winner of the John Kobal Portrait Awards 2000 and has been exhibited at the National Portrait Gallery.

This elegant book features exquisite reproductions of a rare 17th-century album of floral illustrations.

Very little is known about The Green Florilegium. Neither signed nor dated, it is generally attributed to the German painter Hans Simon Holtzbecker and originates from the library at Gottorp Castle in Schleswig, on the border of Germany and Denmark. The album now resides at the Statens Museum for Kunst in Copenhagen. Recently the book was painstakingly restored, allowing the delicate illustrations to come to a new life in their original colours. This beautiful volume reproduces the original work of 400 botanical illustrations on 178 plates. It also includes an introductory essay and captions with basic information on each flower. Published for the first time, this lovely book is a must-have for lovers of botanical illustration and a sublime example of the art of conservation.

Die Entdeckung eines botanischen Meisterwerkes

Das Grüne Florilegium ist ein herausragendes Werk der Blumen- und Pflanzenmalerei. Erstmals wird dieser hinreißende Schatz botanischer Kunst präsentiert – in einer edel ausgestatteten Prachtausgabe mit hochwertigen Reproduktionen in nahezu Originalformat.
Das Florilegium stammt aus dem 17. Jahrhundert und umfasst 178 Tafeln mit ca. 400 botanischen Motiven, die in Lebensgröße und mit außerordentlicher Präzision gemalt wurden. Die künstlerisch erstklassigen Gouachen auf Pergament zeigen blühende Pflanzen im Jahreslauf, darunter botanisch exakte Abbildungen von Rosen, Tulpen, Narzissen und Lilien. Weder signiert, noch datiert, wird es Hans Simon Holtzbecker (1649–1671) zugeschrieben, einem der bedeutendsten Blumenmaler, der auch den berühmten Gottorfer Codex geschaffen hat. Das Florilegium befindet sich im Besitz des Statens Museum for Kunst in Kopenhagen, wo es über mehrere Jahre hinweg aufwendig restauriert wurde und jetzt endlich wieder in vollem Glanz erstrahlt.

The Book That Changed the World. A complete reprint of the revolutionary Gutenberg Bible “B42”

The printing press has been called the greatest invention of the second millennium. Published in Mainz around 1454, the Gutenberg Bible was the first major Western publication to be printed with movable metal type, ushering in a whole new age of knowledge distribution through mass-produced books.

Before Gutenberg, woodcut printing and early forms of movable type printing had been mastered in Asia, but had yet to reach Europe. Instead, each book had to be copied by hand in a long, labor-intensive process. Not only did Gutenberg’s innovation of mechanical movable type significantly speed up production without sacrificing quality, it irreversibly enriched public knowledge, pioneering mass communication and allowing people to access ideas and participate in discussions like never before. When it comes to radical revolutions in media, the Gutenberg Bible is up there with the Internet.

This facsimile edition derives from one of the very few surviving complete vellum Latin originals worldwide; the Göttingen Library edition, one of the most valuable books in the world, listed in the UNESCO Memory of the World program. All 1,282 pages of this artistic and technological masterwork are included, along with a companion book written by Stephan Füssel, Gutenberg-Chair at Mainz University, introducing Gutenberg, his transformative influence, and two important documents of the time: the Göttingen Model Book which was used to illuminate the Göttingen Library edition and the only surviving notary document by Ulrich Helmasperger, which records the history of this unique invention and its product, the Gutenberg Bible.

The author:

Stephan Füssel is director of the Institute for Book Studies at the Johannes Gutenberg University in Mainz, and holder of the Gutenberg Chair at the same university. He has published prolifically on the early days of printing, the sale and publication of books between the 18th and 20th centuries, and the future of communications.

"After the face, the hand is the part of the human body which is the most independent, the most distinctive and the most particular. (...) Hands in painting - whether they be lyrical, delicate, lively and alert, or else violent, nervy and tragic - are never mere details, as can be seen in these drawings, but are focal points which contain and distribue the energy of a picture. "
Jean-Christophe Bailly

Chosen by Jean-Christophe BAILLY, 101 sketches, studies, paintings, watercolours by Léonard de VINCI, PICASSO, del SARTO, MICHELANGELO, RAFFAELLO, DÜRER, HOLBEIN, RUBENS, VAN DYCK, WATTEAU, TIEPOLO, INGRES, GERICAULT, DELACROIX, MILLET, MENZEL, SCHIELE... Most of them are full-page.

A sumptuously illustrated history of the Eternal City — the capital of Italy and world art — as captured by painters from Antiquity through the twentieth century.

Traditionally founded by its namesake Romulus in 753 BC, Rome began modestly, as a little village of thatched huts on the Palatine Hill. By the third century BC, it controlled the entire Italian peninsula, and by the first century BC, much of the known world. Rome’s fortunes have stumbled more than once since then — indeed, there have famously been times when cows grazed on the Forum — but it has always reemerged as a leading city, thanks to its status as the seat of Christendom. Through the centuries, artists from all over Europe have been drawn to Rome, both to work in the service of the Church and to learn from the accumulated masterpieces.

This luxuriously oversized book uses Rome’s artistic riches to chronicle the eventful history of the city itself. We are shown the customs and beliefs of the ancient Romans through their own frescoes and mosaics, and their greatest deeds in the history paintings of later masters such as Poussin and David. We follow the fitful rise of Rome, which eventually blossoms forth into the supreme achievements of Michelangelo and Raphael. With eyes uplifted to frescoed vaults, we watch the great decorators of the Baroque add to the city’s store of monuments, which are then deftly — and sometimes quite imaginatively — recorded by the vedutisti of the eighteenth century. Finally, in canvases by a surprising range of nineteenth- and twentieth-century artists — from Sargent to de Chirico, and even de Kooning — we see Rome in its role as the capital of a unified Italy, and of the modern Western imagination.

With its more than three hundred full-color illustrations, including four spectacular gatefolds; its insightful text, written by leading art historians; and its valuable apparatus, including capsule biographies of 175 artists; The History of Rome in Painting is an important achievement in scholarship and publishing and a fitting tribute to the Eternal City.

A richly illustrated and extremely enjoyable reference book on the historical evolution of the nude.

From the Palaeolithic Great Mothers to the Greek athletes, from the Venus of Urbino by Titian to Leonardos Virtuvian Man, from the Odalisque by Boucher to those by Ingres, to the amazons of Helmut Newton and the desolate lifeless bodies of Andres Serrano, the nude is the theme of artistic representation par excellence.

The nude body as the incarnation of perfect beauty and the suspicions concerning its sensuality imposed by Christian culture; the renewed triumph of ancient beauty in the Renaissance and the study of anatomy; the visual licentiousness of the 18th century and the photographic nude; ideal beauty, eroticism, pornography; the nude also as a representation of the ugly and its flaunted truthfulness in the art of the 20th century; the nude that itself becomes a work of art in the avant-garde of the post-WWII period, with performance, body art and experimental theatre.

These are the threads of the narration all conducted around a rich apparatus of images.

After Art of the Twentieth Century, published by Skira in four languages in 2009, Flaminio Gualdoni has now created a richly illustrated new reference book that is also extremely enjoyable to read.

The British Museum’s collection of watches is unsurpassed anywhere in the world. With examples ranging from sixteenth-century early stack freed watches (the first with built-in mechanisms to prevent them from running faster as their mainsprings wound down) to decorative watches of the seventeenth century, from precision-made chronometers of the eighteenth and nineteenth centuries to mass-produced watches of the modern era, the collection follows the complete history of the watch through an incredible 500 years.

Strikingly illustrated with 250 colour images, this authoritative compendium presents that history with a range and depth unequalled by any other book. All the major makers of Europe and America are represented in its pages, many with multiple examples. Here you will find gems from the London workshops of Thomas Tompion, whose reputation stretched far and wide even in his own time; samples from the craftsmanship of Swiss-born Abraham Louis Breguet, who supplied the finest and costliest watches to the crown heads and aristocratic families of the Western world; and many other exquisite masterworks. Saul Peckham’s photography captures every finely-wrought detail, from the ornamentation of faces to the precision and intricacy of gears. An essential volume for horologists, collectors, and aficionados alike, The History of Watches will take you on a fascinating journey through time as recorded by the world’s most illustrious timepieces.

Of all man’s fellow-creatures, the horse, with its inherent grace, intelligence and courage, has inspired the strongest feelings of empathy – an affinity reflected in more than 30,000 years of artistic representation. This unabridged compact edition of Tamsin Pickeral’s stunning history of the horse in art documents the creative journey from prehistoric cave painting to the war horses of Uccello, the elegant portraits of Stubbs and the enigmatic prints of Elisabeth Frink. It explores the role of the horse in Eastern imagery and in myth and legend; as a symbol of power and an ally in war; as the subject of anatomical scrutiny; and as the emblem of sporting prowess. Profusely illustrated throughout, the book sheds particular light on man’s relationship with the horse, and on the story of equine evolution from the stocky primitive to today’s glamorous thoroughbred.

A new compact edition of an acclaimed exploration of equine art from prehistory to the present day
Extended captions offer riveting insights into each work of art and the breeds depicted
Features more than 250 beautiful illustrations by such major artists as Van Dyck,Velázquez, Stubbs and Marc

This provocative book brings back to life 40 wonders of the art world that will never be seen again.

Spanning centuries and encompassing a variety of masterpieces — from paintings on canvas and cave walls to structures and jewelry — this fascinating compendium of »lost art« takes readers on a historic journey and explores how and why art can disappear from our lives. Some works are simply missing, such as da Vinci’s "Leda and the Swan" or the Romanov jewels. Others were intentionally transformed, such as Robert Smithson’s "Spiral Jetty", or destroyed, like the Buddhas of Bamyan. Some pieces are hidden away, such as the paintings at Lascaux or frescoes from the Pompeiian house of Marcus Lucretius. Others were stolen, including a Stradivarius violin, Jackson Pollock’s "Springs Winter", and Caravaggio’s "Nativity".

However they disappeared from view, these works represent significant gaps in art history. Fortunately for us, many exact replicas or studies for these pieces exist, while others were photographed before their destruction. Working with the latest research and documentation, author Céline Delavaux brings each lost piece back to life through illuminating text and helpful illustrations. Assembled together in this elaborate and informative volume, these works comprise their own unique "museum" — a place readers will be certain to visit again and again.

On November 24, 2008 The Ingmar Bergman Archives editors Paul Duncan and Bengt Wanselius won the August Prize 2008 for the Best Non-Fiction Book published in Sweden. This is the most prestigious literary prize in Sweden, voted for by booksellers and librarians throughout the country.

The complete works of Ingmar Bergman: an homage to one of the most esteemed film and theater artists of all time, began in cooperation with Bergman himself and made with full access to his archives

Since 1957, when he released The Seventh Seal and Wild Strawberries, Ingmar Bergman has been one of the leading figures in international cinema. In a career that spanned 60 years, he wrote, produced, and directed 50 films that defined how we see ourselves and how we interact with the people we love, in films like Persona, Scenes from a Marriage, and Fanny and Alexander.

Before his death in 2007, Bergman gave TASCHEN and the Swedish publishing house Max Ström complete access to his archives at The Bergman Foundation, and permission to reprint his writings and interviews, many of which have never been seen outside of Sweden. Picture researcher Bengt Wanselius, who was Bergman’s photographer for 20 years, scoured photo archives all over Sweden, discovered previously unseen images from Bergman’s films, and selected unpublished images from the personal archives of many photographers. Text editor Paul Duncan gathered a team of Bergman experts as contributing editors - Peter Cowie and Bengt Forslund (for film/TV), and Ulla Åberg & Birgitta Steene (for theater) - who have researched and written a narrative that, for the first time, will combine all of Bergman’s working life in film and theater. Such is the depth of Bergman’s writings that most of the story is told in his own words. This book also features a new introduction by Bergman’s close friend, actor and collaborator Erland Josephson, as well as a DVD full of rare and previously unseen material, and an original film strip from Fanny and Alexander.

The publishers have been given complete access to the files and archives of the Swedish Film Institute, Svensk Filmindustri, Sveriges Television, and the Royal Dramatic Theater, as well as many other institutions, publishers, and newspapers, making this not only the most complete book ever published on Ingmar Bergman, but also about an individual director.

Special bonuses

* an original film strip from a copy of Fanny and Alexander (1982) that has been played on Bergman’s own film projector.
* a DVD containing over 110 minutes of new and rare documentary footage: Bergman’s On Set Home Movies (18 mins, with commentary by Marie Nyreröd); Behind the scenes of Autumn Sonata (20 mins); An Image Maker (32 mins), behind the scenes of The Image Makers by Bengt Wanselius; and A Video Diary of Saraband (44 mins), assistant director Torbjörn Ehrnvall’s video diary from Bergman’s last film, in which Bergman talks about his life and work.

The art critic and historian Carl Einstein (1885-1940) was one of the most important and multifaceted personalities of the 20th-century artistic avant-garde. His books, articles and essays were fundamental pieces for the critical study of the avant-garde movements; in them he introduced the West to African art and ratified Cubism as a movement in its own right. His intellectual oeuvre, rediscovered in recent decades, is now paid tribute at the MNCARS. This is the first international exhibition to offer a visual description of the work of Einstein, a key figure in visual arts as well as literature, theatre, film and political action.The Invention of the 20th Century shows significant works by the most important artists of the avant-garde movements, whom Einstein knew and on whose careers he reflected and wrote. The one hundred and twenty pieces on display are signed by names like Braque, Dalí, Grosz, Léger, Miró, Picasso, Rousseau, Paul Klee and Otto Dix, to name a few.

В этой книге широко представлена одна из самых ярких страниц истории мирового искусства - Итальянский Ренессанс. Итальянский Ренессанс - это эпоха безмерного взлета творческой фантазии, невиданной прежде свободы человеческого гения, равно гармонично покорявшего все области доступной ему деятельности - архитектуру, скульптуру, живопись.

В период раннего Возрождения сосредоточившиеся и вскормленные во Флоренции и Италии искусство и культура претерпели радикальное обновление, которое постепенно распространилось по всей Европе различными средствами и стилистическими проявлениями. Возрождение основывалось на обновленном интересе к Древнему миру - от философии до литературы, от мифологии до изобразительного искусства, - неоплатонической философии и гуманизму. Научные интересы включали познание природы и человека, в том числе, его анатомии, и поиск новых технологий. Гармоничное сочетание основных искусств вырастало над уровнем механического воспроизведения, чтобы превратиться в свободное выражение теперь уже консолидированных интеллектуальных прерогатив мастера. Перечень великих имен, которые сделали этот художественный период таким плодотворным включает Мазаччо, Брунеллески, Леонардо, Микеланджело и Рафаэля.

Содержание:

Архитектура во Флоренции и Тоскане ........................4
Архитектура в Северной Италии................................50
Архитектура в Центральной и Южной Италии.........108
Скульптура во Флоренции и Тоскане .......................144
Скульптура в Северной Италии.................................224
Скульптура в Центральной и Южной Италии...........260
Живопись во Флоренции и Тоскане...........................292
Живопись в Северной Италии...................................388
Живопись в Центральной и Южной Италии..............502