Искусство

Shaken, not stirred. The ultimate book on all things Bond

"Bond, James Bond." Since Sean Connery uttered those immortal words in 1962, the most dashing secret agent in the history of cinema has been charming and thrilling audiences worldwide. This impeccably British character created by author Ian Fleming has starred in 23 EON-produced films, played by 6 different actors over five decades.

To celebrate 50 years of this innovative franchise, EON Productions opened their archives of photos, designs, storyboards, and production materials to editor Paul Duncan, who spent two years researching over one million images and 100 filing cabinets of documentation. The result is the most complete account of the making of the series, covering every James Bond film ever made, beginning with Dr. No (1962) and ending with Skyfall (2012), including the spoof Casino Royale (1967) and Never Say Never Again (1983).

The stunning imagery is accompanied by an oral history recounted by over 150 cast and crew members, relating the true inside story of how the Bond films were made. Containing previously unpublished photography and artwork, as well as production memos from filming, this book is a comprehensive tribute to the legend of James Bond

- Celebrating the 50th anniversary of the most successful and longest-running film franchise in cinema history!
- Made with unrestricted access to the Bond archives, this XL tome recounts the entire history of James Bond in words and pictures
- Among the 1,100 images are many previously unseen stills, on-set photos, memos, documents, storyboards, posters, and designs, plus unused concepts, and alternative designs
- Behind-the-scenes stories from the people who were there: producers, directors, actors, screenwriters, production designers, special effects technicians, stuntmen, and other crew members
- Includes every Bond film ever made, from Dr. No (1962) to Skyfall (2012)

The great improvisational American jazz musicians of the mid-20th century inspired a generation of photographers to develop a looser, moodier style of visual expression.

Covering six decades of performers -- from Louis Armstrong and Duke Ellington to John Coltrane and Miles Davis -- this unique collection is as much a comprehensive catalogue of jazz greats as it is a salute to the photographers who captured them. The images here provide a simultaneous look at jazz, photography, and America from 1935 into the 1990s with images of jazz legends such as:

Charlie Parker
Sonny Rollins
Dizzy Gillespie
Ella Fitzgerald
Louis Armstrong
Jon Faddis
Miles Davis
John Coltrane
Wallace Roney
Charles Mingus
And more!

About the Author:

Lee Tanner, a leading authority on jazz photography, has selected works -- by such noted jazz photographers as Herman Leonard, Bob Willoughby, Milt Hinton, and Bill Claxton--that are iconic, candid, explosive, and intimate.

In 2004, Tanner received the Lona Foote-Bob Parent Award for Excellence in Photography from the Jazz Journalists Association. In 2010, he was presented with the prestigious Lucie Award for Achievement in Documentary. The Lucie Awards are given annually to honor the work of master photographers. His curation makes this one-of-a-kind coffee table book of jazz photography a must-have addition to any jazz aficionado's library and the perfect gift for any fan.

In 1957, Eugene Smith, a thirty-eight-year-old magazine photographer, walked out of his comfortable settled world - his longtime well-paying job at Life and the home he shared with his wife and four children in Croton-on-Hudson, New York - to move into a dilapidated, five-story loft building at 821 Sixth Avenue (between Twenty-eighth and Twenty-ninth streets) in New York City’s wholesale flower district. Smith was trying to complete the most ambitious project of his life, a massive photo-essay on the city of Pittsburgh.

821 Sixth Avenue was a late-night haunt of musicians, including some of the biggest names in jazz - Charles Mingus, Zoot Sims, Bill Evans, and Thelonious Monk among them - and countless fascinating, underground characters. As his ambitions broke down for his quixotic Pittsburgh opus, Smith found solace in the chaotic, somnambulistic world of the loft and its artists. He turned his documentary impulses away from Pittsburgh and toward his offbeat new surroundings.

From 1957 to 1965, Smith exposed 1,447 rolls of film at his loft, making roughly 40,000 pictures, the largest body of work in his career, photographing the nocturnal jazz scene as well as life on the streets of the flower district, as seen from his fourth-floor window. He wired the building like a surreptitious recording studio and made 1,740 reels (4,000 hours) of stereo and mono audiotapes, capturing more than 300 musicians, among them Roy Haynes, Sonny Rollins, Bill Evans, Roland Kirk, Alice Coltrane, Don Cherry, and Paul Bley. He recorded, as well, legends such as pianists Eddie Costa, and Sonny Clark, drummers Ronnie Free and Edgar Bateman, saxophonist Lin Halliday, bassist Henry Grimes, and multi-instrumentalist Eddie Listengart.

Also dropping in on the nighttime scene were the likes of Doris Duke, Norman Mailer, Diane Arbus, Robert Frank, Henri Cartier-Bresson, and Salvador Dalí, as well as pimps, prostitutes, drug addicts, thieves, photography students, local cops, building inspectors, marijuana dealers, and others.

Sam Stephenson discovered Smith’s jazz loft photographs and tapes eleven years ago and has spent the last seven years cataloging, archiving, selecting, and editing Smith’s materials for this book, as well as writing its introduction and the text interwoven throughout.

W. Eugene Smith’s Jazz Loft Project has been legendary in the worlds of art, photography, and music for more than forty years, but until the publication of The Jazz Loft Project, no one had seen Smith’s extraordinary photographs or read any of the firsthand accounts of those who were there and lived to tell the tale(s) . . .

The great 19th-century French jewelers, Boucheron, Chaumet, and later Lalique, excelled in adapting flowers, trees, and fruits into wonderfully imaginative – and highly collectible – bracelets, brooches and necklaces.

The legendary 20th-century firms Van Cleef & Arpels, Bulgari and Belperron also created memorable jewels emulating nature, as did American jewelers such as Seaman Schepps, Oscar Heyman & Brothers, David Webb and Verdura.

Their ingenuity has in turn inspired the designs of our own time, including Mughal-influenced pieces by Joel Arthur Rosenthal, Stefan Hemmerle’s playful ferns and mushrooms, and Jacqueline Karachi-Langane’s cascading orchid necklace for Cartier.

The 375 stunning illustrations make this a collector's piece in itself.

The late nineteenth and early twentieth centuries were a time of particular elegance and extravagance for the Tsars and the wealthy families with whom they were linked.

Nowhere are their lavish tastes more apparent than in the imperial jewels.

Every jewel tells a story. Through his work at Sotheby's and Christie's and his own extensive research, Stefano Papi has spent years unravelling the mysteries of Russian imperial jewelry.

The Romanovs ruled Russia from 1613 to 1917, when the Revolution brought their reign to an abrupt end. Images of the Romanovs and their world are matched with the jewelry itself, offering previously unpublished insights into its character and how (and by whom) it was worn, and bringing it to life. Papi identifies pieces with little or unknown provenance, and he uncovers the fascinating stories behind the jewels and the people who wore them.

He takes us through the golden years, and after the Revolution, he follows the survivors and their jewelry in European courts and in Paris, where many exiles sought refuge. The book closes with the post-war years, in the 1930s.

What has given the Jewish people their resilience, their power of survival, and their ability to adapt to radically new conditions without losing their identity? What combination of religious faith, social organization, intellectual toughness, and poetic imagination constitutes Jewishness? Eighteen eminent scholars address these questions in this richly illustrated survey of Jewish history from its earliest days to the foundation of Israel. Equal weight is given to Judaica and to the ways in which Judaism has coped with the challenges of modernity. This unparalleled work of scholarship is enhanced throughout by a plethora of superbly reproduced illustrations, from manuscript illuminations and liturgical objects to medieval prints and popular art.

This charming homage to the kiss features artistic depictions of love in iconic works of painting, sculpture, and photography.

The most eloquent silence; that of two mouths meeting in a kiss. Whether delicate and tender or passionate and intense, the kiss transcends time, cultures, moral boundaries, and sometimes even life itself.

Although undoubtedly the art worlds best known contributors, Rodin and Klimt are certainly not the only artists to have dedicated their work to this theme. A symbol of passion, but equally of transgression and death, the kiss has been widely depicted throughout the history of art.

Found in decorative patterns dating from the antiquities and in the most diverse forms of contemporary art alike, it represents one of the greatest legendary motifs. The kiss is hardly ever depicted without a subtext, and this work explains the ardent undertones of some 200 of the worlds greatest masterpieces: Hayez's medieval kissers clutched in a stormy embrace; Klimt's iconic symbolist painting; Picasso's ethereal cubist couple; Rodin's exquisite sculpture depicting Dante's infamous Paolo and Francesca; Brancusis abstract statue of two unidentified figures; or Andy Warhol's celebrated film of kisses shared by couples of all orientations.

This handsome volume, featuring stunning reproductions of the works explored, spans the ages, demonstrating how the concept of the kiss is common to all humanity. Renowned essayist Serge Bramlys erudite text is analytical and evocative, and is enriched with both scholarly descriptions and poetic anecdotes.

The radiant and beloved masterworks of leaded glass from the Gilded Age. Louis C. Tiffany’s intricate and brilliantly colored masterpieces have captivated collectors for decades, and continue to inspire crafters who re-create them in home workshops today. This collection showcases eighty of the firm’s most iconic lamps, including rare and one-of-a-kind creations. These examples have all been newly photographed in sumptuous detail to reveal features in the glass and metalwork that have never been seen before in print. Intricate patterns dazzle with kaleidoscopic fantasies: wisteria that twists and curls with grace, peonies that explode with color, and dragonflies that dance with the light. Uniting a reverence for nature and a fascination with the artistic potential of glass, Louis C. Tiffany and his designers created a revolutionary design aesthetic that brought the beauty of the natural world into the home. This book explores Tiffany Studios’ innovative adaptation of electric light: sheathing the incandescent light bulb in a shimmering veil of leaded glass. Beautifully designed and produced in an intimate format, The Lamps of Tiffany Studios presents a jewel-box package that makes the perfect gift for any art lover.

About the Author:

Margaret K. Hofer is vice president and museum director at the New-York Historical Society, where she has been a curator for more than two decades. She cocurated the groundbreaking 2007 exhibition and publication A New Light on Tiffany: Clara Driscoll and the Tiffany Girls, which revealed previously unrecognized achievements of Tiffany Studios’ women designers. The New-York Historical Society holds one of the largest collections of Tiffany lamps in the world. Rebecca Klassen is an assistant curator at the New-York Historical Society.

This Royal Collection contains one of the finest and most varied collections of Old Master paintings in the world. In this major new catalogue Sir Christopher White presents 147 works by a number of Flemish artists who were active principally in the seventeenth century. No catalogue of this area of the Collection has until now been available. The catalogue opens with a detailed account of the growth of the collection from the early Stuarts to the reign of Queen Victoria. Particular attention is given to Charles I's close relations with Rubens, and since later members of the royal family also made important acquisitions, the full range of Rubens' practice is covered by the catalogue: there are works entirely by his hand as well as works carried out with known collaborators or with the help of his studio.An outstandingly good group of genre paintings by David Teniers the Younger many acquired by George IV is examined and illustrated, and paintings by Jan Brueghel, Gonzalez Coques, Frans Francken, Frans Snyders, Karl Philips Spierincks and Jan Wildens round out the collection.

Definitive in its scholarship and thrilling in its scope, this lavishly illustrated volume offers the first book-length study of Luca Signorelli (1450-1523), sometimes described as the "least-known major artist" of the Renaissance. Twenty years of painstaking archival research have produced this portrait of Signorelli in public and private life - an adventurous painter who believed art was divinely inspired, and an affectionate family man who participated energetically in public life.

In his paintings - of which the Last Judgement in Orvieto cathedral is his undisputed masterpiece - Signorelli integrated his observations of daily life with a fresh and sensitive approach to representing religious subjects. A student of Piero della Franscesca, Signorelli's work and influence carried over into the early 16th century, though he was ultimately eclipsed by his friends Raphael and Michelangelo.

Signorelli's work is represented in museums around the world, and this book now offers new audiences and scholars a complete picture of one of the Renaissance's most significant and intriguing artists.

135 illustrations

J.M.W. Turner was arguably the greatest landscape and marine painter ever. His output was prodigious: some five hundred and fifty oil paintings, over two thousand highly detailed and finely finished watercolours, and almost twenty thousand sketches, studies and rough watercolours. He excelled in every branch of landscape and marine painting, from elaborate history pictures and idealised scenes in the classical tradition, to tiny, jewel-like watercolours of contemporary life on land and sea made for subsequent engraved reproduction. This book takes us on a grand tour of the artist’s works.

The Author
Eric Shanes is a leading authority on J.M.W. Turner, and is himself a painter. He was the founding Editor of Turner Studies, a journal published by the Tate Gallery, London. He is a Vice- President of the Turner Society, and is currently its Chairman. He organised the Turner: The Great Watercolours exhibition held at the Royal Academy of Arts in London to commemorate the 150th anniversary of the death of the painter in 2000-2001.
Eric Shanes has also written best-selling books on Constantin Brancusi, Salvador Dalí, David Hockney, Warhol and Pop Art and on the Impressionists in London. He has published widely on contemporary art issues, and is much in demand as a lecturer on art all over the world.

J.M.W. Turner was arguably the greatest landscape and marine painter ever. His output was prodigious: some five hundred and fifty oil paintings, over two thousand highly detailed and finely finished watercolours, and almost twenty thousand sketches, studies and rough watercolours. He excelled in every branch of landscape and marine painting, from elaborate history pictures and idealised scenes in the classical tradition, to tiny, jewel-like watercolours of contemporary life on land and sea made for subsequent engraved reproduction. This book takes us on a grand tour of the artist’s works.

In the Spring of 2008 and following the model from the previously realized cycle dedicated to John Cage, the Casa Encendida presents The Limits of Composition?, a cycle dedicated to what is known as North American Minimalism in which reunites some of the most innovative contemporary compositors: Ferry Riley, Alvin Lucier, Alvin Curran, Gordon Mumma y Christian Wolf,, together with the work of Cornelius Cardew. During one week, from the hands of these illustrious followers of the "Cagian" exposition, one was able to enjoy his compositions and interpretations, as well as share his reflections on the future of music and a look at what is presently projected over his respective trajectories.As an object apart this publication includes a CD that takes a selection of the recordings realized during the concerts, an unique soundtrack filled with the same natural air of the music which protaganized this cycle. The CD is a complete summary of all the works presented in the concerts, as well as biographical outline of the composers and interpreters of which accompanied the distinct journies

The Charlatans' Tim Burgess invites you to the greatest listening party of all time.

In 2020 when the world was forced to hit pause on live in-person gigs, Tim Burgess found an ingenious way to bring people together by inviting artists and bands, from Paul McCartney and New Order to Michael Kiwanuka and Kylie, to host real-time album playbacks via Twitter.

Relive 100 of the most memorable listening parties here with stories from bands and fans, rarely seen backstage images, and unique insider info from those who created these iconic albums.

"Hey Twitter, let's all say a big thanks to Tim for these brilliant events this year! We really needed them. So much great music being talked about.'" - Sir Paul McCartney
"Twitter being used for something really positive." - Mary Beard

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Пролистать книгу The Listening Party: Artists, Bands And Fans Reflect On 100 Favourite Albums на Google Books

The loggia, or colonnaded porch, on the second story of the Apostolic Palace is one of the Vatican’s most remarkable art treasures; its decoration, designed by Raphael (1483-1520) and executed by his workshop in 1517-19, epitomizes the spirit of the Italian Renaissance in its synthesis of Christian and classical themes. The thirteen square vaults of Raphael’s loggia each contain four frescoes of scenes from the Bible, from the Creation to the Last Supper. Meanwhile, the plasterwork of the other architectural elements is decorated with “grotesques” - fanciful arabesques enlivened with a wide variety of human and animal figures - modeled after ancient Roman wall paintings.

This groundbreaking study of Raphael’s loggia, the first to be published in English, has four parts. The first and second concern the grotesques and the scenes from the Bible, respectively, while the third examines the lives and artistic styles of the members of Raphael’s workshop who worked with him on the loggia. The fourth part traces the loggia’s enduring influence: the grotesque ornamental style elaborated by Raphael has been imitated as far afield as the corridors of the United States Capitol, and the Bible scenes served as influential models for popular prints. Illustrated throughout with newly commissioned color photographs, this book reaffirms the central importance of Raphael’s loggia to the history of art.