Искусство

Brilliance in a Bowler Hat. Delving into the archives of slapstick genius

Within a year of arriving in Hollywood in 1914, British-born Charlie Chaplin had become the slapstick king of America. By the end of his second year on the silver screen, Chaplin’s fame had spread worldwide. He was the first international film star and rapidly one of the richest men in the world, with a million-dollar contract, his own studio and his stock company of close collaborators. From Alaska to Zimbabwe, the bowler hat, cane, baggy trousers and outsized shoes of the Tramp became, and remains, an instantly recognizable silhouette.

With unrestricted access to the Chaplin archives, TASCHEN presents the ultimate book on the making of every one of his films. With 900 images, including stills, memos, storyboards and on-set photos, as well as interviews with Chaplin and his closest collaborators, it reveals the process behind the Chaplin genius, from the impromptu invention of early shots to the meticulous retakes and reworking of scenes and gags in his classic movies: The Kid (1921), The Gold Rush (1925), The Circus (1928), City Lights (1931), Modern Times (1936), and the provocative Hitler parody The Great Dictator (1940).

The book includes:

- The Chaplin life history in words and pictures
- 900 images including many previously unseen stills, on-set photos, memos, documents, storyboards, posters, and designs, plus scripts and images for unmade films
- An oral history, told from the point of view of Chaplin himself, drawing upon his extensive writings, many of which have never been reprinted before.
- Supplementary interviews with some of his closest collaborators.
- Material from over 150 books of press clippings in Chaplin’s archives, which range from his early days in music halls to his death
- Chaplin’s short films, from Making a Living (1914) to The Pilgrim (1923), as well as all of his feature-length movies, from The Kid (1921) to A Countess from Hong Kong (1967)

The editor:

Paul Duncan is a film historian whose TASCHEN books include The Star Wars Archives, The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, and Horror Cinema, as well as publications on film directors, film genres, and movie stars.

Images and documents from the Chaplin Archives, © and/or Property of The Roy Export Company Ltd., scanned by Cineteca di Bologna

An excitingly designed, lively, year-by-year history of people and events, covering the whole history of jazz music and its personalities for over 100 years.

The book features many rare images, an accessible, wide-ranging text and an extensive reference section including biographies (from Ammons to Zorn), a list of international Jazz Festivals and events and a carefully selected discography.

A year-by-year history of the people and events which shaped the evolution of jazz from its roots in Africa and the southern United States to the myriad urban styles heard around the world today

Updated and Revised Edition

The Chronicle of Jazz tells the whole story of jazz music and its personalities, a story rich with innovation, experimentation and controversy. Beginning at the dawn of the twentieth century, the book charts the evolution of jazz from its roots in Africa and the southern United States to the many styles heard around the world today, and looks closely at how jazz has influenced, and been influenced by, other musical and artistic forms.

It features hundreds of illustrations and rare images, from record-cover artwork to pictures of live performances, and is accompanied by an accessible and wide-ranging text that turns music into words and histories into living images. Each chronologically arranged section contains special features, on topics ranging from the bossa nova craze to jazz in Paris, personality sketches and seminal gigs and albums.

This is a vibrant celebration of imaginative and enduring music and is a rich resource for both jazz aficionados and all music lovers.

Contents List:

1895–1916: Origins • 1917–1929: From New Orleans to the East Coast • 1930–1945: Swing • 1946–1958: Style and Idea • 1959–1969: The Birth of Modern Jazz • 1970–1999: Innovation and Reaction • 2000–: Millennium Blues • Reference

About the Author:

Mervyn Cooke is Professor in Music at the University of Nottingham. Among his other books are The Cambridge Companion to Jazz, The Hollywood Film Music Reader, The Cambridge Companion to Twentieth-Century Opera, Letters from a Life: The Selected Letters of Benjamin Britten, A History of Film Music and The Cambridge Companion to Benjamin Britten.

During its heyday one hundred years ago, the American circus was the largest show-biz industry the world had ever seen. From the mid-1800s to mid-1900s, traveling American circuses performed for audiences of up to 14,000 per show, employed as many as 1,600 men and women, and crisscrossed the country on 20,000 miles of railroad in one season alone. The spectacle of death-defying daredevils, strapping super-heroes and scantily-clad starlets, fearless animal trainers, and startling freaks gripped the American imagination, outshining theater, vaudeville, comedy, and minstrel shows of its day, and ultimately paved the way for film and television to take root in the modern era. Long before the Beat generation made “on the road” expeditions popular, the circus personified the experience and offered many young Americans the dream of adventure, reinvention, and excitement.

With 670 pages and nearly 900 color and black-and-white illustrations, this book brings to life the grit and glamour behind the circus phenomenon. Images include photographic gems by key early circus photographers such as Frederick Whitman Glasier and Edward Kelty, about 180 of the earliest color photographs ever taken of the circus from the 1940s and 1950s, 200 posters by the famous Strobridge lithographers, iconic circus photographs by Mathew Brady, Cornell Capa, Walker Evans, Weegee, Lisette Model, and little-known circus images by Stanley Kubrick and Charles and Ray Eames; also included are rare color and black-and-white lithographs and engravings from the 16th–19th centuries illustrating the worldwide roots of the circus, as well as original sideshow banners by legendary sideshow banner artists Nieman Eisman, Fred G. Johnson, and David “Snap” Wyatt.

Organized into nine thematic chapters, the book sheds new light on circus history, from a behind-the-scenes look at life on the move, to the freedoms enjoyed by early female performers, to the innovative production skills that demanded as much know-how as a modern-day film production. For the first time ever, contemporary readers can now experience the legend of the American circus in full effect. The book’s broad subject matter, riveting images, and diverse visual material will appeal both to the circus aficionado and those who have never before been to circus.

Throughout his career, Turner has relentlessly pushed the medium of photography to achieve an extraordinary vision with an uncompromising thirst for bold color and composition. Yet Turner feels that "what really kept my name out there were these record covers." This book showcases 100 covers and their art in close to original size; many of the covers are rare and out-of-print, now collector's items, and connect to a who's who of musical legends—from Count Basie, John Coltrane, and Stan Getz, to Quincy Jones, Freddie Hubbard, and Steely Dan. Turner's covers set new standards for this medium and transformed albums into art objects, sought after both for the music they contain and the cover art they display.

This spectacular compilation of plates, representing a superb collection of ancient vases, is the fruit of a collaboration between Sir William Hamilton (1730-1803), British diplomat and collector, and Pierre-François Hugues d’Hancarville (1719-1805), an adventurous connoisseur and amateur art dealer. As an envoy to the British Embassy in Naples, Hamilton developed a keen interest in both antiquity and volcanology, studying the royal excavations of Pompei and Hercolano and publishing the first scientific essays on mount Vesuvius. During his stay in Naples he built the finest collection of ancient vases of his time, which he sold, in 1772, to the British Museum in London. Before the invaluable pieces were shipped off to England, d´Hancarville was commissioned to document the vases in words and images. Never before have ancient vases been represented with such meticulous detail and sublime beauty. His famous catalogue was published in four volumes, known as "Les Antiquités d´Hancarville." Complete sets of these rare volumes today fetch top prices at auction. We have borrowed a fine copy from the Anna Amalia Library in Weimar to reproduce in exacting detail, so that modern readers can experience the same images that sparked Britain’s, and indeed Europe’s, taste in classical style and inspired reproductions from pottery manufacturers such as Wedgwood.

All of Dürer's works in three mediums are reproduced in this edition. Among them are his most famous works, Knight, Death and Devil; Melencolia I; and St. Jerome in His Study. Also included are portraits of his contemporaries, including Erasmus of Rotterdam and Frederick the Wise, as well as six engravings formerly attributed to Dürer.

"The Complete Guide to 20th Century Antiques" is timely, comprehensive and desirable: a full-colour guide to the fastest-growing area of the antiques trade, using retail prices as a guide to what you are likely to have to pay for that 1950s' kitchen clock, Eames chair, Susie Cooper plate, marcasite jewellery or art deco table lamp. A book for the e-Bay generation, this book will enable you to identify and value whatever you want to buy or sell. With over 4,000 objects, each illustrated with a colour photograph and description, and accompanied by details of size, guide price and date of origin, this comprehensive guide to modern antiques will be invaluable to every interested collector, buyer or seller.

Contents:

Introduction, Advertising and Packaging, Automobilia, Bottles, Cameras, Ceramics, Clocks and Watches, Coins and Medals, Commemorative Ware, Ephemera, Furniture, Glass, Handbags, Jewellery, Kitchenalia, Lighting, Luggage, Metalware, Musical Instruments, Photographs, Posters, Radios, Rock and Pop, Silver and Pewter, Telephones, Textiles and Fans, Toys, Works of Art, Writing Equipment, Glossary, Index.

Recently Japanese swords have gained enormous popularity as art objects with collectors and enthusiasts around the world, but until now much of the most detailed information on the subject has been available only in Japanese. This comprehensive guide to the appreciation and appraisal of the blades of Japanese swords provides, at last, all the background that readers need to become true connoisseurs.
The book is organized along historical lines for the sake of clarity and convenience, and its approach is always practical. Broad discussions of each tradition within the Gokaden focus on the features that distinguish specific schools and smiths - the various kinds of jihada, hamon, boshi, and hataraki favored in different periods and regions - making this an invaluable reference tool for all enthusiasts, especially those who wish to take part in kantei-kai, or sword appreciation meetings. Each section closes with an easy reference chart summarizing the distinctive features of the work of various schools and smiths.

The chapter on terminology gives advice on what to look for when examining the different parts of a blade, again making reference to the unique features of particularly significant smiths. The chapter on care and appraisal of blades tells precisely how to handle blades and what to expect at a sword appraisal meeting, including an explanation of all the various responses that a judge may give in response to a bid.

Richly illustrated throughout with more than 550 of the author's own painstaking oshigata illustrations - sword tracings onto which details are penciled in by hand - THE CONNOISSEUR’S BOOK OF JAPANESE SWORDS is easily the most informative and comprehensive guide to the blades of Japanese swords ever to appear in English.

Kokan Nagayama, who is widely recognized as one of the foremost living sword polishers, compiled the notes for this book over the course of many years spent teaching the arts of polishing and appraisal.

Nagayama-sensei is widely recognized as one of the foremost living sword polishers and is a veteran teacher of both polishing and appraisal. Here in one accessible volume he distills the store of knowledge he has gained over a lifetime of intensive research.

From the Back Cover:

"Nagayama-sensei and his senior pupils have for many years now taken an enlightened approach to study of Japanese swords outside of Japan. They have been of great assistance to collectors here in Great Britain and in other countries, traveling and living abroad, organizing exhibitions, teaching us and polishing our swords, always in an altruistic spirit. This translation is another example of this same approach. In the past we have often struggled on our own or in small groups to gain an understanding of this peculiarly Japanese cultural asset, and with many of the definitive books on the subject still untranslated, a wealth of information has in the past been inaccessible to the non-Japanese reader. THE CONNOISSEUR’S BOOK OF JAPANESE SWORDS will be of great help in making educated judgments at kantei sessions, and will be an invaluable and constant reference work." - From the Foreword by Clive Sinclaire, Chairman of the Token Society of Great Britain.

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Пролистать книгу The Connoisseur`s Book of Japanese Swords на Google Books.

From the girl next door to sexy switch-blade sisters, the pin-up girls depicted in this collection of works by 15 of today's best artists boldly display the full spectrum of the genre.

Through masterful use of color and media, both traditional and digital, these artists from around the world capture the female form in ways that remain true to their forefathers (Gil Elvgren, Alberto Vargas, etc.) but also to their own contemporary styles. To dig deeper into the process, each artist's section includes a statement that unveils his or her inspiration and techniques.

Themes in the 280+ works included here are vast and cover everything from action, horror, and 70s cinema to mythology, comic books, science fiction, and fantasy. So, whether you're into zombies, angels, latex, burlesque, or pop-culture, there is fresh, modern pin-up art for everyone.

Коллекция Петера и Ирене Людвиг одной из первых в мире объединила в своем составе современные друг другу американское и советское искусство. В этом каталоге, изданном к одноименной выставке в Мартин-Гропиус-Бау, организованной к 30-летнему юбилею падения «железного занавеса», впервые сопоставлены живописные произведения из собрания Людвига, которые были созданы по разные стороны стены, разделявшей два лагеря. Это сопоставление показывает, как художники эпохи «холодной войны» реагировали на политические и эстетические вызовы времени и отражали разные представления о свободе человека и общества.

В книге собрано около 150 работ таких художников, как Энди Уорхол, Илья Кабаков, Джаспер Джонс, Эрик Булатов, Джо Бэр, Виктор Пивоваров, Ли Лозано, Иван Чуйков, Джексон Поллок, Наталья Нестерова, Элен Франкенталер.

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The Peter and Irene Ludwig Collection was one of the first in the world to bring together works of US and Soviet art in the time period when they originated. Occasioned by the 30th anniversary of the opening of the iron curtain, in this book, which accompanies the eponymous exhibition at the Gropius Bau, works contained in the Ludwig Collection from both sides of the East-West conflict are compared for the first time. In this dialogue, it becomes apparent how Cold War era artists responded to the political and aesthetic issues of their age and negotiated concepts of individual and social freedom. The volume features some 150 works, including ones by Andy Warhol, Ilya Kabakov, Jackson Pollock, Erik Bulatov, Lee Lozano, Natalya Nesterova, and Helen Frankenthaler.

The Cover Art of Blue Note Records is Graham Marsh and Glyn Callingham’s classic collection of the unparalleled record sleeves produced by the celebrated Blue Note record label.

Around January 1956 the photographer Francis Wolff and Alfred Lion of Blue Note Records met Reid Miles, a commercial artists and a devout classical music fan. After establishing a rapport, Reid Miles became the designer for the Blue Note label for the next eleven years creating wonderful graphic covers that were both unique and also retaining the indefinable Blue Note look. Featuring iconic covers for artists such as Herbie Hancock, Thelonious Monk, Miles Davis, John Coltrane, Sonny Rollins and Art Blakey, this anthology is an evocative piece of Jazz history.

Alongside over 400 of the record label’s best  album covers is a selection of short essays written by leading industry figures. Both a comprehensive guide to an acclaimed label, and an insightful snapshot of graphic design history, The Cover Art of Blue Note Records is a must-have for all Jazz fans.

About the Authors:

Graham Marsh is an art director, illustrator and writer. He is the co-author and art director of many ground-breaking books including The Cover Art of Blue Note Records Volumes 1 and 2, East Coasting and California Cool all published by Collins & Brown.

Glyn Callingham runs the legendary Ray’s Jazz Shop in London. He is co-author of The Cover Art of Blue Note Records Volumes 1 and 2, East Coasting and California Cool. He contributes to several jazz magazines and is a walking encyclopaedia on jazz of the fifties and sixties.

This sumptuous volume, which includes a complete inventory of every item of the Crown Jewels in the Tower of London, captures the magnificence of a collection of symbolic objects steeped in English history that is still in use today. For anyone with either a professional or a personal interest in jewellery and history, The Crown Jewels will be a delight.

The Crown Jewels tells the history of the spectacular, priceless objects now in the Tower of London. Their story is that of the English monarchy itself – from the 12th-century spoon used for the anointing at the coronation to the platinum crown created for Queen Elizabeth The Queen Mother in 1937, set with the Koh-i-nûr diamond.

Published in association with the Royal Collection and Historic Royal Palaces, the book features specially commissioned new photography, including many detailed shots, allowing individual pieces, the famous gems and carefully selected groups of objects to be viewed as never before.

The text, recounts the development of the collection in the medieval period, the dramatic sale and melting down of almost every piece after the execution of Charles I in 1649 and the remaking of the Crown Jewels for Charles II in 1660. Since then the collection has been augmented with pieces that reflect key moments in English history, such as the regalia created for the only joint monarchs, William III and Mary II, in 1689, and the crown made for King George V’s inauguration as Emperor of India in 1911.

On an island behind Tibet’s Potala Palace is a small pagoda roofed Khang, or temple, a place reserved exclusively for the Dalai Lamas as a place of meditation and spiritual retreat.

During the brief reign of the Sixth Dalai Lama, who built the Lukhang Temple in the 18th century, unknown artists created a series of mysterious paintings on its chapel walls; comparable in quality and ambition to the Sistine Chapel in Rome. These masterpieces of Tibetan art are superbly reproduced here in this extraordinary publication.

This treasure of Tibetan Buddhist spirituality is presented in a magnificent and sumptuous large format edition. The vivid detail, rich colour and awe-inspiring impact of this path to spiritual liberation can be experienced outside the Lukhang Chapel.