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Color is powerful – it can change our moods or raise our spirits. It can be positively life-enhancing, yet so many of us struggle with choosing the right shades for our home, instead falling back on a safe but unadventurous palette of bland neutrals.

In this, his third book, celebrated interior stylist Hans Blomquist reveals his lifelong passion for color and the way in which it can affect our emotions. Color can soothe, enchant or excite. And as Hans demonstrates, it has the ability to render rooms cool and calming, dynamic and stimulating or moody and intriguing.

As ever, Hans draws his inspiration from the treasures of the natural world, exploring shades from the dazzling optic white of newly fallen snow to the fiery crimson heart of a newly unfurled poppy and the inky canopy of the midnight sky. Divided into five sections – Dark, Pale, Soft, Natural and Bright – In the Mood for Colour will make you see color in a completely different light.

About the Author:

Hans Blomquist is an art director and stylist whose evocative, painterly style is highly sought after by many prestigious brands. Hans started out working for IKEA in Sweden and ended up art directing their catalogue. His other clients include Harrods, Marks & Spencer, John Lewis, H&M, and IKEA. Hans now lives in Paris.

This definitive book tells the visual history of tile decoration in the Indian subcontinent, through vibrant photography and thorough research.

Historic India, which now encompasses the modern nations of India, Pakistan and Bangladesh, is celebrated for the richness of its architectural and decorative arts, but less well-known for glazed tiles. Arthur Millner opens up this hitherto neglected subject with a richly illustrated narrative. Millner traces the craft’s roots in Muslim Persia, Afghanistan and Central Asia, showing how imported glazing techniques combined with an ancient local tradition of clay craftsmanship. He explores the production, designs and influences in Indian tiles from antiquity to the colonial period, tracing the historical evolution through a series of key eras, including the Delhi Sultanate and the Mughal Empire in Northern India. Although glazed tiles are generally associated with Islam, they also briefly flourished in both Hindu strongholds, such as Gwalior and Orchha, and in Christian Portuguese-ruled Goa. More than four hundred photographs, many of little-known sites, are drawn from the author’s years of travel as well as from colleagues, the V&A Museum archives and other celebrated institutions. These images capture the architectural context and beauty of the designs, providing a visual compendium of styles and techniques. Taken together they offer a unique chronicle of an environmentally threatened aspect of the region’s cultural, artistic and religious evolution over centuries.

About the Author:

Arthur Millner is a consultant and independent scholar in the field of Indian and Islamic art. He lectures at the London School of Oriental and African Studies, the V&A Museum, the Royal Asiatic Society and the Oriental Rug and Textile Society. He is the author of Damascus Tiles (Prestel, 2015).

This fascinating exploration will appeal to anyone interested in art history, fashion and style, textile design and world history

The golden age of European navigation brought a breathtaking variety of textile designs to travel across the globe. These textiles blended the traditional designs, skills and tastes of the cultures that produced them with those of their destinations, resulting in objects that are both beautiful and historically intriguing.

While previous studies have focused on this story from the viewpoint of trade, Interwoven Globe is the first book to investigate it as a history of design — and to approach it from a universal perspective. Richly illustrated texts examine the interrelationship of textiles, commerce and taste from the Age of Discovery to the 19th century, providing detailed discussions of more than 120 works.

From India, with its renowned mastery of dyed-and-painted cotton, to the sumptuous silks of Japan and China, Turkey and Iran, the paths of influence are traced westward to Europe and the Americas. Shaped by an emerging worldwide visual culture, the fashion for the ‘exotic’ in textiles, as well as in other goods and art forms, gave rise to what can be called the first global style.

From Pucci's psychedelic patterns to Iuter's skate-inspired prints: how Italian designers have led innovations in textiles throughout the 20th century

The dynamic geometrical patterns of Emilio Pucci; the dazzling trompe-l'oeil effects of Roberta di Camerino; the pop sensibilities of Gianni Versace and Franco Moschino; the bold street-style prints of Iuter and Sunnei--these and countless other innovations have made Italian design a leading force in the history of 20th-century textiles.

This volume documents the history of Italian textiles from the beginning of the 20th century through to the present day, exploring their evolution in relation to the dominant styles of various periods. This is a history deeply interwoven with the birth of the totemic "Made in Italy'' concept, as textiles have significantly contributed to Italy's international reputation as a bastion of high-quality fashion and design. Numerous Italian artists, fashion designers, product designers and companies have pioneered and popularized a vast range of manufacturing processes that incorporate local fabrics and innovative techniques.

Featuring sumptuous illustrations of finished fabrics, preparatory drawings and photographs, Italian Textiles compiles the country's most notable design coups. Among the thematic sections in the book are those dedicated to scarfs, skirts, shirts, ties, wallpapers, tablecloths and various other fabricated objects.

Designers include: Fede Cheti, Enrico Coveri, Roberta di Camerino, Dolce & Gabbana, Salvatore Ferragamo, Lucio Fontana, Piero Fornasetti, Mariano Fortuny, Gucci, Iuter, Franco Moschino, Bruno Munari, Gio Ponti, Prada, Emilio Pucci, Ken Scott, Ettore Sottsass, Sunnei, Valentino and Versace.

Known as the gardener of fashion, Ken Scott designed large-scale flowers that blossomed on fabrics and whole outfits and have recently been rediscovered in Gucci’s Epilogue collection.

The American fashion designer Ken Scott was a masterful creator of fabrics, mapping out flowers with romanticism and multiplying them as he transformed them into something that stood out and reflected his eclectic personality.

Born in Fort Wayne, Indiana, Scott moved to Milan in the 1950s, where he pioneered many colorful patterned fabrics and collections and founded the Falconetto brand. Known for bright floral patterns with peonies, roses, poppies, sunflowers, petunias, and asters, Scott followed a maximalist design philosophy when it came to his vibrant line. In the 1960s, he is said to have been one of the first designers to showcase calf-length skirts in his collection, while in 1970s he rose to fame because of his floral-printed suits for both men and women and unisex catwalks.

They called him “the fashion gardener,” but he was so many things: a gifted painter, an experimental restaurateur, an ingenious textile artist, and one of the most brilliant design savants of the twentieth century.

Edited together with the Ken Scott Foundation, including an interview with Alessandro Michele, this book provides an in-depth exploration of his archives and thoroughly reflects his imagination for everything from loungewear and luggage to silk scarves and swimsuits, all joyfully splashed with his colors, sunflowers, poppies, petunias, and peonies.

About the Author:

Shahidha Bari is professor of fashion cultures and histories at London College of Fashion. Federico Chiara is a journalist and Culture Editor at Vogue Italia. Pierre Léonforte is a journalist based in Paris and Milan, regular contributor to Vanity Fair France and Marie Claire Maison. Renata Molho is a journalist, essayist and former fashion critic for the newspaper Il Sole 24 Ore. Isa Tutino is a journalist and essayist who directed Casa Vogue and contributes to publications such as L’Espresso and Corriere della Sera. Photographs by Guido Taroni.

Artificial light has revolutionized our environment like almost no other medium. Today, we are experiencing a profound change in the world of artificial light, with as yet unforeseeable consequences for people’s lives. »Lightopia« presents icons and examples of lighting design, setting them in a broader cultural and historical context.

The publication comprises three separate books in a slipcase.

In volume 1, renowned authors take a close look at the cultural history of light in a number of essays dealing with topics as diverse as the scenographic significance of light or its psychological aspects.

Volume 2 presents a selection of the 100 most important luminaires from the collection of the Vitra Design Museum – dating from 1900 to today – and includes texts on the development of lighting design.

In volume 3, interviews with well-known lighting designers and artists explore how new illumination technologies revolutionize the creative use of light today.

With its three volumes, »Lightopia« constitutes a unique compendium of lighting design. It is opulently illustrated and encompasses an exceptional spectrum of examples from  design, art and architecture; with works by Olafur Eliasson, Gino Sarfatti, Ingo Maurer, mischer’traxler, Carlos Cruz-Diez, Wilhelm Wagenfeld, Richard Sapper, Achille Castiglioni, Ulrike Brandi, Pieke Bergmans and many others

This is the essential book on living and entertaining with elegant linens-for every day and special occasions. 

Offering both visual inspiration and practical information, Linens is the ultimate guide to living and entertaining with fine linens. Credited with reviving the art of couture linens for everyday use, Jane Scott Hodges's contributions to the world of fine linens have made her a favourite of house and home magazines. As the founder and owner of couture fine linens company Leontine Linens, she has spent the past two decades studying, collecting, and innovating the world of fine linens. 

In her engaging Southern way, she introduces us to the art of beautifully made linens and shows how easy it is to use them to personalize your home and change looks and moods without redecorating. Whether your style is classic or modern, quirky or quiet, linens are uniquely adaptable to the way you live and decorate and the surest way to put your unique stamp on your home. 

Throughout, the book also offers liberal doses of the author's expert advice and savvy insight on use and care, as well as contributions from leading decorators and home stylists. Replete with beautiful linen-filled rooms detailing countless interpretations of applique, embroidery, and monograms-and the myriad weaves and colours to explore-Linens opens up the possibilities of a world of decorating and a fresh look at entertaining.

About the Authors:

Founder of Leontine Linens, Jane Scott Hodges has revived the art of couture linens for the home. Hodges deftly explores fine linens' everyday use and care, and their importance and relevance to today's artful lifestyle. A celebrated tastemaker, prolific designer, and author, Charlotte Moss most recently wrote the successful Charlotte Moss: A Visual Life.

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An inspirational visual journey along the colour spectrum, brought to life via the best contemporary residential interior design

Tap into the growing trend for injecting colour into home décor with this elegant, thoughtful selection of interiors in every shade and hue. Featuring 200 interiors from 130 designers, and showcasing 27 residential room types from a wide variety of home environments and styles, including living, dining, sleeping, and bathing spaces, in locations around the world, this is the perfect gift and inspiration for every style-conscious design fan – even space-challenged apartment dwellers. Organised by colour, from the purest white to the deepest black, from the hottest pinks, oranges, and reds, to the coolest greens and tranquil blues in between, this stunning book explores and celebrates the contemporary trend for vivid accents and vibrant transformations of our domestic spaces, whatever their size and wherever their location.

About the Authors:

Conceived and edited by Phaidon editors.

Stella Paul was educator-in-charge of exhibitions and communications, and senior manager of the Interpretative Audio Program (Digital Media) at the Metropolitan Museum of Art, New York. She established the Smithsonian Institution's Southern California Center for the Archives of American Art, and has worked as a curator at LACMA.

India Mahdavi is a Paris-based interior designer, best known for her use of colour in her work for such venues as Sketch in London.

Louise Bourgeois, who has produced art since the 1930s, began in the 1990s to use her clothes and the clothes of her loved ones as components in her sculptures and drawings. It is as much a reincarnation of her past and her childhood as a confirmation of her relationship with memory. Her visual approach to fabrics transforms decorative accessories into emotional and personal references which, especially in her Cells and later in her drawings, create representations of a tormented and at the same time powerful womanhood. Further development of the artist’s work began in 2002: exploiting the iridescent colours and formal structural properties of pieces of her clothing, she created “The Fabric Drawings,” astonishing works alternating between floral figurative pieces and chromatic abstractions.

This set of images is collected here in its entirety for the first time, constituting the closest thing yet to a general catalogue.

• This collection of pictorial and sculptural images is brought together in this anthology in a unique and exhaustive way.
• The publication is a means of approaching her distinctive iconographic and visual explosions and adding to our knowledge of the artist herself.
• Bourgeois’s emotional and figurative strength, translated into compositions of colour and form, is further testimony to her important contribution to the history of modern and contemporary art.

Embrace female empowerment with J. J. Martin, founder of world–renowned Milanese lifestyle brand LaDoubleJ, in the ultimate insider’s guide to Italy and her magic.

After moving from Manhattan to Milan 20 years ago, with no job, no friends, and no patience for the Italian way of life, J. J. Martin realized she had no option but to surrender to the vibrant but slow-paced lifestyle. In so doing, she discovered more joy (and success) than she could ever have imagined. In this uplifting volume, Martin invites us to jump on board and join her on her journey – an outsider’s evolution through life, love, loss, creativity, and magic – to today’s beloved ‘Milano’. Dive into the delights of Italian fashion, food, and good living; meet some of Italy’s leading female tastemakers (the ‘LaDoubleJ Babes’); tap into Martin’s spiritual secrets for unleashing inner creativity and wisdom; and more – all with a dash of LaDoubleJ vintage chic and oodles of Italian style. This feel-good book is a celebration and a creation story – both of a brand and of becoming your own woman, the Italian way.

Each copy is bound in one of three LaDoubleJ fabrics. Orders will be fulfilled with one of the fabrics available, selected at random.

About the Author:

J.J. Martin is a Los Angeles–born editor turned entrepreneur and founder of the hugely successful Milanese lifestyle brand La DoubleJ — now a global phenomenon. Having spent years scoping out the very best of Italian fashion and design as a contributing editor for publications including Harper’s Bazaar and Wallpaper*, Martin launched La DoubleJ in 2015 as a shoppable magazine selling vintage clothing and jewelry. The brand soon expanded into a full lifestyle label offering new fashion made with archival prints, cool home design, and rare vintage — all distilled through a lens of pure joy and eye-popping print — and championing Italian talent. With collections sold in more than 200 stores worldwide, La DoubleJ’s first flagship store opened in Milan’s high-end fashion district in 2021, complete with a dedicated floor offering a spiritual haven for shoppers and venue for female empowerment workshops. Martin lives in Milan.
 

The eagerly anticipated first monograph to celebrate the fifty-years-and-counting career of decorating legend Mario Buatta. Influenced by the understated elegance of Colefax and Fowler and the doyenne of exuberant American decor, Sister Parish, Buatta reinvented the English Country House style stateside for clients such as Henry Ford II, Barbara Walters, Malcolm Forbes, and Mariah Carey, and for Blair House, the President’s guest quarters. The designer is acclaimed for his sumptuous rooms that layer fine antiques, confectionary curtains, and sublime colorations, creating an atmosphere of lived-in opulence. This lavishly illustrated survey — filled with images taken for the foremost shelter magazines as well as many unpublished photographs from the designer’s own archive — closely follows Buatta’s highly documented career from his professional start in the 1950s working for department store B. Altman & Co. and Elisabeth Draper, Inc. to his most recent projects, which include some of the country’s finest residences. Buatta shares exclusive insights into his process, his own rules for decorating, and personal stories of his adventures along the way.

About the Author:

Mario Buatta is an internationally acclaimed interior designer known for his English Country House style. He has brought the refinement, comfort, and beauty of his designs to a long list of clients from the worlds of entertainment, business, fashion, and high society. Emily Evans Eerdmans received her master’s degree in fine and decorative arts from Sotheby’s Institute of Art in London and is a leading authority on antique furniture and interior design. She has authored The World of Madeleine Castaing and Regency Redux. Paige Rense is the editor emeritus of Architectural Digest, where she served as editor-in-chief from 1975 to 2010.

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In the large cities and metropolitan areas, very few building plots remain in central locations. This is precisely why the development, expansion and new construction of roof levels and attics are an expedient and popular form of redensification. Existing buildings are expanded vertically and designed and adjusted to meet contemporary desires and requirements based on their specific uses.

Masterpieces: Roof Architecture + Design presents contemporary projects from around the world, successful symbioses of existing structure and new attic design, that enliven the city and creatively enhance the urban cityscapes. All projects have one thing in common – they respond to a longing of the residents and users to experience unlimited freedom above the rooftops.

From the contents:

_Nomiya in Paris, France (Pascal Grasso with Laurent Grasso)
_Tehama Grasshopper in San Francisco, USA (Fougeron Architecture)
_Moritzburg Museum, Germany (Nieto Sobejano)
_Argo Egota in Tokyo, Japan (Suppose Design Office)
_Ozulama Residence in Mexico-City, Mexiko (Architects Collective)

Decorating in black and white is perennially popular and eternally chic. Hilary Robertson demonstrates how, whether used alone or together, these contrasting shades can create dramatic effects at home, from the classic to the eclectic.

Sought-after interiors stylist Hilary Robertson celebrates the stylish simplicity of the monochromatic home — elegant interiors in black, white, and every shade of grey in between. In the first chapter, The Monochrome Palette, Hilary analyzes five different monochrome schemes, providing moodboards for different effects: In Black and White, Grey Matters, Shades of Pale, Dark Looks, and In the Mix. Following on, Let there be Light provides examples of interiors with a whiter, brighter approach, while The Dark Room visits homes that have employed darker monochrome palettes. Next, in Monochrome Home, Hilary Robertson shows how to bring the look right up to date, visiting the fabulously inspiring homes of artists, architects and designers across the globe from London and Paris to Copenhagen, rural Sweden, and NYC.

About the Author:

Hilary Robertson is a well-known interiors stylist and journalist with an illustrious client list that includes Canvas, Ochre, Elle Decoration, Vogue Living, and the Telegraph Magazine. Also a talented writer, Hilary wrote the text for Josephine Ryan’s French Home (also Ryland Peters & Small). Hilary lives in Brooklyn with her husband and son. She recently opened Mrs. Robertson, a store selling vintage furniture and accessories.

Mosaics: Outside the Box is both a practical and inspirational guide to making mosaics. Including instructions for designing and making your own creations, this highly illustrated and interesting text covers a range of techniques for both the novice and the more experienced artist to follow.

Instructions show you how to create your own mosaics out of various materials including paper, ornaments, photos, fabric, paint, jewellery, glass, tiles, pebbles and moulded Duket.

Complete with handy tips about the technical side of mosaic-making including glueing and grouting, this book is your complete handbook of how to get started in this creative and exciting medium.

The first-ever visual expansion of Werner’s Nomenclature of Colours, featuring over 800 illustration references from the natural world

This chromatic catalogue of the natural world pairs individual colour swatches with examples from the animal, vegetable and mineral kingdoms to create a beautiful and comprehensive colour reference system to grace every bookshelf.

Marking the 200th anniversary of the publication of Syme’s expanded edition of Werner’s Nomenclature of Colours (1821), this lavish volume takes Syme’s field guide of 110 standard colours and – for the first time – fully illustrates it with nineteenth-century depictions of his referenced species. Expert text explains the uses and development of colour standards in relation to zoology, botany, minerology and anatomy, while specimens from contemporary collector’s cabinets (birds, butterflies, eggs, flowers and minerals) are matched to each colour swatch. Syme’s groundbreaking guide attempted to establish a universal colour reference system to help identify, classify and represent species from the natural world: this landmark publication completes his endeavour.

Contents List:

Introduction The Origination, Purpose and Development of Werner’s Nomenclature of Colours by Patrick Baty • i. Whites, Greys and Blacks • 1. Werner’s Mineralogical System and how his Nomenclature of Colours Became Syme’s Colour Standard by Peter Davidson • ii. Blues and Purples • 2. Colours in Zoology: Subjective or Systematic? by Elaine Charwat • iii. Greens • 3. Syme’s Colour Chart in Botany: Origin and Impact by Giulia Simonini • iv. Yellows and Oranges • 4. One for All? Werner’s Nomenclature of Colours as a General Standard of Colour and its Particular Use in Medicine by André Karliczek • v. Reds and Browns

About the Authors:

Patrick Baty is the author of The Anatomy of Colour and owner of Papers and Paints, a specialist paint business in London. His great grandfather, the artist Robert Bevan, was described by a former director of the National Gallery as being ‘perhaps the first Englishman to use pure colour in the 20th century’. He runs a consultancy that advises on the use of paint and colours in historic buildings and has worked with Dulux and Little Greene to develop ranges of traditional paint colours for English Heritage. He also lectures frequently on the subject of paint and colour of the 18th and 19th centuries.