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The design revolutions of the early 20th century were woven into the very fabric of the carpets and rugs of that era. Carpets of the Art Deco Era, previously published as 'Art Deco and Modernist Carpets' and now reissued in PLC, is the most in-depth history on the subject.

It charts the evolution of carpet design out of the floral effusions of the Victorian salons and into the angular elegance of Art Deco and bold abstraction of Modernism popularized by the machine age. Such artists and designers as Picasso, Poiret, Gray, Delaunay, Matisse, Klee, and many more advanced the designs going on underfoot, making these rugs extremely collectible artworks in their own right.

Susan Day was Chief Librarian at the Institut Français d’Architecture for 23 years, and has acted as Scientific Advisor for the Louvre and Les Arts Décoratifs Museum.

The story of the French cashmere shawls of the 19th century and their rise to the heights of fashion. This treasure-trove will not only delight textile scholars and costume historians but is sure to appeal to anyone who loves gorgeous accessories

The delicate beauty of the cashmere shawl was first brought to Europe by the East India Companies and Napoleon’s campaigns. Woven in Kashmir, its fabric was so light that, according to legend, a whole shawl could be passed through a finger-ring. By the 19th century, these shawls were highly sought-after in France; French manufacturers soon saw that there was a market for more accessibly priced versions and started to create their own.

Monique Lévi-Strauss has spent more than thirty years collecting and studying these shawls and gathering rare documents to preserve their history. This completely revised, expanded and redesigned edition of her classic book on the subject illustrates nearly 300 of these beautiful items, superbly photographed to showcase their splendid original designs, alongside a wealth of archive material and contemporary paintings that show them being worn by their elegant owners.

The new colour bible: a gorgeously illustrated exploration of colour and the modern gaze, from an award-winning designer

'One of the best books on colour I've read. A layered tapestry of stories, insights and ideas, each beautifully and clearly written. For anyone interested in colour, it's a must' Marion Deuchars

Why are pencils yellow and white goods white? Why is black the colour of mourning? What connects Queen Victoria's mauve gown and Michelle Obama's yellow dress?

In Chromorama, acclaimed graphic designer Riccardo Falcinelli delves deep into the history of colour to show how it has shaped the modern gaze. With over four hundred illustrations throughout and with examples ranging widely across art and culture - from the novels of Gustave Flaubert to The Simpsons, from Byzantine jewellery to misshapen fruit, from Mondrian to Hitchcock's thrillers - Falcinelli traces the evolution of our long relationship with colour, and how first the industrial revolution, and then the dawn of the internet age, changed it forever.

Beautifully designed, deeply researched, and written with warmth and wit, Chromorama is an engrossing account of shade and light, of tone and hue, of dyes, pigments, and pixels. It is the story of why we now see the world the way we do.

About the Author:

Riccardo Falcinelli is an award-winning graphic designer and best-selling author whose work has been highly acclaimed in Italy and around the world. He teaches at the ISIA Faculty of Design in Rome.

Make beautiful stained glass projects with this versatile collection of 60 original designs set in picturesque circular frames — florals, foliates, landscapes, abstracts, heads, more. Ideal for crafting lamp shades, window and door panes, mobiles, mirrors, room dividers, and other showpieces. 60 black-and-white illustrations. Introduction. List of supply houses.

This memo-game is based on a very special concept: the colors follow the format used in Johannes Itten’s color theory: red for a square, blue for a circle, yellow for a triangle, orange for a trapezium, green for a spherical triangle, and purple for an ellipse. The colors are shown with the corresponding form, which increases their specific impression.

Furthermore, each color is present in six different nuances; this increases the perception of the color tones and supports the creative process of finding new names to specify the individual forms. As the cards are turned over new color contrasts are revealed; these can also be used to intensify knowledge of color theory. Thus, these cards must not just be used for playing the memo-game, they can also be used for inspiration and for experimenting with different color combinations, series and tones.

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Посмотреть видео о наборе Color and Form: Memo Game Based on Johannes Itten

As far back as the earliest Greek temples, color has been an integral part of architecture but also one of its least understood elements.

Color theory is rarely taught in architecture schools, leaving architects to puzzle out the hows and whys of which colors to select and how they interact, complement, or clash. Color for Architects is profusely illustrated and provides a clear, concise primer on color for designers of every kind.

This latest volume in our Architecture Briefs series combines the theoretical and practical, providing the basics on which to build a fuller mastery of this essential component of design. A wealth of built examples, exercises, and activities allows students to apply their learning of color to real-world situations.

Color plays a significant role in design. It can make a design work more impressive, appealing and distinctive. For designer, it means the basic skill in combing colors.

This book includes basic color theories that help readers gain a better understanding of color. It also delves into the psychology of color, along with color associations and applications in commercial designs. Featuring referential color schemes and creative projects with color codes as well as color talk, this is an essential manual of great practicality and inspiration.

Protecting human beings has always been one of the most genuine purposes of architecture. Due to the increase in global warming in recent years, protection from the sun is becoming one of its most important functions. This challenge has resulted in numerous trendsetting technological innovations and amazing design concepts, which have been collected in this book. Shade is mainly created in three ways: while opaque constructions block off all light, perforated devices as well as translucent materials reduce the exposure to light.

Creating Shade presents all conceivable types and forms of shade-providing design made of a host of different materials such as wood, fabrics, concrete, and a great number of synthetic materials. The collection includes elegant pergolas, extravagant pavilions, and roofed piazzas, as well as a fascinating solution for a canopy over a Roman excavation site and the spectacular Metropol Parasol in Seville. Outstanding serial products are presented along with individually constructed creations.

- Solar Carport in Las Vegas, USA (SunPower Design)
- Fresh Flower in London, UK (Tonkin Liu)
- Panyaden School in Chiang Mai, Thailand (24H architecture)
- Oval Shade in Gorky Park, Moscow, Russia (Bureau Alexander Brodsky)
- On the Way to the Sea in Bat-Yam, Israel (Derman Verbakel Architecture)

This fascinating sourcebook presents the most remarkable, beautiful, and innovative building façades in contemporary architecture.

A building’s façade sets the aesthetic tone for its entire design while serving a variety of functions, from regulating light and protecting against the elements to providing insulation for temperature and sound. This absorbing book details hundreds of examples of interesting and progressive façades from around the world. Presented in colourful double-page spreads, each façade is photographed from different angles and includes engaging texts that describe their significance. Readers can learn how traditional mashrabiyas in Abu Dhabi are being engineered to respond to light and to regulate heat, how a hospital in Mexico City has been constructed with “smog-eating” tiles, and how a “bio-adaptive” façade in Germany uses algae to generate energy and provide shade. Informative and accessible, this compendium is a highly useful resource for architects, engineers, and designers.

About the Author:

Oscar Riera Ojeda is an editor and designer based in the United States, Hong Kong, and Argentina. He has designed, edited, and published more than 200 architecture, design, and photography books. He is the director of the eponymous boutique architecture publishing house Oscar Riera Ojeda Publishers. 

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Пролистать книгу Façades: A Visual Compendium: A Visual Compendium of Modern Architectural Styles

Fabrics are some the most diverse architectural materials available. They can adapt to all architectural circumstances with almost endless versatility. Textiles envelope space, create atmosphere, add accents and can be imparted almost any quality. Contemporary architecture and modern interior design make use of the inexhaustible ability of textiles to take on shape, creating breathtaking structures and impressive interiors.

This generously illustrated volume provides succulent examples of the richness of innovative design implementing textiles. Architects and designers show new dimensions of the formal vocabulary opened by textiles for their projects. Fine Fabric shows that textiles, rich in tradition, are truly a material of the future, and are able to produce any effect, be it trendy or elegant to downright futuristic.

From the contents:

* Pink Project in New Orleans, USA (GRAFT)
* Sydney Olympic Park Amenities, Australia (Durbach Block Architects)
* Kvadrat Sanden Showroom in Stockholm, Sweden (Ronan & Erwan Bouroullec)
* Missoni Hotel Kuwait (Matteo Thun & Partner)
* Harisch Rutter Office in Vienna, Austria (BEHF)

A unique exploration of the close relationship between art and design, explored through the historic and contemporary fabric designs of Liberty, where avant-garde art has influenced the colourful, geometric collections for more than half a century

Liberty is renowned internationally for its fabrics, especially its floral patterns, but it also has a long history of developing bold, geometric designs. Many of these have been inspired by early 20th-century avant-garde art, notably by the Italian Futurists – by artists such as Giacomo Balla and Umberto Boccioni – and their English contemporaries the Vorticists, including Christopher Nevinson and Edward Wadsworth.

In anticipation of Liberty’s 150th anniversary, esteemed couturier and interior designer Federico Forquet has curated a striking new range of fabrics – the FuturLiberty Collection – that carries Liberty’s creative heritage into our own age.

The Futurist and Vorticist art that lies behind the new designs is explored by specialists Ester Coen and Richard Cork, while archivist Anna Buruma examines Liberty’s rich history of avant-garde designs. By illuminating the process by which the FuturLiberty Collection came into being, this highly visual study also reveals how art can inform design, making it contemporary, relevant and engaging.

About the Author:

Ester Coen is an expert on Italian Futurism and the international avant-garde. She has been Associate Professor at the University of Florence and Professor at the universities of Udine and L’Aquila. Richard Cork is an art historian, critic, curator and broadcaster. He has been an art critic for the Evening Standard, The Listener, The Times and the New Statesman, and is a past Turner Prize judge.

An exuberant celebration of the color green — in nature, art, interiors, and design.

Green is like water: it is everywhere, and we can’t live without it. Green is the color of nature and the environment. Green is life. Interior designer and style guru Carlos Mota has such a passion for green that he has now devoted an entire book to it. G: Forever Green celebrates the color in all its manifold manifestations: in nature, food, fashion, jewelry, art, interiors, and architecture.

From the brilliant markings on a butterfly’s wings to the feathers of a tropical bird’s breast, from Magritte’s oversized apple to the brocade drapery in the background of a Holbein portrait, from a leafy arbor to a leafy wallpaper, from celadon to forest to emerald to acid to lime to Kelly, the variety is astounding. Illustrated with Mota’s own photographs, taken as he has traveled the world, as well as images by prominent photographers, G: Forever Green features rooms by notable designers, among them Kelly Wearstler, Alessandra Branca, Mark D. Sikes, Robert Couturier, Gert Voorjans, and Nicky Haslam.

This stunning volume, superbly produced with a green metallic edge stain, is a testament to the power of green to soothe, inspire, and excite.

About the Author:

Carlos Mota is a creative consultant with extensive experience in styling, interior design, and product design. He has created environments for catalogs and advertising campaigns for numerous companies and brands. Formerly the international style editor for Architectural Digest and editor at large for Elle Decor, he has been named to the prestigious 2022 AD100 list. The author of Beige Is Not a Color, Mota lives in New York.

This beautiful volume celebrates entertaining and decorating in a meaningful and personal way, by integrating florals and artisanal handmade objects -- whether it's porcelain, flatware, glassware, vases, or textiles -- into tabletop designs.

Gathering showcases creative tabletop ideas and styles for all seasons. These stylish interiors feature local, artisanal floral designs and handmade objects, capturing the current trend of living and decorating more mindfully and with one-of-a-kind objects.

Exploring every aspect of tabletop design, with setting ideas for different seasons and situations, this volume presents tabletops in situ in a range of stylish spaces designed by the creatives and artists who live there (and sometimes who are the makers themselves). From rustic country living to urban eco-chic, what these beautiful interiors have in common is a desire to bring nature indoors and an intentional and personal approach to design.

Full of inspiring tabletop ideas, Gathering shows how different pieces and floral arrangements work well together, merging into lovely tabletop designs where beauty and authenticity exist in every detail. Paired with beautiful on-location photography, these pages showcase simple luxury living, embodied by this conscious approach to design, that hosts and hostesses everywhere will appreciate.

About the Authors:

Designer and stylist Kristen Caissie of Moon Canyon has pioneered a loose, wild, and organic California style in both her creative table design and her floral-based arrangements. The work of celebrated photographers Gemma and Andrew Ingalls of the Ingalls have been featured in Elle Decor, Travel & Leisure, and Martha Stewart Living. They are the authors of In Full Flower: Inspired Designs by Floral's New Creatives, published by Rizzoli in 2017.

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Пролистать книгу Gathering: Setting the Natural Table

Color is powerful – it can change our moods or raise our spirits. It can be positively life-enhancing, yet so many of us struggle with choosing the right shades for our home, instead falling back on a safe but unadventurous palette of bland neutrals.

In this, his third book, celebrated interior stylist Hans Blomquist reveals his lifelong passion for color and the way in which it can affect our emotions. Color can soothe, enchant or excite. And as Hans demonstrates, it has the ability to render rooms cool and calming, dynamic and stimulating or moody and intriguing.

As ever, Hans draws his inspiration from the treasures of the natural world, exploring shades from the dazzling optic white of newly fallen snow to the fiery crimson heart of a newly unfurled poppy and the inky canopy of the midnight sky. Divided into five sections – Dark, Pale, Soft, Natural and Bright – In the Mood for Colour will make you see color in a completely different light.

About the Author:

Hans Blomquist is an art director and stylist whose evocative, painterly style is highly sought after by many prestigious brands. Hans started out working for IKEA in Sweden and ended up art directing their catalogue. His other clients include Harrods, Marks & Spencer, John Lewis, H&M, and IKEA. Hans now lives in Paris.

This definitive book tells the visual history of tile decoration in the Indian subcontinent, through vibrant photography and thorough research.

Historic India, which now encompasses the modern nations of India, Pakistan and Bangladesh, is celebrated for the richness of its architectural and decorative arts, but less well-known for glazed tiles. Arthur Millner opens up this hitherto neglected subject with a richly illustrated narrative. Millner traces the craft’s roots in Muslim Persia, Afghanistan and Central Asia, showing how imported glazing techniques combined with an ancient local tradition of clay craftsmanship. He explores the production, designs and influences in Indian tiles from antiquity to the colonial period, tracing the historical evolution through a series of key eras, including the Delhi Sultanate and the Mughal Empire in Northern India. Although glazed tiles are generally associated with Islam, they also briefly flourished in both Hindu strongholds, such as Gwalior and Orchha, and in Christian Portuguese-ruled Goa. More than four hundred photographs, many of little-known sites, are drawn from the author’s years of travel as well as from colleagues, the V&A Museum archives and other celebrated institutions. These images capture the architectural context and beauty of the designs, providing a visual compendium of styles and techniques. Taken together they offer a unique chronicle of an environmentally threatened aspect of the region’s cultural, artistic and religious evolution over centuries.

About the Author:

Arthur Millner is a consultant and independent scholar in the field of Indian and Islamic art. He lectures at the London School of Oriental and African Studies, the V&A Museum, the Royal Asiatic Society and the Oriental Rug and Textile Society. He is the author of Damascus Tiles (Prestel, 2015).