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Delve inside this beautifully presented artist showcase filled with the works and useful advice from popular visual artist Pernille Ørum. Pernille is well known and respected in the animation industry, having worked for clients such as Disney Publishing, Nickelodeon Jr., Mattel, DreamWorks, and she was the Lead Character Designer on Warner Brothers’ DC Superhero Girls. In this colorful and vibrant, hardback art book, Pernille shares her artwork over the years, starting with some of her earliest drawings; sharing her progression through various forms of education.

She also shares her workspace and favorite tools, and offers an abundance of advice to anyone wishing to break into the animation industry themselves – with tutorials on useful business concerns such as how to approach a character design, and a detailed look at the processes she uses for creating her bright, edgy drawings. With the combined content of Pernille’s best works, including art that she has created especially for the book; career advice and tutorials; and a foreword from Disney Legend, John Musker (Co-Director of Moana, Aladdin, The Little Mermaid) this is undoubtedly a book that any budding animator or artist should reserve space on their bookshelf for.

About the Artist:

Pernille Ørum is a freelance illustrator and visual artist living in Copenhagen, Denmark. She has a degree in Character Animation from The Animation Workshop, a highly respected specialist animation university based in Denmark. Her clients include Disney Publishing, Nickelodeon Jr., Mattel, and DreamWorks and she was Lead Character Designer on Warner Brothers DC Superhero Girls. Pernille's influential links to the entertainment industry are apparent in her latest collaborative project illustrating Marvels Hit-Girl comic book. Hit-Girl gave Pernille the chance to work with prolific comic book writer Mark Millar MBE as well as multi-faceted creative film maker, actor, and comedian, Kevin Smith, creator of Mallrats and the Clerks series. In recent years, Pernille has published two gallery style books: Blush and Coral, with the latter featuring an engaging foreword by Kevin Smith.

With lip art worthy of a museum, this collection showcases the magic Vlada Haggerty creates with lipstick.

From opulent to optical illusion, Haggerty’s art is a blend of makeup and magic that transforms her lips into canvases. Makeup artist royalty, her work is washed across the Internet, lips dripping and bedazzled, transformed by talent and a vision that’s helped shape the beauty industry.

Featuring over 200 photographs of Haggerty’s work, Art of the Lip is a sumptuous tome to flip through and marvel at the minute-painted details on her lips in each photo. Gloss, lipstick, sequins, and jewels transform Haggerty’s skin in hundreds of different images, with looks inspired by nature, jewelry, pop culture, and more.

Much more than just lipstick, Haggerty’s art is a showcase of makeup’s power and an artist’s innovation.

About the Author:

Vlada Haggerty is a Ukrainian cosmetic artist based in Los Angeles. She works as a makeup artist, beauty and cosmetic photographer, and lip artist. Her makeup and photography have been featured in publications internationally, including Harper’s Bazaar Ukraine, Harper’s Bazaar Kazakhstan, Vogue México, Vogue India, Cosmopolitan, Refinery29, Make-Up Artist Magazine, and many, many more. She has worked with Smashbox Cosmetics as their Lip Editor in Chief and her worked has inspired makeup artists everywhere.

In 75 eye-popping pairings of designer pieces and the artworks that inspired them, this stylish book reveals the art behind coveted fashion designs.

Long before “collabs” became a buzzword, artists influenced every aspect of the fashion world. This approachable collection compares fashion and art side-by-side to highlight a variety of relationships: inspiration, collaboration, and artists working to create their own fashion or fashion photography.

Art X Fashion introduces readers to designers like Coco Chanel and Elsa Schiaparelli, who famously worked with artists like Picasso and Dalí in the early twentieth century, as well as to such iconic fashion moments as Yves Saint Laurent’s 1965 homage to Piet Mondrian. Art and fashion pairings including John Galliano (inspired by Tutankhamun’s death mask, Arcimboldo, Gustav Klimt, and Hokusai), Guo Pei (inspired by Velázquez), Margiela (inspired by Gauguin), and Iris Van Herpen (inspired by Paul Delvaux), reveal surprising connections. Projects by street artists like Keith Haring and Kaws introduce the era of collaborations, which saw artists such as Yayoi Kusama and Takashi Murakami work with Louis Vuitton. More recent collaborations include Raf Simons with Sterling Ruby and Kerby Jean-Raymond with Derrick Adams. Chapters on striking purses and other accessories designed by artists, and artists creating in fashion — including Cindy Sherman, William Wegman, and John Baldessari — round out this fresh and delightful take on fashion design.

About the Author:

Nancy Hall-Duncan has published extensively on twentieth- and twenty-first-century fashion, art, and photography, including the groundbreaking book The History of Fashion Photography. Valerie Steele is director and chief curator of The Museum at the Fashion Institute of Technology.

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Пролистать книгу Art X Fashion: Fashion Inspired by Art

Looks at the brilliantly creative collisions between the worlds of fashion and art

The encounter between art and fashion has been a rapidly growing phenomenon over the last decade, with major international artists working with top fashion houses to produce contemporary masterpieces that challenge the traditional boundary between these two dynamic cultures.

Art/Fashion in the 21st Century features a foreword by Daphne Guinness and concise essays with profiles of the key designers, break-out stories about the most avant-garde projects and interviews with the leading lights of the art-fashion crossover phenomenon.

Around 250 colour illustrations reveal the fruits of collaborative efforts by, among others:

Acne

Alexander McQueen

Azzedine Alaïa

Balenciaga

Walter Van Beirendonck

Hussein Chalayan

Chanel / Cindy Sherman

Christian Dior / Anselm Reyle

Longchamp / Tracey Emin

Jean Paul Gaultier

Zaha Hadid

Hermès / Erwin Wurm

Marc Jacobs / Juergen Teller

Calvin Klein

Jeff Koons

Longchamp

Maison Martin Margiela

Marni

Stella McCartney / Jeff Koons

Issey Miyake

Prada / James Jean

Versace / Tim Roeloffs

Henrik Vibskov

Viktor & Rolf

Louis Vuitton / Takashi Murakami

Walter Van Beirendonck

Exclusivity and new forms of craftmanship in design are becoming highly prized in a world that is returning to the values of authentic making, but new technology and material use have changed the definition of ‘handmade’ and increased the desirability of furniture items as objects of function and beauty. This ambitious overview of contemporary studio furniture celebrates the achievements of an international selection of designers producing works of individual artistic expression that sit as comfortably in museums as they do in domestic settings.

Featuring hundreds of stunning and unusual pieces, from finely finished tables and chairs made from natural materials to experimental furniture that straddles the boundary between craft and art, this is the only comprehensive survey of its kind. Covering a wide range of design themes reflecting the broad spectrum of practices around the world, this richly illustrated publication is an essential resource for design connoisseurs, collectors, and anyone interested in bespoke furniture design.

Contents List:

1. The Studio Craft Movement: Pioneers • 2. The Late Twentieth Century: Explorers • 3. The Twenty-First Century: Nature; Wood; Metal; Melded; Geometric; Biomorphic; Concept; Expressing; Tongue-in-Cheek; Ecology; Process; Interiors

About the Author:

Judith Gura (1935–2020) was a design historian and author whose books include A History of Interior Design (as co-author), Design After Modernism (2012), Sourcebook of Scandinavian Furniture (2007) and Postmodern Design Complete (2017, Thames & Hudson). She was on the faculty of the New York School of Interior Design and taught at Pratt Institute and FIT. A contributing editor to Art + Auction for many years, she also curated exhibitions at the New York School of Interior Design and worked on exhibitions at the Brooklyn Museum and the Whitney Museum.

Fabergé, Tiffany, Lalique — these great designers came together only once to display their goods in what was probably the most opulent exhibition ever mounted. At the 1900 Exposition Universelle in Paris, the three strove to position themselves ahead of their many competitors in the luxury market, each presenting his jewelry and home adornments as high art. Their success is explored in this splendidly illustrated catalogue, which elucidates the prewar pinnacle of European culture.

The array of displayed objects was mesmerizing: Tiffany glass, Easter eggs to dazzle the Czars, realistic insects created in precious materials as sinister decorations. Many of these bore influences of the advanced art of the time, such as Art Nouveau, Viennese modernism, and symbolism, and of styles from around the world.

Four essays discuss the works in the context of their times, illuminate the high societies served by the three masters, and trace the cultural trends behind their extraordinary creations. A treasure of accompanying photographs shows the individual exhibits, scenes from the World's Fair, and the glitterati who wore the jewelry. 

About the Authors:

Stephen Harrison is curator of decorative arts at the Cleveland Museum of Art. 
Emmanuel Ducamp has written and lectured widely on Russian and French decorative arts. 
Jeannine Falino is an independent curator, formerly the Carolyn and Peter Lynch Curator of Decorative Arts and Sculpture at the Museum of Fine Arts, Boston.

Aimed at enthusiasts and professionals alike, Artists’ Master Series: Perspective & Depth unpacks the theory and practice of using perspective and depth to advance your art. Artists from across the digital and traditional worlds share a deeper mastery of the subjects through theory chapters, extensive tutorials, inspirational gallery artwork, and expert tips, providing a single, in-depth reference at your fingertips.

Following the vast success of Artists’ Master Series: Color & Light and Artists’ Master Series: Composition & Narrative, Artists’ Master Series: Perspective & Depth features professionals from across the traditional and digital worlds. Drawing from a wealth of experience, they explore the theory and practice of using perspective and depth to advance your art and elevate it to the next level.

_In his advanced introductory chapters, Mike Hernandez covers foreshortening, depth of field, atmospheric perspective, and the use of shadows and shapes. 
_Respected global artists Devin Elle Kurtz, Nathan Fowkes, Orenjikun, and Guweiz guide you through extensive tutorials, specially commissioned to explore their use of perspective and depth. 
_Further insight is provided by the gallery artists, also experts in their fields, representing a range of styles, techniques, and mediums.

This unique opportunity to study perspective and depth so extensively offers a deeper mastery of the subjects, and a single, comprehensive reference at your fingertips.

Contents:
HOW TO USE THIS BOOK

PERSPECTIVE & DEPTH BY MIKE HERNANDEZ
Perspective & depth throughout history
Types of perspective
Foreshortening & depth of field
Atmospheric perspective & depth perception
Shadows
Shapes
Breaking the rules 

TUTORIALS
Downtown Dragons by Devin Elle Kurtz
Jungle Ruins by Nathan Fowkes
Old Mining Town by Orenjikun
Night Warrior by Guweiz

GALLERY

Devin Elle Kurtz
Nathan Fowkes
Orenjikun
Guweiz
Mike McCain
Loish
Djamila Knopf
Pascal Campion
Ayan Nag
Rembert Montald

CONTRIBUTORS
INDEX

New Orleans-based self-taught pop artist Ashley Longshore, known for her bold fashionista portraits and larger-than-life personality, has a massive art-cult following. I Do Not Cook, I Do Not Clean, I Do Not Fly Commercial highlights Ashley's colorful life story and showcases her bejeweled vibrant pop art.

Ashley Longshore delivers exactly what her fans are clamoring for: a look at Ashley's big life, her audacious aphorisms, and of course her sumptuous, glittering art in sublime detail. Ashley Longshore's pop-art paintings are always daring; her art makes noise. On any given day, you may catch her in her New Orleans gallery painting with Blake Lively, talking art and fashion with Dapper Dan in New York, or on a remote island in Hawaii painting.

A prolific artist, she has been compared to Andy Warhol for her passion with pop-culture figures; but it's her infectious personality and humorous real talk that has captured the hearts of and inspired her devoted fans. Ashley's story also peeks at her major blingy collaborations with brands such as Rolex; luxury cosmetics brand Clé de Peau; Veuve Clicquot; Chloé; Mark Cross; and Judith Leiber, to name only a few. Ashley Longshore tells the stories of the self-proclaimed "urban hippie" in glorious color and detail and features her works, collaborations, and her singular and authentic personality

About the Author:

Ashley Longshore is a Louisiana-based painter, gallery owner, and entrepreneur. Linda Fargo is senior vice president of the fashion office and the director of women's fashion and store presentation at Bergdorf Goodman. Blake Lively is an actress.

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Пролистать книгу Ashley Longshore: I Do Not Cook, I Do Not Clean, I Do Not Fly Commercial

An amazing visual journey celebrating Ghea's fortieth anniversary as a fashion designer and as a promoter of Indonesian textile crafts.

Born in Rotterdam and educated in Europe, Ghea is one of Indonesia's most famous fashion designers, renowned for having promoted a renaissance in Indonesia's ethnic textile tradition. After graduating from a fashion college in London, she returned to her country and established her fashion-design studio in 1980, and she has since opened several ateliers and boutiques in Jakarta. Her mission: to develop, celebrate, and promote her country's fashion heritage. Her textiles make strong use of folklore, including the Jumputan tie-dyed fabrics (the Pelangi Palembang) that have become her hallmark.

A role model for women, entrepreneurs, designers, and visionary people, Ghea went international early in her career. Since her very first forays into fashion, Ghea has been instrumental in establishing the association of fashion designers (IPMI) in her country for the professionalization of fashion design. Ghea has given Indonesian fashion worldwide attention, showcasing her collections in Paris, Cannes, Marrakech, Kuala Lumpur, London, and Milan. Her shows have been attended by international celebrities, and she has often been featured in major fashion magazines, like Harper's Bazaar and Prestige Indonesia.

This is an inspirational book for many young designers who need to acquire the know-how to sustain their own creative practice.

About the Author:

Alessandra Bruni Lopez y Royo was research associate of the School of Arts, School of Oriental and African Studies (SOAS), University of London until July 2018. Earlier, she was research fellow at Ecole française d'Extreme Orient (EFEO), Jakarta. She also works in fashion and blogs under the name of Alex Bruni.

This fantastic book of asian illustration includes a recompilation of work from seventeen renowned artists. Some of those featured are Lokman Lam, Ippei Gyoubu, Beesha, Ryuji Kawano, Erika Yamashiro, Naoshi… who have personally selected a few of their best works. The styles employed from illustration “Kawaii” the illustration “Naif”, to the most primitive, from the highly personal to the intensely conceptual or simply expressive. All of them form part of the vanguard on today’s illustration scene in Asia.

A vibrant record of the Asian theatre puppets in the Lin Liu-Hsin Puppet Theatre Museum in Taipei

Asian puppet theatre is a treasure house of Asian grassroots religion, culture, history, ethics and entertainment. But with the rise of mass entertainment, puppet theatre has been banished to the fringes and performances of this sublime art form are becoming rare.

Theatre performances may have dwindled but the impact of these beautiful puppets has not. Their charm and exquisite craftsmanship leaps out from the pages of this book, which introduces for the first time the beauty of theatre puppets from all major Asian traditions, captured in over 300 colour illustrations.

Taking the reader on an inspiring journey through hundreds of years of creativity, this beautiful book will not only appeal to people with an interest in Asian arts, but will also open up to the general reader a whole new realm of art.

Contents List:

Introduction and essay • Glove • String • Rod • Shadow • Descriptions

About the Authors:

Robin Ruizendaal has been researching puppet theatre throughout Asia for over twenty years. He is director of the Lin Liu-Hsin Puppet Theatre Museum in Taipei and creative director of the Taiynana Puppet Theatre Company.
Wang Hanshun is a photographer, who has been working with the Puppet Theatre Museum in Taipei for over ten years.

A handbook for clothing designers, stylists and fashionistas, this dashing publication uses beautiful illustrations and drawings to highlight the design and key details of various forms of contemporary clothing, such as coats, jackets, shirts, tops, blouses, dresses, trousers, shorts and skirts. Traditional and contemporary materials, colours and textures for different styles are also listed. This atlas will help designers in their work, no matter which creative method of costume design they choose: inversion, analogy, empathy, fantasy, creating new combinations and problem-solving. It is meant to be a source of inspiration and a useful tool for artists and designers working with clothing, and will be of interest to anyone who is passionate about fashion and style.

This 240-page book, Aubrey Beardsley: The Decadent Magician of the Light and the Darkness, reveals the core of the artist Aubrey Beardsley through more than 180 of his artworks, compiled under the supervision of Hiroshi Unno, a critic and a writer who has contributed to many books on the fin-de-siècle.

Aubrey Beardsley was an illustrator who was best known for his drawings in black ink filled with erotic and decadent features. He was born in Brighton, England on August 21, 1872. The Victorian era in which Aubrey lived was gripped by a strict, rigid, conservative morality. The society was male-dominated and forced women to be modest. However, in Brighton, which developed into a seaside resort for the upper classes full of entertainment, people were relieved from such strictness. Brighton was also a breeding ground of a sense of liberty in all things, and sexuality was no exception. In other words, it can be said that the Victorian era was a chaotic era during which open-minded thoughts on sexuality and strict, male-dominated morality coexist. Aubrey's mother, Ellen, was a person who embodied that Brighton atmosphere. Although she worried about raising her son in such an environment, she also taught literature and music to Aubrey. It was lucky for him to spend his youth with Ellen, and Brighton definitely became the basis of his talent for grasping the oddness of society in this era. Aubrey moved to London when he was 15 years old. When the Beardsley family left Brighton, Aubrey lost the feeling of liberty he had been raised with, but at the same time was able to develop his talent by interacting with Edward Burne-Jones, Oscar Wilde, and William Morris, the artists that coloured this period. Aubrey, whose talent blossomed in London, began to offer his illustrations to many literary and theatrical outlets.

The most famous examples are his illustrations for Oscar Wilde's Salome, Sir Thomas Malory's Le Morte d'Arthur, Edgar Allan Poe's Tales of Edgar Allan Poe, "Alibaba and the Forty Thieves" from One Thousand and One Nights, the French magazine Yellow Book, and the play Lysistrata. The illustrations for these literary and theatrical artworks had also been drawn by many other illustrators, but Aubrey's work was totally different from anyone else's. The seductive motifs that he drew, using only black ink, such as a woman with a fearless smile, a gentleman with disdainful contempt, and figures with extremely exaggerated genitals, all express Aubrey's incomparable talent for grasping the chaos and unsettled atmosphere of the period. The rebellious nature and imagery of his illustrations were often controversial. People even called him "the Devil's younger brother". But there is no doubt that he was a star of the age, which is evident from the many influential illustrators who came after him who were influenced by Aubrey's work, such as Harry Clarke, Alastair, John Austin, Kay Nielsen and George Barbier.

Unfortunately, Aubrey's genius illuminated the end of the nineteenth century, the era of fin-de-siècle decadence, only briefly before fading away, when his tragically short life ended after just twenty-five years. How did the rebellious, yet refined, monochrome artworks were drawn by "the Devil's younger brother" come about? Was his life simply the art itself? This book is a gem that presents the artwork that is most identified with "Beardsley" himself, revealing both the artist and the idea, through his life and his masterpieces.

This sparkling Tiny Folio™ edition of Audubon's Birds of America displays all 435 of Audubon's hand–colored engravings, graced with an illuminating introduction by Roger Tory Peterson that places Audubon in his ornithological and art historical context. Issued with the full endorsement and cooperation of the Audubon Society, the stunning Baby Elephant Folio — here reproduced in a miniature, gem-like version — was the first work ever to arrange Audubon's plates in scientific order.

About the Author:

Roger Tory Peterson established himself as America’s leading ornithologist with his best-selling Field Guide to the Birds. Like Audubon, Peterson received many honorary degrees and awards, including the Presidential Medal of Honor.

A stunning showcase of Azzedine Alaïa’s remarkable fashion collection, most published here for the first time.

Azzedine Alaïa (1935–2017) was not only a world-renowned fashion designer but also an avid collector of vintage fashion. Now a major exhibition at the Palais Galliera, Paris, showcases the extensive collection he built up over the decades, driven by his fascination with the history of couture and his desire to conserve its heritage for future generations.

Accumulated in the utmost secrecy and never revealed during his lifetime, the sumptuous selection of garments ranges from the 19th-century elegance of Jacques Doucet and the House of Worth to the names that shaped 20th-century fashion – Chanel, Balenciaga, Dior, Schiaparelli – and on to contemporary innovators such as Jean Paul Gaultier and Alexander McQueen.

Captured in specially taken photographs, these meticulously crafted pieces are a tribute to Alaïa’s unerring tastes, to the couturiers who inspired and influenced him, and to his endless respect for the craftspeople that created such objects of lasting beauty.

About the Authors:

Miren Arzalluz is curator and head of collections at Fundación Cristóbal Balenciaga. Olivier Saillard is a fashion historian and director of the Alaïa Foundation.