Типографика, Шрифты, Леттеринг

Книги по типографике, шрифтах и леттерингу

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Bob Gordon
ID: 4984
Издательство: Ilex

1000 Fonts is the fast and easy way to identify the font that works perfectly for any purpose. Each typeface is displayed in its entirety with a brief introduction and suggestions for use, and there are hundreds of real-world examples of the fonts in action. Supplemented by a glossary and an extensive resource section, this thorough and accessible volume offers a myriad of options to anyone seeking to make their words stand out. Covering everything from serif and sans serif text fonts to ornamentals, dingbats and display fonts, this chunky, practical reference will prove itself invaluable to any graphic designer – or to anyone who wants to look beyond Times New Roman and Arial.

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Wilson Harvey
ID: 1081
Издательство: РИП-холдинг

- Внимание! Книга на английском языке! - Способность дизайнера грамотно работать со шрифтами - это высший пилотаж. Возможность искусно обращаться со шрифтом говорит о глубоком понимании всех сложностей типографики, а также об остром глазе, способном заметить едва различимые детали. В книге вы найдете коллекцию из 1000 примеров продуманного и вдохновленного использования шрифтов в соответствии с классическими правилами, и нарушая все правила. Фотографии и иллюстрации в этой книге рассказывают о способах создания шрифтов. Читатели смогут более детально узнать о каждой стадии работы. В книге множество примеров шрифтового дизайна, которые расположены в определенном порядке, что позволяет быстро находить необходимую информацию. Издание послужит источником вдохновение при создании плаката, приглашения или брошюры в любом разделе вы без труда сможет найти новые динамичные идеи.

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Graham McCallum
ID: 4577
Издательство: Anova

This title is the next in the bestselling series for all crafters and designers: 4000 stunning motifs of initials, whole alphabets, numbers and characters - from question marks to musical notation. Like all of his previous motif books, the author provides alphabets and initials in a range of historic fonts and scripts. He also presents Roman alphabets that show the influence of other cultures, such as Cyrillic (Russian/Slavonic) scripts and Rune letters. But unique alphabets and elaborate initials - created by the author himself - are also featured to make up a great sourcebook for all those working in the creative field.

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Грэхем Лесли Маккэлэм
ID: 6643
Издательство: АСТ

4000 Alphabet & Letter Motifs

Книга содержит более 4000 образцов букв.
В книге представлены как алфавиты целиком, так и тщательно выполненные отдельные буквицы.
От латинской азбуки до современных шрифтовых коллекций для художников-графиков.
Включены наглядные таблицы, показывающие развитие письменности от иероглифов до современных букв.
Изображения можно копировать, увеличивать, срисовывать или видоизменять.
Подходит для художественного творчества в любой области: от вышивки до работ по дереву, от выполнения татуировок до графического дизайна.

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Pedro Guitton
ID: 4916
Издательство: Index Book

A Homage to Typography contains 100 fonts and their applications, designed by top typographers. It covers typography in a wide variety of media, including examples ranging from publishing and corporate identity to product design and signage. Includes a CD with 57 free fonts.

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Colleen Ellis
ID: 8855
Издательство: Mark Batty Publisher

From abstract to zeitgeist, ABCing: Seeing the Alphabet Differently spurs alternative approaches to seeing and understanding letterforms, and the world.

Colleen Ellis has dismantled the Latin alphabet, shifting the focus from the subject - the letter - to the surrounding space, introducing new ways of visualizing, thinking and talking about art and design. Each illustration is created using only the negative shapes of a letter. The shapes are rotated and resized; they are not duplicated, mirrored or otherwise altered. The shapes are then composed as a visual translation of a given word’s meaning, creating visual and conceptual connections between the letter, the word and the surrounding space.

Both seasoned designers and students of all ages will value this book, which colorfully reminds everyone how new perspectives can provide new meanings

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ID: 3633
Издательство: L'Aventurine
Данное издание как антология алфавитов предлагает вниманию читателя исключительные примеры из истории шрифтов и каллиграфии. Восемь столетий декоративного письма предстанут перед Вами в этой книге. Все иллюстрации в этой книге представлены на CD, которые могут быть использованы как на PC так и на MAC компьютерах. Изображения сохранены в файлах формата TIFF высокого разрешения.
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Stephan Fussel
ID: 9442
Издательство: Taschen

The birth of the legendary typeface

The complete reproduction of Bodoni's rare masterwork


Celebrated printer and type designer Giambattista Bodoni set the standard for printing the alphabet with his Manuale tipografico (1818). The two-volume set - published posthumously in a limited edition of 250 - features 142 sets of roman and italic typefaces, a wide selection of borders, ornaments, symbols, and flowers, as well as Greek, Hebrew, Russian, Arabic, Phoenician, Armenian, Coptic, and Tibetan alphabets.

Official printer for the Duke of Parma, Bodoni (1740-1813) declared that well-designed type derived its beauty from four principles: uniformity of design, sharpness and neatness, good taste, and charm. His typefaces display an unprecedented degree of technical refinement, and epitomize purity and grace. The culmination of more than four decades of work, the Manuale tipografico represents one of history’s greatest typographical achievements. The Bodoni typeface is still widely used even today, both in digital media and in print, and TASCHEN’s meticulous reprint of Bodoni’s masterwork gives readers a rare opportunity to explore the origins of the Bodoni typeface and learn about its creator.

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Stephan Fussel
ID: 12263
Издательство: Taschen

Alphabet legend: The complete reproduction of a typographical masterwork

Official printer for the Duke of Parma, Giambattista Bodoni (1740-1813) declared that well-designed type derived its beauty from four principles: uniformity of design, sharpness and neatness, good taste, and charm. In his Manuale tipografico, published posthumously in 1818, he distilled these principles into a comprehensive catalog of type and set the standard for printing the alphabet thereafter.

TASCHEN s meticulous reprint of Bodoni s masterwork celebrates what was an unprecedented degree of technical refinement and visual elegance, as well as exploring the origins of the much-loved Bodoni typeface, still much deployed in both print and digital media. Like the original, the book features 142 sets of roman and italic typefaces, a wide selection of borders, ornaments, symbols, and flowers, as well as Greek, Hebrew, Russian, Arabic, Phoenician, Armenian, Coptic, and Tibetan alphabets.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

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ID: 2035
Издательство: Page One
The task of typography is to transport a text/meaning and to provide visual support for the reader of the text. It can enhance the process of reading and perceiving by adding an aesthetic component to the text. It is both the design of letters and design by means of letters.
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Kristin Cullen
ID: 10315
Издательство: Rockport

Explore the fundamentals of typography with this practical new guide. An instructional reader rather than historical survey, Design Elements: Typography Fundamentals uses well-founded, guiding principles to teach the language of type and how to use it capably.

Designers are left with a solid ground on which to design with type. Limitless potential for meaningful and creative communication exists—this is the field guide for the journey!

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Paul Burgess, Tony Seddon
ID: 9071
Издательство: Rockport

Featuring a curated collection of about 500 exquisite designs, along with essays from top designers about the essence and importance of good typography in design, Design: Type is an insightful resource filled with mini-workshops that dissect several featured projects and highlight the effectiveness of the type treatments. The first in a new series, this informative sourcebook offers the best of typography in practice and is an essential resource for students and professionals alike.

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Karen Cheng
ID: 12622
Издательство: Laurence King Publishing

The lack of a specific and comprehensive guide to type design has long been a frustration for typographers, graphic designers and students. 

Designing Type finally addresses this important need – and brings new depth and insight to the art and process of developing a typeface. 

Copiously illustrated with type specimens and diagrams demonstrating visual principles and letter construction, the book discusses structure, optical compensation and legibility, with emphasis on the often overlooked systematic relationships between letters and shapes in a font. A wide range of classic and contemporary typefaces are analysed, and examples of student work, progress sketches and final type designs are used to demonstrate core issues. 

In the light of the rapidly broadening market for original and custom typefaces, Designing Type is a valuable reference for both experienced professionals and novice designers.

About the Author:

Karen Cheng is professor in the Visual Communication Design program at the University of Washington in Seattle, where she teaches type design and typography. An active practitioner, her design work has been published by the American Institute of Graphic Arts (AIGA), Communication Arts, Print, Critique and ID Magazine.

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David Earls
ID: 3735
Издательство: RotoVision
A typeface can convey a sense of urgency, formality or humour, and it is almost impossible for typefaces not to give character. "Designing Typefaces" introduces a new level of meaning to the mysterious world of type design. It includes extensive interviews with twelve international practitioners, all providing their unique approach to the subject, from the broad sweep of intention to the minute detail of stroke thickness. The book also deals with computer-based type design, licensing, letter spacing and many more factors essential to the art. It also includes a practical tutorial section to provide the reader with step-by-step instructions to designing their own fonts. Design and typography students, practitioners and those interested in the fascinating area of typography will find "Designing Typefaces" essential and worthwhile reading.
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Alec Julien
ID: 8972
Издательство: Thames & Hudson

A comprehensive and practical guide to font creation that explores every aspect of the process

Packed with step-by-step tutorials and interviews with professional font designers, Digital Fonts is a comprehensive and practical guide that explores every aspect of the font creation process, from sketching initial letterforms to mastering the font creation software packages Fontlab and Fontographer.

This book addresses the important issue of how designers can best market and sell their fonts, and includes advice on copywriting and working with foundries, as well as how designers can set up their own foundries.

Throughout the book, screen grabs and illustrated diagrams accompany clear, accessible and step-by-step text, clarifying every process and arming readers with all the essential information they need. Interviews with professional font designers and foundry owners provide an insight into their working processes, while accompanying portfolios demonstrate a wide range of inspirational font styles.

Table of Contents:

I. Typography Essentials: 1. Key Principles • 2. Creating Letterforms • II. Creating a Font: 3. From Lettering to Vector File: What is a Font? • 4. Font Creation Software Tutorials • III. Going Pro: 5. Marketing and Selling Your Fonts • IV. Resources

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