Fashion Masterclass. Defining design of the 20th and 21st centuries

From Azzedine Alaïa, Cristóbal Balenciaga, and Coco Chanel to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, a century’s worth of fashion greats from the permanent collection of The Museum at the Fashion Institute of Technology in New York City are celebrated in this fresh edition of Fashion Designers A–Z.

Formerly available as a limited Collector’s Edition only, this accessibly priced and updated new edition features photographs of over 500 garments selected from the Museum’s permanent collection. From an exquisitely embroidered velvet evening gown to Mondrian-style minimalist chic, each chosen piece is chosen not only for its beauty but for its representative value, distilling the unique philosophy and aesthetics of each of the featured designers.

Texts by the museum’s curators explain why each designer is important in fashion history and what is special about the chosen garments. In her introductory essay, director and chief curator Valerie Steele writes about the rise of the fashion museum and the emergence of the fashion exhibition as a popular and controversial phenomenon. Together with a foreword by Suzy Menkes, Steele’s writings also provide a history of The Museum at the Fashion Institute of Technology in the world of fashion scholarship and museology.

An astute exploration of the most outrageous shoe designs of the 21st century

This fabulously illustrated book explores western culture’s fascination with extravagant and fashionable shoes. Over the past decade, shoe design has become increasingly central to fashion, with fashion companies paying ever more attention to shoes and other accessories. High-heeled shoes, in particular, have become the fashion accessory of the 21st century.

Co-written by one of the world’s leading historians of fashion and an authority on fashion accessories, the book features approximately 150 pairs of the most extreme and ultra-fashionable styles of the past 12 years, including work by such prominent designers as Manolo Blahnik, Pierre Hardy, Christian Louboutin and Bruno Frisoni for Roger Vivier, as well as shoes by influential design houses such as Azzedine Alaïa, Balenciaga, Alexander McQueen, and Prada. Avant-garde styles by up-and-coming designers such as Japan’s Kei Kagami and Noritaka Tatehana are also highlighted.

Shoe Obsession examines recent extreme and fantastical shoe styles in relation to the history of high heels, the role of shoes as a reflection of their wearers’ personality traits, and the importance of shoes in art and exhibitions. The book is lavishly illustrated with full-colour photographs of spectacular contemporary shoe designs.

About the Authors:

Valerie Steele is director and chief curator of The Museum at the Fashion Institute of Technology, New York. Colleen Hill is curator of costume and accessories at The Museum at the Fashion Institute of Technology, New York.

With more than 1,000 illustrations, Fashion: The Whole Story follows the evolution of fashion via its most important moments – and most impracticable fads – culminating in the modern era of the supermodel

Fashion: The Whole Story provides a global history of fashion and traces the evolution of fashion design period by period and trend by trend.

- Organized chronologically, covering Greco-Roman draped clothing and the silk court dress of the Chinese Tang dynasty through to contemporary sportswear designers and Japanese street fashion
- Places key fashion pieces in the context of social and cultural developments, with historical timelines highlighting important influences and events
- Takes you inside the process of creating haute couture, from concept to catwalk
- Written by an international team of experts led by Marnie Fogg

About the Author:

Marnie Fogg is a fashion expert and media consultant, and the bestselling author of The Fashion Swatch Book and Why You Can Go Out Dressed Like That. Valerie Steele is director and chief curator of The Museum at the Fashion Institute of Technology, New York.

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From the Greco–Roman period on, this enthralling book presents the high points of fashion history throughout the world: the silk robes of the Chinese Tang dynasty; the kosode of the Japanese Heian period; the kaftan of the Ottoman Empire; Christian Dior’s post-World War II New Look; and the laser-cut Nu-craft of the present day.

Fashion: The Whole Story takes a revealing look at the world’s most influential modern designers, as well as the quirky ideas and occasional bursts of eccentricity that have taken fashion in innovative new directions. An assessment of fashion icons allows you to understand how one designer or style influenced another.

Fashion: The Whole Story details the individual key pieces that epitomize defining styles or epochs in fashion history. It explains everything from the choice of specific materials or individual design features to the significance of designs created during times of crisis.

Marvel at the dress of the Mughal Empire and the steel-hooped crinoline of the 19th century; discover the lines of a classic man’s suit and the political implications of the mini skirt; and understand the incredible science behind the latest ‘smart’ materials in sportswear.

‘A serious yet readable history that takes the reader from the togas and tunics of early civilizations to the age of ASOS’ Telegraph

The definitive work on the collaborations between Louis Vuitton and artists, designers, architects, and photographers. This newly revised and updated edition brings the previous book up to the present, now celebrating the most recent and inspiring collaborations with Nicolas Ghesquière, Frank Gehry, Yayoi Kusama, and Steven Meisel, among others.

The more than eighty collaborators featured in this book comprise an A to Z of Vuitton’s creative collaborations, especially from the last decade, with significant chapters devoted to the work of Nicolas Ghesquière, Marc Jacobs, Takashi Murakami and other key collaborators. Never forgetting the long tradition of the house, the period covered by the book — from the late 1990s through the present day — will describe the role that Louis Vuitton is playing in a crucial moment in global fashion.
Now with 536 pages, this edition features more than 130 pages of stunning new imagery that showcases the increasingly symbiotic relationship between fashion, art, and design.

About the Author:

Valerie Steele is a fashion historian, curator, and director of the Museum at the Fashion Institute of Technology in New York City. Glenn O’Brien is an author and essayist based in New York. Jill Gasparina is an art curator, theoretician, and writer based in Paris. Ian Luna is a writer based in New York and the author of several books on fashion design, architecture, and urbanism, including Louis Vuitton: Architecture & Interiors. 

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Пролистать книгу Louis Vuitton: A Passion for Creation: New Art, Fashion and Architecture

In 75 eye-popping pairings of designer pieces and the artworks that inspired them, this stylish book reveals the art behind coveted fashion designs.

Long before “collabs” became a buzzword, artists influenced every aspect of the fashion world. This approachable collection compares fashion and art side-by-side to highlight a variety of relationships: inspiration, collaboration, and artists working to create their own fashion or fashion photography.

Art X Fashion introduces readers to designers like Coco Chanel and Elsa Schiaparelli, who famously worked with artists like Picasso and Dalí in the early twentieth century, as well as to such iconic fashion moments as Yves Saint Laurent’s 1965 homage to Piet Mondrian. Art and fashion pairings including John Galliano (inspired by Tutankhamun’s death mask, Arcimboldo, Gustav Klimt, and Hokusai), Guo Pei (inspired by Velázquez), Margiela (inspired by Gauguin), and Iris Van Herpen (inspired by Paul Delvaux), reveal surprising connections. Projects by street artists like Keith Haring and Kaws introduce the era of collaborations, which saw artists such as Yayoi Kusama and Takashi Murakami work with Louis Vuitton. More recent collaborations include Raf Simons with Sterling Ruby and Kerby Jean-Raymond with Derrick Adams. Chapters on striking purses and other accessories designed by artists, and artists creating in fashion — including Cindy Sherman, William Wegman, and John Baldessari — round out this fresh and delightful take on fashion design.

About the Author:

Nancy Hall-Duncan has published extensively on twentieth- and twenty-first-century fashion, art, and photography, including the groundbreaking book The History of Fashion Photography. Valerie Steele is director and chief curator of The Museum at the Fashion Institute of Technology.

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Пролистать книгу Art X Fashion: Fashion Inspired by Art

Nineties fashion-from grunge, to Clueless's Alaïa, to Margiela's new couture-is an essential reference point for contemporary style. This book, created in tandem with an exhibition at The Museum at FIT, documents the changing culture, attitudes, and creatives that ushered in our visual age.

Minimalism. Deconstruction. The rejuvenation of established houses. These are just a few of the concepts that have come to define 1990s fashion. Others include an increased concern with environmentalism, developing technologies and the beginning of the fashion internet, freewheeling historical references, and a predilection for lifting significant styles from other cultures (the issues raised by this 'borrowing' are reviewed through a contemporary lens). In the twenty years since the decade ended, the fashion world has experienced several nineties revivals.

Reinvention and Restlessness: Fashion in the 90s focuses specifically on designers who challenged the expected appearance or workings of high fashion, and who played an important role in laying the foundation for fashion of the twenty-first century, including: Tom Ford, John Galliano, Alexander McQueen, Marc Jacobs, Michael Kors, Martin Margiela, Stella McCartney, Helmut Lang, Jil Sander, Yohji Yamamoto, Rei Kawakubo, and Viktor & Rolf. Additional chapters address changes to fashion editorials and campaigns (under talents like Steven Meisel, Corinne Day, Inez & Vinoodh, Mark Borthwick, and Nan Goldin), a new theatricality to runway presentations, and the emergence of fashion theory as a field.

About the Author:

Colleen Hill is curator of costume and accessories at The Museum at FIT, New York. Valerie Steele is director and chief curator of The Museum at FIT and founding editor of Fashion Theory. Patricia Mears is deputy director of The Museum at FIT. Shonagh Marshall is a curator, writer, and arts consultant with a specialization in fashion and contemporary culture based in New York City.

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Пролистать книгу Reinvention and Restlessness: Fashion in the 90s

The first book to explore the synergy between dance and fashion, featuring a wide range of dance-fashion collaborations and inspirations

Dress and adornment have long played an important role in the visual allure of dance, and fashion designers have often been inspired by the way dancers look. The tutus and pointe shoes of the Romantic ballerina, for example, have influenced designers from Christian Dior to Christian Louboutin. Cristóbal Balenciaga was inspired by the drama of flamenco, Yves Saint Laurent by the Orientalism of the Ballet Russes, and Rick Owens by the dynamism of African-American steppers. Fashion designers are also increasingly collaborating with choreographers to create stylish new dance costumes — from the “bump” dresses by Comme des Garçons for Merce Cunningham to Valentino’s “Bal de Couture” designs for New York City Ballet.

Lavishly illustrated with both contemporary and historical images, the book features essays by ten fashion experts, who explore various aspects of the reciprocal relationship between dance and fashion, from the liberating effects of the tango to the influence of ballet on Japanese girl culture. Designers featured include Leon Bakst, Cristóbal Balenciaga, Comme des Garçons, Christian Dior, John Galliano, Jean-Paul Gaultier, Halston, Barbara Karinka, Isaac Mizrahi, Rodarte, Yves Saint Laurent, Riccardo Tisci of Givenchy, Valentino, and Iris Van Herpen.   

This beautiful book explores for the first time the synergy between dance and fashion and is an original and inspired contribution to the study of both art forms. 

About the Author:

Valerie Steele is director and chief curator of The Museum at FIT. 

An inspirational journey through black fashion in America from the twentieth century to the present, featuring the most celebrated icons of Black style and taste.

One of the few surveys of Black style and fashion ever published, How to Slay offers a lavishly illustrated overview of African American style through the twentieth century, focusing on the last thirty-five years. Through striking images of some of the most celebrated icons of Black style and taste, from Josephine Baker, Michelle Obama, Maya Angelou, and Miles Davis to Rihanna, Naomi Campbell, Kanye West, and Pharrell Williams, this book explores the cultural underpinnings of Black trends that have become so influential in mainstream popular culture and a bedrock of fashion vernacular today. A preponderance of Black musicians, who for decades have inspired trends and transformed global fashion, are featured and discussed, while a diverse array of topics are touched upon and examined — hats, hair, divas, the importance of attitude, the use of color, ’60s style, the influence of Africa and the Caribbean, and the beauty of black skin.

About the Author:

Constance C. R. White is an award-winning journalist, a former editor in chief of Essence magazine, former New York Times style reporter, and the first black executive fashion editor at a major fashion magazine, at Elle. She conceived and edited the book Essence: A Salute to Michelle Obama (2013) and authored Stylenoir (1998). She currently is a contributor to TheImpression.com. Valerie Steele is director and chief curator of The Museum at the Fashion Institute of Technology where she has organized more than twenty exhibitions since 1997.

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Пролистать книгу  How to Slay: Inspiration from the Queens and Kings of Black Style

With more than 1,000 illustrations, Fashion: The Whole Story follows the evolution of fashion via its most important moments – and most impracticable fads – culminating in the modern era of the supermodel

Fashion: The Whole Story provides a global history of fashion and traces the evolution of fashion design period by period and trend by trend.

- Organized chronologically, covering Greco-Roman draped clothing and the silk court dress of the Chinese Tang dynasty through to contemporary sportswear designers and Japanese street fashion
- Places key fashion pieces in the context of social and cultural developments, with historical timelines highlighting important influences and events
- Takes you inside the process of creating haute couture, from concept to catwalk
- Written by an international team of experts led by Marnie Fogg

About the Author:

Marnie Fogg is a fashion expert and media consultant, and the bestselling author of The Fashion Swatch Book and Why You Can Go Out Dressed Like That. Valerie Steele is director and chief curator of The Museum at the Fashion Institute of Technology, New York.

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From the Greco–Roman period on, this enthralling book presents the high points of fashion history throughout the world: the silk robes of the Chinese Tang dynasty; the kosode of the Japanese Heian period; the kaftan of the Ottoman Empire; Christian Dior’s post-World War II New Look; and the laser-cut Nu-craft of the present day.

Fashion: The Whole Story takes a revealing look at the world’s most influential modern designers, as well as the quirky ideas and occasional bursts of eccentricity that have taken fashion in innovative new directions. An assessment of fashion icons allows you to understand how one designer or style influenced another.

Fashion: The Whole Story details the individual key pieces that epitomize defining styles or epochs in fashion history. It explains everything from the choice of specific materials or individual design features to the significance of designs created during times of crisis.

Marvel at the dress of the Mughal Empire and the steel-hooped crinoline of the 19th century; discover the lines of a classic man’s suit and the political implications of the mini skirt; and understand the incredible science behind the latest ‘smart’ materials in sportswear.

‘A serious yet readable history that takes the reader from the togas and tunics of early civilizations to the age of ASOS’ Telegraph

Fashion Masterclass. Defining design of the 20th and 21st centuries

From Azzedine Alaïa and Coco Chanel to Alexander McQueen and Yves Saint Laurent, celebrate over a century’s worth of fashion greats. This updated edition, expanded to include 15 new labels, highlights some 500 garments in the permanent collection of The Museum at FIT in New York City. Features texts by the Museum’s director and chief curator Valerie Steele, international style authority Suzy Menkes, and portraits by Robert Nippoldt.

From Azzedine Alaïa, Cristóbal Balenciaga, and Coco Chanel to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, more than a century’s worth of fashion greats from the permanent collection of The Museum at FIT in New York City are celebrated in this fresh edition of Fashion Designers A–Z.

15 new names join the ranks of the industry’s most admired — Phoebe Philo, Patrick Kelly, and Sonia Rykiel, to name a few — in this updated and expanded release showcasing some 500 garments in the Museum’s permanent collection. From an exquisitely embroidered velvet evening gown to Mondrian-influenced minimalist chic, each piece has been selected and photographed not only for its beauty, but for its representative value, distilling the unique philosophy and aesthetics of each of the featured designers.

In her introductory essay, the Museum’s director and chief curator Valerie Steele writes about the rise of the fashion museum, and the emergence of the fashion exhibition as a popular and controversial phenomenon. International style authority Suzy Menkes contributes a foreword, texts by the museum’s curators shine historical light on each label and garment pictured, and 125 drawn portraits by artist Robert Nippoldt pay homage to the creators behind them.

The editors:

Valerie Steele is director and chief curator of The Museum at FIT and founding editor of Fashion Theory. Described in The Washington Post as one of “fashion’s brainiest women” and by Suzy Menkes as “the Freud of fashion,” Steele combines serious scholarship (and a Yale Ph.D.) with a rare ability to communicate with general audiences. As author, curator, editor, and public intellectual, Steele has been instrumental in creating the modern field of fashion studies.

Colleen Hill is curator of costume and accessories at The Museum at FIT. She has curated more than a dozen exhibitions, including Paris Refashioned, 1957-1968 and Fairy Tale Fashion, authored or co-authored six books on fashion, and contributed to numerous other publications.

The contributing author:

Unquestionably a leader in the global fashion press, Suzy Menkes is International Vogue Editor at Condé Nast International. Her work appears on the websites of 23 international editions of Vogue in 16 languages. She is also a leading Instagram influencer. Among the world’s most influential fashion critics, she is an officer of the Order of the British Empire as well as a chevalier of the Légion d’Honneur. She lives and works in London and Paris. @SuzyMenkesVogue

The illustrator:

Robert Nippoldt is a German graphic designer, illustrator, and book artist. He is best known for his award-winning books Gangster, Jazz and Hollywood about America in the 1920s and 1930s. His studio is located at the very hip old depot of Muenster.

From Christian Dior to Yves Saint Laurent and Alexander McQueen, many of the greatest fashion designers of the past century have been gay.  Fashion and style have played an important role within the LGBTQ community, as well, even as early as the 18th century.  This provocative book looks at the history of fashion through a queer lens, examining high fashion as a site of gay cultural production and exploring the aesthetic sensibilities and unconventional dress of LGBTQ people, especially since the 1950s, to demonstrate the centrality of gay culture to the creation of modern fashion.  

Contributions by some of the world’s most acclaimed scholars of gay history and fashion – including Christopher Breward, Shaun Cole, Vicki Karaminas, Jonathan D. Katz, Peter McNeil, and Elizabeth Wilson – investigate topics such as the context in which key designers’ lives and works form part of a broader “gay” history; the “archeology” of queer attire back to the homosexual underworld of 18th-century Europe; and the influence of LGBTQ subcultural styles from the trouser suits worn by Marlene Dietrich (which inspired Yves Saint Laurent’s “Le Smoking”) to the iconography of leather. Sumptuous illustrations include both fashion photography and archival imagery.

About the Author:

Valerie Steele is director and chief curator of The Museum at FIT. 

Fashion Masterclass. Defining design of the 20th and 21st centuries

From Azzedine Alaïa, Cristóbal Balenciaga, and Coco Chanel to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, a century’s worth of fashion greats from the permanent collection of The Museum at the Fashion Institute of Technology in New York City are celebrated in this fresh edition of Fashion Designers A–Z.

Formerly available as a limited Collector’s Edition only, this accessibly priced and updated new edition features photographs of over 500 garments selected from the Museum’s permanent collection. From an exquisitely embroidered velvet evening gown to Mondrian-style minimalist chic, each chosen piece is chosen not only for its beauty but for its representative value, distilling the unique philosophy and aesthetics of each of the featured designers.

Texts by the museum’s curators explain why each designer is important in fashion history and what is special about the chosen garments. In her introductory essay, director and chief curator Valerie Steele writes about the rise of the fashion museum and the emergence of the fashion exhibition as a popular and controversial phenomenon. Together with a foreword by Suzy Menkes, Steele’s writings also provide a history of The Museum at the Fashion Institute of Technology in the world of fashion scholarship and museology.

If you could have only one dress, wouldn't you make it a black one?

Glamorous or modest, seductive or practical, chic and versatile, elegant, powerful, modern, and never out of style, the black dress has been the foundation of a woman's wardrobe for centuries. The allure of the black dress has captured the imagination of generations of couturiers and artists and served as the signature of society's most enviably dressed women.

The Black Dress is a lush visual celebration of this fashion classic. With an essay and images selected by Dr. Valerie Steele, Director and Chief Curator of the Museum at the Fashion Institute of Technology in New York City, this volume features page after uniquely designed page of some of the most compelling dresses in the history of fashion. The diverse imagery includes fine art, runway shots and design sketches, stills from classic films and vintage fashion plates, and, above all, gorgeous evocations of the black dress from the world's greatest designers, illustrators, and photographers. These include paintings by Peter Paul Rubens, Pierre-Auguste Renoir, Edouard Manet, and John Signer Sargent; illustrations by Georges Barbier and Ruben Toledo; and iconic images of movie goddesses such as Audrey Hepburn and Rita Hayworth.

The world's foremost fashion designers, from Coco Chanel to Christian Dior, Yohji Yamamoto to Boudicca, are featured in full color throughout, their designs accompanied by quotes on black from writers, artists and fashion personalities. Extended captions at the back of the book provide details one ach dress and its place in fashion history.