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This wonderful book presents a thorough survey of the art of stained glass from early times to the present day.

This is a guide to the most important, beautiful and unusual stained glass to be found around the world

It is an invaluable sourcebook, with a meticulous, step-by-step illustrated account of the process of the making of a stained glass window and a comprehensive analysis of the issues facing conservationists.

International stained glass expert Virginia Raguin traces the emergence of stained glass as a unique art form through an examination of its techniques and symbolism, and the political and historical contexts – both ecclesiastical and secular – in which it has been displayed.

The story spans over 1,000 years, from the dramatic, richly patterned figures in Strasbourg Cathedral, via the monumental programmes at Chartres, York, Cologne and Florence, to modern masterpieces by Frank Lloyd Wright, Louis Comfort Tiffany, Henri Matisse and John Piper among others.

From Romanesque to Gothic Revival, Renaissance to Opalesque, Virginia Raguin reveals her profound knowledge of the naunces of style and the aesthetics of light in this compelling field.

Soft furnishings – from curtains and cushions, to bed and table linen – can provide the perfect finishing touches to a room, adding an injection of colour and pattern. So often, store-bought furnishings are either hugely expensive or mass-produced, but The Home-Sewn Home shows you the easy way to create your own, using the wonderful fabrics designed by Vanessa Arbuthnott. There are 50 inspiring step-by-step projects, all with easy-to-follow step artworks and instructions.

The projects range from a simple cushion and table runner for the novice stitcher, through to lined curtains with an array of different headings, blinds, bed throws and table linen. There is a chapter on accessories, including a cook’s apron, a tote bag and table mats, which also make great presents, while the basic techniques chapter teaches you all the skills you need to make any of the projects.

Throughout the book, Vanessa offers practical advice on mixing fabrics, colours and patterns, helping you to achieve a truly individual look in your home. There are variations, too, allowing you to adapt the projects to suit your own surroundings. Whether you have just bought your first sewing machine, or want to find new ways to use Vanessa’s stunning fabrics, The Home-Sewn Home will show you the way.

About the author

Vanessa Arbuthnott started her own fabric design business ten years ago and was soon featured in Country Living and the Saturday Telegraph. She has never looked back and her enthusiasm for designing fabric is as strong as ever. This is her first book. Vanessa is based in Gloucestershire, UK.

Gail Abbott is a home stylist and writer whose work regularly appears in interiors magazines such as The World of Interiors, Homes & Gardens and Ideal Home. She is the author of nine books, including Shoestring Chic, Living with Light, Decorating with Blue and White, Living with White, and The Newly-Wed’s Guide to Setting up Home, all published by CICO Books. Gail is based in Cambridge, UK.

This is the first book devoted to Tiffany lamps in more than 20 years. Experts in the field have made a selection of exceptional lamps - many of which have rarely been seen or published - and each one has been newly photographed with the latest photographic techniques to reveal in extraordinary detail the artistic quality and high craftsmanship of these masterpieces of decorative art.

Martin Eidelberg and Alice Cooney Frelinghuysen have contributed essays on the history of the lamps, enlarging our understanding of Louis Comfort Tiffany's achievement. They have drawn upon a host of previously unpublished photographs, paintings, and watercolors by Tiffany and other artists in his employ, as well as on working drawings and studio photographs, and images evoking the lost gardens and interiors of Tiffany's country estate, Laurelton Hall, that so inspired him. They outline the development and manufacture of the Tiffany lamp from freehand sketch to finished form, as well as the chief decorative themes in Tiffany's glass masterpieces and their relation to the work of other fin de siecle glassmakers.

Owning your own swimming pool is a dream that is coming true for more and more people. So, for the first time in this series of lifestyle books, we are devoting a volume to swimming pools and everything related to the subject: pool houses, bathing spaces, saunas and hammams, and also garden designs, materials used for cladding the pool, terraces, furniture and so on.

Ecological swimming ponds are hip nowadays and they offer many advantages over traditional swimming pools: the water is pure, soft and without chlorine. You can swim between the water plants and the pond can be perfectly integrated in the garden.

Jean Vanhoof, an authority when it comes to swimming ponds, went looking for the 20 most prestigious ponds in Europe and explains here how the different systems work.

The Stained-Glass Windows of St. Andrew’s Dune Churchis a visual exploration of a treasure in the Hamptons: the extraordinary windows of a summer resort church span nearly 150 years of stained glass in America.

Stained-glass windows are superb works of art, and the 45 stunning windows in St. Andrew’s Dune Church, a red-shingled 1879 structure nestled among the dunes in Southampton, New York, make this intimately scaled house of worship one of the most picturesque summer resort churches on the eastern seaboard.

The diverse assemblage ranges from breathtaking opalescent-glass windows by Louis Comfort Tiffany and John LaFarge to Pre-Raphaelite-inspired panes by the British firm Heaton; Butler & Bayne to lushly floral windows by Bostonian Wilbur Herbert Burnham; and, coming full circle, to Stephen Hannock’s opalescent-glass landscape window, installed in 2020. All contributed by congregants to memorialize loved ones, the windows offer a stunning overview of the history of stained glass from the 19th century to today.

In her authoritative text, Metropolitan Museum of Art curator Alice Cooney Frelinghuysen recounts the storied history of the church, including the devastation to the building and many of its windows caused by the Great New England Hurricane of 1938, and describes each window in vivid detail: its subject, artistic style, and the person it memorializes. Illustrated with beautiful photographs of the church by Tria Giovan and specially commissioned images of every window by Joseph Coscia Jr., The Stained-Glass Windows of St. Andrew’s Dune Church brings a little-known treasure of American decorative arts history to a wider audience.

About the Author:

Alice Cooney Frelinghuysen is the Anthony W. and Lulu C. Wang Curator of American Decorative Arts at The Metropolitan Museum of Art. She is the author or coauthor of five books on the stained glass of Louis Comfort Tiffany, among many other publications. She lives in New York City. Tria Giovan specializes in interiors, still life, food, and portrait photography. Her books include Vendome’s Summer to Summer: Houses by the Sea, Out East: Houses and Gardens of the Hamptons, and Island Hopping: Amanda Lindroth Design. Giovan lives in Sag Harbor and New York City. Joseph Coscia Jr. is head photographer at the Frick Collection and formerly chief photographer at The Metropolitan Museum of Art.

This inspirational book illustrates and discusses both grand and small water gardens throughout the world, from the formal Islamic masterpieces of Granada and Kashmir to the tranquil gardens of Kyoto in Japan. Every principal school of garden design from Europe and America is included . Among present-day instances are Geoffrey Jellicoe’s finest creations and designs by Burle Marx.

Details and close-ups are included throughout, as are examples of the remarkable variety of water features that have embellished gardens throughout the ages – from the grand vistas of Versailles to the ‘natural’ look of English landscaping.

An important section on the small garden and listings of major water gardens worldwide complete the book.

Tile is back, and its better than ever. After a half-decade lull in the use of tile for interior finishes, new styles, products, and lower prices have brought on a resurgence of interest in tile. The Tile Idea book showcases the wide range of styles and materials available to homeowners -- including ceramic, stone, and glass -- and explores the diversity of applications for tile that are certain to bring beauty and durability to any room in the house.

English Heritage Buildings won their spurs in the restoration of old beamed roofs and historic half-timbered houses. Thanks to this experience the company can respond quickly to the continually growing demand for new, comfortable structures with a traditional oak frame and softwood weatherboarding. The new buildings are often multifunctional and can be used as a home office, garage, pool house, guest accommodation, covered terrace, shop or garden shed, as well as many other uses.

The oak roof trusses are constructed using traditional models and with centuries-old craftsmen's techniques. These buildings are durable and charming; they are made to measure to the client s wishes.

Under the management of Peter Pollet and Koen Bouteligier English Heritage Buildings have set up an independent associated company to launch these buildings on the continent as well.
English Heritage Buildings oak-framed buildings are so beautiful that they immediately attract the eye. They link the past with the present, the noblest of building traditions with the modern way of living, working and relaxation. Timber Framed Buildings displays a number of these achievements. The author, Ivo Pauwels tells the story of this centuries-old building technique and brings back the forgotten knowledge of the materials of roof trusses, pantiles, thatch, softwood and oak. In your mind's eye you can see the old carpenters back at work. Leading photographer Jan Verlinde was able to take most of the photographs in this book on the continents, but also found his inspiration in England.

- English Heritage Buildings' oak-framed outbuildings are so beautiful that they immediately attract the eye
- The author, in his familiar fascinating style, tells the story of this centuries old building technique and brings back the forgotten knowledge of the materials of roof trusses, pantiles, thatch, larch and oak
- In your mind's eye you can see the old carpenters back at work. Leading photographer Jan Verlinde was able to take most of the photographs in this book on the continent, but also found his inspiration in England

This beautiful book draws on the rich collections of the Musée de la Toile de Jouy to produce the first-ever complete history of these textiles. The illustrations include original designs conserved in the museum, exceptional historical examples of clothing and furniture, documents relating to their manufacture and to the founding of the company, and examples of contemporary uses.

When printed and painted cottons from India first appeared in France in the 17th century, there was a reaction to their enormous commercial success and an embargo was placed on their import. In 1759 this ban was lifted, and the Manufacture Royale de Jouy was founded to produce printed cotton fabrics that could compete with the popular imported ones. Within a few years, the factory was the biggest of its kind in Europe and some 30,000 designs were created, many of them the work of renowned 18th-century artists such as Fragonard and Boucher.

The Toile de Jouy textile has become increasingly popular among designers and decorators, who incorporate its classic patterns in upholstery, wallpaper, linens and stationery. For anyone interested in the history of textiles or design, or looking for fresh ideas for interior decor, this book will be an inspiration and a fascinating reference.

Originally referring only to the famed fabrics of Jouy-en-Josas,‘toiles de Jouy’ has today become the catch-all term for the delightful printed cottons preferred by the aristocratic elite in eighteenth- and nineteenth-century France, made famous by the palaces of Marie-Antoinette and Empress Josephine. Sarah Grant introduces the design, dyeing, and printing processes that created these textiles, and their role in interior decoration and clothing, both then and now. Sumptuous new photography of the V&A’s extensive toiles collection illustrates the cottons’ diversity – floral, literary, antique, allegorical, bucolic and ‘exotic’, among others – offering inspiration to everyone with an interest in textiles and interiors.

• Kupla - the Bubble in Helsinki, Finland (HUT Wood Studio/ Ville Hara)
• Writing with Light House in New York, USA (Steven Holl Architects)
• Y-Cabin in Eastern Japan (Kengo Kuma & Associates)
• Huski Hotel in Falls Creek, Australia (Elenberg Fraser)
• BR House in Rio de Janeiro, Brazil (Marcio Kogan with Bruno Gomes)

Timber as a traditional building material provides exciting possibilities in architectural design that have long been recognised and employed. Quite apart from the aesthetic value of the different kinds of wood, one of the most important advantages is its sustainability which make it part of energy-efficient architecture. To Touch Wood presents more than 60 outstanding examples of the latest architectural designs from all over the world for which wood has been used extensively. Richly illustrated this title shows the innovative ways timber is currently being handled and how its use has been expanded by new technologies and experiments with traditional building methods.

Ce livre didactique et progressif enseigne les tracés de base nécessaires à la coupe des pierres de taille utilisées dans la construction ou la restauration d’un bâtiment.  

La taille des pierres et leur tracé sont basés sur l’art du trait, une branche de la géométrie descriptive qui permet de dessiner sur plan toutes sortes de volumes au moyen de projections, puis de tracer la pierre pour la tailler. C’est ce dessin technique appliqué à coupe des pierres que le livre de Guy Jouberton se propose d’enseigner au lecteur. Partant de tracés très simples, des exercices progressifs développées avec clarté permettent de faciliter la compréhension des différentes étapes du traçage.
Une pédagogie moderne est au service du débutant pour comprendre et utiliser l’art du trait.

Ce livre est le premier volume d’une suite d’ouvrages dont le second, Tracés et coupe des pierres, études des formes, est déjà paru.
Sur le même sujet, les éditions Vial ont également publié le Traité de Stéréotomie de Monduit, plus ardu mais orné de magnifiques planches de tracés.

Sommaire :
Les constructions géométriques : divisions, perpendiculaires, parallèles, angles, raccordements, tangentes.
Les polygones réguliers.
Les courbes de base : ellipses, paraboles, hyperboles, nombre d’or, raccordement des cercles.
Les moulures : moulures simples, doucines, tarabiscot, scotie, bec de corbin, volute, spirales.
Les cintres et figures simples : plate-bandes, plein cintre, arc brisé, lancette, ogive, arcs divers, anse de panier, ovales.
Les intersections de moulures : retours de moulures, camardages, déformé de moulures, réduction proportionnelle, pénétration des moulures.
Généralités sur les pénétrations et les sections de volumes simples.
Principes généraux de vraies grandeurs : rabattement des joints, panneaux de moulures déformées.
Les ordres architecturaux et leurs proportions : ordres toscan, dorique, ionique, corinthien, composite, tracé des frontons..