Антології

Magnum Magnum showcases the best of Magnum Photos, celebrating the vision, imagination and brilliance of its photographers – from the acknowledged 20th-century greats to the modern masters and rising stars of our time

Since its founding in 1947 by Robert Capa, Henri Cartier-Bresson, George Rodger and David ‘Chim’ Seymour, Magnum Photos - the legendary co-operative - has powerfully chronicled the peoples, cultures, events and issues of the time. Now, following its 75th anniversary, Magnum Photos and Thames & Hudson join forces to publish an updated and expanded edition of the original hit publication Magnum Magnum (2007), which was previously presented in three formats and sold over 200,000 copies worldwide.

Organized by photographer, Magnum Magnum is built upon a founding concept that made Magnum such a unique creative environment; a collaborative process where each of the four founders picture edited the other’s photographs. This book evokes the same creative spirit, with each photographer selecting and critiquing six key works by another of the agency’s 87 photographers along with a commentary explaining the rationale behind their choices.

This new edition adds the 25 photographers who have joined Magnum in the last 15 years. With more than 150 new photographs and over 700 pages, this book is the definition of an updated classic.

About the Authors:

Brigitte Lardinois is a Reader in Understanding of Public Photography at the London College of Communication, University of the Arts London. Lardinois’ association with Magnum began in 1995 when she set up the Cultural Department of their agency in London. She has been involved in group exhibitions as well as solo shows – working closely with Henri Cartier-Bresson, Martin Parr, Josef Koudelka, Eve Arnold, Elliott Erwitt and many others.

An in-depth look at the many ways women around the world helped shape modern photography from the 1920s to the 1950s as they captured images of a radically changing world

During the 1920s the New Woman was easy to recognize but hard to define. Hair bobbed and fashionably dressed, this iconic figure of modernity was everywhere, splashed across magazine pages or projected on the silver screen. A global phenomenon, she embodied an ideal of female empowerment based on real women making revolutionary changes in life and art ― including photography. This groundbreaking, richly illustrated book looks at those “new women” who embraced the camera as a mode of expression and made a profound impact on the medium from the 1920s to the 1950s.

Thematic chapters explore how women emerged as a driving force in modern photography, bringing their own perspective to artistic experimentation, studio portraiture, fashion and advertising work, scenes of urban life, ethnography and photojournalism. Featuring work by 120 photographers, this volume expands the history of photography by critically examining an international array of canonical and less well-known women photographers, from Berenice Abbott, Dorothea Lange and Lola Álvarez Bravo to Germaine Krull, Tsuneko Sasamoto and Homai Vyarawalla. Against the odds, these women produced invaluable visual testimony that reflects both their personal experiences and the extraordinary social and political transformations of the era.

Exquisite yet too fragile to exhibit, one of the world’s greatest collections of autochromes – a pioneering colour photography process – is presented to a wide audience for the first time

‘Whoever has tried it will not want to do anything else.’ So declared French photographer Albert Londe after first using the autochrome, the revolutionary colour photography process released in 1907. Invented by the Lumière brothers, the autochrome was quickly embraced by all quarters of the photographic community, not least the American Pictorialist Alfred Stieglitz, who proclaimed, ‘soon the world will be color-mad’. Such is their fragility, however, that autochromes cannot be exhibited. Drawing on the Victoria and Albert Museum’s world-class collection, Colour Mania thus offers a rare opportunity to experience the rich variety of autochromes produced in the two or so decades in which the process had photographers entranced.

The book begins by considering the reception, application and legacy of the autochrome in the wider context of the development of colour photography. Four themed chapters then explore the principal subject areas in which autochromists practised – portraiture, gardens, still life and travel – focusing on the life and work of seven key individuals, including Alvin Langdon Coburn and Helen Messinger Murdoch. A final section looks at the challenges posed by the conservation of such historically important yet inherently fragile objects. Featuring specially commissioned photography and informed by the latest research and scholarship, Colour Mania takes the reader back in time to share in the initial wonder and excitement of what we now take for granted: photographing the world in colour.

About the Author:

Catlin Langford is a curator currently based in Naarm/Melbourne. She was the inaugural Curatorial Fellow in Photography, supported by The Bern Schwartz Family Foundation at the Victoria and Albert Museum, London.

An accessible introduction to the history and themes of photographic portraiture

From the daguerreotype to the digital age, Face Time is an accessible introduction to one of photography’s most popular subjects: ourselves. With over 250 illustrations, it presents rarely seen treasures alongside works by the greatest names in photography, including nineteenth-century pioneers Hippolyte Bayard and Julia Margaret Cameron, twentieth-century masters Edward Weston, Lee Miller and Richard Avedon, and contemporary groundbreakers Newsha Tavakolian, Rineke Dijkstra and Zanele Muholi.

It also immortalizes some of photography’s most iconic subjects, such as Queen Elizabeth II, Barack Obama, Marilyn Monroe, Frida Kahlo, Truman Capote and many others. Transcending time and space, the book adopts a fresh, thematic approach to the history of photographic portraiture in eight chapters, tracing a wide range of applications and influences across the spheres of art, advertising, anthropology, fashion, narrative, documentary and vernacular photography. Informative and insightful introductions to each theme are followed by unexpected and thought-provoking curations of photographs, as well as detailed commentaries on key images.

The result is an ambitiously curated and visually entertaining introduction to the history and themes of photographic portraiture, and an inspiring journey through the ever-elusive question of human identity.

About the Author:

Phillip Prodger is a curator, author and art historian. Previously Head of Photographs at the National Portrait Gallery in London, and the founding Curator of Photography at the Peabody Essex Museum in Salem, Massachusetts, he is currently Executive Director of Curatorial Exhibitions in Los Angeles. His previous books include William Eggleston Portraits, Darwin’s Camera: Art and Photography in the Theory of Evolution and Man Ray | Lee Miller: Partners in Surrealism.

The impulse to take candid, unrehearsed pictures in the public realm is the cornerstone of street photography and has been part of Magnum's DNA since its foundation in 1947

Ambitious in scope, democratic in nature, Magnum Streetwise is an unmissable tour through the photographs and practices that have helped define what street photography is and can be. Magnum photographers such as Henri Cartier-Bresson pioneered ‘modern’ concepts of street photography before the term was even coined. But their influence is far from historic. A rich seam of street photography runs through the heart of Magnum to this day, both in the work of recognized masters of street photography – such as Erwitt, Parr, Gilden and Kalvar – and of those who might not even consider themselves street photographers; a continued influence that has not gone unnoticed among the current generation of budding street photographers and fans.

Edited by Stephen McLaren, Magnum Streetwise is a true visual feast, interleaving insightful texts and anecdotes within an intuitive blend of photographer- and theme-based portfolios, exploring not only the work of outstanding photographers but how common subject matter (places of leisure, marketplaces, travel) and locations (Paris, New York, Tokyo) have been addressed, conceptually and practically, across the agency and through the ages.

Magnum Streetwise is an essential addition to the bibliography of street photography, showcasing hidden gems alongside many of the genre’s most famous images.

Explore over 300 of the greatest street photographs by more than 60 of Magnum’s legendary image-makers including Henri Cartier-Bresson, Elliott Erwitt, Martin Parr, Martine Franck, Bruce Gilden and Susan Meiselas. 

About the Author:

Stephen McLaren is a photographer, writer and curator based in Los Angeles. He is the co-author of three previous Thames & Hudson titles: Street Photography Now, Photographers’ Sketchbooks and Family Photography Now.

An irresistible anthology of photography’s greatest and most famous images

250 photographs by more than 200 of the world's most prominent photographers, ranging from legendary masters to contemporary stars, in a portfolio binding.

PhotoBox presents a collection of 250 photographs by 200 of the world’s most prominent photographers, ranging from legendary masters to contemporary stars, in a compact paperback format. Photographers include Ansel Adams, Richard Avedon, Yann Arthus-Bertrand, Henri Cartier-Bresson, Elliot Erwitt, Robert Frank, Nan Goldin, David LaChapelle, Annie Leibovitz, Helmut Newton, and many more. Each image is accompanied by an engaging commentary and a brief biography of the photographer.

An essential anthology of must-see photographs from the earliest days of the medium to the present.

About the Author:

Roberto Koch is the author/photographer of Exit, Album and Istanti di Russia, for which he received the 1991 Kodak award. As editor of Contrasto, one of the world’s leading publishers of photography books, he has profound knowledge of the subject.

Masters and monographs. An encyclopedia of 20th-century photographers and their finest publications

Arranged alphabetically, this biographical encyclopedia features every major photographer of the 20th century alongside her or his most significant monographs.

From the earliest representatives of classical Modernism right up to the present day, Photographers A–Z celebrates those photographers who have distinguished themselves with important publications or exhibitions, and who have made a significant contribution to the culture of the photographic image. The entries include photographers from North America and Europe as well as from Japan, Latin America, Africa, and China.

Richly illustrated with facsimiles from books and magazines, the collection also features photographers working in “applied” areas, whose work is regarded as photographic art. Star turns include Julius Shulman, Terry Richardson, Cindy Sherman, and David LaChapelle.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

An homage to Africa's people and wildlife

Sebastião Salgado is one the most respected photojournalists working today, his reputation forged by decades of dedication and powerful black-and-white images of dispossessed and distressed people taken in places where most wouldn’t dare to go. Although he has photographed throughout South America and around the globe, his work most heavily concentrates on Africa, where he has shot more than 40 reportage works over a period of 30 years. From the Dinka tribes in Sudan and the Himba in Namibia to gorillas and volcanoes in the lakes region to displaced peoples throughout the continent, Salgado shows us all facets of African life today. Whether he’s documenting refugees or vast landscapes, Salgado knows exactly how to grab the essence of a moment so that when one sees his images one is involuntarily drawn into them. His images artfully teach us the disastrous effects of war, poverty, disease, and hostile climatic conditions.

This book brings together Salgado’s photos of Africa in three parts. The first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today’s Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises.

This stunning book is not only a sweeping document of Africa but an homage to the continent’s history, people, and natural phenomena.

In the days of sailing ships, the waters off Britain’s south-western coast could be some of the most treacherous in the world with tidal currents, submerged rocks, storms and murky depths. Thousands of ships were lost there over the centuries. From the remote Isles of Scilly, four generations of the Gibson family documented these shipwrecks in photographs, creating a unique archive of an era when seafaring could mean risking one’s life.

This magnificent book is the largest ever created on the subject, with over 100 exceptional images presented as never before alongside text by historian and diver Carl Douglas and marine archaeologist Björn Hagberg. The result is a work that conveys mankind’s struggle against the elements.

The definitive anthology of contemporary street photography across the globe

Get up close and personal with the world's best street photographers as they capture the drama of everyday life at 1/125 of a second.

Rub shoulders with high-rollers, street vendors and dog walkers. Prowl sidewalks and back alleys, encountering comic absurdities, small acts of kindness and scenes of unexpected beauty. Let your eye be caught by a witty billboard, a woman dressed as an angel, a businessman sprinting through the crowd. The human carnival is in town and the streets are alive.

Street Photography Now presents 46 contemporary image-makers noted for their candid depictions of everyday life in our streets, subways, shopping malls, beaches and parks. Included are Magnum masters such as Bruce Gilden, Martin Parr and Alex Webb, along with an international cast of emerging photographers whose individual biographies illuminate the stories behind their pictures of New York, Tokyo, Delhi or Dakar. Four thought-provoking essays and a global conversation between leading street photographers explore the compelling and often controversial issues in the genre. A select bibliography and a resource section for aspiring street photographers complete the book.

Whether you're a follower of contemporary photography or simply a lover of the theatre of everyday life, this is your passport to the world of the street photographer, a world where ordinary public spaces offer up endless surprise.

Table of Contents:

Essay 1 ‘Stare, Pry, Listen, Eavesdrop’ • 12 photographer portfolios/biographies (Agou-Gilden) • Essay 2 ‘No Ideas But in Things’ • 12 photographer portfolios/biographies (Girard-Marlow) • Essay 3 ‘Half of the World’s Population Now Lives in Cities’ • 12 photographer portfolios biographies (Mermelstein–Savelev) • Essay 4 ‘Some Truths Cannot Be Told Except as Fiction • 10 photographer portfolios/biographies (Snoek-Zuborn) • Street Photography Now: A Global Conversation

An inspiring collection of the best images from the tastemaking Kinfolk magazine

With over 650,000 copies of their books in print and nearly 50 issues of their magazine distributed worldwide, Kinfolk has come to define the taste of a generation: From interiors to fashion, portraiture, food and travel, the consistently boundary-pushing photography produced by the brand has coalesced into one of the most influential and immersive lifestyle aesthetics of the last decade.

The Art of Kinfolk brings more than 300 of the most iconic images from the first decade of the magazine into focus. Ranging from the deceptively simple to the surreal to the perennially stylish, this collection of originally commissioned photography captures the arc of an artistic adventure, a creative community at work, and in the process illuminates one of the most enigmatic aesthetics of the era.

About the Author:

John Burns is the editor-in-chief of Kinfolk, a quarterly magazine based in Copenhagen, Denmark. Founded in 2011, Kinfolk delves into personal values and quality of life, and inspires its readers to approach life with intention, energy, and a sense of community. Burns is also the author of Kinfolk Islands, Kinfolk Travel, and The Kinfolk Garden; other books in this series include The Kinfolk Table, The Kinfolk Home, and The Kinfolk Entrepreneur.

A vibrant photo book celebrating eight years of Fotografiska by interpreting the evolution of the field during the years that Fotografiska has been around to influence it

Including works of photographic masters such as Bryan Adams, Roger Ballen, Guy Bourdin, Nick Brandt, Edward Burtynsky, Anton Corbijn, Elliott Erwitt, Esther Haase, Pieter Hugo, David LaChapelle, Robert Mapplethorpe, Sarah Moon, Jimmy Nelson, Helmut Newton, Martin Parr, Andres Petersen, Bettina Rheims, Herb Ritts, Paolo Roversi, Sebastião Salgado, Martin Schoeller, Vee Speers, Christian Tagliavini, and Albert Watson.

At the waterfront of Stockholm, in an old industrial building once used by the harbor, lies Fotografiska, one of the world’s leading meeting places dedicated to photography. Ever since its opening in 2010, the best photographers in the world — including David LaChapelle, Sarah Moon, and Martin Schoeller — have all exhibited their work at the venue. Consciously creating a refined mix of emerging talents and icons in approximately 20 exhibitions a year, Fotografiska has also introduced exciting newcomers like Cooper & Gorfer, Ren Hang, and Christian Tagliavini. Grounded in world-class photographic exhibitions, Fotografiska also provides a dynamic mix of an award-winning restaurant, shop, activities including lectures, workshops, events, and artist talks — which all in all attracts over half a million guests a year.

Through carefully selected photographs from its exhibitions, The Eye not only celebrates Fotografiska’s own journey, it also interprets the evolution of the field during the years that Fotografiska has been around to influence it. Using the sensitive eye that has made Fotografiska such an outstanding success, this volume is a must-have for all photography fans, as well as collectors. Presenting masters next to emerging, yet equally remarkable talents, the book spans from the documentary and abstract to landscape, portraiture, fashion, and wildlife, providing a vivid testimony of Fotografiska’s exhibition history while showcasing the great variations within photographic practice.

“The secret of photography is hidden in its communicative power. It can show every aspect of the human condition. It can show a mountain, it can show a bird. It can show the face of a laughing baby. It freezes time.”
                                                      Albert Watson, Photographer

The images are mixed with thought-provoking and inspiring quotes and anecdotes from the photographers as well as behind-the-scenes stories from the Fotografiska founders Jan and Per Broman, who share their fascinating insights and experiences gained by working with their world-renowned program.

"The Eye is a ground-breaking book celebrating the spirit of photography. During the eight years since we opened, we have hosted amazing photographers and exhibitions. In this book, we want to show the best of the best in a way that challenge the perception of the viewer. Just as we aim to do at Fotografiska.”
                                                       Jan and Per Broman, Founders of Fotografiska

A battle of images, visual statements, and twisted viewpoints. This is The Eye. 256 images from 84 of the best photographers in the world collide in one volume. Eyes of war meet the fashion phantoms. Artsy glances confront giants of nature. A provocative, absurd, beautiful, and revolutionary book celebrating the first eight years of Fotografiska.

About Fotografiska:

Fotografiska is one of the world’s largest venues for photography in a 6,500-square meter century-old building in Stockholm next to the Baltic Sea. Originally designed as a customs house, it also houses an internationally awarded restaurant, inspiring event spaces, an acclaimed academy, and a shop featuring an extensive selection of photographic books.

With a great network of world-class photographers at the core, Fotografiska Stockholm has hosted more than 170 exhibitions since the opening in 2010, including the work of iconic masters such as David LaChapelle, Helmut Newton, Sarah Moon, Nick Brandt, and Andres Serrano, as well as up-and-coming young photographers. By taking a stand in controversial issues and stretching their responsibility far beyond the realm of traditional art institutions, Fotografiska has a history of acting as an influencer, playing an active role in Swedish society. The purpose is simple: to use the power of photography to unite, spread awareness, and create positive impact in society. To inspiring a more conscious world. Fotografiska’s restaurant won the Leading Culture Destinations prize as "Museum Restaurant of The Year 2017" with their focus on sustainable pleasure."Now we are proud to announce that Fotografiska will be opening internationally initially in London/ Whitechapel and New York/Park Avenue."

 - Features a unique selection of exhibited photography, ranging from icons to bold and exciting new talents
 - Fotografiska is a world-renowned brand and an inclusive and innovative platform for photography

The Opéra returns with a new compilation of classic and contemporary nude photography

Those in search for the essence of humanity will discover beauty and ugliness, light and shadow on the way towards it. For the eighth time, THE OPÉRA sets out to present the human body as it was created or independently formed and shaped. In their diverse works, the numerous photographers from all over the world once more share the same curiosity to explore human emotions. All of them, some reluctant and observing, others delightedly engaged and orchestrated, act out the great spectacle that is human existence.

Artists: Marius Budu, Markus Burke, Marc van Dalen, Martin Grothmaak, Charlotte Ernst, Douglas Foster, Joanna Grochowska, Anouk van Kalmthout, Maël G. Lagadec, Holger Maass, Jeanne Menetrier, Elisabeth Mochner, Pavel Odvody, Manon Ouimet, Nicola Petrara, Thomas Rusch, Henriette Sabroe Ebbesen, Julia Helene Scholl, Astrid Susanna Schulz, Laura Stevens, Amanda Torres, Lilli Waters, Philipp Zechner u.v.a.

Following ten regular issues and the special Anniversary Issue (2022), The Opéra Magazine for Classic & Contemporary Nude Photography – rising like a phoenix from the ashes – will feature a completely new layout and a contemporary design concept courtesy of renowned design agency Studio Tillack Knöll. With outstanding contributions from the likes of Malerie Marder, Barbara Probst, Rob Woodcox, Iness Rychlik, as well as Prue Stent & Honey Long, The Opéra showcases work at the forefront of international, artistic nude photography. Once again, the focus is on a predominantly female perspective on the human body, authentically and vividly manifested in The Phoenix Issue through the work and accompanying statements by numerous female photographic artists.

• Predominantly female perspective on the human body and the conditions of its photographic exploration
• International renowned female contributors

With a rising number of women throughout the world picking up their cameras and capturing their surroundings, this book explores the work of 100 women and the experiences behind their greatest images.

Traditionally a male-dominated field, street photography is increasingly becoming the domain of women. This fantastic collection of images reflects that shift, showcasing 100 contemporary women street photographers working around the world today, accompanied by personal statements about their work. Variously joyful, unsettling and unexpected, the photographs capture a wide range of extraordinary moments. The volume is curated by Gulnara Samoilova, founder of the Women Street Photographers project: a website, social media platform and annual exhibition. Photographer Melissa Breyer’s introductory essay explores how the genre has intersected with gender throughout history, looking at how cultural changes in gender roles have overlapped with technological developments in the camera to allow key historical figures to emerge. Her text is complemented by a foreword by renowned photojournalist Ami Vitale, whose career as a war photographer and, later, global travels with National Geographic have allowed a unique insight into the realities of working as a woman photographer in different countries. In turns intimate and candid, the photographs featured in this book offer a kaleidoscopic glimpse of what happens when women across the world are behind the camera.

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