Книги про стилі архітектури

Traces the evolution of midcentury houses and demonstrates how they are experienced and lived in today

This expanded and updated edition of the 2014 classic focuses on the concentration of midcentury houses in New Canaan, Connecticut, built by noted architects including Marcel Breuer, Eliot Noyes, Philip Johnson, John Black Lee, and Edward Durell Stone. This new edition addresses the issue of preservation and adaptive reuse as a sustainable architectural strategy.

A representative group of 17 houses reveals an evolving legacy, now adapting to contemporary life. Each is examined in detail, with plans, timelines, and both archival and new photography, capturing the clean, minimalist look of the initial construction and re-imagining by significant architects of our time. Today preservation and renovation of older buildings has new visibility as a sustainable approach. As the National Trust for Historic Preservation has said, “The greenest building is the one that is already built.”

About the Authors:

Cristina A. Ross is an architect and preservationist, based in New Canaan, and a board member of Preservation Connecticut.

Lorenzo Ottaviani is the creative director of Lorenzo Ottaviani Design.

Jeffrey R. Matz is a practicing architect in Stamford, Connecticut.

Michael Biondo is an architectural photographer whose work has appeared in numerous design publications.

Mid-century modern continues its resurgence. Discover Australia's best examples of modernist residential architecture thoughtfully adapted for the present day.

The intuitive design, sunlit spaces and tranquil vibe of Modernist houses still have an enduring appeal today. But can these homes be updated for contemporary living while maintaining the integrity of the original architecture?

The New Modernist House presents twenty-one mid-century homes respectfully restored and renewed for future generations to enjoy. Designs by some of the period’s heavyweights – including Anatol Kagan, Alistair Knox and Ernest Fooks – have been sensitively updated by today’s creative innovators.

Alongside stories of the passionate homeowners, architects and collaborators who have given these homes new life, a historical overview and section on practical considerations inform those drawn to a Modernist dream house. This colourful volume is both a useful resource for those embarking on their own renovation journey, and a sourcebook of inspiration for delighting in moments of nostalgia.

About the Author:

Patricia Callan is the founder of Modernist Australia, an online archive of local Mid-Century architecture. She has appeared on ABC radio, The Design Files and Fairfax publications to champion Modernist architecture from a layperson's perspective.

Have you ever wondered what the difference is between Gothic and Gothic Revival, or how to distinguish between Baroque and Neoclassical? This guide makes extensive use of photographs to identify and explain the characteristic features of nearly 300 buildings. The result is a clear and easy-to-navigate guide to identifying the key styles of western architecture from the classical age to the present day.

About the Author:

Owen Hopkins works for the Architecture Programme at the Royal Academy of Arts in London. He is the author of Reading Architecture: A Visual Lexicon (Laurence King, 2012).

Every major architectural style in history, brilliantly rendered in specially commissioned drawings

Architectural Styles is an incomparable guide to the histories and characteristics of building traditions across the centuries and around the globe. Modelled on an architect’s plein air sketchbook, it features hundreds of meticulous drawings by esteemed architectural illustrator Robbie Polley alongside detailed descriptions by Margaret Fletcher.

It begins with the earliest styles of the ancient civilizations – Egypt, Greece and Rome – before travelling through Medieval, Renaissance and Baroque and into the modern world via the panoply of 19th century revivalist styles. Also covered is the traditional architecture of China, India, Japan and Pre-Columbian America. A final section gathers together key architectural elements from different periods – columns, towers, doorways, windows.

Contents List:

Introduction • Ancient and Classical • Medieval and Renaissance • Baroque to Art Nouveau • Modern to Contemporary

About the Author:

Robbie Polley is a renowned architectural illustrator. His drawings have featured in thirty books, including Architecture Inside + Out, also published by Thames & Hudson. Margaret Fletcher is Associate Professor of Architecture at Auburn University.

Now available in a new format, this lavishly illustrated volume explores Art Deco art and design from its origin to its present day influences.

The Art Deco style is so recognizable and widespread that its original influence on the culture in which it emerged has been all but lost in the clutter of imitation. This book draws our attention back to the birth of Art Deco — a period between two devastating world wars when industrialization was flourishing, interest in archaeology was peaking, and movements such as Cubism, Constructivism, Futurism, and Modernism were turning the art world on its head. Brilliantly designed to reflect the style it celebrates, Art Deco is filled with hundreds of examples of painting, architecture, interiors, jewellery, crafts, furniture, and fashion.

Author Norbert Wolf traces the chronology of the Art Deco style by looking at the politics and culture of Europe in the 1920s and early 1930s, and the artistic movements that paralleled its popularity. He follows Art Deco’s influence in Europe and its immigration to the Americas and Asia. Most importantly, this wide-ranging volume looks beyond the era of Art Deco’s origination to the present day. Pointing to the numerous revivals and contemporary echoes in painting and even literature, this beautiful volume demonstrates that Art Deco is alive and well today — often in forms where we least expect it.

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Arnold Schwartzman's stunning photographs of the finest examples of Art Deco from all over the world are collected here as a celebration of one of the world's most popular decorative styles.

Art deco is the 20th century's most glamorous architectural style and the one that shaped popular ideas of modern luxury. With over 200 photographs, this is a visual celebration of this very popular style. Unlike most other books on the subject that tend to be regionally specific, this book highlights Art Deco buildings from all over the world, from Australia to South America, with an emphasis on London, Los Angeles, New York, Chicago, Miami, and Paris. Art Deco features much careful and exacting detail, and of special interest in this book are photos that zoom in on murals, mosaics, flooring, ironwork, and other ornamental flourishes.

Art Deco began in 1925 and quickly swept the globe becoming the style epitomizing Jazz Age glamour and sophistication. It drew from a variety of influences including ancient Egyptian, Moorish, and Mayan motifs but also modernist movements like Cubism, Fauvism, and De Stijl. Its influence was felt everywhere, from the skylines of New York to Shanghai, and it gained prominence not only with architects and designers but enjoyed a passionate following among the public as well.

About the Author:

Arnold Schwartzman is an Oscar-winning filmmaker, a noted graphic designer, and the author of a score of books including London Art Deco and Deco Landmarks: Art Deco Gems of Los Angeles. He began his design career in British television before moving to Hollywood in 1978. He was the Director of Design for the 1984 Los Angeles Olympic Games and designed many of the key graphic elements for the annual Academy Awards. In 2010, he created the two murals for the Grand Lobby of Cunard's Queen Elizabeth. In 2001 he was awarded an OBE and in 2006 he was appointed a Royal Designer by the Royal Society of Arts.

Now available in a new edition, this sumptuous volume explores key aspects of Art Nouveau — decorative arts, architecture, fashion, dance, advertising, and more — with an in-depth approach and stunning illustrations.

The Art Nouveau movement became an international phenomenon at the beginning of the twentieth century that ushered in the era of modernity in almost every aspect of cultural life. For decades critics have argued that Art Nouveau was not an artistic period in its own right, but an amalgam of artists and styles that served as a bridge between neoclassicism and modernism. In this comprehensive, authoritative, and copiously illustrated book, art historian Norbert Wolf explores Art Nouveau as a logical outgrowth of the historic forces in which it arose.

This book focuses on the movement's wide variety of applications and reclaims its prominence in the pantheon of modern art history. Chapters on aesthetics, spirituality, and the cult of beauty offer luminous examples of works by Mucha, Gaudí, Hoffmann, Klimt, Horta, Munch, and Tiffany, among many others. Wolf's text is both informed and accessible, providing an exciting narrative that brings the Art Nouveau movement into clear focus. Beautifully produced to appeal to a wide range of readers, this new edition gives one of the world's most popular styles the serious consideration it deserves.

About the Author:

Norbert Wolf is an art historian and author based in Munich. He has published several books with Prestel, including Art Nouveau, Art Deco, Impressionism, and "The Golden Age of Dutch and Flemish Painting", as well as monographs on Albrecht Dürer and Titian.

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Concrete architecture from the Alps to the Mediterranean Sea

Containing over 140 exclusive photographs – ranging from private homes to football stadia – across every region of the country, Brutalist Italy is the first publication to focus entirely on this subject.

What makes Italian Brutalist buildings different to their counterparts in other countries? Containing over 140 exclusive photographs – ranging from private homes to churches and cemeteries via football stadia – across every region of the country, Brutalist Italy is the first publication to focus entirely on this subject.

Architectural photographers Roberto Conte and Stefano Perego (authors of Soviet Asia) have spent the past five years travelling over 20,000 kilometres documenting the monumental concrete structures of their native country.

Brutalism – with its minimalist aesthetic, favouring raw materials and structural elements over decorative design – has a complex relationship with Italian history. After World War II, Italian architects were keen to distance themselves from fascism, without rejecting the architectural modernism that had flourished during that era. They developed a form of contemporary architecture that engaged with traditional methods and materials, drawing on uncontaminated historical references. This plurality of pasts assimilated into new constructions is a recurring feature of the country’s Brutalist buildings, imparting to them a unique identity.

From the imposing social housing of Le Vele di Scampia to the celestial Our Lady of Tears Sanctuary, Syracuse – Brutalist Italy collects the most compelling examples of this extraordinary architecture for the first time in a single volume.

With an introduction by Adrian Forty, The Bartlett School of Architecture, University College London.

This book features over 30 Wabi-sabi style projects from around the world, ranging from commercial spaces such as hotels, showrooms and restaurants to residences, and showcases the use of Wabi-sabi elements in contemporary interior design.
In recent years, Japanese minimalism has become an emerging design force, and the essence of the Wabisabi aesthetic, the core of traditional Japanese aesthetics, is a simple beauty that can stand the test of time. Based on the concept of 'not stripping away its rhythm', designers have 'transformed' the traditional Wabi-sabi style to create a modern Wabi-sabi that is more in tune with modern aesthetic sensibilities. From the tennis player Maria Sharapova and American socialite Khloe Kardashian, to the domestic winner of the Asian Hotel Design Award, Wabi-sabi has become one of the hottest styles of the moment.

This book features over 30 Wabi-sabi style projects from around the world, ranging from commercial spaces such as hotels, showrooms and restaurants to residences, and presents a comprehensive look at the use of Wabi-sabi elements in contemporary interior design. Many of the most influential designers in the wabi-sabi genre are featured, including those who have created their own wabi-sabi homes.

• A collection of modern wabi-sabi projects from around the world, looking at how different designers have played with elements of the same style
• A break from the traditional wabi-sabi style and a modern approach to design, redefining wabi-sabi for better reference, enjoyment and practicality
• The book's layout is simple and clean, with transitional pages that incorporate elements of Japanese kusanshui and an overall colour palette of earthy tones common to the wabi-sabi style
• A foreword by Ukrainian designer Sergey Makhno on how the Japanese aesthetic of wabi-sabi has inspired thinking about the meaning of life and led him on his own design journey

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Floral Buildings. Art Nouveau marvels across Europe

With a meticulous sensibility for light and detail, the late Keiichi Tahara captured Europe’s finest Art Nouveau architecture. This exquisite three-volume set features more than 500 of his photographs and is interspersed by brilliant gold pages, each carefully produced using the finest printing techniques. This is a collection of majestic aura, brimming with the unique spirit of the fin de siècle.

At the turn of the 20th century, architecture took an imaginative leap. As new construction materials and technologies met such far-flung stimuli as the Far East, nirvana, and the unleashed unconscious of Freudian psychoanalysis, buildings by the likes of Gaudí, Horta, Hoffmann, Loos, and Mackintosh instilled structure with the sinuous lines of nature, surfaces with a fairy-tale shimmer, and spaces with an ethereal wash of light or shadowy, mysterious hush.

For this dramatic portfolio, printed for the first time ever in a book with five colors including gold, the late architectural photographer Keiichi Tahara traveled across Europe to present the finest examples of this Art Nouveau architecture. From the glamorous façade of the Grand Hotel Europa to the elaborate sweep of a staircase or the perfect poise of a single chandelier, Tahara captures the intricate details as much as the holistic spatial effects of these ambitious, marvelous structures. With an eye attuned to the style’s organic detailing, he surveys its floral patterns, vine-like balustrades, and the soft, hollow interiors that seem to summon us into some primordial place.

Drenched in sunshine or draped in dramatic shadows, Tahara’s pictures excel in evoking not only the unrivaled aura of these buildings but also the particular, fin-de-siècle spirit of their age, caught on the axis of a century, and characterized by reflection and yearning, as much as technological, philosophical, and political advance. Texts by Riichi Miyake accompany Tahara’s pictures to describe the buildings’ floor plans, designs, and the broader context of their dreamlike environments.

Limited and numbered edition of 10,000 copies

The photographer:

Keiichi Tahara (1951–2017) lived in Paris from 1973 to 2004 before moving back to his native Japan. Considered one of architecture’s great photographers, he won many awards, including the Niépce Prize in 1988. His series include Louvre (1995); Les Anges de Croatie (1995); l’Opéra de Garnier (1996); Egypt (1997); Piemonte (2000); the Museum of Islamic Art in Doha, Qatar (2008); and The Diet Building of Japan (Kokkaigijidou) (2015).

The author"

Riichi Miyake (b. 1948) was educated at the University of Tokyo (1972) and the École des Beaux-Arts in Paris (1979). After working as a professor at Shibaura Institute of Technology, Université de Liège, Keio University, and Conservatoire National des Arts et Métiers in Paris, he is currently professor at Fuji Women’s University in Sapporo. Miyake’s publications include Weaving Culture, Creating Culture (2005) and Saint-Gobain (2010).

Lauritz de Thurah (1706-1759) was one of the most important and influential Danish Baroque architects. As the first substantial monography on Thurah, this book gives a multifaceted view on his important role in 18th century Denmark by presenting him not only as an architect, but also as a garden architect, publicist, and an official in the Danish absolute monarchy.

His works include some of the most notable Baroque architecture in Denmark, such as The Hermitage – the king’s hunting lodge north of Copenhagen, Gammel Holtegaard – de Thurah’s Countryside mansion now transformed into an art museum, the spiralled spire of Church of Our Savior in Copenhagen, as well as extensions to and reconstructions of a number of Danish castles, mansions and abbeys.

The monography is written by leading researchers on the topic, and is richly illustrated with archive images and drawings, as well as new original photos by the photographer Anders Sune Berg.

About the Author:

Peter Thule Kristensen is an architect, dr.phil., ph.d., and professor at the Royal Danish Academy, where he leads the master programme Spatial Design.

The most comprehensive photographic document of council housing schemes in the capital, with incredible images from every London borough and the City, featuring 275 estates built between 1946 and 1981. 

London Estates documents these important buildings in all their diversity, championing the neglected alongside the distinguished, celebrating their vital contribution to the social and architectural fabric of the capital.

Featuring designs from a broad range of architects including Denys Lasdun (Keeling House, Trevelyan House); Chamberlin, Powell & Bon (Golden Lane Estate), Ernő Goldfinger (Balfron Tower, Trellick Tower); Basil Spence (Stock Orchard Estate, Tustin Estate), and Kate Macintosh (Dawson’s Heights).

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Why are some London council estates considered notorious, while others are arguably the most desirable places to live in the capital? As the most comprehensive photographic document of the London council estate, this book provides an insight, featuring some 275 estates from every borough and the City.

London Estates features the first post-war housing in Paddington, Islington and Romford; the Modernist schemes in Finsbury, Bethnal Green, Poplar, Wandsworth, Camberwell and the Cities of London and Westminster; the acclaimed 1960s estates of Camden and Lambeth; and the lesser-known 1970s estates of Kingston, Haringey, Havering, Hillingdon and Tower Hamlets.

There are designs from a broad range of architects including Denys Lasdun (Keeling House, Trevelyan House); Chamberlin, Powell & Bon (Golden Lane Estate), Erno Goldfinger (Balfron Tower, Trellick Tower); Basil Spence (Stock Orchard Estate, Tustin Estate), and Kate Macintosh (Dawson’s Heights).

A huge range of architectural styles are represented – from prefabricated and ‘self-built’ schemes, to Modernist and brutalist designs, including over 30 protected historic buildings.

This book celebrates London council estates in all their diversity, championing the neglected alongside the distinguished, honouring their immeasurable contribution to the social and architectural fabric of the capital.

About the Authors:

Thaddeus Zupancic is a Slovenian-born writer, translator and photographer. He has lived in London since 1991, working as a radio producer with the BBC World Service for the first 15 years. His Instagram account @notreallyobsessive documents post-war council estates in the capital. He is also a volunteer with The Twentieth Century Society, the national charity campaigning to protect Britain’s modern architectural and design heritage.
Damon Murray and Stephen Sorrell have been publishing critically acclaimed books on design and architecture since 2004.

An extensively revised and updated edition of a bestselling classic on modern architecture and its origins

This highly acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980, and has helped to shape architectural practice and discourse worldwide. For this extensively revised and updated fifth edition, Kenneth Frampton has added a new section that explores in detail the modernist tradition in architecture across the globe in the late twentieth and early twenty-first centuries. He examines the varied ways in which architects are not only responding to the geographical, climatic, material and cultural contexts of their buildings but also pursuing distinct lines of approach that emphasize topography, morphology, sustainability, materiality habitat and civic form. It remains an essential book for all students of architecture and architectural history.

Contents List:

Introduction • Part I: Cultural developments and predisposing techniques 1750–1939 • Part II: A critical history 1836–1967 • Part III: Critical transformations 1925–90 • Part IV: World Architecture and the Modern Movement • Afterword: Architecture in the Age of Globalization

About the Author:

Kenneth Frampton was born in 1930 and trained as an architect at the Architectural Association School of Architecture, London. He has taught at a number of leading institutions in the field, including the Royal College of Art in London, the ETH in Zürich, the Berlage Institute in Amsterdam, EPFL in Lausanne and the Accademia di Architettura in Mendrisio. From 1972 to 2019 he served as Ware Professor of Architecture at the Graduate School of Architecture, Planning and Preservation, Columbia University, New York. He is the author of numerous essays on modern and contemporary architecture, has served on many international juries for architectural awards and building commissions, and is a member of the American Academy of Arts and Letters. In 2018 he was awarded the Golden Lion of the Venice Biennale. His publications include Studies in Tectonic Culturei (1992), Labour, Work and Architecture (2005), American Masterworks (2008), Kengo Kuma: Complete Works (2012) and A Genealogy of Modern Architecture (2013).

The work of Polhemus Savery DaSilva Architects Builders reflects the special qualities of Cape Cod, Martha's Vineyard and Nantucket. This is a region of stunning landscapes and water views, crisp ocean-reflected light, classic villages, and abundant opportunities for playful living. Architecture of the Cape Cod Summer presents more than ten years of evocative design and well-crafted construction that is rooted in this fabled place. In an architectural world increasingly polarized between strict revivalist classicism and "avant-garde" abstraction, the work of Polhemus Savery DaSilva displays a compelling third way. The book features twenty-five projects that range from modest to elaborate. Each is an individual creation tailored to its specific location and client. Several additional projects are depicted in a chronology of the firm's major work. The volume contains an eloquent introduction and text by Michael J. Crosbie, as well as forewords by renowned architects Cesar Pelli and Robert Venturi. An essay by John R. DaSilva, Design Partner, describes the firm's approach and revisits the genesis of the Shingle Style that is so influential in residential architecture today. Drawings by the firm and more than four hundred color photographs by leading architectural photographers illustrate this sixth volume of the New Classicists series.

From the Publisher, The work of Polhemus Savery DaSilva depicted in this book has been praised by some of the most well-respected architects in the world. The following are some of their comments:

"Here is architecture sublimely contextual within the natural/rural, cultural-historical place that is Cape Cod....teeming with exquisite details - rich and varied in their extreme beauty.... One is constantly fascinated and, at the same time, always at ease when outside and inside these intriguing buildings. Viva the joy and wit, the elegance and charm, of this architecture which is ultimately mannerist in its complex and contradictory quality!" Robert Venturi

"... they have reached deep into the architectural traditions of Cape Cod to produce charming and intelligent designs. The buildings... feel like up-to-date evolutions of Cape Cod architecture, deeply influenced by shingle-style architecture. This connection with the tradition of buildings of Cape Cod makes the designs... natural to the place and at the same time feel fresh and of our time." Cesar Pelli

"The world of Polhemus Savery DaSilva is so enormously refreshing, as this work takes the best of the Cape's context together with the architect's own personal approach and melds them into a body of uncompromising domestic architecture." Michael Graves

"The work of Polhemus Savery Dasilva beautifully melds the traditions of New England with the way we live today, affirming that an architecture of place trumps an architecture preoccupied with passing trends." Robert A.M. Stern

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