Мистецтво

Mark Ryden’s Yakalina Secrets is the wondrous second installment in the artist’s incredible gallery of creatures.

In his Pacific Northwest studio during the isolation of COVID-19, Mark Ryden began a series of his iconic half-animal, half-plush creatures that further explored his reverence for these beings, who are guides through a landscape of the unknown. The figures in these paintings are neither human nor animal, they are spiritual entities that create a bridge between the human and animal worlds in which so much disharmony exists.

This book features all of the original portraits of Ryden’s mysterious and mythical creatures. The resulting gallery of enchanted characters embodies the artist’s meticulously realized signature blend of archetype, kitsch, and narrative mysticism.

Mark Ryden’sYakalina Secrets features works from two of the artist’s exhibitions, organized in collaboration with Emmanuel Perrotin and Kasmin Gallery: Animal Secrets in Paris and Yakalina 9 in Tokyo.

Foreword by Takashi Murakami

About the Author:

Blending pop culture themes with techniques reminiscent of the old masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. His work first garnered attention in the 1990s when he ushered in a new genre of painting, “pop surrealism,” dragging a host of followers in his wake. Ryden has trumped the initial surrealist strategies by choosing topics loaded with cultural connotation.

A visual and cultural history of hip hop, charting its meteoric rise from underground trailblazer to global tastemaker

To tell the story of contemporary American culture is to tell the story of hip hop. From its humble, underground origins, hip hop transcended the confines of rap music and spread its influence across a broad spectrum of American life – fashion, film, art, sports, politics, language – to become a cultural movement of profound influence.

Rapper’s Deluxe is a critical contribution to America’s cultural canon, shining a light on hip hop’s ability to redefine and influence culture, through: photographs; fine art; advertisements; book, magazine, and album covers; film stills; and more. Organized chronologically from the 1970s to the present, image-rich and dynamic layouts show the people, places, events, objects, outfits, and inspirations that redefined the world as we know it – from fur-coated fans lining up for a Muhammad Ali fight at Madison Square Garden to a legendary party in the “Boogie Down” Bronx, through the hoods of South Los Angeles and the trap houses of Atlanta to the extravagant red carpet looks of the Met Gala.

Drawing on a broad range of curated examples, Dr. Todd Boyd re-examines hip hop’s legacy and how the genre remixes ‘high’ and ‘low’ culture, past and present, to come up with a style that is uniquely its own. Filled with original insights and clever wordplay, Rapper’s Deluxe is a tale of transformation,  following hip hop’s arduous, but always triumphant, journey as it rose up to dominate the game.

About the Author:

Dr. Todd Boyd is Price Chair for the Study of Race and Popular Culture and Professor of Cinema and Media Studies at USC. A media commentator, author, producer, and consultant, Dr. Boyd has appeared in documentaries such as The Last Dance (ESPN, 2020) and the Ken Burns-directed Muhammed Ali (PBS, 2021). His body of work includes seven books and his essays have appeared in the New York Times, Los Angeles Times, and the Guardian.

A lively introduction to and history of international contemporary art from 1960 to the present

What does it mean?
Is it really art?
Why does it cost so much?
While these questions are perpetually asked about contemporary art, they are not the questions that E. H. Gombrich set out to answer in his seminal book The Story of Art. Contemporary art is very different from what came before. From the 1960s, where Gombrich’s account concludes, artists began to abandon traditional forms of art and started to make work that questioned art’s very definition. This is where Godfrey picks up the story.

Developments in contemporary art have followed no straightforward line of progress or sequence of movements. Recognizing this, Tony Godfrey creates a narrative from a series of often dramatic creative conflicts and arguments around what art is or should be. From object versus sculpture and painting versus conceptual to local versus global, gallery versus wider world, The Story of Contemporary Art traces a history in terms of drastic changes in social and political life over the last sixty years.

How do we experience being human in a world that seems to change so quickly? In exploring art’s relationship to this question, Godfrey asserts that multiple voices must be heard: critics, theorists, curators and collectors, but also audiences and artists themselves. Key to the book is the story of how a perception that art was made almost exclusively by white men from North America and Western Europe has been radically overturned. Compelling and intelligent, but never academic, this book tells us how.

About the Author:

Tony Godfrey, former Programme Director of the MA in Contemporary Art at Sotheby’s Institute, London, now lives in Manila, where he works as a curator with artists from South-East Asia. He has written for the Burlington Magazine and Art in America, and is the author of Conceptual Art and Painting Today, as well as numerous exhibition catalogues.

An in-depth overview of Ukrainian art from the dawn of Modernism in the late nineteenth century to the start of the Russian invasion in Spring 2022.

This new volume in the World of Art series provides an overview of Ukrainian art, artists and art movements from the dawn of Modernism and the 1900s to the Soviet period, to post-Soviet times and the beginning of the war with Russia in February 2022. Ukrainian art and artists are discussed within historical and political contexts as well as how they have contributed to, and interacted with, Ukrainian culture and identity. Filled with rich illustrations, each chapter explores a different art period or movement.

We are at a historical moment where Ukraine and its cultural identity are in grave danger, and author Alisa Lozhkina offers a powerful opportunity to connect curious and empathetic readers with the Ukrainian art tradition.

About the Author:

Alisa Lozhkina is a leading art historian, critic, and curator. She was the editor-in-chief of the major Ukrainian art magazine Art Ukraine and served as a deputy director and chief curator of Mystetskyi Arsenal, Kyiv, the largest museum and exhibition complex in Ukraine. Lozhkina has curated numerous art projects in Ukrainian and international museums and art centers, and published several books. She has contributed to numerous publications including Texte zur Kunst, The Art Newspaper, ARTnews, Etudes sur L'histoire de l'art, and Los Angeles Review of Books. She is also an artist.

The spectacular beauty of Raphael’s tapestries as you have never seen it before

In 1515, Pope Leo X commissioned the Italian painter Raffaello Sanzio (1483–1520), now generally known as Raphael in English, to make the cartoons for a series of ten tapestries with scenes from the lives of Saints Peter and Paul. This commission played an instrumental part in the stylistic development of the Flemish tapestries, a marvellous illustration of princely splendour in the sixteenth century. Under Habsburg rule, Brussels soon emerged as a leading manufactory for exquisite products. Raphael’s designs are among the most successful series in the history of tapestry production.

This publication shows the enormous richness of the tapestries through dozens of details. It accompanies a collection exhibition of the Kunsthistorisches Museum in Vienna, home to the former imperial tapestry collection, from 26 September 2023 to 14 January 2024.

About the Author:

Curator of the Kunstkammer and Tapestries, Kunsthistorisches Museum (KHM) in Vienna (Wien), Austria.
 

Brushwork and poetry – the great awakening of Venetian painting around 1500.

In the Venice of the Renaissance, master artists like Bellini, Giorgione, Palma Vecchio and Titian explored the essence of mankind and nature and their relationship to each other with an unprecedented intensity. This attractive volume shows through important portraits and landscape representations the pioneering innovations of Venetian painting, which continued to leave their mark right up to the modern age.

The painting of the city on the lagoon captivates us not only through the wealth of colours and the nuances of the light, but also through the exceptional sensitivity with which the artists focused on their works. They created sophisticated portraits, seductive idealised likenesses and history paintings whose principal character is the atmospheric landscape. The publication examines the masterpieces in depth with regard to their remarkable innovative strength, the context in which they were produced, and contemporary interpretations.

About the Author:

Andreas Schumacher is the Director of Collections at the Alte Pinakothek in Munich.

The most thorough Caspar David Friedrich retrospective in many years, published to mark the 250th anniversary of the artist's birth

Caspar David Friedrich (1774–1840) is renowned as the Romantic painter par excellence, his works icons of an age of major social upheaval. His landscape paintings and drawings broke with traditional patterns of representation, and paved new ways of both experiencing and reflecting on the ambivalent relationship between humankind and nature.

Accompanying the most comprehensive Friedrich retrospective in many years, this catalogue re-examines the artist’s groundbreaking work in light of the urgent challenges in a time of climate crisis and postcolonial reflection. It centres on more than sixty paintings, among them many major iconic works, and about 100 drawings. Selected works by Friedrich’s colleagues, notably August Heinrich, Georg Friedrich Kersting, Ernst Ferdinand Oehme and Johann Alexander Thiele are also featured. The second part of the book focuses on the contemporary reception of his work. In contributions ranging from video and photography to installations, some twenty artists working across a variety of genres and media explore the Romantic era, its attitude to nature and the art of Caspar David Friedrich. The participants include Alex Grein, Swaantje Güntzel, Jochen Hein, Johanna Karlsson, Hiroyuki Masuyama, Loudmila Milanova, Mariele Neudecker, Ulrike Rosenbach, Susan Schuppli, Santeri Tuori and Kehinde Wiley.

About the Authors:

Markus Bertsch is Head of the 19th-Century Collection at Hamburger Kunsthalle. Johannes Grave is Professor of Modern Art History with a focus on European Romanticism at the University of Jena. He was awarded the Gottfried Wilhelm Leibniz-Preis in 2020 for his research on art in the early 1800s, early Renaissance painting and picture theory.

Originating as an ancient tribal practice serving as rites of passage, symbols of religious devotion or marks of bravery, tattoo art has slowly grown into an essential fashion item, a personal statement, a decorative memorial or pledges of deep beliefs. From miniature, hand-drawn pieces to extensive tribal-inspired tattoo markings, contemporary lineworks to retrospective designs, the new wave of tattoos reveals an international aesthetic movement grounded in the love of art.

Varied by striking motifs, INK — The Art of Tattoo amasses some 700 recent and classic flash designs, original patterns and illustrations that encapsulate how tattoo styles around the world have evolved. Readers can start examining the subject by admiring a diverse spectrum of tattoo flash categorised by artist, then go on to a photography showcase of inked bodies modelled for fashion and art projects. The book continues with interviews that provide a portal into the mind of select tattoo artists, each distinct in style and approach. Available in three covers, INK is a collectable reference for practitioners and those craving for new tatts.

Published to accompany the Royal Academy exhibition from 29 June to 13 October 2024, a major study of Ukrainian art from 1900 to the mid-1930s – with loans from major museums in Ukraine, elsewhere in Europe, the United States (including MoMA) and Israel

How does artistic life flourish during revolution and conflict? Ukraine in the early 1900s endured unimaginable political upheaval, yet this became a period of true renaissance in Ukrainian art, literature, theatre and cinema.

In the Eye of the Storm: Modernism in Ukraine, 1900–1930s, presents the ground-breaking art produced in Ukraine in the early 20th century, focusing on the three key cultural centres of Kyiv, Kharkiv and Odesa. Against a complicated socio-political backdrop of collapsing empires, World War I, the revolutions of 1917 with the ensuing Ukrainian War of Independence, and the eventual creation of Soviet Ukraine, several strands of distinctly Ukrainian art emerged.

While émigrés such as Sonia Delaunay and Alexander Archipenko found fame outside their homeland, the followers of Mykhailo Boichuk focused on Byzantine revivalism, and the artists of the Kultur Lige sought to promote the development of contemporary Yiddish culture. The first avant-garde exhibitions in Ukraine featured the radical art of Davyd Burliuk and Alexandra Exter, and the dynamic canvases of the Kyiv-based Cubo-Futurist Oleksandr Bohomazov. In Kharkiv, Vasyl Yermilov championed the industrial art of Constructivism, while Vadym Meller, Anatol Petrytskyi, Oleksandr Khvostenko-Khvostov and Borys Kosarev revolutionized theatre design. The attempt to build a national identity in Ukraine resulted in a polyphony of styles and artistic developments across a full range of media – from oil paintings, sketches and sculpture to collages, cinema posters and theatre designs.

Twelve internationally renowned scholars, including curators from the National Art Museum of Ukraine, bring to life this astonishing period of creativity in Ukraine and all the movements it encompassed.

Table of Contents:

Foreword
Francesca Thyssen-Bornemisza
Acknowledgments
Introduction
Konstantin Akinsha

I. Kyiv

From Kyiv to Paris: The Cosmopolitanism of Alexandra Exter
Katia Denysova

The Beginning: The First Avant-Garde Exhibitions in Ukraine
Olena Kashuba-Volvach

The Art Section of the Kultur Lige: Yiddish Avant-Garde Art in Kyiv (1918–1922)
Hillel Kazovsky

Oleksandr Bohomazov: The Ukrainian Version of Futurism
Olena Kashuba-Volvach

Boichukism
Myroslava M. Mudrak

Bauhaus on the Banks of Dnipro
Olena Kashuba-Volvach

II: Kharkiv

The Tragic Sensuality of the Kharkiv Avant-Garde
Tetiana Zhmurko

Constructor Vasyl Yermylov: A Captive of the Material World 
Konstantin Akinsha

Visual and Spatial Experiments in Ukrainian Scenography of the 1920s
Olena Kovalchuk

Ivan Kavaleridze: Searching for the Hero of the New Age
Oksana Barshynova

Nova heneratsiia (1927–1930)
Myroslava M. Mudrak

III. Odesa

The Odesa Society of Independent Artists
Olha Barkovska

From Symbolism to Avant-Garde: The Emancipation of Ukrainian Cinema in the 1920s
Ivan Kozlenko

IV. Aftermath

In the Shadow of Russia: Ukrainian Art at the XVI Venice Biennale of 1928
Olena Kashuba-Volvach & Maryna Drobotiuk

The Émigrés from Ukraine: Archipenko, Delaunay and Baranoff-Rossiné
Katia Denysova

From Oblivion to Glory: Spetsfond or The Special Secret Holding
Yuliia Lytvynets

Plates
Authors’ Biographies
Picture Credits
Index

About the Author:

Konstantin Akinsha studied at the Shevchenko Art School in Kyiv, Ukraine, and in 1986 completed an MA in art history at the Moscow State University. He completed a PhD in art history at the University of Edinburgh. In the course of his career, Konstantin Akinsha has been curator at the Kyiv Museum of Western and Oriental Art, Moscow correspondent for ARTnews, contributing editor for ARTnews magazine, New York, as well as a Research Fellow at both the Germanisches Nationalmuseum, Nuremberg, and Bremen Kunstverein, East European Institute of Bremen University. From 1999 to 2000 he was also Deputy Research Director, Art and Cultural Property, Presidential Advisory Commission on Holocaust Assets in the United States, Washington, D.C. In 2006 he became the European Correspondent for ARTnews magazine in Budapest, and in 2007 he also became a Eugene and Davmel Shklar Fellow at the Ukrainian Research Institute of Harvard University. Akinsha has written a number of books, including Stolen Treasure (Weidenfeld & Nicolson, 1995), co-authored with Gregorii Kozlov, and The Holy Place, co-authored with Gregorii Kozlov and Sylvia Hochfield (Yale University Press, 2007).

'a mixture of artistic sensibility and imagery that leaves nothing to the imagination'  - The Telegraph

In early modern Japan, thousands of sexually explicit paintings, prints, and illustrated books with texts were produced. These were euphemistically called ‘spring pictures’ (shunga) and were originally created by the artists of the ukiyo-e school of the floating world to advertise brothels in 17th-century Yoshiwara, including the celebrated artists Utamaro and Hokusai.

This catalogue of an exhibition in 2013/4 at the British Museum aims to answer some key questions about what shunga is and why it was produced. Erotic Japanese art was heavily suppressed in Japan from the 1870s onwards, and it is only in the last twenty years or so it has been possible to publish unexpurgated examples in Japan. 

Drawing on the latest scholarship and featuring over 400 images of works from major public and private collections, this book sheds new light on this unique art form within Japanese social and cultural history.

About the Author:

Timothy Clark, Head of Japanese Section, British Museum

The official behind-the-scenes tie-in book to Sony Pictures Animation’s Spider-Man: Across the Spider-Verse

Miles Morales returns for the next chapter of the Oscar®-winning Spider-Verse saga in an epic adventure that will transport Brooklyn’s full-time, friendly neighborhood Spider-Man across the multiverse to join forces with Gwen Stacy and a new team of Spider-People to face off with a villain more powerful than anything they have ever encountered.

Spider-Man: Across the Spider-Verse: The Art of the Movie takes readers behind the scenes to showcase the art and artistry of Sony Pictures Animation’s highly anticipated sequel to 2018’s Academy Award–winning animated feature, Spider-Man: Into the Spider-Verse.

The ultimate deep dive into the on-screen return of the Spider-Man multiverse, the book features exclusive concept art, sketches, character designs, and storyboards from the visually innovative film as well as interviews with key creators, such as writers/producers Phil Lord and Christopher Miller, who offer insights into their creative process.

About the Author:

Ramin Zahed is a Los Angeles–based author and editor-in-chief of Animation Magazine. His books include The Art of The Mitchells vs. The Machines, Spider-Man: Into the Spider-Verse: The Art of the Movie, The Art of Love, Death + Robots, The Art of Captain Underpants, The Art of DreamWorks Puss in Boots: The Last Wish and The Art of DreamWorks Animation.

The definitive visual guide to the cityscapes and buildings of the most celebrated and influential anime movies

The influence of anime, one of Japan’s most successful cultural exports, has been felt across cinema, literature, comic books and videogames for decades, yet the artwork behind the genre remains somewhat enigmatic, particularly in the pre-digital period before the early 2000s. A genuine behind-the-scenes journey into the original background paintings, storyboards and early drafts of the industry’s most revered directors and illustrators, Anime Architecture presents the otherworldly buildings and megacities of these visionaries as celebrations of – and lessons for – the near future.

Includes exclusive material from:

AKIRA, 1988
Patlabor: The Movie, 1989
Patlabor 2: The Movie, 1993
Ghost in the Shell, 1995
Metropolis, 2001
Innocence, 2004
Tekkonkinkreet, 2006
Rebuild of Evangelion, 2007, 2009

Contents List:

Introduction • 1. The Multilayered Landscape • 2. Tokyo Scale: The Endless Megacity • 3. Special Effect City • Biographical Information

About the Author:

Stefan Riekeles is a curator based in Berlin. He has been the Artistic Director of the Japan Media Arts Festival Dortmund, and curated the 2011 exhibition ‘Proto Anime Cut’. He served as the Programme Director of the International Symposium on Electronic Art 2010 and curated exhibitions for transmediale festival for art and digital culture Berlin. He holds an MA in Culture Studies and Audio Communication Science from the Humboldt University and the Technical University in Berlin.

An accessible and hugely popular history of art explained through many of the world’s most famous masterpieces

This comprehensive, vibrant book leads you through the world’s iconic images – those that we encounter every time we open a newspaper, visit a gallery, or look at the front cover of a novel

Art: The Whole Story traces the development of art period by period, with the illustrated text covering every genre, from painting and sculpture to conceptual art and performance art. Cultural timelines are there too, to help the reader with historical context.

• The most accessible history of world art ever assembled
• More than 1,100 colour illustrations of iconic pieces
• Covers every genre of art, from painting and sculpture to conceptual art
• Designed in an easily navigable and user-friendly fashion

Written by an international team of artists, art historians and curators, this absorbing and beautiful book will give you insight into the world’s most iconic images.

Masterpieces that epitomize each period or movement are highlighted and analysed in detail. Everything from the use of colour and visual metaphors to technical innovations is explained, enabling you to interpret the meanings of world-famous masterpieces – Mughal miniatures; Japanese prints in the nineteenth century; the colour theories behind Seurat’s remarkable La Grande Jatte; and why Picasso’s Les Demoiselles D’Avignon was so shocking in its day.

If you love cinema and would like to know more about it, look no further than Cinema: The Whole Story. This is an indispensable book for all those who love watching and reading about films, and who want to understand more about the international world of cinema.

• Places key works in the context of genre and social and cultural developments
• Historical timelines highlight key influences and events
• Inside the world of film-making – the glamour, the triumphs, the disappointments and the realities of stardom
• Written by an international team of film experts, led by Philip Kemp, film historian, lecturer and author

Illustrated, in-depth text covers every genre of cinema, from the first silent films to epic blockbusters, CGI graphics and ground-breaking special effects of the 21st century. Detailed timelines accompany the text and clarify cinematic history.

Everything from camera and lighting to acting styles, animation and the film’s social and cultural impact is explained, enabling you to interpret the full meaning of world-famous movies. Discover what makes a star, what makes a film a success – and why even the most promising of ideas can prove an expensive disaster. 

_________

В этой книге тщательно исследуются основные периоды, жанры и кинопроизведения разных стран, помещая цветущий мир кино в контекст изменяющихся социальных и культурных условий. Построенная в хронологическом порядке, она прослеживает эволюцию кино от кинопроекторов до многоэкранных кинотеатров и современных супертехнологий. Иллюстрированный, углубленный текст охватывает все жанры кино — от первых немых фильмов до эпических блокбастеров, компьютерной графики и новаторских эффектов XXI века.

This stunningly illustrated book examines the history of poster design and its relation to the arts and broader culture

The poster is a versatile marketing tool widely used from the 19th century to today for everything from political events to movies. A good poster has many layers, it goes beyond advertising and makes statements about style, history, fashion, and taste at the time. It is these layers that can turn a poster into a work of art. This book showcases 480 posters by more than 200 artists and designers and tells a comprehensive history of the poster. The book includes art nouveau, Bauhaus, pop art, and contemporary posters from preeminent artists such as Alphonse Mucha, Egon Schiele, Pablo Picasso, and Andy Warhol and from noted designers ranging from Lucian Bernhard and A.M. Cassadre to Saul Bass, Tadanori Yokoo, and Stefan Sagmeister. The book also introduces many other leading poster designers whose names are less well-known. Contemporary advertisements for Calvin Klein, United Colors of Benetton, and Coachella are also explored. By tracing the history of the poster, this book shows social developments throughout the world and illuminates how art styles have changed over time.

About the Author:

Jurgen Doring is Head of the Department of Graphics and Posters at the Museum für Kunst und Gewerbe in Hamburg, Germany.