Історія фотографії

An in-depth look at the many ways women around the world helped shape modern photography from the 1920s to the 1950s as they captured images of a radically changing world

During the 1920s the New Woman was easy to recognize but hard to define. Hair bobbed and fashionably dressed, this iconic figure of modernity was everywhere, splashed across magazine pages or projected on the silver screen. A global phenomenon, she embodied an ideal of female empowerment based on real women making revolutionary changes in life and art ― including photography. This groundbreaking, richly illustrated book looks at those “new women” who embraced the camera as a mode of expression and made a profound impact on the medium from the 1920s to the 1950s.

Thematic chapters explore how women emerged as a driving force in modern photography, bringing their own perspective to artistic experimentation, studio portraiture, fashion and advertising work, scenes of urban life, ethnography and photojournalism. Featuring work by 120 photographers, this volume expands the history of photography by critically examining an international array of canonical and less well-known women photographers, from Berenice Abbott, Dorothea Lange and Lola Álvarez Bravo to Germaine Krull, Tsuneko Sasamoto and Homai Vyarawalla. Against the odds, these women produced invaluable visual testimony that reflects both their personal experiences and the extraordinary social and political transformations of the era.

Spanning the history of photography from the 1840s to the present day, this beautifully illustrated book showcases 100 photographs chosen from the many thousands held in the National Trust's collections.

Spanning the history of photography from the 1840s to the present day, this beautifully illustrated book showcases 100 photographs chosen from the many thousands held in collections at National Trust properties across England, Wales and Northern Ireland.

Alongside works by well-known photographers such as William Henry Fox Talbot, Julia Margaret Cameron, Camille Silvy, Edward Chambré Hardman, Dorothy Wilding, Angus McBean and Jane Bown are remarkable images captured by less familiar practitioners. Many of these photographs have only recently been discovered and are reproduced here for the first time.

Professional studio portraits, landscapes and images of war sit alongside family groups, domestic scenes and travel photographs by talented amateurs whose images provide glimpses into the way we have viewed and recorded the world over the last two centuries. Through these pages, glassplate negatives give way to celluloid film; monochrome makes room for colour; and while still inspiring many, early cumbersome processes evolve into modern, portable formats that would bring photographic creativity within easier reach of everyone.

The book concludes with a useful illustrated glossary of photographic terms and a gazetteer of National Trust properties with significant photographic collections.

About the Author:

Anna Sparham is National Curator for Photography at the National Trust. Since 2001, she has worked extensively with historic collections of photographs and contemporary photographic practice across the arts and heritage sector. She was formerly Curator of Photographs at the Museum of London, publishing widely and curating several exhibitions on subjects including women's suffrage, youth culture and London at night. Her interests include 20thcentury portraiture, the natural landscape, and analogue and alternative processes.

Robin Muir is a writer and curator, specialising in photography. He is currently a Contributing Editor at British Vogue and consultant to its archive. He has curated major exhibitions at the National Portrait Gallery, the Victoria and Albert Museum, the Museum of London and the Yale Center for British Art. His many publications include The World's Most Photographed, Cecil Beaton's Bright Young Things, monographs on David Bailey, John Deakin, Terence Donovan, Norman Parkinson and Snowdon, and several books on the history of Vogue magazine, including Vogue 100: A Century of Style and most recently The Crown in Vogue.
 

In the beginning, there was light. The George Eastman House Collection: photography throughout the ages

From a delivery boy to one of the most important industrialists in American history, George Eastman’s career developed in a particularly American way. The founder of Kodak died in 1932 and left his house to the University of Rochester. Since 1949 the site has operated as an international museum of photography and film, and today holds the largest collection of its kind in the world. The continually expanding photography collection contains over 400,000 images and negatives - among them the work of Alfred Stieglitz, Edward Steichen, Ansel Adams and others - as well as 23,000 cinema films, five million film stills, one of the most important silent film collections, technical equipment and a library with 40,000 books on photography and film. The George Eastman House is a pilgrimage site and a place of worship for researchers, photographers and collectors from all over the world.

This volume shows in chronological order the most impressive images and the most important developments in the art of light that is photography. It provides in its huge collection and themes a unique survey of the medium from its origins until now.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

An up-to-date edition of the authoritative history of photography widely embraced by both students and general readers

Naomi Rosenblum's classic history of photography traces the evolution of this young art form chronologically and thematically. Exploring the diverse roles that photography has played in the communication of ideas, Rosenblum devotes special attention to topics such as portraiture, documentation, advertising, and photojournalism, and to the camera as a means of personal artistic expression. Her text is illustrated with nearly nine hundred images by photographers both celebrated and little known, arranged in stimulating juxtapositions that illuminate their visual power.

This fifth edition of A World History of Photography is substantively revised and updated. The photography of the past several decades is reevaluated from a contemporary perspective, and international developments are covered in greater detail. The main strands of today's complex universe of digital image-making are masterfully summarized and placed in their historical context, and the careers of representative contemporary photographers are studied in depth.

Thoughtfully written, carefully and abundantly illustrated, and provided with a full apparatus — including a chronology, glossary, and annotated bibliography - Rosenblum's volume remains the indispensable work on its subject.

An up-to-date edition of the authoritative history of photography widely embraced by both students and general readers

Naomi Rosenblum's classic history of photography traces the evolution of this young art form chronologically and thematically. Exploring the diverse roles that photography has played in the communication of ideas, Rosenblum devotes special attention to topics such as portraiture, documentation, advertising, and photojournalism, and to the camera as a means of personal artistic expression. Her text is illustrated with nearly nine hundred images by photographers both celebrated and little known, arranged in stimulating juxtapositions that illuminate their visual power.

This fifth edition of A World History of Photography is substantively revised and updated. The photography of the past several decades is reevaluated from a contemporary perspective, and international developments are covered in greater detail. The main strands of today's complex universe of digital image-making are masterfully summarized and placed in their historical context, and the careers of representative contemporary photographers are studied in depth.

Thoughtfully written, carefully and abundantly illustrated, and provided with a full apparatus — including a chronology, glossary, and annotated bibliography - Rosenblum's volume remains the indispensable work on its subject.

A leading representative of the Russian avant-garde, Alexander Rodchenko (1891–1956) revolutionized the world of graphic art, design and photography.

The over 250 illustrations featured in this volume allow the reader to grasp the full force of this innovator and to appreciate the charisma he exerted on fellow artists as much as on the men of letters, directors and intellectuals who shared his path.
Whether it is the photomontages he created for Vladimir Mayakovsky’s poem Pro Eto (About That), the covers designed for the magazine Novy LEF (New LEF) – a veritable point of reference for the revolutionary intelligentsia – or cinema posters and book illustrations, Rodchenko’s works bear witness to his many collaborations and friendships, evoking not just the image of a brilliantly creative personality but a unique phase in twentieth-century history.

The remarkable photographic portraits by the artist, his pictures of urban landscapes and architectures, as well as his photo-reportages in factories and building sites bring back both the faces and spirit of an age of great hopes and equally great contradictions. To this day, the style of Rodchenko the photographer, marked by unusual perspectives, sharp angles and diagonals, stands as the purest witness not just to the talent of an artist but to his eagerness to modernise art and the world at large.

Complementing the volume are contributions by Olga Sviblova, the director of the House of Photography / Multimedia Art Museum of Moscow, by the grandson of the artist and leading scholar of his work Alexander Lavrentiev, in addition to writings and testimonies by Rodchenko himself and his daughter Varvara.

What is dance? It is motion. What is Motion? The expression of a sensation.

What is Sensation? The reaction in the human body produced by an impression or idea perceived by the mind.

Loïe Fuller was one of the leading and most influential figures of the twentieth-century art scene. Her persona, choreographies and technical innovations have exerted a strong influence on the conceptual theories and achievements of choreographers, producers, theater and film directors, painters, sculptors, architects, and other performance artists of our times. Loïe Fuller played a decisive role in the Art Nouveau movement, she was the muse that inspired the Electricity Pavilion in 1900, and she orchestrated the first shows, in the contemporary sense of the word, in France. Through a number of photographs, paintings, sculptures and documents, this volume attempts to unravel the various strands of her extravagant life, to chart her dedication to the performance arts and to demonstrate her incredible technical inventiveness ― in short, to provide an insight into one of the most attractive and influential figures of contemporary creation.

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Loïe Fuller, born Marie Louise Fuller (Fullersburg, Illinois, 1862–Paris, 1928), was a dancer, choreographer, lighting technician, researcher, inventor of special stage effects, art curator, filmmaker, member of the French Astronomical Society and businesswoman. Moreover, from a very young age she was also a living legend; she was hailed as the muse of Art Nouveau and in 1900 had her own pavilion, designed by Henri Sauvage, at one of the most important events of the day: the World’s Fair in Paris.

Admired by Stéphane Mallarmé, Auguste Rodin, Arthur Symons, Henri de Toulouse-Lautrec, Koloman Moser, Pierre Roche, Raoul Larche, Théodore Rivière, Jules Chéret, Umberto Boccioni, Giacomo Balla and Anton Pevsner, among many others, Fuller exercised an enormous influence on the artists of her day.

Over the past 30 years, Sir Elton John and David Furnish have carefully built an unrivalled collection of photography. Remarkable in its range and depth, it’s a who’s who of photographer and subject ranging across disciplines from fashion and film to landscape and reportage.

This book presents 150 of the most important photographs from artists including Diane Arbus, Richard Avedon, Nan Goldin, David LaChapelle, Robert Mapplethorpe, Zanele Muholi, Helmut Newton, Cindy Sherman, Andy Warhol and Ai Weiwei.

Featuring an afterword from Sam Taylor-Johnson and an in-depth interview with Sir Elton John and David Furnish by Russell Tovey and Robert Diament, as well as curatorial insights into themes within the collection – Fragile Beauty shares images that are beautiful, dynamic, striking, sometimes disturbing but always inspiring.

About the Authors:

Lydia Caston is Exhibition Project Curator at the V&A.

Duncan Forbes is Head of Photography at the V&A.

Newell Harbin is Director, The Sir Elton John and David Furnish Photography Collection

A close look at Man Ray’s interwar portraiture, as well as the friendships between the photographer and his subjects: the international avant garde in Paris

Shortly after his arrival in Paris in July 1921, Man Ray (1890–1976) — the pseudonym of Emmanuel Radnitzky — embarked on a sustained campaign to document the city’s international avant-garde in a series of remarkable portraits that established his reputation as one of the leading photographers of his era. Man Ray’s subjects included cultural luminaries such as Berenice Abbott, André Breton, Jean Cocteau, Marcel Duchamp, Ernest Hemingway, Miriam Hopkins, Aldous Huxley, James Joyce, Lee Miller, Méret Oppenheim, Pablo Picasso, Alice Prin (Kiki de Montparnasse), Elsa Schiaparelli, Erik Satie, and Gertrude Stein. As this lavishly illustrated publication demonstrates, Man Ray’s portraits went beyond recording the mere outward appearance of the person depicted and aimed instead to capture the essence of his sitters as creative individuals, as well as the collective nature and character of Les Années folles (the crazy years) of Paris between the two world wars, when the city became famous the world over as a powerful and evocative symbol of artistic freedom and daring experimentation.

About the Author:

Michael R. Taylor is chief curator and deputy director for art and education at the Virginia Museum of Fine Arts, Richmond.

Another country: Introducing America to Americans

Amid the ravages of the Great Depression, the United States Farm Security Administration (FSA) was first founded in 1935 to address the country s rural poverty. Its efforts focused on improving the lives of sharecroppers, tenants, and very poor landowning farmers, with resettlement and collectivization programs, as well as modernized farming methods. In a parallel documentation program, the FSA hired a number of photographers and writers to record the lives of the rural poor and introduce America to Americans.

This book records the full reach of the FSA program from 1935 to 1943, honoring its vigor and commitment across subjects, states, and stylistic preferences. The photographs are arranged into four broad regional sections but otherwise allowed to speak for themselves to provide individual impressions as much as they cumulatively build an indelible survey of a nation. Through color and black-and-white images, we meet convicts, cotton workers, kids on the street, and relocated workers on the road. We see subjects victim to the elements of nature and the timeless rituals of human life, as much as to the vagaries of the global economic market. We meet Dorothea Lange s iconic Migrant Mother, weather-beaten and worn, with two children leaning on her shoulders.

What unites all of the pictures is a commitment to the individuality and dignity of each subject, as much as to the witness they bear to this particular period of the American past and to universal cycles of growing, playing, eating, aging, ailing, and dying. Through the lenses of such perceptive, sensitive photographers as Dorothea Lange, Jack Delano, Russell Lee, Marion Post Wolcott, Walker Evans, and Ben Shahn, subjects are entrenched in the hardships of their historical lot, caught in the loop of humanity, and yet face the viewer with what is utterly their own: a unique, irreplaceable, often unforgettable presence.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

The great story of world photography, from its origins to the present day

Photography has been one of the key languages of modernity and with the advent of the digital revolution, it has also established itself as the most used medium in everyday private and public communication. Photography is also one of the arts that have marked the 19th and 20th centuries – despite the resistance of academic milieus, reluctant to accept a machine-made form of art –, and during the early years of the 21st century it has taken on an increasingly central role in the field of global contemporary creativity within all socio-political and cultural systems.

This book illustrates the captivating adventure of world photography from its origins to the present day and with its accessible and exact narrative style it speaks to experts, amateurs, and photography enthusiasts alike. Setting off from this medium’s pioneers and early protagonists, this book traces the spread of photography in all ambits (scientific, forensic and artistic), the development of portraiture, the advent of early 18th-century avantgardes, the use of photography as record, reportage, and propaganda, its contribution to pop and conceptual art, the steps towards its institutionalisation and, lastly, its most recent developments, from staged photography to new millennium post-photography.

Three high-impact visual atlases (on single and double pages) set the pace of this volume’s fascinating historic overview, set among the sixteen chapters of the author’s historic reconstruction. The publication also includes sixteen sections dedicated to specific technical aspects plus a comprehensive bibliography.

About the Author:

Walter Guadagnini, director of CAMERA – Centro Italiano per la Fotografia in Turin, teaches History of Photography at the Accademia di Belle Arti in Bologna. Head of the Galleria Civica in Modena for ten years, he is currently artistic director of the Festival Fotografia Europea in Reggio Emilia and has curated exhibitions in international museums and institutions. Since 2006 he has been in charge of the photography section of “Il Giornale dell’Arte”, and has conceptualized and edited the four volumes of Photography. A History 1839–Now (Skira) with contributions from leading international historians and critics of photography.

From high-society balls and fashion shoots to portraits of artists and scenes from urban life in France, this handsome volume — which features an open spine binding so that it lays flat to show off the photographs to their best advantage — showcases Doisneau’s best photographs for Vogue Paris.

Celebrated photographer Robert Doisneau worked for Vogue from 1949 until 1965, illustrating a postwar France filled with a renewed zest for life. His little-known images of haute couture featured models like Brigitte Bardot and Bettina, who he photographed in the studio and out on the streets. He chronicled the members of the café society in their stately homes and at glamorous costume galas, dancing the night away. Best known for his humanist approach, he masterfully captured scenes from everyday life — from the grace of a wedding procession over a footbridge to the petulance of a child impatient for cake. Doisneau’s photographs captured the spirit of the era and featured celebrities like Karen Blixen, Picasso, Colette, and Jean Cocteau, as well as jazz musicians, movie stars, and humble craftsmen at work. Legendary Vogue editor in chief Edmonde Charles-Roux’s personal homage to the photographer — who was her friend and colleague — offers intimate insight into the man behind the camera, as complex and beautiful as the people and places he immortalized.

From high-society balls and fashion shoots to portraits of artists and scenes from urban life in France, this handsome volume — which features an open spine binding so that it lays flat to show off the photographs to their best advantage — showcases Doisneau’s best photographs for Vogue Paris.

Celebrated photographer Robert Doisneau worked for Vogue from 1949 until 1965, illustrating a postwar France filled with a renewed zest for life. His little-known images of haute couture featured models like Brigitte Bardot and Bettina, who he photographed in the studio and out on the streets. He chronicled the members of the café society in their stately homes and at glamorous costume galas, dancing the night away. Best known for his humanist approach, he masterfully captured scenes from everyday life — from the grace of a wedding procession over a footbridge to the petulance of a child impatient for cake. Doisneau’s photographs captured the spirit of the era and featured celebrities like Karen Blixen, Picasso, Colette, and Jean Cocteau, as well as jazz musicians, movie stars, and humble craftsmen at work. Legendary Vogue editor in chief Edmonde Charles-Roux’s personal homage to the photographer — who was her friend and colleague — offers intimate insight into the man behind the camera, as complex and beautiful as the people and places he immortalized.

The past did not happen in black and white. Discover people and places of the early 20th century through restored and enhanced imagery.

The Colors of Life transports readers through the lens of autochromes and paget plates – from the infancy of early color photographic processes – and enhances detail and definition and dynamic range to create a startlingly new way to connect to the past.

This compilation showcases over 200 photographs enhanced by Stuart Humphryes, capturing people from various backgrounds and their everyday lives, at leisure, and at work. With the use of cutting-edge enhancements, these early colour photographs and their stories come to life in a way they previously never could. The book reminds us that the past is as real as the present and has the power to evoke personal and shared emotions that resonate across time.

The Colors of Life is a captivating journey into the past, using the technology of the present to allow readers to see and experience history in a new and vibrant light.

About the Author:

Stuart Humphryes is a digital artist, photo restorer, and writer, and also a content creator active on YouTube, Instagram, and Twitter. Formerly known as a print and TV colorizer--focusing on work relating to the BBC television series Doctor Who--Humphryes has generated a new following interested in his photographic enhancement work. His work has received accolades from The Guardian, The Evening Standard, The Stage, The Metro, The Radio Times, The Mail on Sunday, BBC Online, BBC America, The National, FX Magazine, Starburst Magazine, Wild West Magazine, and many others.

This is the first publication on American artist Curtis Moffat who is known for his dynamic abstract photographs, innovative color still lifes and some of the most glamorous society portraits of the early twentieth century. Moffat was also a pivotal figure in Modernist interior design and furniture. Living in London throughout the 1920s and early ’30s during the era of the “Bright Young Things,” Moffat produced stylish photographic portraits of leading figures in high society, stage, theater and the arts, including Cecil Beaton, The Sitwells, Nancy Cunard, Lady Diana Cooper, Tallulah Bankhead and Daphne Du Maurier.

In 2003 and 2007, Moffat’s daughter, Penelope Smail, generously donated his extensive archive to the Victoria and Albert Museum. This book is drawn from that archive and also includes digital reconstructions of color images from original tri-carbro process black-and-white negatives. It reveals Moffat’s pioneering yet little-known photography in all its depth and beauty.