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Celebrating the centennial of Saul Leiter’s birth, the official retrospective of a revolutionary figure in twentieth-century photography.

Saul Leiter photographed and painted nearly every day for over sixty years, amassing an enormous archive, most of which remained unseen during his lifetime. Finding inspiration within a few blocks of his apartment in lower Manhattan, he was a master at discovering beauty in the most ordinary places. Celebrated today for his evocative colour photographs of New York in the 1950s and 1960s, which were unknown in their day, Leiter also found success as a fashion photographer for Harper’s Bazaar. All the while he was shooting black-and-white street scenes on his daily walks, and nudes and intimate portraits back home, while continuing his painting explorations with abstract watercolours, whimsical sketchbooks and painted photographs.

Created in collaboration with the Saul Leiter Foundation, this definitive monograph brings together these diverse yet interconnected bodies of work – including much that was previously unpublished – to reveal the complete artist for the first time.

About the Authors:

Saul Leiter was born in 1923 in Pittsburgh. He pioneered a painterly approach to colour photography in the 1940s and produced covers for fashion magazines such as Esquire and Harper’s Bazaar before largely withdrawing from public attention in the 1980s. The publication in 2006 of his first collection, Early Color, inspired an avid ‘rediscovery’ that has since led to worldwide exhibitions and the release of a documentary, In No Great Hurry: 13 Lessons in Life with Saul Leiter (2013). He died in New York in 2013.
Margit Erb is the founder and director of the Saul Leiter Foundation, which is dedicated to preserving Leiter’s art and legacy.
Michael Parillo is the Associate Director of the Saul Leiter Foundation.

The first extraordinary art book created through promtography. The artist and author has created the images, not with paint and brush but with AI.

This is an incredible selection of images, created through promtography. The artist Annika Nordenskiöld has used AI as a tool to portray her dreams and inner fantasies. None of the places, people or creatures in this book exist in the physical realm. Instead, they are conjured from the sum of human experience in our deep collective well. “I press enter and four versions of an image start appearing in the darkness. I have prompted deliberately, starting with characters and themes, the mood, and what matters most. Adding lesser details towards the end. I do not reference any existing work or artist, but I am specific with the time and setting. Slowly layers are added, and shapes are taking form.” The result is a book that is both beautiful and intriguing.

About the Author:

Annika Nordenskiöld is an established painter and sculptor in Sweden, that has chosen to use digital tools to create her art. She has had numerous exhibitions throughout the years, but the biggest exhibition success has been with the images presented in this book. In October 2023, Annika won the world’s first artificial intelligence art award, 'Prompted Peculiar' at the Ballarat International Foto Biennale, Australia.

Timeless, evocative and hauntingly beautiful: a retrospective monograph by a truly innovative image maker whose female gaze transformed fashion photography.

American photographer Deborah Turbeville defies classification. She belongs to no school or movement. Her unique visual signature has been recognizable since her emergence as a major talent in the 1970s. Her images are evocative, difficult to date at first glance, and seem dreamlike to our 21st-century eyes. Turbeville stands apart from her male contemporaries, whose hard-edged, highly sexualized photographs of women now seem to be of their time in comparison with Turbeville’s very different representation of beauty.

This book focuses on the area of Turbeville’s practice where her genius as an artist can be found: photocollage. In contrast to her contemporaries in fashion photography, she was deliberately playful with her images: xeroxing, cutting, scraping and pinning prints together, writing in the margins and creating narrative sequences. Her work is located far from single, glossy images. It inhabits a liminal zone between art and commerce.

Built upon extensive research in the Deborah Turbeville archive, the work shown spans commercial and personal projects, with many images published for the first time. With texts by Vince Aletti, Anna Tellgren and Felix Hoffmann, this book brings into the spotlight the ways in which Turbeville redefined fashion photography, moving away from the sexual provocation and stereotypes assigned by male photographers to an idea of femininity on her terms. Deborah Turbeville: Photocollage will be an essential publication with modern relevance for all with a passion for fashion photography.

About the Author:

Nathalie Herschdorfer is Director of Photo Elysee-Museum of Photography in Lausanne. Her previous books include Coming into Fashion, Afterwards: Contemporary Photography Confronting the Past and Body: The Photography Book. Deborah Turbeville (1934–2013) was born in Boston, Massachusetts. Her fashion photography featured in Vogue, Harper's Bazaar, Nova and The New York Times and for fashion labels including Commes des Garcons, Guy Laroche and Charles Jordan. Her archive is held by The MUUS Collection.

Crewdson's epic photographic trilogy -- a portrait of America a decade in the making

Over the past three decades, Gregory Crewdson has been fleshing out a portrait of middle America, an America gazing wide-eyed at the glimmers of a fading dream.

His cinematographically staged photos have pieced together the fragments of a twilight world tinged with numbness.

This book brings togetherthree bodies of work made between 2012 and 2022. Envisaged as a trilogy, they previde unique insight into a decade of creation and offer a comprehensive view of the universe that hasposited Gregory Crewdson as one ofthe major figures of photography.

This trilogy isintroduced by Fireflies, a pivotal series if one is to grasp the intimate undercurrents in Gregory Crewdson's artwork.

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Considered one of the greatest exponents of staged photography, Gregory Crewdson has drawn a portrait of middle America, enclosed in the intermediate spaces of modest-sized cities, an America with eyes wide open towards the lights of a dream in exhaustion, already exhausted, already dilapidated. His photographs, staged with the devices of the cinema, have assembled the fragments of a twilight world, populated by the neutral faces of its protagonists, frozen like ruins that ignore themselves in a present cracked by the oracular manifestations of imperceptible decompositions.

This book brings together for the first time the trilogy conceived between 2012 and 2022. It unfolds an unprecedented vision of a decade of creation and reveals the intimate and political sides of the universe that has established Gregory Crewdson as one of photography’s major figures. Cathedral of the Pines and An Eclipse of Moths vibrate with an intimacy crystallized by places deeply connected to the life of the photographer, his partner and collaborator Juliane Hiam and their children. At the same time, these two series shift towards a political dimension which finds its most subtle expression in the black and white photographs of Eveningside which close the trilogy in 2022. To this trilogy is added the Fireflies series, produced in 1996, which is essential for capturing the intimate movements that operate in his art.

The Ballad of Sexual Dependency is a visual diary chronicling the struggle for intimacy and understanding between friends, family, and lovers ― collectively described by Goldin as her “tribe.”

Her work describes a world that is visceral, charged, and seething with life. First published in 1986, this reissue recognizes the persistent relevance and freshness of Nan Goldin’s cutting-edge photography. Her lush colour photography and candid style demand that the viewer go beyond the surface to encounter a profound intensity. As Goldin writes: “Real memory, which these pictures trigger, is an invocation of the colour, smell, sound, and physical presence, the density and flavour of life.”

Through an accurate and detailed record of her life, Ballad reveals Goldin’s personal odyssey as well as a more universal understanding of the different languages men and women speak, and the struggle between autonomy and dependency. Over the past twenty-five years, the influence of Ballad on photography and other aesthetic realms has continually grown, making the work a contemporary classic. Nan Goldin’s story of urban life on the fringe was the swan song of an era that reached its peak in the early eighties. Yet it has captured an important element of humanity that is transcendent: a need to connect.

This new edition of Ballad has been printed using new scans and separations created by master-separator Robert Hennessey from Goldin’s original transparencies, rendering them with unparalleled sumptuousness and impact.

Mothmeister's second book: even greater and more unearthly

In Dark & Dystopian Post-Mortem Fairy Tales, Mothmeister - the two-headed alter ego of the anonymous Belgian artistic duo - pays tribute to the many muses that incited its unsettling and eccentric dreamworld.

These range from artists around the globe, legendary figures and myths and a quirky taxidermy collection to desolate places where its most grotesque and often melancholic characters were born, such as the macabre Capuchin Catacombs of Palermo, the abandoned unearthly town of Pyramiden in Spitsbergen and the site of the Chernobyl disaster.

All of this flows into a unique fairyland that flirts with the morbid, religious and often clownish, in which taxidermy animals are brought back to life in the most unusual ways.

About the Author:

The dystopian dream world of the two-headed Belgian alter ego Mothmeister intrigues more than 250k Instagram followers worldwide. Their dark, non-stop mutating fairy tale characters pay tribute to taxidermy. The muses of Mothmeister? Their impressive private collection of stuffed animals, masks, costumes, numerous international artists they collaborate with and their untameable wanderlust.

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Пролистать книгу Mothmeister: Dark and Dystopian Post-Mortem Fairy Tales

In this new collection from Annie Leibovitz, one of the most influential photographers of our time, iconic portraits sit side by side never-before-published photographs. Afterword by Annie Leibovitz.

Annie Leibovitz: Portraits 2005-2016 is the photographer's follow-up to her two landmark books, Annie Leibovitz: Photographs, 1970-1990 and A Photographer's Life, 1990-2005. In this new collection, Leibovitz has captured the most influential and compelling figures of the last decade in the style that has made her one of the most beloved talents of our time. Each of the photographs documents contemporary culture with an artist's eye, wit, and an uncanny ability to personalize even the most recognizable and distinguished figures.

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Influential photographer Annie Leibovitz presents her remarkable portraits in this re-issue of her acclaimed and bestselling collection. With an essay by Alexandra Fuller and an afterword by Annie Leibovitz

Annie Leibovitz: Portraits 2005-2016 is the photographer's follow-up to her two landmark compilations, Annie Leibovitz: Photographs, 1970-1990 and A Photographer's Life, 1990-2005. For this collection, Leibovitz has selected the best and most representative portraits from her work between 2005 and 2016. The pictures document contemporary culture with an artist's eye, wit, and an uncanny ability to personalize even the most recognizable and distinguished figures.

There are over 150 subjects in Portraits 2005-2016, including Venus and Serena Williams, Chimamanda Ngozi Adichie, LeBron James, Sheryl Sandberg, Anna Wintour, Leonard Cohen, Jasper Johns, Caitlyn Jenner, Gloria Steinem, Joan Didion, Barack Obama, and Queen Elizabeth II.

About the authors:

Annie Leibovitz is one of the most influential photographers of our time. Her career spans nearly five decades, starting in the 1970s when she was a widely acclaimed photographer at Rolling Stone. At Vanity Fair and Vogue and in independent projects, Leibovitz expanded her repertoire as a portraitist with a distinctive style. Her many honors include being designated a Living Legend by the Library of Congress, and her work is exhibited at museums around the world.

Alexandra Fuller is a prize-winning writer, whose memoirs Don't Let's Go to the Dogs Tonight and Leaving Before the Rains Come have met with public and critical acclaim. Her articles and reviews have appeared in numerous publications, including The New Yorker, Granta, The New York Times, Guardian, and National Geographic.

Among the significant projects of the last years of his life, Richard Avedon (1923–2004) completed a book of his photographs of women.

Always transcending categorization - he was both a fashion photographer and known as a “poet of portraiture” - Avedon was interested in seeing how elemental facts of modern life and human existence were reflected in his work. And what could be more elemental than women, who have mesmerized artists across the centuries? Looking at his work in this way, Avedon was able to create an unparalleled view of women in his time, a tumultuous half-century of rapidly changing social mores, cultural ideals, popular styles, and high fashion. As an artist, he was deeply responsive to nuances of expression, gesture, and comportment, and his photographs unfailingly opened a window to the interior lives of his subjects.

These ranged from celebrities (Marilyn Monroe), artists (Maria Callas, Isak Dinesen), and high-fashion models (Suzy Parker, Kate Moss) to women who simply drew his attention. Like the best of art and literature, Avedon's portraits evoke rich lives and complex experiences. An incisive essay by art historian Anne Hollander offers an overview of a half-century of Avedon's images of women.

About the Authors:

Richard Avedon was one of the most celebrated photographers of the 20th century. His portrait work comprises an authoritative record of our era and he redefined the fashion photograph. In 1992, he became the first staff photographer of The New Yorker.

Anne Hollander is the author of several books, including Feeding the Eye, Moving Pictures, and Seeing Through Clothes.

For more than 20 years, Vincent Peters has been among the best photographers internationally.

The artist, a native of Bremen, Germany, lives in Paris and Ibiza and sees the world as his playground. His unmistakable signature style — sensitive, classic photos — is in equally high demand for celebrity, fashion, and advertising photography. With minimal resources, he is able to create dramatic images that look like stills from an imaginary movie. Every picture makes you wonder what will happen next. His first photo book, The Light Between Us, was published in 2014 and showed his best shots of actors, models, and musicians. Now he dedicates himself to his favourite subject in Personal: women.

Once again, we encounter stars as they have never been seen before; Penélope Cruz, Linda Evangelista, and Irina Shayk are only some of the prominent ladies featured. Vincent Peters hand-selected the pictures for this book, most of which have never been published before. Along with his portraits, there are also nudes that highlight his masterful use of light to create sensuous photographs. This enables him to create mysterious images that celebrate feminine beauty and draw us inexorably under their spell.

 - A new masterpiece from the internationally celebrated photographer that devotes itself exclusively to the fairer sex
 - Peters’ pictures are as classic as they are dramatic and are stunningly sensuous
 - The premium presentation makes this volume a collector’s piece

A festival of Indian folk rituals and costumes bursting with colour, captured by renowned photographer Charles Fréger, the creator of a distinctive and powerful new genre of portrait photography.

Internationally renowned photographer Charles Fréger continues to explore global traditions and cultures, by celebrating the powerful visual aspects of Indian folk culture and religious ritual. India is the home to a myriad of local traditions, legends and religions, each with their own festivals, rites and rituals. Celebrations burst with vivid colours and often wildly exuberant costumes, some representing gods and goddesses, others legendary heroes from Sanskrit epics such as the Mahabharata and the Ramayana.

In Charles Fréger’s photographs, those who honour local cultural traditions are represented in single or group portraits, represented against carefully chosen landscapes and backdrops, from the heart of festivals and celebrations. Fréger’s unmistakable style of portraiture allows us to admire the complexity of their adornments – masks and headdresses, costumes and body paint – and to consider the abundance of imagination that expresses India’s countless stories and characters, both human and divine.

This spectacular gathering of warrior figures, deities, musicians, tigers, mahouts, epic characters and their avatars is accompanied by texts setting the huge variety of eclectic costumes in context, and describing the local festivals and rituals. This compelling sequence of new portraits will enthral those with an interest in folk traditions, as well as the followers of this internationally acclaimed photographer.

About the Authors:

Charles Fréger is a photographer based in Rouen, France. Internationally acclaimed for his subtle and poetic portraiture, he has devoted himself to the representation of social groups. Previous books include Portraits in Lace: Breton Women (2015), Yokainoshima: Island of Monsters (2016) and Cimarron: Freedom and Masquerade (2019), all published by Thames & Hudson. Anuradha Roy is a novelist and journalist living in northeast India. Catherine Clément is a philosopher, critic and feminist.

A leading representative of the Russian avant-garde, Alexander Rodchenko (1891–1956) revolutionized the world of graphic art, design and photography.

The over 250 illustrations featured in this volume allow the reader to grasp the full force of this innovator and to appreciate the charisma he exerted on fellow artists as much as on the men of letters, directors and intellectuals who shared his path.
Whether it is the photomontages he created for Vladimir Mayakovsky’s poem Pro Eto (About That), the covers designed for the magazine Novy LEF (New LEF) – a veritable point of reference for the revolutionary intelligentsia – or cinema posters and book illustrations, Rodchenko’s works bear witness to his many collaborations and friendships, evoking not just the image of a brilliantly creative personality but a unique phase in twentieth-century history.

The remarkable photographic portraits by the artist, his pictures of urban landscapes and architectures, as well as his photo-reportages in factories and building sites bring back both the faces and spirit of an age of great hopes and equally great contradictions. To this day, the style of Rodchenko the photographer, marked by unusual perspectives, sharp angles and diagonals, stands as the purest witness not just to the talent of an artist but to his eagerness to modernise art and the world at large.

Complementing the volume are contributions by Olga Sviblova, the director of the House of Photography / Multimedia Art Museum of Moscow, by the grandson of the artist and leading scholar of his work Alexander Lavrentiev, in addition to writings and testimonies by Rodchenko himself and his daughter Varvara.

Ansel Adams photographed America's national parks before the project was suspended due to World War II

In 1941, Ansel Adams photographed America's national parks for a series of murals that would celebrate the country's natural heritage. Because of the escalation of World War II, the project was suspended after less than a year, but not before Adams had produced these images, which illustrate both his early innovations and the shape of his later, legendary career as America's foremost landscape photographer.

The invitation to photograph the nation's parklands was the perfect assignment for Adams, as it allowed him to express his deepest convictions as artist, conservationist, and citizen. These stunning photographs of the natural geysers and terraces in Yellowstone, the rocks and ravines in the Grand Canyon, the winding rivers and majestic mountains in Glacier and Grand Teton national parks, the mysterious Carlsbad Caverns, the architecture of ancient Indian villages, and many other evocative views of the American West demonstrate the genius of Adams' technical and aesthetic inventiveness.

In these glorious, seminal images we see the inspired reverence for the wilderness that has made Ansel Adams' work an enduring influence on environmentalism as well as art.

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A selection of breathtaking images of the American landscape fills this lavishly produced volume

In 1941 Ansel Adams was hired by the United States Department of the Interior to photograph Americas national parks for a series of murals that would celebrate the countrys natural heritage. Because of the escalation of World War II, the project was suspended after less than a year, but not before Adams had produced this group of breathtaking images, which illustrate both his early innovations and the shape of his later, legendary career as Americas foremost landscape photographer.

The invitation to photograph the nations parklands was the perfect assignment for Adams, as it allowed him to express his deepest convictions as artist, conservationist, and citizen. These stunning photographs of the natural geysers and terraces in Yellowstone, the rocks and ravines in the Grand Canyon, the winding rivers and majestic mountains in Glacier and Grand Teton national parks, the mysterious Carlsbad Caverns, the architecture of ancient Indian villages, and many other evocative views of the American West demonstrate the genius of Adams technical and aesthetic inventiveness.

In these glorious, seminal images we see the inspired reverence for the wilderness that has made Ansel Adams work an enduring influence on the intertwining spirits of art and environmentalism, both so necessary for the preservation of our natural world.

One of the most prolific and highly acclaimed photographers of the twentieth century, Ansel Adams (1902-1984) is the author of more than a dozen books. He helped establish the department of photography at New Yorks Museum of Modern Art and founded The Friends of Photography in Carmel, California, and the Center for Creative Photography at the University of Arizona in Tucson. A member of the board of directors of the Sierra Club for thirty-seven years, Adams was instrumental in the growth of the American conservationist movement.

About the Authors;

Ansel Adams (1902–1984) was one of the most prolific and highly acclaimed photographers of the twentieth century, and the author of dozens of publications. He helped establish the department of photography at New York’s Museum of Modern Art and founded the Friends of Photography in Carmel, California, and the Center for Creative Photography at the University of Arizona in Tucson. A member of the board of directors of the Sierra Club for thirty-seven years, Adams was instrumental in the growth of the American conservationist movement.

Alice Gray is a writer and editor based in Louisville, Kentucky. Her work has appeared in such publications as Art & Auction and ARTnews.

A portrait in photographs and texts of Istanbul from the 1940s to the 1980s, captured by two greats of contemporary Turkish culture

Ara Güler's Istanbul is a vivid photographic record of daily life in the cultural capital of Turkey from the 1940s to the 1980s. Captured through the unerring lens of the award-winning Ara Güler, the 'Eye of Istanbul', the city's melancholy aesthetic oscillates between tradition and modernity. As the crossroads between Europe and Asia, Istanbul has lived through several empires and has a character that is as many-layered as its history - something that Güler's photographs convey with great sensitivity. These remarkable black-and-white images are accompanied by an evocative foreword by Orhan Pamuk, the first Turkish recipient of the Nobel Prize in Literature.

Both writer and photographer were born in Istanbul, and each in his youth held the ambition of becoming a painter. Here, each in his own way paints a brushless picture of his home town and captures, through the image and the word, its very soul.

About the Author:

Nicknamed ‘The Eye of Istanbul’, Ara Güler (1928–2018) chronicled the city with melancholic black-and-white pictures taken mostly with a Leica camera. He received countless awards, and photographed many luminaries, including Winston Churchill, Indira Gandhi, Bertrand Russell, Alfred Hitchcock, Maria Callas, Marc Chagall, Salvador Dalí and Pablo Picasso.

Clive Arrowsmith is a celebrated London-based international photographer. After leaving art school, where he studied painting and design, he began taking photographs whilst working as a graphic designer for television. Leaving television to work as a photographer, he soon gained commissions from leading fashion magazines, most notably, British and French Vogue, Harpers, The Sunday Times Colour Magazine, Vanity Fair, Esquire U.S.A., and F.T. “How to Spend It”.

Clive continues to work in this genre in both editorial and advertising photography and is equally known for his music and celebrity images: Paul McCartney, Wings, Mick Jagger, Jeff Beck, George Harrison, Daniel Barenboim, Anna Netrebko, Art Garfunkel, Def Leppard, Prince Charles, Michael Caine and Damien Hirst to name a few. Clive is also an accomplished landscape and still life photographer and is the only photographer to have shot the Pirelli Calendar two years in succession.

Having worked on many major stills advertising campaigns, such as De Beers, Revlon, G.H.D. Morello, Caroline Castigliano, Lexus, Hassleblad etc, Clive has continued to broaden his creative scope moving on to direct commercials for Heinz, Revlon, Hamlet Cigars (winner of The Silver Lion Cannes Film Festival), Rapeed Sunglasses, Greenmail Whitney Beer, music videos for artists like Lee Griffiths, Jamiroquai, Jools Holland, ZTT and Def Leppard, and album covers such as Wings’ ‘Band on the Run.’ This is the first book to celebrate his career.

- Clive Arrowsmith is one of the world's most celebrated fashion and celebrity photographers
- Clive Arrowsmith has photographed a who's who of celebrities including Yves Saint Laurent, Richard Gere, Yoko Ono and The Dalai Lama. He has worked extensively for Vogue and for fashion designers such as Kansai Yamamoto
- Introduction by Michael Roberts (Vanity Fair, Tatler, Sunday Times, Vogue)

“Clive could always come up with a psychedelic vision to suit the current mood of far-out fantasy in fashion. In one sitting, he was able to capture not only the romance of a Dior coat but the futurism of Pierre Cardin.” – Grace Coddington quoted from her book Thirty Years of Fashion at Vogue.

“Clive Arrowsmith is the Caravaggio of the 21st century. He creates magic and dreams, he is the master of light.” – Marcella Martinelli, Fashion director.

“Clive is like the St. Francis of photography – he can charm the birds right out of the trees, but then tells better stories. His work combines not only a creative mind and technical excellence, but most importantly, a real connection with his subjects.” – Michael Daks, Professor of Photography at Paris College of Art & Istituto Marangoni, Paris.

“Clive Arrowsmith’s insightful portraits shimmer with artful lighting and technical mastery, reflecting his own deep humorous humanity.” – Nicholas Vreeland.

The first survey of Richard Avedon’s influential advertising work

Richard Avedon was one of the most sought-after and influential advertising photographers in America from the 1940s to the beginning of the 21st century, creating work that exemplified Madison Avenue at the height of its influence in world culture. Working with a talented cadre of models, copywriters, and art directors, Avedon made images that enticed consumers to embrace the new, especially in the areas of fashion and beauty, with campaigns for Revlon, Chanel, Calvin Klein, Dior, and Versace, among many others. Avedon Advertising tells this story, reproducing memorable ads that range from the buoyant 1940s and 1950s when post-war prosperity opened up new experiences to consumers; through the explosive ’60s; and into the era defined by celebrity culture and global brand awareness.

About the Authors:

Laura Avedon and James Martin are the directors of the Richard Avedon Foundation in New York City. Rebecca Arnold is senior lecturer in history of dress and textiles at the Courtauld Institute of Art in London. Her books include The American Look (2008) and Fashion: A Short Introduction (2009). She lives in London.