Книги з дизайну ілюстрацій та постерів

Це приголомшливе колекційне видання включає оригінальну книгу John Derian Picture Book та не менш чудову книгу John Derian Picture Book II. Упакований у красивий футляр, це найкращий подарунок для шанувальників улюбленого художника та дизайнера товарів для дому.

З моменту публікації свого бестселера John Derian Picture Book у 2016 році Джон Деріан розширив свою і без того масштабну імперію товарів для дому лінійкою пазлів і канцтоварів, а також відновив співпрацю з такими світовими брендами, як Target. Його вироби продовжують здобувати всесвітнє визнання, а його колекція позачасового вінтажного мистецтва продовжує зростати. Тепер, через сім років після своєї дебютної книги, Деріан повертається з другою частиною, Ілюстрована книга John Derian Picture Book II. Асортимент із 375 повних зображень у оригінальній формі, John Derian Picture Book II продовжує вшановувати найкраще з його світу, від інтенсивних квітів і птахів до цікавих портретів, намальованих від руки літер і захоплюючих пейзажів. Результат — величезний об’єкт бажання, сам по собі витвір мистецтва, який блискуче проходить межу між комерцією та мистецтвом і якому судилося стати подарунковою книгою сезону.

Про автора:

Джон Деріан – художник і дизайнер, який перетворює друковані зображення з минулого, і таким чином переносить глядача в інший світ. У 1989 році він заснував компанію John Derian Company Inc., і його декупажні тарілки, тарілки, прес-пап’є, підставки та чаші досі повністю виготовляються вручну в його студії в Нью-Йорку, де він наймає невеликий штат майстрів для допомоги у виробництві. Його проекти продаються в елітних домашніх магазинах, у каталогах і сувенірних магазинах по всьому світу, і він створив ексклюзивні колекції для Cisco Brothers, Astier de Villatte, Target тощо. Його роздрібні магазини, студії та будинки були представлені в Vogue, T: The New York Times Style Magazine, The World of Interiors, Elle Decor та Vanity Fair тощо.

Mark Ryden’s Yakalina Secrets is the wondrous second installment in the artist’s incredible gallery of creatures.

In his Pacific Northwest studio during the isolation of COVID-19, Mark Ryden began a series of his iconic half-animal, half-plush creatures that further explored his reverence for these beings, who are guides through a landscape of the unknown. The figures in these paintings are neither human nor animal, they are spiritual entities that create a bridge between the human and animal worlds in which so much disharmony exists.

This book features all of the original portraits of Ryden’s mysterious and mythical creatures. The resulting gallery of enchanted characters embodies the artist’s meticulously realized signature blend of archetype, kitsch, and narrative mysticism.

Mark Ryden’sYakalina Secrets features works from two of the artist’s exhibitions, organized in collaboration with Emmanuel Perrotin and Kasmin Gallery: Animal Secrets in Paris and Yakalina 9 in Tokyo.

Foreword by Takashi Murakami

About the Author:

Blending pop culture themes with techniques reminiscent of the old masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. His work first garnered attention in the 1990s when he ushered in a new genre of painting, “pop surrealism,” dragging a host of followers in his wake. Ryden has trumped the initial surrealist strategies by choosing topics loaded with cultural connotation.

This full-sized album of Saturday Evening Post covers captures everyday events and historic moments in American history.

Although technically Norman Rockwell was an academic painter, he had the eye of a photographer and, as he became a mature artist, he used this eye to give us a picture of America that was familiar — astonishingly so — and at the same time unique. Rockwell best expressed this vision of America in his justly famous cover illustrations for magazines like The Saturday Evening Post. 332 of these cover paintings, from beloved classics like “Marbles Champion” to lesser-known gems like “Feeding Time,” are reproduced in stunning full-colour in this large-format volume, which is sure to be treasured by art lovers everywhere.

Christopher Finch’s books include the bestsellers Norman Rockwell’s America, The Art of Walt Disney, and Rainbow, a biography of Judy Garland, which was turned into a motion picture for NBC television. His other books have dealt with various aspects of contemporary painting and popular culture.

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Norman Rockwell's best-loved works, collected in a handsome clothbound volume

Norman Rockwell gave us a picture of America that was familiar – astonishingly so – and at the same time unique, because only he could bring it to life with such authority.

Rockwell best expressed this vision of America in his justly famous cover illustrations for the Saturday Evening Post, painted between 1916 and 1963. All of his Post covers are reproduced in splendid full colour in this oversized volume, with commentaries by Christopher Finch, the noted writer on art and popular culture.

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Пролистать книгу Norman Rockwell 332 Magazine Covers на Google Books

This unashamed visual feast celebrates the best designed and illustrated picturebooks from around the world over the past one hundred years.

Each book is a creation of genius and inventiveness, and their design and illustration represent such diverse trends as the Russian Constructivists, Italian Futurists and Postwar Neo-romantics. They are also mirrors of their times reflecting social concerns from a child's and family's perspectives throughout the twentieth and into the twenty-first century.

Fearlessly confronting the frontiers between a child's picturebook and art, this is a collection of books that anyone with an interest in design, illustration or simply children's literature should know about.

About the Author:

Martin Salisbury is a lecturer in illustration and a freelance illustrator. He designed and leads the UK's first Masters program in children's book illustration at Anglia Ruskin University. He is the author of Illustrating Children's Books (Quarto/A&C Black), a practical guide to illustration.

Fine Lines. 100 illustrators to remember

Drawn from TASCHEN’s Illustration Now! series, this go-to catalogue brings together 100 of the most successful and important illustrators around the globe. With featured artists including Istvan Banyai, Gary Baseman, Seymour Chwast, Paul Davis, Brad Holland, Mirko Ilić, Anita Kunz, and Christoph Niemann, the international overview provides an invigorating record of the dynamism and diversity of the illustration scene.

Each illustrator is featured with a self-portrait, samples from their portfolio, and a succinct description by Steven Heller, with a supplementary list of selected exhibitions and publications. In his introduction, Steven Heller describes the dynamic realm of illustration today and the challenging process of selection within this highly competitive and ever-moving genre.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

The book is a collection of 100 posters designed between 1967 and 2017 by one of the world-renowned Italian graphic designers, Armando Milani.

Foreword by Francesco Dondina and Pierre Restany

About the Author:

Armando Milani New York 1984, who conceived and designed this book, is president of AGI / Italy (Alliance Graphique International) and president of Milani Design, with offices in Milan and South of France where he organizes lectures and seminars on graphic design. In 1992 he produced the book “Double Life” sense of humor and creativity of 80 AGI designers with the introduction of Paul Rand, and in 2000 the book “50 Poems of Lawrence Ferlinghetti and 50 Images of Armando Milani”. In 2003 he designed a poster “War/Peace” for the United Nations diffused in all the world. In 2015 he designed the book “No Words Posters” a collection of works of 80 international graphic designers. 

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Пролистать книгу 100 Posters: From the Eye to the Heart

A visual feast of 400 dazzling images, this is a comprehensive survey of the genre over the last century

The book also offers an overview of the development of fashion, as seen through the eyes of the greatest illustrators of the day. Early in the century, fashion illustration reflected new, liberating currents in art and culture, such as the exoticism of the Ballets Russes, while the postwar period saw inspiration from the great Parisian couturiers. After the dominance of the celebrity fashion photographer in the 60s, a new generation of illustrators emerged, embracing the medium of the computer, while many returned to more traditional techniques.

About the Author:

Cally Blackman is a writer and lecturer with degrees in Fashion Design and History of Art, and an MA in History of Dress from the Courtauld Institute of Art, London. She teaches on the BA Fashion History and Theory course at Central Sain t Martins College. Her previous publications include Costume: From 1500 to the Present Day (2003) and The 20s and 30s: Flappers and Vamps (2000).

The award-winning graphic designer Gábor Palotai is renowned for the powerful imagery he creates using the simplest of elements and textures creating a unique graphic language. 111 Posters presents a collection of poster art Palotai has created to date ranging from book posters for acclaimed Swedish publishing houses to exhibition posters for cultural institutions. Each page features a compelling graphic statement with texts visualized as captivating images and illustrations to be seen rather than read.

In this era of Vinyl revival, celebrate some of the greatest covers of the last 70 years, such as the Beatles’ ‘Sergeant Pepper’s Lonely Hearts Club Band’ or Pink Floyd’s ‘Dark Side of the Moon’, alongside entertaining and informative text. 

This great little book will make an ideal gift for any music aficionado or art and design enthusiast.

The world of contemporary mapmaking is brought up-to-date in this revised and expanded edition of a best-selling book.

Maps help us understand and navigate the world. In our age of satellite navigation systems and Google Maps, personal interpretations of the geography around us are becoming even more relevant. A Map of the World is a compelling collection of work by a new generation of original and sought-after designers, illustrators, and mapmakers.

This work showcases specific regions, characterizes local scenes, generates moods, and tells stories beyond sheer navigation. From accurate and surprisingly detailed representations to personal, naïve, and modernistic interpretations, the featured projects in this updated version range from maps and atlases inspired by classic forms to cartographic experiments and editorial illustrations.

About the Author:

Antonis Antoniou is fascinated by the ways in which material things can be brought to life through immaterial visualizations. He grew up in Cyprus, where he was interested in colors and forms from an early age. When not obsessively designing maps and lists, he makes his living as an architect

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Contemporary maps in line with the zeitgeist by today’s most original and sought-after designers, illustrators, and mapmakers.

Maps help us understand and navigate the world. For centuries, maps have become better, more refined, and more precise — there are no blind spots anymore. While Google Maps and GPS systems have become our tools of choice for navigation, contemporary maps have evolved into platforms for cutting-edge illustration, experimental data visualization, and personal visual storytelling.

A Map of the World is a compelling collection of work by a new generation of original and sought-after designers, illustrators, and mapmakers. This work showcases specific regions, characterizes local scenes, generates moods, and tells stories beyond sheer navigation. From accurate and surprisingly detailed representations to personal, naïve, and modernistic interpretations, the featured projects from around the world range from maps and atlases inspired by classic forms to cartographic experiments and editorial illustrations.

Drawing a map means understanding our world a bit better. For centuries, we have used the tools of cartography to represent both our immediate surroundings and the world at large — and to convey them to others. On the one hand, maps are used to illustrate areal relationships, including distances, dimensions, and topographies. On the other, maps can also serve as projection screens for a variety of display formats, such as illustration, data visualization, and visual storytelling. In our age of satellite navigation systems and Google Maps, personal interpretations of the world around us are becoming more relevant. Publications, the tourism industry, and other commercial parties are using these contemporary, personal maps to showcase specific regions, to characterize local scenes, to generate moods, and to tell stories beyond sheer navigation.

A new generation of designers, illustrators, and mapmakers are currently discovering their passion for various forms of illustrative cartography. A Map of the World is a compelling collection of their work — from accurate and surprisingly detailed representations to personal, naïve, and modernistic interpretations. The featured projects from around the world range from maps and atlases inspired by classic forms to cartographic experiments and editorial illustrations.

Soviet propaganda against the demon drink: the latest in Fuel's Russian pop culture series

From the acclaimed authors of the Russian Criminal Tattoo Encyclopaedias and Soviet Space Dogs comes Alcohol, a glorious and exhaustive collection of previously unpublished Soviet anti-alcohol posters. The book includes examples from the 1960s through to the 1980s but focuses on posters produced during Mikhail Gorbachev's campaign initiated in 1985. These posters attempted to sober up Soviet citizens by forcing them to confront the issues associated with excessive alcohol consumption. This government-led urgency allowed the poster designers to present the anti-alcohol message in the most graphic terms: they depicted drunks literally trapped inside the bottle or being strangled by "the green snake." Their protagonists are paralytic freeloaders and shirkers who always neglect their families, drive under the influence, produce substandard work, are smashed when pregnant and present a constant danger to fellow citizens.

A two-part essay by renowned cultural historian Alexei Plutser-Sarno attempts to explain, from a Russian perspective, the reasons behind this phenomenon.

Explore the phenomenon of Alice in Wonderland, which has captivated readers from Walt Disney to Tim Burton for over 150 years

Lewis Carroll's Alice in Wonderland is a cultural phenomenon. First published in 1865, it has never been out of print and has been translated into 170 languages. But why does it have such enduring and universal appeal for both adults and children?

Beginning by plunging the reader into the spectacular new wonderland of acclaimed illustrator Kristjana J. Williams, Alice: Curiouser and Curiouser goes on to explore how Lewis Carroll’s celebrated Alice books have fueled creative minds for over 150 years. This unique publication takes us on a journey whose scope ranges from art, literature, theatre and film through science and technology to fashion and politics, encouraging us to ask whether we should all try to be more like Alice.

About the Authors: 

Kate Bailey is senior curator of design and scenography, and Simon Sladen is senior curator of modern and contemporary performance, in the theatre and performance department at the V&A. Kristjana S. Williams is an Icelandic-born illustrator based in London. She has won numerous awards and has over 16,000 followers on Instagram.

The bold and distinctive imagery in the adverts produced by the artists of the Art Nouveau period is a delight to behold and is now yours to recreate in this beautiful new book. Printed on high-quality paper, there are 45 classic posters by the likes of Chéret, Toulouse-Lautrec and Mucha for you to colour, with suggestions on how to start the colouring. This book will give you many hours of pleasure and calm, taking you on an enjoyable journey where the satisfaction of creating stunning artworks is mixed with rediscovering the joy of colouring. You can use a wide variety of pens: from gel and pencil, to pigment and crayons, from ballpoint and rollerball to highlighters, although it’s best to avoid the heavy felt pens. Each page is perforated near the spine of the book, so you can tear out and frame or simply place your wonderful creation on the walls of your home, perhaps even send them as a gift to your loved ones. Bring the Ink to life!

About the Author:

Daisy Seal is a talented, thoughtful writer of gift, celebration and puzzle books. She has long observed the intimate connections between the natural world around us and our search for the enduring spirit of humankind. Previous publications include "Inspirations", "Reflections", "Be Calm," and "Friendship".

Sound Art. An unprecedented collection of artists’ record covers from the 1950s to today

Art history acquires a new rhythm in this unique anthology of artists’ record covers from the 1950s to today. More than 500 covers trace the interaction of music and visual art through modernism, Pop Art, conceptual practice, and beyond. Featured covers include Salvador Dalí’s skewered butterfly for Jackie Gleason and Damien Hirst’s symbolic skull for the Hours.

Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance.

In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 500 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter.

Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, Damien Hirst’s symbolic skull for the Hours, and a skewered Salvador Dalí butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.

The author:

Francesco Spampinato is a writer and historian of contemporary art and visual culture currently doing his PhD at the Sorbonne Nouvelle in Paris. He lectures on art, design, and media and was also Adjunct Professor of Contemporary Art History and Theory, and Performance Art at Rhode Island School of Design in Providence, U.S., from 2011 to 2015. In 2015 he authored Come Together: The Rise of Cooperative Art and Design (Princeton Architectural Press) and Can You Hear Me? Music Labels by Visual Artists (Onomatopee).

The editor:

Julius Wiedemann studied graphic design and marketing and was an art editor for newspapers and design magazines in Tokyo before joining TASCHEN in 2001. His titles include the Illustration Now! and Record Covers series, as well as the infographics collection and books about advertising and visual culture.

Like a well-made playlist, the album covers in this volume combine to create a portrait of cool and culture desired by art, music, and record lovers alike.

Art Sleeves is a time capsule of visual art and music culture as shown through the most important record covers designed by visual artists and graphic designers in the past forty years. This tightly curated collection of covers chosen includes works with significant cultural impact as well as collaborations that themselves created cultural fascination.

The eclectic roster of visual artist-musician collaborations presented spans art and musical genres as well as generations, including Ryan McGinley for Sigur Rós, Kara Walker for Arto Lindsay, Peter Saville for Joy Division, Barbara Kruger for Growing Up Skipper, Jeff Koons for Lady Gaga, Tauba Auerbach for Glasser, and Stanley Donwood for Radiohead, to name a few. From postmodernist paintings and minimalism to collage and photography, as well as New Wave, emo, pop, and punk, the albums chosen present a bright and rich visual and cultural history.

This inspiring volume celebrates this long creative tradition of visual artist-musician collaborations and, just like a perfect album, it will be treasured by art, music, and record lovers alike.

About the Author:

DB Burkeman is a creative director, art consultant, author, and influential DJ. Born and raised in London, he lives in Brooklyn, New York, with his wife and two children.