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Атласы, энциклопедии, словари

Энциклопедии, атласы и словари по искусству

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3dtotal Publishing
ID: 14335
Видавництво: 3DTotal Publishing

A book like no other, The Sketch Encyclopedia is an ideal art resource for anyone wanting to take their first steps into sketching or drawing. With over 900 drawing projects, each broken down into four key steps for practising your skills, there is enough to keep you sketching for years! Learn the fundamental skills of drawing from The Sketch Encyclopedia’s extensive introduction covering tools, line making, light theory, perspective, and texture before exploring the different effects you can create with the book’s texture library. Armed with a wealth of artistic knowledge, embark upon your own sketches using the many different subjects covered in The Sketch Encyclopedia.

Contents List:

Introduction to sketching By Bobby Rebholz

Tools and materials
Basic shapes
Perspective and scale
Light and shade
Line and mark-making
Texture library
How to use this book

Flowering plants
Fruiting and edible plants
Sea elements
Natural structures

Arctic animals
Big cats
Birds in flight
Desert animals and marsupialsv
Insects and minibeasts
Mountain and grassland animals
Safari animals
Sea life
Waterside animals
Woodland and jungle animals
Working and farm animals

Breakfast foods
Cold foods
Fast food
Fruits and vegetables
Hot foods
Soft drinks
Sweet treats

Air and space vehicles
Cars, bikes, and trucks
Military vehicles
Professional vehicles
Public transport
Push or pull vehicles
Water vehicles

Musical instruments
Sports equipment

Facial expressions
Historic people

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E. H. Gombrich
ID: 11563
Видавництво: Phaidon

One of the most famous and popular books on art ever written

The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject.

For the first time in many years, the book has been completely redesigned. The illustrations, now in colour throughout, have all been improved and reoriginated, and include six fold-outs. The text has been revised and updated where appropriate, and a number of significant new artists have been incorporated. The bibliographies have been expanded and updated, and the maps and charts redrawn.

The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much-loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur.

About the Author:

Sir Ernst Gombrich’s standing in the world of art and his popularity with experts and a vast general readership remain unrivalled. Born in Vienna, he came to London in 1936 to work at the Warburg Institute, where he became director from 1959 until his retirement in 1976. He won numerous honors, including a knighthood, the Order of Merit, and the Goethe, Hegel, and Erasmus prizes.

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Museum Ludwig Köln (ED)
ID: 809
Видавництво: Taschen

The Museum Ludwig in Cologne possesses one of the most interesting collections of 20th-century art in the world. With particular strengths in its Modernist, Pop Art and contemporary holdings, it attracts gallery-goers from all over the world. This volume features 720 paintings by over 350 artists, affording a unique overview of a supreme collection. Arranged alphabetically, with biographical details and commentaries on the works, it is also an important reference work on 20th-century art. It is published under the auspices of the Museum Ludwig, Cologne, under the editorial supervision of Marc Scheps and Evelyn Weiss.

Robert van Gent
ID: 973
Видавництво: Taschen

The divine sky: history’s most beautiful celestial atlas

This collection of celestial maps by Dutch-German mathematician and cosmographer Andreas Cellarius (c. 1596 – 1665) brings back to life a masterpiece from the Golden Age of celestial cartography. First published in 1660 in the Harmonia Macrocosmica, the complete 29 double-folio maps and dozens of unusual details reproduced here depict the world systems of Claudius Ptolemy, Nicolaus Copernicus, and Tycho Brahe, the motions of the sun, the moon, and the planets, and the delineation of the constellations in various views.

Cellarius's atlas, superbly embellished with richly decorated borders depicting cherubs, astronomers, and astronomical instruments, features some of the most spectacular illustration in the history of astronomy. This reprint, made from the beautifully hand-colored and complete copy of the first edition in the Library of the Universiteit van Amsterdam, includes a copiously illustrated introduction by Robert van Gent, one of the leading Cellarius experts, summarizing the history of celestial cartography from antiquity to late 17th/early 18th century and illuminating the life and work of Andreas Cellarius. Van Gent also discusses the historical and cultural context and significance of the atlas and provides detailed descriptions of the astronomical and iconographical content of the plates, allowing modern readers to fully appreciate the masterwork of Andreas Cellarius and his publisher, Johannes Janssonius.

The book’s detailed appendix includes a list of constellation figures with short descriptions of their origin and mythology, a list of star names found on the plates, a glossary of technical words, and a bibliography. Though these sumptuous maps have become famous by being depicted on postcards, calendars, portfolios, and even mouse pads, they have rarely been reproduced in book form and never with such comprehensive descriptions and details as this TASCHEN edition. Cellarius’s exquisite renditions of the constellations will excite the astronomer in anyone.

Victor Arwas
ID: 543
Видавництво: Papadakis
Rarely has a subject been served by a book of this stature. Five years in the making, it covers all aspects of Art Nouveau in France in 624 authoritative pages and 740 illustrations, mostly in colour. Arwas traces the evolution of the movement as it developed, primarily in Nancy and Paris, with the help of carefully chosen illustrations, many never published before. Ranging from the 1900 Paris Exhibition to Paintings, Graphics and Posters and such collecting fields as Furniture, Jewellery, Glass, Ceramics, Book Bindings and Sculpture, the informative, witty text ranges over Architecture, Haute Couture, and the role of Women in Art Nouveau with a particular look at such Theatrical Ikons as Sarah Bernhardt, Loïe Fuller and the Grandes Horizontales. Art Nouveau achieved its national and international diffusion when it reached Paris, taking its name from the Parisian gallery of Siegfried Bing. The Metro entrances and buildings of Hector Guimard are still witness to its brief but extraordinary heyday in the capital, where the concentrated vituperation with which it was greeted helped propagate it as critics, aesthetes and the purchasing public took opposing sides. Reproduced here are rare examples of the great glass of Gallée and Daum; the stunning jewellery of Lalique, Vever and Fouquet; breathtakingly beautiful bronzes; complex polychrome ceramics; magnificent posters, decorative panels and paintings by Mucha, Berthon and Grasset; and book bindings, silver, pewter, walking sticks, and many other collectible objects that bring to life one of the most creative and exciting periods in the history of design. Destined to become the standard book on the subject, both content and design will appeal widely to the connoisseur, the specialist and the collector as well as to the novice who will be introduced to the magical wonders of the style. Detailed biographies of the artists featured, translations of contemporary texts and the bibliography lead to a full understanding of the period.

About the Author
Victor Arwas is an acknowledged authority on the fine and decorative arts of the late nineteenth and twentieth centuries. In over twenty published books he has explored aspects of various movements, and written exhibition catalogues and monographs on individual artists and groups. Several of his books are the standard works on their subject. He is a lifelong collector of paintings, graphics, books, sculpture and objets d'art, and has exhibited and promoted exhibitions at his Editions Graphiques gallery in London as well as in Japan and the United States. He lectures and broadcasts widely.

Uta Grosenick
ID: 67
Видавництво: Taschen
Unless you regularly trawl the Chelsea galleries, hang out at the Tate Modern, peruse the Pompidou, attend every Biennale, and religiously read Artforum, you could likely use a primer on the art scene in the world today. Fortunately we've created our second Art Now volume to keep art fans abreast of the latest trends and hottest names. Not only will you discover the most important artists in the international art market, you'll also learn how the art scene has changed dramatically in recent years - notably with a return to figurative painting and an increase in political topics. Featuring over 135 artists in A-Z entries, plus a special section about gallery representation and current market prices, Art Now Vol. 2 is the guide to what's happening and who's who in contemporary art. A-Z artist entries include: • short biography • exhibition history and bibliographical information • images of important recent work Bonus illustrated appendix features: • names and contact information for the galleries representing the artists featured • primary market prices • the five best auction results
Walther F. Ingo
ID: 1378
Видавництво: Taschen

Искусство ХХ века.

От Климта к Джеффу Куну, и те кто между, - все они здесь!
Кто бы мог представить в канун Нового, 1899 года, что столетие спустя, живопись и скульптура будут всего лишь возможным, а не необходимым условием для объекта, считающегося искусством. Сам термин "искусство" был определен и переопределялся столько раз за последние сто лет, что приобрел новые социальные, политические и технологические значения. Построенная на полном спектре видов искусства включая фотографию и новое медиа искусство и тематически разделенная на части, чтобы показать связь между работами и направлениями, эта легкая для прочтения, и все же энциклопедическая книга значит именно то, что на ней написано, и что бы вы ни хотели найти - сюрреализм или лэнд арт, Флуксус или Баухаз - это ваш путеводитель по искусству ХХ века.

Who could possibly have forecast on New Year's Eve 1899 that, one hundred years later, painting and sculpture would be only options, not prerequisites? The term "art" has been defined and redefined so many times over the last 100 years that it has gained entirely new social, political, and technological meanings.

Ranging across the full spectrum of disciplines available, including photography and new media, and thematically chaptered to highlight relationships between works and movements, this readable and encyclopaedic masterwork does just what it says on the cover. Whether you want Surrealism or Land Art, Fluxus or Bauhaus, this is your be-all, end-all guide to art of the 20th century.

An undertaking as immensely ambitious as this one deserves to be owned by everyone, which is why we decided to make a special, more compact edition of this two-volume classic in celebration of our 25th anniversary.

About the author:
Klaus Honnef is honorary professor of photography theory at the Kassel Art Academy. He was one of the organizers of documenta 5 and documenta 6 in Kassel, and has been the curator of more than 500 exhibitions in Germany and abroad. He has written numerous books, including TASCHEN’s Contemporary Art (1988), Andy Warhol (1989), and Pop Art (2004).

About the editor:
Ingo F. Walther (1940-2007) was born in Berlin and studied medieval studies, literature, and art history in Frankfurt am Main and Munich. He has published numerous books on the art of the Middle Ages and of the 19th and 20th centuries. Walther's many titles for TASCHEN include Picasso, Art of the 20th Century, and Codices Illustres.

Valerio Terraroli
ID: 11947
Видавництво: Skira

In a new exclusive slipcase, the prestigious four-volume series covering the fundamental events and pivotal works of international art in the twentieth century.

This series offers a complete, up-to-date survey of the artistic culture of the twentieth century through an original, transversal and interdisciplinary analysis. This special edition of the series gathers the four volumes into an exclusive slipcase showcasing a 3D reproduction of a masterpiece by James Rosenquist. The books provide an extraordinary repertory of images and a vast source of information, enriched through “focus on” windows and technical information by experts in the field. The essays investigate and analyse in chronological order the transformations of the world’s artistic culture, the major personalities and the different movements that have characterized the development of modern and contemporary art. Roughly 1700 pages and a considerable number of illustrations provide a broad and composite overview of movements, artists, works and cultural phenomena, in an extraordinary publication that examines in depth the tendencies of modern and contemporary art.

• Ample space is devoted to the critical definitions of contemporary art, the art market and the new way of collecting, to the relationship between art and politics, and to the new, confusing frontiers of photography.
• Major chapters are followed, in alphabetical order, by the biographies of artists accompanied by their most significant works.

Valerio Terraroli teaches History of Modern Art at the University of Verona.

Volume 1: 1900-1919  The Avant-garde Movements
Volume 2: 1920-1945  The Artistic Culture between the Wars
Volume 3: 1946-1968  The Birth of Contemporary Art
Volume 4: 1969-1999  Neo-avant-gardes, Postmodern and Global Art

Edward Lucie - Smith
ID: 323
Видавництво: Phaidon
A survey of one of the most controversial epochs art history, the Modern Movement, this text combines a critical eye with a historian's insight into wider trends. It reflects the changes that have swept across the art world since 1960, challenging the old assumptions and certainties. As it reviews the worldwide view, the book's central argument is that the art world is no longer hierarchical but plural, and that its structures - if they exist at all - are provisional. The author charts the progress of contemporary development and points out their sources and interrelationships.
Auguste Racinet
ID: 572
Видавництво: Taschen

The evolution of style from antiquity to 1888 Originally published in France between 1876 and 1888, Auguste Racinet’s Le Costume historique was the most wide-ranging and intelligent study of clothing ever published.

Covering the world history of costume, dress, and style from antiquity through the end of the 19th century, the great work — “consolidated” in 1888 into 6 volumes containing nearly 500 plates — remains, to this day, completely unique in its scope and detail. Racinet’s organization by culture and subject has been preserved in TASCHEN’s magnificent and complete reprint, as have excerpts from his delightful descriptions and often witty comments. Perusing these beautifully detailed and exquisitely coloured illustrations, you’ll discover everything from the garb of ancient Etruscans to traditional Eskimo attire to 19th-century French women’s couture. Though Racinet’s study spans the globe from ancient times through his own, his focus is on European clothing from the Middle Ages to the 1880s and this subject is treated with exceeding passion and attention to detail.

The Complete Costume History is an absolutely invaluable reference for students, designers, artists, illustrators, and historians; it is also an immensely fascinating and inspirational book for anyone with an interest in clothing and style.

Henry Harvard
ID: 7110
Видавництво: Vial

La réédition de ce dictionnaire de référence comble un manque. Publié en 1890, cet ouvrage traite de l’ensemble des thèmes relatifs à l’ameublement et à la décoration. Il comporte de nombreuses définitions et références artistiques et constitue un support dans la connaissance et l’analyse des objets et des lieux par les amateurs et les professionnels.

Carolus Hartmann
ID: 1962
Видавництво: Arnoldsche

After more than ten years of intensive research, the first encyclopedia of GLASS MARKS from the 16th to the 20th century is now available; there has been no comparable publication until now! The starting point is the mark you are looking for. The encyclopedia is clearly arranged and easy to handle. Right next to the mark you will find all necessary information. The "mystery" of the markis solved and you will find sound information on the artists/manufacturers/or the producing glass factories, as well as when the works were produced. In addition you will find thousands of biographies of artists in glass and firms from Europe and North America. 

There is no other handbook of its kind on the market! Its unparalleled quality has already made it a standard work in the field.

Illustrations of over 11,000 signatures and marks

Clause Pese
ID: 1965
Видавництво: Arnoldsche


This book provides the first comprehensive overview of the development of Jugendstil around 1900 in Bavaria's leading industrial city. More than two hundred and fifty objects from all areas of the decorative and applied arts illustrate the internationally significant range of "Nuremberg Jugendstil". Nuremberg Jugendstil used a broad variety of materials and its decoration is richly diverse. The focus was on metalworking, yet in addition to cast pewter, bronze, chased copper and silver, there was ivory and wood carving. Jewellery, textiles and ceramics complete the picture. What were known as 'art faiences' produced by the firm of Johann von Schwarz are among the best of the fine Jugendstil ceramics made in Germany. Five introductory chapters analyse the conditions under which the new stylistic movement emerged. It turns out that influences from abroad were just as important as the 'typically German' organisation of the apprenticeship system. Opening up markets for Nuremberg Jugendstil abroad also promoted the influence of international design, especially from Great Britain, on Nuremberg Jugendstil. A selection of designers include: Friedrich Adler, Peter Behrens, Rudolf Bosselt, Hans Christiansen, James Couper, Hermann Friling, Hermann Gradl, Paul Haustein, Josef Hoffmann, George Logan, Johann Lotz Witwe, Carl Sigmund Luber, Joseph Maria Olbrich, Bruno Paul, Richard Riemerschmid, Josef Wackerle, and Vilmos Zsolnay. A selection of workshops include: Gebr. Bing AG, Brand and Stauch, Felsenstein and Mainzer, J. F. P. Hausleiter, Franz Kainzinger, Emil Kellermann, Hans Knorr, Daniel Meinecke, Friedrich Muller, Valentin Oeckler, Walter Scherf and Co., Georg Friedrich Schmitt, Christian Schonamsgruber, J. von Schwarz, Ferdinand Semmelroth, Erhard Topf, Emma Volck, and J. C. Wich.


18 umfassende Firmenmonografien zeigen die Vielfältigkeit der Erzeugnisse des Nürnberger Jugendstils. Darüber hinaus werden Gegenstände vieler international bekannter Entwerfer weltweit begehrte Objekte für Sammler und Museen zum ersten Mal publiziert ein unbedingtes Muss für jeden Jugendstil-Liebhaber!
Die Publikation liefert eine erste umfassende Übersicht über die Entwicklung des Jugendstils in der führenden Industriestadt Bayerns um 1900. Über 250 Objekte aus den verschiedensten Bereichen der angewandten Kunst führen dabei das international bedeutende Spektrum des Jugendstils aus Nürnberg vor Augen. Der Jugendstil, der aus Nürnberg kam, ist in den verwendeten Materialien vielfältig und in seinen Dekoren vielseitig. Zwar bildet das metallbearbeitende Kunsthandwerk den Schwerpunkt,doch gibt es dabei neben dem künstlerischen Zinnguss auch Bronzeguss, Kupfer- und Silbertreibarbeiten, Elfenbein- und Holzschnitzerei, Schmuck, Textilien und Keramik. Die sogenannten artistischen"Fayencen"der Firma Johann von Schwarz gehören zum Besten, was an Kunstkeramik des Jugendstils in Deutschland hergestellt wurde. In fünf einleitenden Kapiteln werden die Voraussetzungen für die Entstehung des damals neuen Stilwollens analysiert. Es zeigt sich dabei, dass Einflüsse von außen ebenso wichtig waren wie die"typisch deutsche"Organisation des Ausbildungswesens und des Erschließens von Absatzmärkten. Letzteres hat auch internationale gestalterische Einflüsse, vor allem aus Großbritannien, möglich gemacht.
Georges Duby, Jean-Luc Daval
ID: 568
Видавництво: Taschen
Ranging from ancient to contemporary sculpture, this bookis the first study of the history of sculpture to present such an original and comprehensive approach. Taking the sculptures out of the museum context (and thus off of their proverbial pedestals), Sculpture presents a completely new view which affords enlightening comparisons between erasand genres. This remarkable work is indispensable for artlovers of all tastes and disciplines.
Contributing authors: Xavier Barral i Altet,Geneviève Bresc-Bautier, PhilippeBruneau, Bernard Ceysson, Jean-Luc Daval, Georges Duby, Maurizio Fagiolo dell`Arco, Sophie Guillot de Suduiraut, Reinhold Hohl, Antoinette Le Normand-Romain, FriedrichMeschede, Anne Pingeot, Barbara Rose, François Souchal, and Mario Torelli.
Phaidon Editors
ID: 8784
Видавництво: Phaidon

Winner of the Illustrated Book of the Year award in 1994, the first edition of The Art Book has been an outstanding success and has become a well-known landmark in the art book world.

Now published in over 20 different languages and in mini, midi, and hardback formats, The Art Book has received rave reviews from numerous newspapers and magazines and has made many appearances on the bestseller lists.

The Art Book: New Edition presents 100 new artists, including for the first time Photographers and Performance Artists. Following the successful format of the original, the new edition is an A-Z guide to 600 great artists from medieval to modern times, it debunks art-historical classifications by throwing together brilliant examples of all periods, schools, visions and techniques.

Each artist is represented by a full-page colour plate of a definitive work, accompanied by explanatory and illuminating information on the image and its creator. Glossaries of artistic movements and technical terms are included, making this a valuable work of reference as well as a feast for the eyes.

By breaking with traditional classifications, The Art Book represents a fresh and original approach to art: an unparalleled visual sourcebook and a celebration of our rich and multi-faceted culture.


Альбом The Art Book после своего первого выхода в свет познакомил с искусством миллионы людей по всему миру. Это - справочник от А до Я по художникам от Средневековья до наших дней, написанный не без иронии и общедоступным языком. Обновленный и дополненный 100 новыми работами, включая живопись, фотографию, скульптуру, видео, инсталляцию и перформанс. На каждой странице представляется один художник и одна его работа с информацией о них.

Альбом издавался на более чем 20 языках, давно завоевал авторитет и получил множество наград. Развенчивает исторически сложившуюся классификацию, сопоставляя яркие примеры всех периодов, школ, видений и техник. Под задней обложкой читатель найдет словарь художественных движений и специальных терминов. Это роскошная, незаменимая  и вводящая  в мир искусства книга для всей семьи.

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