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Art Jewelry Today. Dona Z. Meilach. Here is a beautiful new look at contemporary art jewelry. This invaluable reference will guide those who buy, wear, collect, and create one-of-a-kind, hand-made jewelry to the newest developments and their artist/innovators. Peek into the minds of today's craftspeople to understand their motives and methods. These are today's top art jewelers whose work is often shown in art galleries and museums. Chapters present contemporary designs in gold, silver, mixed metals, found objects, glass, enamel work, and imaginative jewelry pieces that go beyond tradition. Over 540 color photographs and lots of detailed information give ideas galore to inspire jewelry makers. In the 21st century craftspeople are striving to have their work considered fine art. This book will convince doubters that today's art jeweler is creating serious sculpture regardless of its size. It is sculpture to be worn, enjoyed, and appreciated today. Here are the trend setting artists with masterpieces that will be the collectibles of the future.

This book has chapters on the Origins of Art Nouveau, Art Nouveau at the 1900 Universal Exposition in Paris, Major Artists and a Bibliography

A remarkable array of the most popular Art Nouveau motifs, among them graceful female figures, flowing florals, bird and animal designs, abstracts, and repeating patterns. Reproduced from rare original sources, the lovely illustrations appear in both book format and on a high-resolution, print-quality CD. 266 color and 11 black-and-white illustrations.

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For a fruitful period between the 1880s and the First World War, European and North American culture deferred to nature. With a symphony of flowing lines and organic shapes, Art Nouveau ( New Art ) inflected architecture, design, painting, graphic work, applied arts, and illustration.

Art Nouveau was deliberately nouveau. With a spirit of willful reform, its practitioners sought to distance themselves from the imitative historicism that characterized much 19th-century art and replace it with undulating, decorative qualities. Turning to vine tendrils, flowering buds, and bird feathers as ornamental reference, they pursued not only a linear freedom but also liberation from the weight of artistic tradition and expectation.

At the same time, Art Nouveau followed the example of the earlier English Aesthetic and Arts and Crafts movements to reject established hierarchies of artistic practice, to emphasize a return to handcraftsmanship, and to synthesize artistic media and practices into a Gesamtkunstwerk, or total work of art. In this, as in its turn to nature, Art Nouveau is often seen as an aesthetic response to the Industrial Revolution, a recoil from the mass-produced and mechanic, and an elevation of the human hand and wonders of the great outdoors.

This fresh TASCHEN edition considers Art Nouveau as a broad historical phenomenon with distinct local features. We consider the style s wider artistic, economic, and political circumstances, as well as its particular flavor in such hubs as Vienna, Glasgow, Munich, Weimar, and Chicago. Outstanding proponents such as Victor Horta, Antoni Gaudi, and Charles Rennie Mackintosh are featured in connection with the cities of their greatest activity. The result is a vivid portrait of the age and a movement that is as much entrenched in our imagination of the fin de siecle as it is in the trajectory of modernism.

Klaus-Jürgen Sembach is a writer, curator, and former director of the Museum for Industrial Culture in Nuremberg. He has produced numerous publications on architecture, design, photography, and film.

Although familiar with the Art Nouveau and Art Deco periods, most people may never have seen the fabulous and diversified women's fashion postcard sets that were designed by famous European artists and are featured in this book. Alphonse Mucha, Henri Meunier, Umberto Brunelleschi, and Xavier Sager are among the twenty distinguished artists whose work is featured. Take a magical tour through time that explores these artists' romance with fashion illustration. Also, superb unsigned images, information on postcard history, and a section on evaluating the illustrations make this a particularly useful reference. Over 230 gorgeous and colorful images will inspire students of fashion, postcard collectors, and antiques enthusiasts to peruse, study, and enjoy these beautiful images!

Magnificent collection of handsome plates, meticulously reproduced from rare portfolio by Art Nouveau master that illustrated the application of animal forms in decorative art. Not only traditional, appealing shapes of graceful swans, peacocks and dolphins, but also finely detailed depictions of creatures seldom associated with beauty and ornamentation: bats, mice, lizards, and insects.

Альбом содержит предисловие на английском, испанском, немецком, итальянском, французском, китайском и японском языках. В издание вошли великолепные элементы оформления в стиле Арт Нуво, которые можно использовать как для создания самостоятельных работ, так и для вдохновения. На прилагаемом CD-диске все иллюстрации выполнены в формате с высоким разрешением, они готовы для использования в профессиональной печати и Web-дизайне.

Illustrations:  500 color and 275 b/w graphics

In this book, 37 of Mucha's spectacularly sensuous and popular designs offer superb inspiration for artists and designers. Rendered in crisp black and white, Art Nouveau goddesses, nymphs, and Mucha's fantastic imagery of stars, floral swirls, and exotic ornaments recall the rich artistic heritage of the Belle Epoque. Included are such celebrated Mucha designs as those for Job's cigarette papers, Sarah Bernhardt in La Dame aux Camélias, and Salon des Cent, as well as many of his decorative pictorial compositions. Ideal as an artistic and design resource, Art Nouveau Figurative Designs will also appeal to colorists intrigued by the ever-popular Art Nouveau Style.

500 color photos

The streets of Budapest, Hungary, and Vienna, Austria, are rich in masterpieces of Art Nouveau ironwork. Around nearly every corner of the residential districts and business hubs of these great cities, architectural treasures wait to be appreciated by the discerning eye. 500 vivid photos show the many, varied interpretations of Art Nouveau forms used in balustrades and balconies, lanterns and gates, doorways, elevator door façades, and more. This book will inspire many to make new travel plans and will delight everyone with a passion for beautiful decorative ironwork.

Around 1900 the Pforzheim jewellery-making industry, which had been established since 1767, underwent an upturn to flourish as never before. The participation of Pforzheim businesses in the 1900 Paris World Exhibition and the thorough assimilation of a variety of influences from abroad – including the figurative French Art Nouveau style – ensured that Pforzheim Art Nouveau jewellery developed confidently towards aesthetic autonomy.

Collaboration between the jewellery industry and professors at the Pforzheim School for the Applied Arts as well as sharp eyes for new developments outside the jewellery capital shaped Pforzheim jewellery creations around 1900. Other fecund sources of colla-boration were the Darmstadt Mathildenhöhe artists and Wiener Werkstätte. The author has discovered hitherto unpublished contemporary source material and has been able to draw on hundreds of extant original pieces of jewellery – brooches, pendants, collars, hatpins and hair combs that are now in museums, private collections and on the art market – to make a choice selection for this book. Thus a living picture emerges of the diverse formal and technical -possibilities that gave rise to the design, craftsmanship and industrial manufacture characteristic of Pforzheim Art Nouveau jewellery.

Many important designers worked for the Pforzheim jewellery industry around 1900. This is the first wide-ranging survey – informative on both artists and firms and lavishly illustrated.
Artists (a selection): Franz Böres | Max Gradl | Patriz Huber | Georg Kleemann | Ferdinand Morawe | Otto Prutscher | Emil Riester | Fritz Wolber
Firms (a selection): Theodor Fahrner | Gebr. Falk | Hermann & Speck | Kollmar & Jourdan | Lauer & Wiedmann | Levinger & Bissinger | Victor -Mayer | Meyle & Mayer | A. Odenwald | Rodi & Wienenberger | F. Zerrenner

Jewelry was one of the purest, and most successful, expressions of Art Nouveau style, using sensuous organic forms to create a vast range of objects of exceptional beauty and inventiveness. Leading expert Vivienne Becker provides an account of the movement that spread through Europe and the United States, acquiring different decorative characteristics in England, Germany, Austria, Belgium, Russia and Spain.

For the collector, comprehensive biographies on more than 300 designers are included, followed by a guide to identification, with over 200 makers’ marks and signatures. Each part of the book is richly illustrated with plate sections of dramatic illustrations, from the sinuous elegance of the French masters - Vever, Lalique and Fouquet - to the linear, geometric designs of the Viennese - Josef Hoffmann and Koloman Moser.

456 illustrations, 156 in colour, 214 makers' marks

The basic tenet of Jugendstil (German Art Nouveau) was to "suffuse all areas of life with art". This also applied to objects in everyday use.

The German Blade Museum boasts the world's biggest cutlery collection. Vol. I of the Museum catalogue presents "Jugendstil Cutlery" in all its diversity. Silver, silver-plate and other materials were used for this cutlery, most of it made in Germany. The collection comprises more than 300 patterns, which are arranged here by purely formal criteria to reveal the enormous variety of forms and decoration. No other era produced such a diversity of decorative designs and this is the first ever publication to deal with it. All known makers and designers, as well as anonymous factory designs for patterns, are represented in this collection.