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Visualizing information in the most elegant, entertaining, and informative ways.

Visual storytelling uses graphic design, infographics, illustration, and photography to convey information in the most elegant, entertaining, and informative way. Today, the creative scope of existing visual storytelling techniques is being expanded to meet the formidable challenge of extracting valuable news, surprising findings, and relevant stories from a daily flood of data head on. Visual Storytelling is the first book to focus solely on contemporary and experimental manifestations of visual forms that can be classified as such. The rich selection of cutting-edge examples featured here is put into context with text features by Andrew Losowsky and interviews with experts including the New York Times, Francesco Franchi, and Golden Section Graphics.

More About This Book

More and more data is being collected. We can access ever more information at any time and from any place. The fundamental challenge now is how to extract the most valuable news, the most surprising findings, and the most relevant stories from the flood of information that is available to us.

A new generation of designers, illustrators, data journalists, and graphic editors is addressing this challenge head on. They are expanding the creative scope of existing techniques in visual storytelling — using graphic design, infographics, illustration, and photography to convey information in the most elegant, entertaining, and informative way. The main idea behind visual storytelling is to take familiar image contexts and use them in a new way. By penetrating meaning and creating associations, abstract correlations can be visualized in a manner that is both easy to understand and aesthetically innovative. Today, visual storytelling is being used intensively in newspapers, magazines, websites, advertising, business reports, and museums.

Visual Storytelling is the first book to focus solely on contemporary and experimental manifestations of visual forms that can be classified as such. The rich selection of cutting-edge examples featured here is put into context with an introduction and text features by magazine expert Andrew Losowsky as well as interviews with the New York Times, Francesco Franchi, Density Design, Carl Kleiner, Antoine Corbineau, Golden Section Graphics, Les Graphiquants, and Peter Grundy. The inspiring, insightful, interactive, and entertaining work and texts collected in Visual Storytelling reveal how the contextualization of information is pushing the envelope of today’s design and aesthetics.

Visualizing and presenting your ideas convincingly is an indispensable part of day-to-day design, even in our age of digital design processes. No presentation is complete without layouts, storyboards or spontaneous sketches, often crucial to the outcome. No computer software, however good it is, can replace the non-computerized marker!

In this book, Gregor Krisztian and Nesrin Schlempp-Ülker explore and explain basic layout techniques, giving expert tips and demonstrating useful tricks employed by professionals. They show you how to present your ideas quickly and effectively, illustrating all stages of work with clear examples from teaching and practice. This will be an indispensable reference work for all professional designers and students – indeed, for anyone who wishes to present their ideas successfully and skilfully.

• Useful design tools
• Working more professionally with markers
• The basics of illustration
• Concrete examples
• Ideas, doodles, layouts
• Storyboards and presentations

A global survey of more than 100 artists, chosen by art-world professionals for their work with threads, stitching, and textiles

Celebrating tapestry, embroidery, stitching, textiles, knitting, and knotting as used by visual artists worldwide, Vitamin T is the latest in the celebrated series in which leading curators, critics, and art professionals nominate living artists for inclusion. As boundaries between art and craft have blurred, artists have increasingly embraced these materials and methods, with the resulting works being coveted by collectors and exhibited in museums worldwide.

Vitamin T is a vibrant and incredibly timely survey – the first of its kind.

About the Author

Jenelle Porter was formerly senior curator at ICA Boston and curator at ICA Philadelphia and is author of numerous publications and essays on contemporary art and craft.

Vivienne Westwood is a global icon whose career has successfully spanned three decades from the early days of punk to the establishment of her own fashion house. Published to accompany the hugely popular Vivienne Westwood exhibition at the V&A, this book is the first in-depth Vivienne Westwood retrospective. It studies her work as a groundbreaking fashion designer and celebrates her visual impact and iconic profile worldwide.

 Punk chic. The designer who shook up British fashion

Delving deep into the archives of the magazine, i-D offers a unique insight into the world of iconic fashion designer Vivienne Westwood. This book revisits interviews and features from the early punk beginnings of her career in the 1980s to today, documenting her instigation of the crinoline craze, her thoughts on how fashion can make a difference, and her journey to becoming one of Britain’s most original and influential designers. Vivienne’s appeal continues to gain momentum with the years, and today she is as much loved by new fashion fans discovering her for the first time as those who have followed her career since the start.

Packed into 120 pages is biographical and personal information as well as imagery from over 30 years of i-D’s history with images from photographers including Juergen Teller, Nick Knight, and Chen Man plus interviews with Caroline Baker, Caryn Franklin, Ben Reardon, and Terry Jones.

The editor:
Founder and Creative Director of i-D magazine, Terry Jones started his fashion career in the 1970s as art director of Vanity Fair and Vogue UK. Since 1977 his Instant Design studio has produced catalogues, campaigns, exhibitions and books, including TASCHEN's Smile i-D, Fashion Now 1, Fashion Now 2 and Soul i-D. 

Vivienne Westwood is one of the icons of our age. Fashion designer, activist, co-creator of punk, global brand and grandmother; a true living legend. Her career has successfully spanned five decades and her work has influenced millions of people across the world.

For the first and only time, Vivienne Westwood has written a personal memoir, collaborating with award-winning biographer Ian Kelly, to describe the events, people and ideas that have shaped her extraordinary life. Told in all its glamour and glory, and with her unique voice, unexpected perspective and passionate honesty, this is her story.

VIZZ BIZZ showcases a broad range of cutting-edge creative material where artistic passion and commercial purpose come together in a fusion of dynamic design for the purpose of influencing, convincing - and even shocking - today’s consumer.

The quality productions found here bring the reader a wide range of visual communications with an emphasis on the advertising, retail, and fashion industries. Included are print ads from many product categories, catalogues and direct mail pieces, postcards, guerilla marketing paraphernalia, editorial layouts, and fashion spreads. The visuals showcase styles of illustration, photography techniques, use of props, projected attitudes, common target audiences, graphic design, innovative typography and colour palettes. of dynamic design for the purpose of influencing, convincing - and even shocking -- today’s consumer.

In more than 2,000 issues, British Vogue magazine has acted as a cultural barometer, putting fashion in the context of the larger world in which we live – how we dress, how we entertain, what we eat, listen to, watch, who leads us, excites us and inspires us. The century’s most talented photographers, illustrators and artists have contributed to it. In Lee Miller it had, unexpectedly, its own war photographer; in Norman Parkinson, Cecil Beaton, David Bailey, Snowdon and Mario Testino the greatest portrait and fashion photographers of their generation; and in Beaton and Irving Penn two giants of twentieth-century photography.

From 1892, American Vogue chronicled the life of beautiful people – their clothes, parties, houses and habits – and the magazine was exported for intrigued British readers. In 1916, when the First World War made transatlantic shipments impossible, its proprietor, Condé Nast, authorised a British edition. It was an immediate success, and over the following ten decades of uninterrupted publication continued to mirror its times – the austerity and optimism that followed two world wars, the ‘Swinging London’ scene of the sixties, the radical seventies, the image-conscious eighties – and in its second century remains at the cutting edge of photography and design.

Decade by decade, Vogue 100: A Century of Style celebrates the greatest moments in fashion, beauty and portrait photography. Illustrated throughout with well-known images, as well as the less familiar and recently rediscovered, the book focuses on the faces that shaped the cultural landscape: from Matisse to Bacon, Freud and Hirst, from Dietrich to Paltrow, from Fred Astaire to David Beckham, from Lady Diana Cooper to Lady Diana Spencer. It features the fashion designers who defined the century – Dior, Galliano, Balenciaga, Saint Laurent, McQueen – and explores more broadly the changing form of the twentieth-century woman.

In more than 2,000 issues, British Vogue magazine has acted as a cultural barometer, putting fashion in the context of the larger world in which we live – how we dress, how we entertain, what we eat, listen to, watch, who leads us, excites us and inspires us.

The century’s most talented photographers, illustrators and artists have contributed to it. In Lee Miller it had, unexpectedly, its own war photographer; in Norman Parkinson, Cecil Beaton, David Bailey, Snowdon and Mario Testino the greatest portrait and fashion photographers of their generation; and in Beaton and Irving Penn two giants of twentieth-century photography.

From 1892, American Vogue chronicled the life of beautiful people – their clothes, parties, houses and habits – and the magazine was exported for intrigued British readers. In 1916, when the First World War made transatlantic shipments impossible, its proprietor, Condé Nast, authorised a British edition. It was an immediate success, and over the following ten decades of uninterrupted publication continued to mirror its times – the austerity and optimism that followed two world wars, the ‘Swinging London’ scene of the sixties, the radical seventies, the image-conscious eighties – and in its second century remains at the cutting edge of photography and design.

Decade by decade, Vogue 100: A Century of Style celebrates the greatest moments in fashion, beauty and portrait photography. Illustrated throughout with well - known images, as well as the less familiar and recently rediscovered, the book focuses on the faces that shaped the cultural landscape: from Matisse to Bacon, Freud and Hirst, from Dietrich to Paltrow, from Fred Astaire to David Beckham, from Lady Diana Cooper to Lady Diana Spencer.
It features the fashion designers who defined the century – Dior, Galliano, Balenciaga, Saint Laurent, McQueen – and explores more broadly the changing form of the twentieth-century woman.

British Vogue is turning one hundred. The glossy magazine has always reflected styles ― and well beyond the area of fashion.

On the occasion of its centennial, this luxury volume provides a fascinating survey of a century of British cultural history with the help of spectacular images. The ranks of photographers who have lent this glamorous kaleidoscope its unique character since the first issue in September 1916 include David Bailey, Cecil Beaton, Lee Miller, Irving Penn, Lord Snowdon, and Mario Testino.

The book focuses on faces that have become icons: artists such as Francis Bacon, Lucian Freud, Damien Hirst, and Henri Matisse; stars ranging from Rudolph Valentino and Marlene Dietrich to Gwyneth Paltrow and David Beckham; and prominent women such as Lady Diana Cooper or Lady Diana Spencer. The volume naturally also features the fashion designers who defined the century ― Coco Chanel, Alexander McQueen, and Yves Saint Laurent among them ― and reflects the ever-changing female silhouette.

Exhibition: National Portrait Gallery, London 11.2.–22.5.2016 | Manchester Art Gallery 24.6.–30.10.2016

The Metropolitan Museum of Art’s annual Costume Institute exhibition is the most spectacular event of its kind. With subjects that both reflect the zeitgeist and contribute to its creation, each exhibi­tion — from 2005’s Chanel, to 2011’s Alexander McQueen: Savage Beauty and 2013’s Punk —creates a provocative and engaging narrative attracting hundreds of thousands of visitors.

The show’s opening-night gala, produced in collaboration with Vogue magazine and attended by the likes of Beyoncé, George Clooney, and Hillary Clinton, is regularly referred to as the Party of the Year.

Covering the Costume Institute’s history and highlighting exhibitions of the 21st century curated by Harold Koda and Andrew Bolton, this book offers insider access of the first order. Anchored by photo­graphs from the exhibitions themselves in tandem with the Vogue fashion shoots they inspired, it also includes images of exhibited objects and party photos from the galas.

Drawn from the extensive Vogue archives, the featured stories showcase the photographs of icons such as Annie Leibovitz, Mario Testino, Steven Meisel, and Craig McDean; the vision of legendary Vogue editors like Grace Coddington and Tonne Goodman; and the knowledge and wit of writers such as Hamish Bowles and Jonathan Van Meter.

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Посмотреть новое издание книги Vogue and the Metropolitan Museum of Art Costume Institute: Updated Edition

Alexander (Lee) McQueen was - for the 15 years that he stood at its helm - British fashion's most significant figure.

Alexander McQueen extraordinary career, which took him from humble beginnings as an apprentice on Savile Row to the creative directorship of his own global brand, is a story of hard work, ambition and visionary brilliance.

Leading photographers such as Mario Testino and Corinne Day photographed his stunning designs for Vogue, and through them, Alexander McQueen's career is presented - from the controversy of his early shows to the elegiac perfection of his last - with a particular emphasis on the evolution of his signature style: immaculate tailoring, slashed fabric, historical references and beauty in the macabre.

The book shows that McQueen's own ambition was fully realised: 'I want to be the purveyor of a certain silhouette or a way of cutting so that, when I'm dead and gone, people will know that the Twenty-first Century was started by Alexander McQueen'.

Vogue, the international fashion bible, has charted the careers of designers through the decades. Its unique archive of photographs, taken by the leading photographers of the day from Cecil Beaton to Mario Testino, and original illustrations, together with its stable of highly respected fashion writers, make Vogue the most authoritative and prestigious source of reference on fashion. With a circulation of over 160,000 and a readership of over 1,400,000, no brand is better positioned to present a library on the great fashion designers of the modern age.

This book reveals how Calvin Klein created a fashion brand that made understated, all-American glamour his own – at the same time as building a vast billion-dollar empire that includes everything from pants and jeans to perfume and pillows.

A master of minimalism, Klein’s clothes have been beautifully documented in the pages of Vogue over the years by the world’s starriest photographers, including Terry Donovan, Herb Ritts, Snowdon and Nick Knight. While Vogue also reflected the public’s fascination with his film-star handsomeness, glamorous marriage and divorces, bi-sexuality, drama and stints in rehab, the magazine understood that Calvin Klein’s success lay in the very opposite of excess: ‘His clothes simply offered women practical elegance and cool, understated chic’.

In the early 1970s, he introduced his trademark jeans, which he elevated to designer status by cutting them tight and branding his name on the back pocket. Suggestive ads (with the nubile, 15-year-old Brooke Shields cooing ‘You want to know what comes between me and my Calvins? Nothing.’) created a designer jean frenzy among consumers. In 1993, he also made sexy male underwear mainstream with an equally seductive campaign featuring the beefcake charms of the young Mark Wahlberg.

This is the ultimate handbook to an American icon.

In 1947, Christian Dior stunned the fashion world with his first collection; his 'New Look' featured designs that transformed the way women dressed.

Dior continued to send shockwaves with his later shows, significantly altering the fashion landscape during the ten years of his career as a couturier.

This book recounts Dior's search for the perfect line and how his unique vision of women's ideal silhouette developed. More than any designer before him, Dior embraced the dual aspects of creativity and commerce, becoming the first couturier to license his products in 1949. He became one of the most famous designers of the twentieth century, and his name still fronts one of the most successful haute couture fashion houses.

As portrayed in the pages of Vogue by photographers such as Horst and Irving Penn and artists like Christian Berard, the book offers a unique insight into Dior's contribution to design, his dramatic impact on the landscape of 40s and 50s fashion and his personal legacy.

Vogue, the international fashion bible, has charted the careers of designers through the decades. Its unique archive of photographs, taken by the leading photographers of the day from Cecil Beaton to Mario Testino, and original illustrations, together with its stable of highly respected fashion writers, make Vogue the most authoritative and prestigious source of reference on fashion. With a circulation of over 160,000 and a readership of over 1,400,000, no brand is better positioned to present a library on the great fashion designers of the modern age.