Книги по шитью и вышивке

At its very essence, textile art is about mark-making. As an artist would use a pencil, an embroiderer or quilter can use stitch to make marks on fabric – a fundamental creative act. The making of marks often starts and underpins the entire design process, and a textile artwork is usually made up of repeated stitched marks.

This fascinating book shows how marks can be used in textile work, both simple and complex, and explores the crossover between stitch and drawing. Author Helen Parrott is well known for her strongly graphic textile art, which uses marks to stunning visual effect.

The book is divided into the types of marks that can be made on fabric, varying in complexity, arrangement and ‘feel’ – single, grouped, massed, regular, irregular, calligraphic, permanent, transient, and so on. It covers both hand and machine stitch, which make very different types of mark and between them offer limitless potential for mark-making, used both separately and together. It aims to help you take inspiration from the world around you to create marks, develop your own mark-making skills and strengthen your personal creative voice, and is an essential book for any textile artist.

This book captures the richness of nineteenth-century fashion. As part of the V&A Fashion in Detail series, the opulence and diversity of clothing in the period are captured through exquisite colour photography, specially commissioned line drawings of the garments and authoritative text. Illustrating delicate embroidery on neoclassical gowns, Liberty & Co. smocking, vibrant colour on crinoline and bustles and elegant men’s tailoring, Nineteenth-Century Fashion in Detail, now with a new cover, brings the nineteenth-century period to life.

This practical book shows students how to interpret the human form and look at clothing through the eyes of a designer rather than a consumer. As well as explaining the proportions of human anatomy, the book introduces key tools and takes the reader from simple pattern-cutting ideas to more advanced creative methods.

Step-by-step illustrations show how to create basic bodice, sleeve, skirt, dress and trouser blocks, and how to adapt these to create patterns for original designs. There is also a chapter dedicated to digital technology, and a selection of the author’s own creative designs encourages experimentation with the potential of pattern cutting.

About the author:

Dennic Chunman Lo is Director of the Creative Pattern Cutting course at London College of Fashion. He has his own fashion label, Lo and Cabon.

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Посмотреть новое издание книги: Pattern Cutting, Second Edition

Each title in the Pattern-drafting for Fashion series is a practical guide to advanced pattern-making for fashion students and serious home dressmakers.

Every garment must follow precise rules of carefully structured design, to which even the most experienced couturiers must adhere. Pattern-drafting for Fashion provides all the necessary instructions to enable you to make your own clothing, while at the same time understanding the detailed construction of every type of garment.

Pattern-drafting for Fashion: Advanced is the second title in this essential series, and marks another stage in the apprenticeship of the professional or amateur. Dealing with the development of alterations and modifications, this book is a must for those who want to make one-of-a-kind adaptations for their wardrobe or extend their understanding of dressmaking and garment construction.

About the Author:

Teresa Gilewska has worked in fashion design for over 30 years, in France, China and Poland. In 1989 she set up her own studio in Paris where she worked until 2000. She is passionate about sharing her knowledge of design, particularly for the ready-to-wear market, and her books on pattern-making are a welcome addition to the literature of fashion.

Draping is an art without rules as such, but to master it, you must understand the relationship of fabric to the body. It allows for freedom of garment design, and the opportunity to create customised clothing. Pattern-drafting for Fashion: Draping is the definitive guide to draping techniques and pattern design.

Understanding grainlines and the effect they have, on not only the drape of the fabric and seams when being stitched, but also the stretch and therefore fit of a garment, is essential. Then you need to understand the complicated task of how to transfer your draping into pattern form. Once removed from the stand, you will need to know how to put the garment back together, and how to make adjustments to the pattern that won't alter your idea, but will work when you actually stitch it up.

This book contains key chapters on understanding fabrics, grainlines and bias cutting, translating designs into patterns, making adjustments, constructing the lining, and finishing with zips, buttons and buttonholes.

Pattern-drafting for Fashion: Draping is about problem-solving and provides a complete guide to how to achieve fantastic draping techniques and adapt these to the crafting of perfect patterns.

About the Author

Teresa Gilewska has worked in fashion design for over 30 years, in France, China and Poland. In 1989 she set up her own studio in Paris where she worked until 2000. She is passionate about sharing her knowledge of design, particularly for the ready-to-wear market, and her books on pattern-making are a welcome addition to the literature of fashion.

Seam assembly and finishing are two of the most important aspects of garment construction and both require specific techniques to achieve perfect patterns and designs. Pattern-drafting for Fashion: Seam Assembly and Finishing is a comprehensive guide to these techniques covering all styles, fabrics and garments.

Seams can be decorative, functional, or specific to a type of fabric or method of construction. This comprehensive book, aimed at serious dressmakers, explains different types of seams, when to use them, and how to achieve the most professional finish.

All the essential methods for achieving a flawless finish are covered here including different techniques of pressing and steaming a garment, hems, zips and buttonholes, and different types of hem and cuff finishes for all styles and fabrics.

About the Author
Teresa Gilewska has worked in fashion design for over 30 years, in France, China and Poland. In 1989 she set up her own studio in Paris where she worked until 2000. She is passionate about sharing her knowledge of design, particularly for the ready-to-wear market, and her books on pattern-making are a welcome addition to the literature of fashion.

Each title in the Pattern-drafting for Fashion series is a practical guide to advanced pattern-making for fashion students and serious home dressmakers.

Every garment must follow precise rules of carefully structured design, to which even the most experienced couturiers must adhere. Pattern-drafting for Fashion provides all the necessary instructions to enable you to make your own clothing, while at the same time understanding the detailed construction of every type of garment.

Pattern-drafting for Fashion: The Basics shows how to construct the block for the bodice and skirt, and then modify it for different styles. Chapters featuring necklines, collars, sleeves and pockets demonstrate how to perfect the detailing of your patterns and personalise your garment. Clearly illustrated and packed with handy tips, this essential text is a must for anyone who wants to succeed in fashion design.

About the Author:

Teresa Gilewska has worked in fashion design for over 30 years, in France, China and Poland. In 1989 she set up her own studio in Paris where she worked until 2000. She is passionate about sharing her knowledge of design, particularly for the ready-to-wear market, and her books on pattern-making are a welcome addition to the literature of fashion.

For an undergraduate course in Patternmaking.

Renowned for its comprehensive coverage, exceptional illustrations, and clear instructions, this #1 text offers detailed yet easy-to-understand explanations of the essence of patternmaking. Hinging on a recurring theme that all designs are based on one or more of the three major patternmaking and design principles – dart manipulation, added fullness, and contouring – it provides students with all the relevant information necessary to create design patterns with accuracy regardless of their complexity.

Some innovative, new information in this book include:
Updated with modern, cutting-edge sketches and designs.
Ribbing added to the knit section of Chapter 27.
More materials on children's wear and swimwear.
Knock offs.
Fitting corrections
Advanced design projects
A practical introduction to patternmaking
Complete coverage of the three steps of design patterns: dart manipulation, added fullness, and contouring.
Chapter projects

This is a remarkable collection of patterns in home design from world-renowned graphic designers. These exquisite works involve every aspect of the home furnishing, including bed linen, cushion, sofa, wallpaper, tablecloth, tableware, lampshade and home accessories. We believe that it will be a good reference on visual design for interior designers, graphic designers and those who have the talent in this area.

This sumptuously illustrated book reveals the decorative seams, exquisite stitching, voluptuous drapery, strict corseting and slashing and stamping that make up the clothing in the V&A’s superlative seventeeth- and eighteenth-century fashion collection. Using an authoritative text, exquisite colour photography and line drawings of complete garments, the reader is allowed the unique opportunity to look closely at clothing, often too fragile to be on display.

Part of the V&A Fashion in Detail series, Seventeenth and Eighteenth-Century Fashion in Detail is an inspirational resource for students, designers, collectors and all followers of fashion.

This handy reference offers more than 40 major corner and edge techniques for garments and home decorating projects. The easy, step-by-step instructions are appropriate for all experience levels and cover everything from tablecloths and napkins to pillows, shams, vest, and ties.

Пролистать книгу Sewing Edges and Corners: Decorative Techniques for Your Home and Wardrobe на Google Books.

Shadowfolds are a rich blend of traditional motifs expressed in a contemporary style. The technique, pioneered by artist Chris K. Palmer, creates patterns from a single, uncut panel of cloth, using a simple, three-step process.

In Shadowfolds, Jeff Rutzky, himself an accomplished and passionate origamist, and Palmer offer detailed and fascinating information about the technique and its origins in both Moorish tile and classic Japanese origami. Palmer first encountered the elaborate mosaics of the Alhambra and became intrigued with learning to translate these patterns into folded paper. He turned for inspiration to the work of Japanese origami masters Tomoko Fuse, Jun Maekawa, Toshikazu Kawasaki and Shuzu Fujimoto, as well as to the great American origami artists Robert Lang and Peter Engel.

The transition to working in cloth followed. The flexible property of cloth allows pleats to be folded to augment and give a dimensionality not present in a flat surface; and the translucent quality adds a unique intricacy to the geometric patterns. When lines in a pattern are folded as pleats, the resulting shapes formed by the pleats become part of the artistic expression of the material.

The possibilities for using Shadowfolds in design are limitless. Some applications take advantage of light shining through the fabric, others show the richness of the folds that have a depth all their own. In addition to explaining the three very simple steps of the technique, the authors show how even novice folders can create breathtaking works of textile art, as well as fashion-forward clothes, accessories and home furnishings incorporating these three-dimensional embellishments. They also include a section of patterns, and fabric and craft resources.

Over 1,200 high-quality colour images of traditional and innovative textiles, in print and on CD-ROM.
Modelled on the successful Surfaces, also published by Thames & Hudson, this new collection of photographs catalogues hundreds of varieties of textiles, grouped by structure and surface treatment, up-close and in interior and exterior applications, such as window treatments, upholstery, awnings, tents and floor coverings.

Like the previous book, Soft Surfaces is tailored to research needs, providing examples for architects, interior designers, theatrical and film designers, illustrators, artists and graphic designers. All the images are included on a CD-ROM for ease of use and are supported by a full reference section with a glossary and source information.

Artists and designers working in all fields of the visual and creative arts will find everything they need in this vibrant, vital resource.

Customization is king. With this awesome, entirely original stencil collection anyone can learn to make their mark. Our handy portfolio format includes 25 reusable stencils along with tips and tricks for stenciling on all sorts of surfacesfrom walls and furniture to T-shirts, cards, and even cake! Stencil maverick Ed Roth has chosen his favorite designs, ranging from urban-cool boom boxes and power lines to naturally fanciful sparrows and branches. Simple instructions take readers step-by-step through the process while photographs provide ample inspiration. Best of all, these stencils can be used over and over again. Simply clean, dry, and store them in the pocket glued at back!

In this entirely original collection, stencil maverick Ed Roth presents 25 brand-new stencil designs - from retro-cool typewriters, microphones, and roller skates to elegant leaves, birds, and abstract shapes. Ed also offers step-by-step directions for more than 20 wildly creative projects that take stenciling to a whole new level. With the help of creative friends such as Erica Domesek of P.S. - I made this and embroidery queen Jenny Hart, Ed shows how to stencil on just about anything - T-shirts, leather, mirrors, food, and even hair - using a variety of techniques like stitching, etching, and more. Best of all, the stencils can be used again and again: just clean, dry, and store in the handy reclosable pocket at back!