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156 duotone photographs

The French Riviera of the Fifties was an exciting place with much change in the air. Rock and roll and the bikini, existentialism and the atom bomb. Edward Quinn chronicled a playground that was influenced by international trends, but very much its own universe. On the Riviera every night was a party.

Born in Dublin in 1920, Edward Quinn played Hawaiian guitar in Belfast, then went into the Royal Air Force. He eventually made his way to the Cфte d'Azur, where he photographed world leaders, glamour girls and playboys, as well as figures from the worlds of art, music and literature. His most memorable work included images of an unknown Audrey Hepburn, Grace Kelly's first meeting with Prince Rainier, and a precocious Brigitte Bardot. His exacting eye showcased Picasso, T.S. Eliot, and Gary Cooper. With a polished technique and great patience and charm, Quinn caught some of the post-war Riviera's most memorable moments.

* A tantalizing look at post-war leisure, sure to appeal to photography aficionados and culture buffs alike
* Packaged in a special linen slipcase, and accompanied by an authentic Edward Quinn photo print, signed by his widow Gret Quinn
* A must-have for lovers of Riviera glamour, fifties-style

Doisneaus photographs of the now vanished Les Halles evoke nostalgia for the days when the vast market, which sprawled haphazardly over the center of the city, was known as the belly of Paris. Once alive with the cries of fruit-sellers, fish-vendors, butchers, and florists, the scent of brightly-colored flower bouquets intermingling with wafts of freshly baked bread, and heaving with swarms of market-goers, today there is no trace of the nine-hundred-year-old market place that used to stand in the center of Paris at Les Halles.

The immense Baltard Pavilions were torn down in 1971 to make way for a modern underground shopping precinct, but Parisians still hold a special affection for days gone by when, to borrow an expression used by Émile Zola, the bustling markets formed the belly of their city. One such Parisian in particular was Robert Doisneau, one of the best loved French photographers of all time. Driven by his relentless curiosity and a sense of social conscience, Doisneau paced the Pavilions and their neighboring streets at length, and here he captured the heart of daily life at Les Halles.

Many of Doisneaus romantic photographs have become iconic representations of twentieth-century Paris, but this volume exhibits some of his lesser-known but nonetheless extraordinary works. He had an uncanny capacity for capturing poetry in ordinary moments: a smiling fruit-seller bellows from behind a pyramid of oranges, while a fish-vendor hauls a cart of gigantic fish past a mountain of flower bouquets ready to grace Parisian dinner tables, which you can virtually smell.

Doisneau has immortalized the bustling magic of Les Halles in his bold and busy photographs. Coinciding with the long-awaited redevelopment of this area that began in 2011, this volume plunges the reader back through time to the sights, smells, sounds, and tastes of the vanished era of Doisneaus Les Halles, whilst commentary from the photographers personal notebooks places his images in their economic and political context.

Lynn Goldsmith’s vast body of work testifies to her passion for rock and roll. Beginning in the late 1960s, she plunged into the scene working at Electra Records making promotional films. She worked with Joshua White, of the famed Joshua Light Show, creating Video Magnification at rock concerts and went on to become the first director of Late night network Television's ABC In-Concert series. Besides directing, she managed bands and then launched her own music career as Will Powers with the help of established artists like Steve Winwood, Sting, and Todd Rundgren, among others, all the while taking brilliant photographs. Equally at home in the photo studio and shooting reportage, she compiled an unparalleled portfolio of hard-to-get images. Whether the subject be punk, alternative, commercial pop, or the rarified world of the superstars of rock, Goldsmith has a vast range of rare and unusual photographs.

Rock and Roll is a collection of her best work, accompanied by quotes from many of her subjects provided especially for this book. It includes three gatefolds with rock-mosaics made up of thousands of her photographs of the Rolling Stones, Bruce Springsteen and Kiss.

The introduction is by Iggy Pop, formerly of the Stooges, the godfather of punk.

Lynn Goldsmith’s work has appeared on and between the covers of Life, Newsweek, Time, Rolling Stone, Sports Illustrated, People and many other magazines. Among her ten books are PhotoDiary, NY Times Bestseller New Kids, Springsteen: Access All Areas, and Flower. A director as well as a photographer, Goldsmith was the youngest member ever to be inducted into the Director’s Guild of America. She lives in New York City and Aspen, Colorado

Features more than two hundred full-color photographs and commentary reflecting four decades of images capturing the icons, legends, concerts, and great moments in the history of rock music, including Jimi Hendrix, Elton John, Eric Clapton, and many others.

For enthusiasts, rockabilly isn’t just a kind of music; it’s a way of life. A raw fusion of rhythm and blues with country and western, rockabilly heralded the start of teenage rebellion in America in the early 1950s. The stripped-down sound witnessed a revival in the 1970s that has continued until today, with modern rockabillies embracing not only the music, but also the clothes, cars and lifestyle of the 1950s youth counterculture. Rockin’ is photographer Andrew Shaylor’s unique portrayal of the contemporary rockabilly scene. Granted exclusive access at events on both sides of the Atlantic, Shaylor captures the raw energy of the music and the commitment of the rockabilly community to authenticity. Featuring the history of the subculture by rockabilly legend Jerry Chatabox, this striking book evokes the passion and intensity of a scene that is as exciting today as it was more than 50 years ago.

_Over 250 stunning images capture the bands, dancing, fashion and cars that define the rockabilly subculture
_Features rockabilly events in both the United States and Britain
_With a specially commissioned foreword by Jerry Chatabox, stalwart of the contemporary rockabilly scene

For the past 50 years, the covers of Rolling Stone have depicted the icons of popular culture — from John Lennon, Bob Dylan, the Rolling Stones, Madonna, and Steve Martin to Rihanna, Louis C.K., Adele, Radiohead, and Barack Obama — cementing their legendary and influential status. No other magazine has the illustrious history and prestige of having defined popular culture from the birth of rock and roll to the present.

This fantastic collection is newly revised and updated to include the covers from all 50 years of Rolling Stone history. With an updated introduction by Jann S. Wenner as well as new excerpts from the magazine and quotes from photographers and their celebrity subjects, this nostalgic journey down the memory lane of music, entertainment, and politics is irresistible.

About the author:

Rolling Stone was founded by publisher Jann S. Wenner and music critic Ralph J. Gleason in 1967. It has a circulation of more than one million readers in the United States and widespread international circulation. Wenner is also the head of Wenner Media and the publisher of Us Weekly and Men’s Journal. In 2005, he was inducted into the Rock and Roll Hall of Fame. Rolling Stone and Wenner are based in New York City.

Это не первая книга о ROLLING STONES. Можно побиться об заклад, что она будет далеко не последней.
Почти 50 лет ROLLING STONES являются объектом, приковывающим внимание миллионов последователей, критиков и недоброжелателей.
С момента появления группы неоднократно объявлялось о ее закате. Но каждый раз они ломали стереотипы, создавая музыку, которая помогала передать дух своего времени и, в конечном счете, становилась вечной.

Unser Band, der aus Anlass des 70. Geburtstags von Romy Schneider (1938–1982) neu aufgelegt wird, ist eine Hommage in Bildern, die all die glanzvollen, intimen, auch tragische Momente der beruflichen und privaten Metamorphose Romy Schneiders vom »süßen Mädel« zur schönen, selbstbewussten Frau, zur gefeierten Schauspielerin und Diva versammelt. Es sind Photographien, die der italienisch-französische Photograph Giancarlo Botti von Romy zwischen 1961 und ihrem Tod 1982 aufgenommen hat. Die frühesten Bilder zeigen sie im Modesalon von Coco Chanel bei der Kostümprobe für ein Filmprojekt mit Luchino Visconti. In den folgenden zwei Jahrzehnten photographierte er sie u. a. bei den Dreharbeiten von Was gibt’s Neues, Pussy?, Halb elf in einer Sommernacht, Spion zwischen zwei Fronten, Die Geliebte des anderen, Das Mädchen und der Kommissar, Nachtblende, Gruppenbild mit Dame und Eine einfache Geschichte. Der vertraute Umgang zwischen dem Photographen und seinem Star führte auch dazu, dass Romy ihn häufig zu privaten Phototerminen bat. So nahm er Romy mit Sohn David in ihrer Pariser Wohnung auf und photographierte ihre Hochzeit mit Daniel Biasini. Die Beziehung fand ihren Höhepunkt in einer großen erotischen Aktserie, die Romy Schneider selbst angeregt hatte und die hier erstmals zusammenhängend veröffentlicht ist. Giancarlo Botti, 1930 in Italien geboren und seit Ende der 50er Jahre in Frankreich ansässig, machte sich mit Photoreportagen und Prominenten-Portraits einen Namen. Unser Band ist das Zeugnis einer langjährigen, von Sympathie und zunehmender Vertrautheit geprägten Zusammenarbeit mit Romy Schneider, die 1960 mit einem Reportage-Auftrag der französischen Frauenzeitschrift Marie Claire begann.

An intimate glance at Hollywood behind closed doors is revealed in this collection of glamorous, erotic and fascinating photographs shot in the Penthouse suite at the Peninsula Hotel in Beverly Hills.

Throughout the year of 2008 an exquisite selection of celebrities including George Clooney, Cindy Crawford, Minnie Driver, Eva Herzigova, Dennis Hopper, Rachel Hunter, Sir Elton John, Heidi Klum, Kid Rock, Ray Liotta, Lindsay Lohan, Tatjana Patitz, Christian Slater, Sharon Stone and Donald and Rossif Sutherland were all invited to “live” in Room 23.

Deborah Andersonʼs photographic gaze is able to lasciviously lure Sharon Stone into bed with Cheryl Tiegs, makes men crawl submissively at Lindsay Lohan feet and brings a coquette smile to Heidi Klum pretty face while standing next to a bellboy with his exposed derrière.

Shooting people in beds and bathtubs, Deborah Andersonʼs sensual point-of-view lets her get physically close to her subjects, but also allows her to capture the essence of their personality, their sex appeal, sense of humor, irony and at times lets seep through their innermost fantasies. Despite all, her subjects remain the untouchable icons we know and adore - behind locked hotel room doors they are removed from reality, distantly desirable and mysterious. A simple peek through the voyeurʼs keyhole gives us a taste of luscious perfection we long for.

The celebrities portrayed in this book were invited by Diana Jenkins, to many more than a mere acquaintance. Growing up in Sarajevo, this charismatic businesswoman now lives divided between London and Los Angeles. After escaping the horrors of the Bosnian War, in which she lost a brother, Diana Jenkins established an international foundation dedicated to rebuilding the infrastructure of a war-tattered nation.

The idea for this book sprung from an encounter with Deborah Anderson, whose style in photography has been located by the Los Angeles Times as somewhere between classic French erotica and Helmut Newton. Like her father Jon Anderson, legendary lead vocalist of YES, Deborah has worked with many music talents over the years as singer songwriter.

125 color and 57 b/w photographs

Royal Weddings undeniably count among the superlative events of our time. Thousands of people line the way from the palace to the cathedral, and as many as one billion viewers follow the ceremony on their TVs, fascinated by the glamour, tradition and romance between two lovers, who eventually say "yes" to each other just like everybody else. Nothing surpasses the pageantry of a royal wedding. Pomp and ritual combine in a spectacle few can resist. That mingling of personal charisma, age-old institutions, and contemporary mores is enough to intrigue the most hardened of hearts! Royal Weddings tells the stories behind the most beautiful weddings of monarchs and heirs to the throne from all over the world. Take a richly illustrated book behind the scenes on the big days of Queen Victoria of England, Grace Kelly and Rainier, Diana and Charles, Letizia and Felipe and many others. These royal unions embody the hopes, dreams and characteristics of nations as distinct as Sweden, Japan and Spain. Comprehensive text and stunning pictures chronicle the fascinating details that make these state celebrations of personal commitment so unique and memorable.

* This magnificent volume will fascinate all interested by lavish indulgence fit for a king
* This richly illustrated volume offers a unique impression of the most spectacular royal weddings

One of the world's top photographers, Russell James hails from Western Australia. Strongly idiosyncratic, his work is heavily influenced by his homeland's open landscapes and extraordinary light. Dream-like images combine the natural elements of air, sun, earth and water. Applauded for his sexy nudes, exuberant fashion spreads, as well as distinctive portraiture, his trademark style is instantly recognizable. Whether capturing the daily lives of Australia's aboriginal peoples, or crafting a luxury advertising campaign, this consummate professional leaves nothing to chance…

Russell James's work has appeared in many influential magazines such as Vogue, Marie Claire and GQ.  In particular, his images in the Sports Illustrated swimsuit edition have drawn great acclaim. He has also created advertising campaigns for world-class clients such as Victoria's Secret.

 - With an introductory essay by Russell James and forewords by Heidi Klum, Donna Karan, and Sharen Turney, CEO of Victoria's Secret
 - A comprehensive overview of this accomplished and talented photographer

Діти, пейзажі, закохані – ці теми майже такі ж поширені у фотографічному лексиконі, як і саме світло. Але підхід Саллі Манн до цих культових тем, переданий як традиційними, так і езотеричними методами, зовсім не є поширеним.

Напрочуд оригінальні як за зображеннями, так і за технікою, роботи Манн постійно кидають виклик глядачеві: у її руках переживання, запозичені з повсякденного життя, перетворюються одночасно тривожними та піднесеними. Тепер, вивчивши стосунки між батьками та дитиною, художником та об'єктом зйомки, життям і смертю, Манн досліджує зв'язки між чоловіком і дружиною.

Вишукано деталізована, інтимна, психологічно та емоційно насичена, Sally Mann: Proud Flesh зачіпає територію, де найчастіше мешкають чоловіки-художники, що зображують своїх дружин та коханих жінок, коли Манн повертає камеру до свого чоловіка Ларрі, з яким вона прожила 39 років.

Красиві, текстуровані та провокаційні, ці безпрецедентні ню-етюди не об'єктивують і не прославляють; радше вони заходять глибоко під шкіру, щоб показати стосунки між чоловіком і жінкою, які є глибоко довірливими: чуттєвими, сексуальними, іноді болісними, часто невимовно ніжними та завжди бездоганно чесними.

Про автора:

Саллі Манн — відома американська художниця та авторка кількох книг про фотографію, що отримали схвальні відгуки критиків, а також мемуарів Hold Still, які стали фіналістом Національної книжкової премії. Вона досі живе в Лексінгтоні.

The amiably spontaneous pictures taken by Sam Shaw (1912–1999) are well known: the native and life-long New Yorker shot countless cover photographs for Life and Look in the fifties and sixties, and later also took the still images for the films he produced himself. Shaw and Marilyn Monroe were friends, and he captured her unique aura in countless unpretentious portraits. During the filming of The Seven Year Itch, he staged his probably best known picture with her: Marilyn standing over a subway grate, a waft of air blowing the skirt of her white dress above her knees.

Sam Shaw also portrayed almost every major Hollywood star of his day, consistently capturing the moment in his quest for truthfulness, with enthusiasm and from a new perspective, just as if he were selecting the camera angle for a film sequence. The researcher and author Lorie Karnath, the book’s editor, enhances the publication with very personal memories of her long-time friend.

Uncensored and provocative shots of models and artists

A decade after his sizzling debut A Private View, Sante D'Orazio returns with a second volume of photo-diary-scrapbook, covering 1997 to 2008. Uncensored and provocative, D'Orazio's shots are mounted in collage-style entries framed with candid, handwritten observations. All-night parties and day-long photo sessions provide the light and shade of D'Orazio's jetset lifestyle - celebrities, models, musicians, actors and artists all feature, in various states of dress and undress. Included here are Kate Moss, Naomi Campbell, Claudia Schiffer, Diane Kruger, Tricia Helfer, Stephanie Seymour, Liz Hurley, Jay-Z, Mickey Rourke, Angelina Jolie, Christina Aguilera, Pam Anderson, Keith Richards, Axl Rose, Damien Hirst, Julian Schnabel and many more. Informal images contrast with posed shots, color with black and white, and outtakes are shown along published photos from the likes of Playboy and Interview. With a keen eye, this New York-based photographer creates a dynamic tableau of moods and styles. Access to this demi-monde is rare; capturing its essence in words and pictures, rarer still. Sante D'Orazio succeeds on both counts.

About the photographer:

Sante D'Orazio (b. 1956) is an internationally renowned photographer whose advertising campaign clients include Versace, Tommy Hilfiger, Victoria's Secret, Revlon, and L'Oreal, and whose editorial fashion shoots have featured in Vogue, Esquire, Town & Country, Max, Interview and Vanity Fair. His previous books include A Private View (1998), Sante D'Orazio: Photographs (2000), and Gianni and Donatella (2007).

About the author:

Ed Ruscha (b. 1937) is a painter, photographer and graphic artist, and one of the founders of Pop Art. Known for his landscapes with superimposed slogans and "word paintings," Ruscha has had many international retrospectives, and represented the USA at the 2005 Venice Biennale. He lives and works in Los Angeles.