Мистецтво

Signs and Wonders. A fantastic journey through the history of esoteric lore

Fables, folklore, and fantasy — this compendium of all things alchemical and mystical gathers centuries of esoteric mythology in the form of writings, drawings, paintings, and prints. From early Christian mystics to the illustrations of William Blake and the Romantics, this collection spans science, philosophy, and otherworldly mystery over the ages.

The Hermetic Museum takes readers on a magical mystery tour spanning an arc from the medieval cosmogram and images of Christian mysticism, through the fascinating world of alchemy to the art of the Romantic era. The enigmatic hieroglyphs of cabalists, Rosicrucians, and freemasons are shown to be closely linked with the early scientific illustrations in the fields of medicine, chemistry, optics, and colour theory. Even for those with no knowledge of the fascinating history of alchemy, this book is a delight to explore. Each richly illustrated chapter begins with an introduction and quotes from alchemists by specialist Alexander Roob. The roots of surrealism and many other more recent artistic movements can be found in this treasure trove.

The author:

Alexander Roob studied painting at the University of Fine Arts, Berlin. From 2000 to 2002, he was a professor at the University of Fine Arts, Hamburg. He has been teaching at the Academy of Fine Arts, Stuttgart since 2002.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

A fantastic journey through the history of esoteric lore

The Hermetic Museum takes its readers on a magical mystery tour spanning an arc from the mediaeval cosmogram and images of Christian mysticism, through the fascinating world of alchemy to the art of the Romantic era. The enigmatic hieroglyphs of cabbalists, Rosicrucians and freemasons are shown to be closely linked with the early scientific illustrations in the fields of medicine, chemistry, optics and colour theory.

The author:

Alexander Roob studied painting at the University of Fine Arts, Berlin. From 2000 to 2002, he was a professor at the University of Fine Arts, Hamburg. He has been teaching at the Academy of Fine Arts, Stuttgart since 2002.

145 илл.

Настоящее издание – это полный каталог проектов современного русского художника Александра Константинова, созданные им для городских и ландшафтных пространств в 2002–2006 годах. Разработав свой собственный стиль и язык в искусстве, Константинов занимает особое место на современной художественной сцене. Его грандиозные произведения требуют нового пространственного опыта и культурно-исторического контекста, расширяя географию современного русского искусства. Уникальная интегрированность его работ в окружающую среду ставит их на самую границу между изобразительным искусством и архитектурой. Трудно представить собранные в книге произведения в контексте какой­либо выставки, настолько они самодостаточны. Но если посмотреть на настоящее издание как на каталог выставки, то ее экспозиционными залами мог бы стать весь мир.

This book contains all of the diaries, programs, essays, and major articles written by Alexander Rodchenko between 1911 and 1956.

The word "experiment" was a keyword for the artist, who conceived of his multimedia oeuvre as one huge experiment. Referred to by his friends and contemporaries as "a scout of the future," Rodchenko sought new paths in graphic design and painting, sculpture and architecture, poster design and cinema, photography and book design, and furniture and theatre design.

The first chapter in this volume covers the early life of Rodchenko and relates to the time of his studies in the Kazan art school. His diaries from 1911-15 relate the vivid atmosphere of the school, explain the artist's early tastes for theatrical, oriental and medieval motifs, and recall the moments when he first met Varvara Stepanova, his lifetime partner and fellow artist.

The second chapter covers the most active years of the Russian avant-garde movement: 1916-21. Here Rodchenko is linked to Vladimir Tatlin and his evolution as a non-objective painter comes about. His writings from this period explore his interest in the artistic process, in the way ideas are born, and often make comparisons with other artistic trends of the time: suprematism, cubism, and impressionism.

The third chapter runs through the 20s and the height of the constructivist movement, when Rodchenko became one of the leading designers of the time. This chapter is the most comprehensive, featuring writings dedicated to industrial design education, graphic design, advertising, photomontage and photography.

The fourth chapter reveals the artist's mood and the general Soviet culture situation of the 30s, a time of political change, accusations of formalism, and great success in photography.

The last chapter is dedicated to the war and postwar period and contains only diary texts in which the artist recounts his family's evacuation to the country, his subsequent hard living and working conditions, as well as his musings on the cultural politics of the time and life in general.

Originally published in 1996 in Moscow by Rodchenko's family, Experiments for the Future appears here in its first English edition. This new edition contains additional material and features a different design and images, but the content remains essentially unchanged.

Music for the eyes. Cover art sells albums: Alex Steinweiss, inventor of the album cover

Alex Steinweiss invented the album cover as we know it, and created a new graphic art form. In 1940, as Columbia Records’ young new art director, he pitched an idea: Why not replace the standard plain brown wrapper with an eye-catching illustration? The company took a chance, and within months its record sales increased by over 800 per cent. His covers for Columbia — combining bold typography with modern, elegant illustrations — took the industry by storm and revolutionized the way records were sold.

Over three decades, Steinweiss made thousands of original artworks for classical, jazz, and popular record covers for Columbia, Decca, London, and Everest; as well as logos, labels, advertising material, even his own typeface, the Steinweiss Scrawl. He launched the golden age of album cover design and influenced generations of designers to follow. Less well known — but included here — are his posters for the U.S. Navy; packaging and label design for liquor companies; film title sequences; as well as his fine art. Includes essays by three-time Grammy Award-winning art director/designer Kevin Reagan and graphic design historian Steven Heller; Steinweiss’ personal recollections from an epic career; and extensive ephemera from the Steinweiss archive.

Record collectors and graphic designers rejoice! Previously available in a limited edition, the book is finally available in an affordable trade version.

The artist:
The father of record design is Alex Steinweiss, who in 1940, at the age of 23, single-handedly invented the album cover. He made thousands of classical, jazz, and pop covers for Columbia, London, Decca, and Everest and his modern designs graced the packaging, logos, and covers of dozens of distilleries, film studios, and magazines; earning him an AIGA Medal and the Art Directors Hall of Fame lifetime achievement award.

The authors:

Kevin Reagan is a triple Grammy Award-winning art director, also honored by the AIGA, Print, and Communication Arts. As former art director of Geffen, MCA, and Maverick, he designed packages for Madonna, Beck, Sonic Youth and many others. He lives in Los Angeles.

Steven Heller is the co-chair of the School of Visual Arts MFA Designer as Author Program. For 33 years he was an art director for The New York Times, and currently writes the "Visuals" column for The New York Times Book Review. He is the author of 120 books on graphic design, illustration, and satiric art.

When the final tally of key movers in the plastic arts of this century is compiled, there is no doubt that maestro of movement Alexander Calder (1898-1976), the man who put the swing into sculpture, will be near numero uno. Calder took it off the plinth, gave it to the wind, and left us kinetic playgrounds of the spirit. He operated at the point where Modernity and nature fused, developing an environmental art that changed the medium forever. Visiting his Paris atelier in 1932, Duchamp coined the term "Mobiles" for Calder`s delicate wire and disc pieces, constructions that would soon become immensely popular.

But he didn`t rest on his innovations. Friends with Miro, Mondrian and Leger, Calder also turned his hand to painting, drawing, gouaches, toys, textiles and utensil design. A graphic master who sketched as much in air as in ink, the Sixties and Seventies saw Calder take on the monumental, translating the dynamics of cities into both his Mobiles and "Stabiles". At a time when sculpture was perceived to be the antithesis of movement, Calder unmade gravity and freed the elements in a body of work that is still sending a wind of change through the art world today.

About the Series:

Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

Ідеальна паніка. Зблизька та захоплююче з Альфредом Гічкоком

Знайомтесь з винахідником сучасного фільму жахів. Цей повний путівник по канону Гічкока – мрія кіномана: від його дебюту 1925 року «Сад насолод» до лебединої пісні 1976 року «Сімейна змова» ми простежуємо все життя та кар'єру режисера. З детальним описом кожного з 53 фільмів Гічкока, ця книга в тканинній палітурці поєднує проникливі тексти, фотографії та ілюстрований список усіх епізодичних ролей майстра.

Ім'я Альфреда Гічкока є синонімом саспенсу – тобто майстерного, моторошного, захопливого, шокуючого, болісного, приголомшливого саспенсу. З такими тріумфами, як «Ребекка», «Запаморочення», «Вікно у двір» та «Психо», Гічкок (1899–1980) створив новий рівень кінематографічної інтриги та страху завдяки ретельному темпу, тонкості та сугестивності.

Цей повний путівник простежує життя та кар'єру Гічкока від його найперших німих фільмів аж до останньої роботи 1976 року, «Сімейна змова». Оновлена ​​новими зображеннями, книга поєднує детальні записи про кожен з 53 фільмів Гічкока, проникливе есе, яке проливає світло на його страхітливі прийоми, фотографії майстра за роботою та ілюстрований список усіх його епізодичних ролей, а також додає мрії кіномана.

Редактор:

Пол Дункан — історик кіно, серед книг якого TASCHEN є The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, та Horror Cinema,, а також публікації про кінорежисерів, кіножанри, кінозірок та кіноафіші.

120-та річниця з дня його народження, життя та шедеври Альфреда Гічкока, британського режисера, майстра саспенсу та генія кіно.

«Якщо ви змусите бомбу вибухнути, глядачі зазнають шоку, який триває 10 секунд, але якщо ви просто скажете їм, що є бомба, саспенс затягується, і глядачі тримаються в напрузі протягом п'яти хвилин» (Альфред Гічкок).

Вищий представник «сьомого мистецтва», режисер шедеврів, віха світового кіно, протягом своєї довгої кар'єри Альфред Гічкок (1899–1980) зняв понад 50 фільмів, від свого дебюту в німому кіно до фільмів 1970-х років, які тероризували цілі покоління.

Захопливі сюжети, оригінальний монтаж, блискучість, майстерне вміння створювати постійну напругу, кадр за кадром: ось складові, які зробили Гічкока справжньою іконою історії кіно, якій поклоняються та шанують незліченну кількість шанувальників, які й сьогодні наслідують та вивчають його інноваційні техніки.

Завдяки величезній добірці фотографій та оригінального контенту, взятих із серії шедеврів, таких як «Психо» (1960), «Вікно у двір» (1954), «Птахи» (1963), «Запаморочення» (1958), «На північ через північний захід» (1959), «Набери «М» для вбивства» (1954), читачі потрапляють за лаштунки, щоб дізнатися цікаві деталі та краще зрозуміти життя цього майстра саспенсу.

The delightful and stylish imagery produced by Arthur Rackham and John Tenniel bring the story of Alice in Wonderland to life in this beautiful new book. Printed on high quality paper, there are 45 classic illustrations for you to colour, with suggestions too on how to start the colouring. This book will give you many hours of pleasure and calm, taking you on an enjoyable journey where the satisfaction of creating stunning artworks is mixed with rediscovering the joy of colouring. You can use a wide variety of pens: from gel and pencil, to pigment and crayons, from ballpoint and rollerball to highlighters, although it’s best to avoid the heavy felt pens. Each page is perforated near the spine of the book, so you can tear out and frame or simply place your wonderful creation on the walls of your home, perhaps even send them as a gift to your loved ones. Bring the Ink to life!

About the Author:

Daisy Seal is a talented, thoughtful writer of gift, celebration and puzzle books. She has long observed the intimate connections between the natural world around us and our search for the enduring spirit of humankind. Previous publications include "Inspirations", "Reflections", "Be Calm," and "Friendship".

«Чужий» – це віха у світі наукової фантастики та одна з найзахопливіших, найжахливіших і найкрасивіших кінофраншиз усіх часів. Alien: The Archive – це перша повна книга з приголомшливими ілюстраціями та фотографіями з усіх чотирьох фільмів.

TM & (c) 2014 Twentieth Century Fox Film Corporation. All Rights Reserved.

Cartier’s peerless designers have continued to amaze decade after decade - from the 1930s into the twenty-first century - with their fanciful and trendsetting creations. Figurative pieces comprise a significant portion of the house’s collection - a veritable menagerie that includes bejeweled roosters and cobras cohabitating with tigers and angelfish. In addition to whimsical fauna and resplendent flora, Cartier crafted items of precisely mastered abstraction, from virtuoso work in gold to chromatic harmonies ranging from subtle to bold. The second half of the twentieth century was to provide an inexhaustible repertoire of forms for decorative objects and finery. Close-ups of hundreds of Cartier pieces are supplemented with archival drawings, as well as society and fashion photographs. This volume chronicles the rise of a pioneering firm and illustrates the power of constantly renewed styles based on a fine balance between imagination and know-how, creativity and experience. Fashion writer Nadine Coleno situates the emergence of Cartier’s creations in their historical and stylistic context. This volume offers an eloquent tribute to the multiple talents that have transformed the name of a dynasty of jewelers into the universal gold standard in jewelry design.

Numerous high-quality reproductions accompany this in-depth examination of Modigliani's career, from the penetrating psychological studies of his early portraits, through the more stylized images such as the graceful figures with the famous almond-shaped eyes and swan-like necks, to his mature depiction of nudes, which have become symbols of femininity.

Although Modigliani led the life of the turn-of-the-century bohemian in Paris, dying at the young age of 35, his restless life is scarcely reflected in his paintings, which are characterized by cool detachment and often archaic austerity. This fascinating study reveals how Modigliani drew his inspiration not so much from the avant-garde movements of the time, as from the artists of the Renaissance and Rococo periods.

Twentieth-century American society wittily and ironically portrayed by a great artist. Norman Rockwell (1894–1978), one of the most popular American artists of the past century, has often been regarded as a simple illustrator and had his work identified with the covers of the Saturday Evening Post. He is, instead, a total artist. An acute observer of human nature and talented storyteller, Rockwell captured America’s evolving society in small details and nuances, portraying scenes of the everyday life of ordinary people and presenting a personal and often idealized interpretation of the American identity. His images offered a reassuring visual haven in a period of epoch-making transformation that led to the birth of the modern American society.

The art of Norman Rockwell entered the homes of millions of Americans for over fifty years, illustrating the Roaring Twenties, the Depression, World War II, and the 1950s and 1960s. His works mirror aspects of the life of average Americans with precise realism and often in a humorous light. The exhibition catalog organized in collaboration with the Norman Rockwell Museum of Stockbridge, Massachusetts, presents well-known and beloved masterpieces like the Triple Self-Portrait (1960), Girl at the Mirror (1954), and The Art Critic (1955) alongside carefully observed images of youthful innocence (No Swimming, 1921) and paintings with a powerful social message like The Problem We All Live With (1964).

The first appearances of graffiti “tags” (signatures) on New York City subway trains in the early 1970s were discarded as incidents of vandalism or the rough, violent cries of the ignorant and impoverished.
However, as the graffiti movement progressed and tags became more elaborate and ubiquitous, genuine artists emerged whose unique creativity and unconventional media captured the attention of the world.
Featuring gallery and street works by several contributors to the graffiti scene, this book offers insight into the lives of urban artists, describes their relationship with the bourgeois art world, and discusses their artistic motivation with unprecedented sensitivity.

The Author
Margo Thompson received her Ph.D. in art history from Northwestern University. She teaches modern and contemporary art at Muhlenberg College.

Her courses in African-American art history and multiculturalism led her to write this book. Her previous research on gender and sexuality in art has been published in journals including n.paradoxa, Genders and GLQ.