Мистецтво

Swiss animated film is currently in one of its most productive, ambitious and successful historical periods. Never before have so many films been made and never before have these films enjoyed such international success. At the centre of animation.ch are conversations with 20 film-makers who represent the variety and uniqueness of Swiss animated film - from short author films to children's productions, from television series to feature film projects, not to mention art and commercial productions. animation.ch explores the development of Swiss animated film over the last 20 years, examines current trends and looks at what's to come in the future.

Contents:

- Preface by Prof. Dr. Gabriela Christen
- Introduction by Christian Gasser
- Soaring and Morphing!: Developments in and Prospects of the Swiss Animated Film
- Conversations: Georges Schwizgebel, Jonas Raeber, Yves Netzhammer, Ted Sieger and Sam & Fred Guillaume
- Lucerne Inbetweens by Prof. Jochen Ehmann
- Portraits: Anne Baillod, Claude Barras, François Chalet, Isabelle Favez, Adrian Flückiger, Maja Gehrig, Claudius Gentinetta, Zoltán Horváth, Jadwiga Kowalska, Claude Luyet, Dustin Rees, Izabela Rieben, Marina Rosset, Rafael Sommerhalder and Basil Vogt
- Assiduous Money Men and Hidden Wolves by Chritstian Gasser
- Applied and Commissioned Animated Film in Switzerland
- Glossary
- Bibliography

Experienced gathers together 30 years of work by artist Ann Veronica Janssens. Released as the companion to her 2009 exhibition Are You Experienced, curated for the Espai d'Art Contemporani de Castelló, the book builds on that body of work, presenting more than 6000 images across some 500 pages. Packed with a variety of materials from the artist's personal archive, Experienced gives a panoramic view of Janssens' work and process. The book is published on the occasion of the exhibition by Ann Veronica Janssens at the EACC in Castello from March to April 2009.

Inspired by Chinese art and lore, Western art and music, and the natural world, Anna Hu’s imaginative, exquisitely designed and executed one-of-a kind pieces have catapulted her to the top of the jewelry firmament in a few short years. Her firm, Anna Hu Haute Joaillerie, has boutiques in New York and Shanghai, and the Musée des Arts Décoratifs in Paris has honoured her with an exhibition of her work.

This luxurious volume celebrates the completion of Anna Hu’s first 100 works, or ‘Opus 1’, as she calls the collection. Her ambitious goal is to produce an opus every five years until she has completed ten, for a total of 999 pieces, and no one who has seen her jewelry has any doubt that she will fulfil her dream.

The texts address various aspects of Anna Hu’s work, including the relationship between her jewelry and fashion, the impact that her passionate study of the cello has had on her jewelry design, and the remarkable gemstones that inspired her to make some of her most virtuosic pieces.

The pièces de résistance of the book are the pieces themselves, many of them exquisitely photographed by master jewelry photographer David Behl. Some are as intricate as Chinese embroidery, others are as ethereal as butterflies, and still others are reinterpretations of works of music and art, from Beethoven’s Moonlight Sonata and Puccini’s Turandot to Monet’s Water Lilies and Van Gogh’s Irises.

In all, a Symphony of Jewels.

A dazzling look at the recent jewelry of Anna Hu, one of today’s most exciting designers

In this, the second volume of a projected multivolume series, jewelry designer Anna Hu presents a carefully curated selection of exceptional pieces created over the past five years. Born in Taiwan, Hu was trained as a concert cellist. After receiving degrees in jewelry design at New York’s FIT, the history of decorative arts at Parsons, and arts administration at Columbia University, she apprenticed at Christie’s jewelry department, Van Cleef & Arpels, and Harry Winston. In 2007, she opened Anna Hu Haute Joallerie, specializing in one-of-a-kind jewelry executed by French ateliers using the rarest stones in the world. In Symphony of Jewels: Opus 2, renowned jewelry historian Janet Zapata surveys the impressive trajectory of Hu’s career and looks to her future as one of the brightest diamonds in the world of contemporary fine jewelry design.

About the Author:

Sarah Davis is a jewelry historian, author, and editor for the American Society of Jewelry Historians. She was editor and a co-author of Jeweled Splendors of the Art Deco Era: The Prince and Princess Sadruddin Aga Khan Collection. Janet Zapata, a historian of jewelry and decorative arts, is the author or coauthor of numerous books, including Cartier in the 20th Century, The Jewels and Enamels of Louis Comfort Tiffany, and Seaman Schepps. François Curiel is chairman, Europe and Asia, Christie’s.

The impulse to do AMERICAN MUSIC, writes famed photographer Annie Leibovitz, “came from a desire to return to my original subject and look at it with a mature eye. Bring my experience to it…make it a real American tapestry.” Her ambitious idea became AMERICAN MUSIC, a stunning collection of photographs of the musicians, places and people that enrich the landscape of American music.

As Rolling Stone’s chief photographer for over thirteen years, Leibovitz created a legendary body of work. Her portraits of some of the world’s most talented musicians capture more than the performer, they convey the art of making music. For AMERICAN MUSIC, Leibovitz traveled across the country to juke joints in the Mississippi Delta, honkytonks in Texas, and jazz clubs in New Orleans “to take pictures in places that mean something.” In her signature style, she shares stunning portraits of American greats -- B.B. King, Willie Nelson, Bonnie Raitt, Bruce Springsteen, Beck, Bob Dylan, Mary J. Blige, Jon Bon Jovi, Steve Earle, Ryan Adams, Miles Davis, Etta James, Pete Seeger, Emmylou Harris, Tom Waits, The Dixie Chicks, Dr. Dre, The Roots and many more.

AMERICAN MUSIC includes a commentary about the American Music project by Leibovitz, short essays by musicians Patti Smith, Rosanne Cash, Steve Earle, Mos Def, Ryan Adams, and Beck as well as biographical sketches of all the musicians.

About the Author:

Annie Leibovitz is one of the most influential photographers of our time. In 1970, she began creating what became her legendary work for Rolling Stone. Since the early 1980s, she has expanded her repertoire at Vanity Fair and Vogue and in independent projects. She is the recipient of many honors, including the International Center of Photography’s Lifetime Achievement Award and the Centenary Medal of the Royal Photographic Society.

In commemoration of the four hundredth anniversary of the birth of Anthony van Dyck, the great Flemish painter, a monumental collection of 250 reproductions of masterpieces by this genius also offers a comprehensive analysis of his work by respected scholars.

This is a comprehensive study of needlework tools from the seventeenth century to the Edwardian era.

The book starts with the heavy silver needlework tools of the seventeenth century which are related to the raised and padded embroidery of that era now known as stumpwork. The more delicate embroidery tools of the Georgian era are grouped together with fine embroideries. Illustrations of Georgian sewing boxes and sewing sets show the wonderful varieties available to collectors.

Palais Royal sewing boxes and their superb mother-of-pearl contents, considered by collectors to be the ultimate sewing box, are illustrated as are the glorious carved ivory needlework tools that originated from the Dieppe region of France. The Victorian lady chose her sewing box, work table or sewing set from the extensive range available of which illustrated examples include tortoiseshell, papier mâché, Tunbridge ware and Mauchline ware. This was also the era of the sewing circle and hand-made needlework tools were created in abundant numbers, many surviving for today's collectors' market.

- Groups needlework tools into historic periods
- Relates them to the social scene and the styles of embroidery fashionable at that time
- Answers many questions posed by collectors of antique needlework tools
- Indispensable reference on the subject

Cet ouvrage a pour objectif de faire mieux connaître l’art qui s’exprime dans l’habillage de l’architecture marocaine, en donnant à voir un grand nombre de réalisations mais aussi, et c’est là son originalité, en délivrant des clés pour une meilleure compréhension de l’arabesque géométrique et un accès facile à la pratique créative de l’art. Nous souhaitons ainsi contribuer à la diffusion d’un savoir rare et précieux élaboré par le travail obstiné de générations d’artistes anonymes. Après un rapide exposé historique destiné à cerner la spécificité de l’art islamique au Maroc, nous étudions les trois principales familles du décor dans l’architecture : la calligraphie, l’arabesque florale et, surtout, le décor géométrique qui fournit la matière la plus originale et approfondie du livre. L’exposé technique s’appuie sur le dessin - sans ou avec l’ordinateur - et est accompagné de nombreuses photographies prises dans les plus beaux sites (monuments, palais royaux, cités) du Maroc. Pour le plaisir des yeux... et de l’esprit.

This volume throws light upon an art expression to be found clad in the garments of Moroccan architecture. This work provides keys to the understanding of geometrical arabesques. This art of a rare and precious mastery was elaborated through the determined efforts of generations of anonymous artists. A brief historical survey defines the specificity of Islamic art in Morocco.

Three principal styles of decorative architecture are studied: calligraphy, floral arabesque, and geometrical arabesque. Illustrations and photographs of some of the most beautiful sites of Morocco (monuments, royal palaces and cities) are a pleasure for the eye.

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Посмотреть англоязычное издание Arabesques: Decorative Art in Morocco

Here are 141 designs and motifs in authentic full color from classic 19th century work by noted French historian — a visual vocabulary of Islamic decorative art.

Не секрет, що татуювання стали загальноприйнятою та популярною формою самовираження; люди молоді та старі носять рукави з чорнилом або маленькі візерунки, що виглядають з-під пояса чи коміра сорочки. Однак за останні кілька років з'явився піджанр татуювань: Arabic tattoos.

Хоча іслам забороняє татуювання, книга Arabic Tattoos документує причини, чому люди зі Сполучених Штатів та Європи роблять ці татуювання, починаючи від імен, перетворених з латинського алфавіту на арабський, і закінчуючи жирними словами, такими як «невірний», що зображуються на американських солдатах, які повертаються до Іраку.

Джон Удельсон, упорядник книги, пише: «Ці татуювання означають більше, ніж слова та візерунки, які вони демонструють на шкірі людини. Вони є репрезентативними для цього вирішального моменту сучасності, коли культурна усвідомленість, прийняття та, на жаль, страх є важливими аспектами глобальної культури».

Поряд із фотографіями цих татуювань та історіями їхніх одержувачів, дизайнерів та художників, есе експерта з татуювань Клейтона Паттерсона та єгипетського художника Хамді Аттії надають глибокий контекст для цих татуювань.

Мета Arabic Tattoos — висвітлити такі питання, як «Кому належить мова?», і таким чином доповнити постійно зростаючий публічний дискурс, що охоплює філософію, релігію, політику та мистецтво, досягаючи глибшого розуміння цього багатокультурного світу, в якому ми живемо.

Überblick über das Gesamtwerk von Giuseppe Arcimboldo, der als Schöpfer fantastischer Porträts einer der extravagantesten und zugleich rätselhaftesten Maler der Kunstgeschichte ist.

Giuseppe Arcimboldo (1526–1593), der für seine verblüffenden Porträts gefeierte Künstler der italienischen Spätrenaissance, bleibt – der Bekanntheit seines Namens zum Trotz – bis heute geheimnisvoll. Sein Ruhm gründet sich vornehmlich auf seine einzigartige Serie von Jahreszeitenbildnissen, die aus Pflanzen und Früchten komponiert sind. Hoch verehrt im Leben, gerät Arcimboldo nach seinem Tod schnell in Vergessenheit, bis er im frühen 20. Jahrhundert als einer der Wegbereiter moderner Kunst wiederentdeckt wird.
Der Band erschließt die ganze Spannweite seines Schaffens einschließlich der weniger bekannten Facetten und ermöglicht – eingebettet in das kulturhistorische Umfeld der Zeit – ein vertieftes Verständnis seines Werkes: Neben den berühmten Komposit- und Umkehrköpfen werden etwa Arcimboldos künstlerische Anfänge in seiner Geburtsstadt Mailand und vor allem auch seine 25-jährige Tätigkeit als Hofmaler der Habsburger Kaiser Maximilian II. und Rudolf II. ausführlich beschrieben. Auch die Naturstudien Arcimboldos, die ebenfalls auf die ungewöhnliche Verknüpfung von Natur, Wissenschaft und Kunst in seinem Werk verweisen, werden vorgestellt.

Aria d’Italia is a Tod’s brand project that represents the Italy of the present and future through the faces and voices of young talents.

Aria d’Italia celebrates the contemporary Italian lifestyle and its values, highlighting talent and passion for quality in every aspect of life, from the culinary world to art, from social life to the loving care of traditions. The book demonstrates a harmony of action and thought that transcends nationality and can be embraced by all. As artist Costanza Chia, one of the people involved in this research, says, “There is poetry in doing things calmly and carefully: this is the warm Italian touch.”

Exploring eight keywords including Joy, Boldness, Passion, and Heritage, Aria d’Italia tells the personal and professional stories of young artists, entrepreneurs, and artisans who represent the heart of the Italian identity, motivated by an ongoing quest for beauty. These protagonists have been photographed by Guido Taroni in their homes and in the places that best represent their origins.

The title Aria d’Italia is inspired by the eponymous magazine published between 1939 and 1941 by collector Daria Guarnati, which brought together impressive collaborators such as Giò Ponti. With avant-garde taste, Guarnati enhanced Italy’s artistic heritage in all its expressions, from graphics to literature, art to design — and launched the concept of Italian style.

About the Author:

Paola Jacobbi is a journalist and writer who has worked as senior editor for Vanity Fair Italia. Guido Taroni is a photographer who has worked with major brands and important Italian and international publishing houses. Stefano Tonchi is a fashion journalist, author, and curator. He held the role of editor-in-chief of W, editor-in-chief of T: The New York Times Style Magazine, and fashion creative director for Esquire. He is currently Editorial Director of the Palm Beach based magazine Palmer. Micaela Sessa is a fashion stylist and consultant for fashion magazines and brands.

Published for the celebrations of the fifth centenary of the printing of the first book in Armenian in Venice (1512), this volume offers a rich, fascinating chronological survey, presenting over 200 works from the leading museums and libraries of Armenia and Europe, and including some extremely rare manuscripts and miniatures (loaned exceptionally for the exhibition in Venice). Together, they document the great achievements of the Armenian civilisation in the spiritual, artistic, architectural, economic and intellectual sectors.

The ancient stelae with engraved cross, the miniatures with bright colours, the sacred architecture and precious reliquaries preserved for centuries at the Holy See of the Apostolic Armenian Church at Echmiadzin will lead the visitor in his discovery of the civilisation of this great people from the early days of Christianity to the end of the 19th century.

The book places a great emphasis on the long and fruitful contacts between the Armenians and other cultures in Europe and the Far East. In particular, it illustrates the special and centuries-old relationship with Venice through a series of historic documents, manuscripts and works of art, describing how the presence of the Armenians in the lagoon began and developed, and their political, economic and cultural contacts with the city. In the last section, thanks to a series of rare manuscripts, the book takes a look at Armenian science, theology, philosophy, historiography and literature. A special section is dedicated to Armenian printing, which dates back to 1512.

The finest editions from the presses dotted throughout the Armenian colonies around the world are presented here. In this special chapter, particular emphasis is accorded to the glorious Armenian printing tradition in Venice, which reached its greatest heights thanks to the hard work and enlightened dedication of the Mechitarist Fathers.

The clear chronological narrative is combined with a lively account of art and material culture, emphasizing the diversity and cosmopolitan character of the entire Greek world over two thousand years.

Comprehensive, up-to-date and balanced, the book integrates the archaeological evidence into its broader historical, cultural and social context, while the author suggests new ways of thinking about fundamental subjects, such as the relationship between art and politics and the evolution of style.

Well-known works are presented alongside less-familiar pieces, together with architecture, fortifications and settlement patterns, while recent discoveries are revealed, such as an astonishing Minoan-style bull-leaping fresco from Egypt; a spectacular marble sarcophagus from northwest Anatolia; a bronze statue of an athlete found in the sea off Croatia; and tomb paintings from ancient Macedonia.

A variety of themed boxes address illuminating topics and controversial issues, including looting; the connections between Homer’s poems and the archaeological record; and manufacturing techniques. Plentiful quotations from ancient texts provide first-hand testimonials from the Greek world, and numerous photographs, maps, plans and chronological charts support the text.