For easy reference, the chapters are divided by location in the home:
* Living Rooms
* Bedrooms
* Kitchens
* Bathrooms
* Home Offices
* Kid Rooms
* Entrances and Corridors
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The Encyclopedia of Window Treatments is a must-have for anyone interested in home dcor. Cross-references help the reader navigate an abundance of traditional and modern designs. Visually compelling with more than 1,000 full-color illustrations and photos, the book presents hundreds of window treatments: draperies, curtains, shades, valances, swags and cascades, and blinds and shutters. Features n The most comprehensive collection of todays window treatment options in various configurations n More than 1,000 full-color illustrations and photographs n Visual glossary identifies various elements of window treatments n Offers complementary pillow and tabletop ideas throughout n Special section on measuring windows and estimating yardage n Problem/Solution guide presents ideas for challenging window configurations
From a charmed New Orleans childhood to a successful acting career on Broadway and the award-winning TV show Mad Men to the opening of his popular Big Easy home furnishings boutique, Hazelnut, Bryan Batt has always turned to home design as a creative outlet. To him, the best rooms are unexpected yet refined and, above all, evoke emotion. He doesn’t think twice about hanging oversized decorations from a Mardi Gras float in an elegant dining room or bringing home vintage etchings of sconces when he was actually shopping for real ones. He believes that a vibrant orange wall can be a neutral backdrop for an antique writing desk and earthy accessories, and that an artist’s whimsical bird’s nest sculpture hung in a lavender entryway couldn’t serve as a better welcome into a cozy abode. New Orleans has taught Bryan so much about how to pull together a space that’s fearless and colorful with plenty of panache. With the city as his muse - its strong roots in history, its celebration of tradition, and, of course, the wild festivities of Mardi Gras - he believes that designing a fabulous, livable home that truly reflects a dweller’s passions need not be intimidating.
Big, Easy Style showcases rooms that make Bryan smile, with pages of rich photography featuring the work of many designers - and plenty of Crescent City interiors - framed by his own entertaining maxims on color, pattern, collecting, living areas, intimate spaces, and more. Explore rooms he’s personally designed and others that inspire him; from an old-world kitchen imported straight from the heart of France to a luxurious Art Deco media room, these homes are enticing and unique, and through their surprising details, completely inviting.
Decorating your home to reflect your personality and taste takes practice and patience and can be a daunting undertaking, but Bryan proposes that we not worry about making mistakes, that any decision we make is better than no decision at all. With Big, Easy Style, learn how to put aside your hesitation and surrender to the wild side of home design for a big statement that’s easy to achieve.
Giving Form to the Future. BIG’s third installment of its TASCHEN trilogy: Formgiving. An Architectural Future History
Formgiving. An Architectural Future History, the new book by BIG (Bjarke Ingels Group), and the latest installment in its TASCHEN trilogy, is a visionary attempt to look at the horizon of time, from the Big Bang into the most distant future. The volume addresses six evolutionary trajectories, and the development of artificial intelligence, sustainability, interplanetary migration, among others, in the context of architecture and design, in order to give form to the future world we want to inhabit — right now.
Formgiving. An Architectural Future History, the new book by BIG (Bjarke Ingels Group), is a visionary attempt to look at the horizon of time. The Danish word for “design” is “formgivning,” which literally means to give form to that which has not yet taken shape. In other words, to give form to the future. Using our power to give form, rather than allowing the future to take shape, is more important now than ever, as humankind’s impact on the planet continues to increase and pose ever greater challenges to all life forms. Architecture plays a special role by proposing spaces for our lives that are fragments of the future in the making. William Gibson’s words embody architecture’s role perfectly: “The future is already here — it’s just not evenly distributed.”
With Formgiving, BIG presents the third part of its TASCHEN trilogy, which began with Yes is More, one of the most successful architectural books of its generation, and continued with Hot to Cold. An Odyssey of Architectural Adaptation. The book is presented in a timeline, stretching from the Big Bang into the most distant future. Projects are structured around six strands of evolution — “Making,” “Sensing,” “Sustaining,” “Thinking,” “Healing,” and “Moving” — the multimedia-based, interdisciplinary concepts encompassing the building industry. Culture, climate, and landscape, as well as all the energies derived from the elements — the thermal mass of the ocean, the dynamics of currents, the energy and warmth of the sun, the power of the wind — are incorporated into these projects. Throughout more than 700 pages, Bjarke Ingels presents his personal selection of projects, including the 12,000-square-meter LEGO House in Denmark, the human-made ecosystems floating on oceans, the redesign of a World War II bunker into a contemplative museum, and the ski slope-infused power plant celebrating Copenhagen’s commitment to carbon neutrality. Through architecture and design, BIG gives shape to a sustainable and simultaneously colorful world.
Bjarke Ingels: “To feel that we have license to imagine a future different from today, all we have to do is look back ten years, a hundred years, a thousand years, to realize how radically different things were then than they are today. The same will be true if we can look ahead with the same clarity of vision. As we tackle the complexities of everyday life, these six evolutionary trajectories allow us to place a firm gaze on the horizon of time to prevent us from being derailed by the random distractions of today. Since we know from our past that our future is bound to be different from our present, rather than waiting for it to take shape on its own, we have the power to give it form.”
Formgiving is also a companion volume to the exhibition of the same name, which was conceived at the Danish Architecture Center in Copenhagen and will travel to other venues worldwide. More than 65 projects document BIG’s global work through the eyes of their users, from the drawing board to global construction sites and finished projects. Throughout the book are insights into developments that reach five, ten, or fifty years into the future, and evidence of BIG’s intransigence to reach beyond the ordinary, and beyond worlds, to contribute to the future with each project. Each step not only reveals a world that resembles our dreams but also already tries to realize these dreams pragmatically. We have the power to create the world of tomorrow!
The book features:
- previously unpublished essays by Bjarke Ingels,
- award-winning photography by Laurian Ghinitoiu, Iwan Baan, and Rasmus Hjortshøj, among others,
- planetary proposals for habitats on the Moon and research centers on Mars,
- 20 LEGO master-builder models of BIG’s work,
- a glimpse of Masterplanet — BIG’s ongoing work on a collective, crowdsourced masterplan guide for sustaining our planet.
Better smart than sorry. An odyssey of architectural adaptation with Bjarke Ingels
After the global success of YES IS MORE, one of the best-selling architecture books of its generation, BIG – Bjarke Ingels Group presents HOT TO COLD, an odyssey of architectural adaptation. The book coincides with the HOT TO COLD show at the National Building Museum in Washington DC and presents 60 case studies in harsh climate conditions in order to examine where and how we live on our planet.
As we travel from one end of the spectrum to its opposite we will see that the more harsh the climate gets, the more intense its impact on the architecture. The central challenge is to mitigate the climatic extremes for hospitable human life, while finding solutions that can be both economically and environmentally profitable.
Architecture is the art and science of accommodating the lives we want to live. Our cities and buildings aren't givens; they are the way they are because that is as far as we have gotten to date. They are the best efforts of our ancestors and fellow planetizens, and if they have shortcomings, it is up to us to continue that effort, pick up where they left off. HOT TO COLD stays true to BIG – Bjarke Ingels Group's grand mission to find a pragmatic utopia, shaping not only a particular structural entity, but the kind of world we wish to inhabit.
The book features:
- Design from award-winning artists Sagmeister & Walsh
- Previously unpublished essays by Bjarke Ingels.
- A convertible dust jacket-poster.
BIG (Bjarke Ingels Group) is an international group of architects, designers, builders, and thinkers, operating within the fields of architecture, urbanism, research, and development. BIG has been actively responding to individual projects with avant-garde concepts and convincing creativity.
Посмотреть избранные развороты книги BIG: Bjarke Ingels Group Projects 2001-2010
The definitive book on the legendary decorator Billy Baldwin, known as the "Dean of American Decorating," famous for his classical taste, streamlined modernism, and brilliant use of colour.
In the tradition of Rizzoli’s Albert Hadley and David Hicks, this is the first fully illustrated account of the career of Billy Baldwin (1903–1983), one of the most important decorators of the twentieth century, whose work has influenced contemporary designers from Bunny Williams to Jeffrey Bilhuber. A native of Baltimore, Baldwin’s work caught the eye of eminent New York decorator Ruby Ross Wood. She invited him to join her firm, saying his work stood out "like a beacon of light in the boredom of the houses around it." Baldwin’s style was a revelation - simultaneously classical and modernist, tailored and clean, yet dramatically colored, and above all American. An enemy of clutter and conspicuous wealth, he favored natural materials and comfortable furniture.
The drama in his rooms often came from color, as seen in the dark brown lacquered walls of Cole Porter’s library or the scarlet cotton print that covered Diana Vreeland’s apartment. Immensely charming, Baldwin was a popular addition to the high society of New York. His clients included Bill and Deeda Blair, Babe and Bill Paley, and Jacqueline Kennedy Onassis.
With a foreword by Baldwin’s former student Albert Hadley, and enriched by never-before-published transcripts of four 1974 lectures that Baldwin gave at the Cooper-Hewitt, this is an important book for anyone interested in interior design.
This book is an extraordinary collection of exciting and diverse architectural sustainable projects. Monsa explores the critical line between how we built and the natural environment with a combination of sustainable star architects and heretofore unknown practitioners. Basically, sustainable design means being smart about how we use the energy, water and construction materials in order to be successful in comfort and without being unnecessarily harmful with the environment and, of course, the contem-porary view of modern architecture.
The process of creating good sustainable architec-ture is about thinking better buildings that are easier on the environment, with green materials, less expensive over the long term and more enjoyable to use.
Green & Sustainable teaches us that when the creative processes are used in combination with social, cultural and environmental systems, modern architecture meets without hesitation the artistic and sensible necessities of present days without compromising the requirements of our future generations. A perfect read and an essential reference for anyone interested in how the architecture and design aesthetic connects with environmental sustainability.
Birdhouses of the World offers readers a curated collection of beautiful, whimsical, stop-you-in-your-tracks amazing birdhouses created by designers and bird lovers around the world.
Bird expert and author Anne Schmauss provides a brief history of birdhouses and lists the kinds of birds that inhabit them, as well as the types of structures that attract various species. Most important in her selection for this book is the “wow” factor: These birdhouses are spectacular in their creativity, ingenuity, and sheer originality. With styles ranging from sleek modern to elaborate Victorian, they are as varied as human houses.
Illustrating the wide-ranging designs found throughout the world, and even including the birdhouse of filmmaker George Lucas, this book is a captivating look at the creativity than can result when a functional structure is infused with a love of birds.
About the Author
Anne Schmauss is owner of the store Wild Birds Unlimited and a columnist for the Santa Fe New Mexican. She coauthored For the Birds: A Month by Month Guide to Attracting Birds to Your Backyard with her sisters. She lives in New Mexico.
Building Bound to the Ground. A visual exploration of earth-bound architecture
Building is one of the very few endeavours that are physically connected to the surface of the earth, fixed and enduring. Nevertheless, for centuries, especially in the West, we have considered ourselves separate and above nature, drifting away, defining our own systems and order, and using the ground as nothing more than a passive foundation. Other times we sought connection, drawing on nature for ritual and religion, fortified protection, and ecological balance.
This global compendium of nearly 1,400 pages brings architecture back in harmony with Earth’s surface. For years, Bjarne Mastenbroek and his architectural firm, SeARCH, have delved into the relationship architecture has, had, and will have with its surroundings, seeing buildings as landscapes that fit into their site without dominating or disturbing it. For Dig It!, they have dug deep into the history of building culture and brought to light fascinating examples of this philosophy — some well known, some previously overlooked.
From African churches chiseled from rock and Chinese villages dug into terrains to Parisian housing vibrantly overgrown and a villa built into the cliffs of Capri (famously featured in the film Le Mépris starring Brigitte Bardot), this book dissects structures from the past millennia. Part atlas, part encyclopedia, it highlights traditional vernacular practices, reconsiders all-time favorites, and celebrates contemporary examples across the globe. Designed by Mevis & Van Deursen, the extensive collection features analytical drawings from SeARCH and photo essays by Iwan Baan.
Dig It! acknowledges an effort to reconnect architecture and landscape and merge building with ground. Separated into six chapters (or “strategies”) — Bury, Embed, Absorb, Spiral, Carve, and Mimic — this remarkable survey reveals humanity’s connection to the earth through building culture: clever and utterly relevant for the challenges that we have and will face in both urban and natural environments.
The author:
The work of Bjarne Mastenbroek is characterised by a continuous exploration into the intimate and reciprocal relationship between architecture and site. As a Dutch architect, Mastenbroek is well aware of the scarcity of land and believes strongly in using this resource more intelligently in order to give 'nature' more space to survive. Since founding the pratice SeARCH in 2002, Mastenbroek has witnessed and actively pushed for a more site-specific or connected approach to architecture to overtake a modernist approach to building.
The photographer:
After studying photography at the Royal Academy of Arts in The Hague, Iwan Baan followed his interest in documentary photography, before narrowing his focus to record how humans interact within their built environment, like in his work on informal communities, such as his images of the Torre David in Caracas – a series that won Baan the Golden Lion for Best Installation at the 2012 Venice Architecture Biennale. His work has been exhibited in the Museum of Modern art, the Architectural Association in London, the AIA New York Chapter, and appears frequently on the pages of architecture, design and lifestyle publications all over the world.
The designers:
Founded by Armand Mevis and Linda van Deursen in 1987, Amsterdam-based graphic design studio Mevis & Van Deursen is largely recognized for innovative design work in the cultural sector including the identity of the Stedelijk Museum, collaborations with fashion duo Victor & Rolf, and numerous publications on architecture and design. Imparting a vision of graphic design as an active part of the message their educational engagements include the Gerrit Rietveld Academy, Werkplaats Typografie, and Yale School of Art.
The contributing authors:
Esther Mecredy
SeARCH, Architecture and Urban Planning
Black and white décor is at once dramatic and understated, modern and classic, apparent in the work of iconic designers such as Dorothy Draper and Madeleine Castaing but just as present in design today. And the inspiration is all around us — from nature (a zebra’s stripes, tree trunks rising from drifts of snow) to old Hollywood movies and fashion to black-and-white photography and patterns we encounter in our everyday lives (crossword puzzles and the pages of our favorite novels).
In Black and White (and a Bit in Between), acclaimed interior designer Celerie Kemble trades in her signature vivid palette for this iconic aesthetic, highlighting the black and white work of design stars and peers, including Bunny Williams, Thomas O’Brien, Mary McDonald, Victoria Hagan, Mark Hampton, Delphine Krakoff, Brad Ford, Philip Gorrivan, Carrier and Co., and Miles Redd, and welcoming you into more than 100 spaces in every imaginable aesthetic. Woven throughout are her witty observations and expert advice on choosing the best paints and finishes, adding patterns and accessories, building an entire room scheme based on inspiration found in nature, collecting black and white objects, and even choosing the perfect accent colors.
With more than 350 gorgeous color photographs, this is a vividly photographed celebration of a timeless scheme, infused with inspirational tips, glimpses into showstopping homes, and proof that a limited palette is anything but.
About the Author:
Celerie Kemble is a principal in Kemble Interiors, a design firm cofounded by her mother, Mimi McMakin. Celerie has been featured in almost every major design magazine and has been listed for more than ten years in House Beautiful’s annual “Top Designers” list. She was chosen by Elle Decor as a top female designer in their first “Women in Design” issue. In 2010 she was selected by Benjamin Moore to appear as a home design expert in a national advertising campaign and she has been featured by J.Crew as a trendsetter and tastemaker.
A stunning journey through the world's most dramatic and inspiring black architecture - now in a cool, compact new format
In this sleek, stylish and easy-to-use new size, Black: Architecture in Monochrome highlights the exquisite elegance of black in the built world through more than 150 structures. From ancient churches to contemporary skyscrapers, Black demonstrates how hues from ebony to onyx have been beloved by architects for centuries. Insightful texts paired with striking photography bring to life these captivating buildings including works by Mies van der Rohe, Philip Johnson, David Adjaye, Jean Nouvel, Peter Marino, and Steven Holl.
About the Author:
Stella Paul was educator-in-charge (exhibitions and communications) and senior manager of the Interpretative Audio Program (Digital Media) at the Metropolitan Museum of Art, New York. She established the Smithsonian Institution's Southern California Center for the Archives of American Art, and has worked as a curator at LACMA.
Is blacksmithing a lost art? Not according to this master craftsman. It might be one of the world's most ancient crafts, but it remains an exciting and essential one today. Percy W. Blandford presents twenty-four different projects: some are for novices, requiring only a few tools, improvised equipment, and a single propane torch; others call for the skill and equipment of an experienced smith.
Projects include:
- Punches and chisels
- Traditional candlestick
- Door latches and bolts
- Garden tools
- Weather vanes
- Fences and railings
- Tables
- Wheelbarrow
... and many more! A book of ideas and suggestions, rather than an instruction manual on blacksmithing techniques, this volume features eighty detailed figures and diagrams. It also includes lists of materials, step-by-step instructions, and suggestions for variations in design.
Yet controversy and conflict seethed around the Palace from its very start, thanks to two strong-minded women: Sarah, the wilful first Duchess of Marlborough, who wanted a home fit for a hero, and Queen Anne, who envisaged a glorious monument to England herself and a palace to rival Versailles.
As a palace and monument, Blenheim is spectacularly successful. It is one of the finest examples of English Baroque architecture, decorated and furnished to an equally lavish standard, housing works of art from all over Europe. Blenheim, which attracts around half a million visitors from all over the world each year, is one of Britain's most magnificent houses as George III enviously remarked 'we have nothing to equal this.' But the real story of Blenheim lies with the Spencer-Churchill family, who have lived in it for the past 300 years, and theirs is a story as turbulent, fascinating and momentous as the conflicts that surrounded its origins.
The first book about Blenheim ever written by one of the Spencer-Churchill family, Blenheim and the Churchill Family is filled with anecdotes, gossip, and intrigue, tracing the story of a glamorous dynasty from 1700 to modern times. This is the inside story, pieced together from the family archives, showing how the personalities of each Duke and Duchess influenced the progress of the great house through the centuries.