Архитектура

West Coast Wild. California’s architectural anomalies

In this vivid new examination of a rogue architectural style, discover the roadside structures of California. Fresh discoveries and several pictorial essays explore how these buildings became synonymous with the West Coast and how the power of personal expression championed any architectural establishment with structures eccentric, innovative, and bizarre.

At the dawn of the automobile age, Americans’ predilection for wanderlust prompted a new wave of inventive entrepreneurs to cater to this new mode of transportation. Starting in the 1920s, attention-grabbing buildings began to appear that would draw in passing drivers for snacks, provisions, souvenirs, or a quick meal. The architectural establishment of the day dismissed these roadside buildings as “monstrosities”.

Yet, they flourished, especially along America’s Sunbelt, and in particular, in Southern California, as proprietors indulged their creative impulses in the form of giant, eccentric constructions — from owls, dolls, pigs, and ships, to coffee pots and fruit. Their symbolic intent was guileless, yet they were marginalized by history. But, over the past 40 years, California’s architectural anomalies have regained their integrity, and are now being celebrated in this freshly revised compendium of buildings, California Crazy.

Brimming with the best examples of this architectural genre, California Crazy includes essays exploring the influences that fostered the nascent architectural movement, as well as identifying the unconventional landscapes and attitudes found on Los Angeles and Hollywood roadsides which allowed these buildings to flourish in profusion.

In addition, California Crazy features David Gebhard’s definitive essay, which defined this vernacular movement almost forty years ago. The California Crazy concept is expanded to include domestic architecture, eccentric signage, and the automobile as a fanciful object.

The editor:

Jim Heimann is the Executive Editor for TASCHEN America. A cultural anthropologist, historian, and an avid collector, he has authored numerous titles on architecture, pop culture, and the history of Los Angeles and Hollywood, including TASCHEN’S Surfing, Los Angeles. Portrait of a City, and the best-selling All American Ads series.

• The world's most luxurious homes captured in exquisite detail across over 250 spectacular full-colour pages
• Explores the inspirational work of world-renowned builder John Finton

California Luxury Living: A Private Tour is a visual exploration of world-renowned builder John Finton’s most outstanding houses, with a breathtaking range of styles from French Normandy to Traditional Malibu Beach, and Italian Modern to Asian Contemporary. More than just houses, many of these estates are complete with bowling alleys, vineyards, polo fields, movie theatres and more.

Among the firm’s discerning and often repeat clientele are captains of industry and international business executives, along with a bevvy of A-list celebrities.

Known as the ‘Indiana Jones’ of the building industry, Finton regularly travels the world to source the most appropriate and unique reclaimed materials – from Chinese cobblestones to centuries-old Indonesian teak – to augment his stunning constructions.

This beautifully presented monograph of its finest work reveals how an extraordinarily high level of care, attention to detail, and pride of craftsmanship sets Finton Construction apart in the field of high-end, custom houses. It also offers a tantalising glimpse into the otherwise hidden luxury of these awe-inspiring Hollywood dream homes.

John Finton is one of Southern California's most prominent builders and he specializes in the ultimate in luxury development and construction. He founded Finton Construction in the 1980's with Michael Reeves. John runs Finton Construction's LA County office where he oversees bidding, sales and marketing. He continually meets with clients, designers, and architects searching for innovative ideas to incorporate into luxury homes. John Finton is the national spokeperson for Bank of America's Building Green effort. John received a Bachelors of Science in Business Administration and Real Estate from the California State Polytechnic University in Pomona.

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California Native Plants for the Garden is a comprehensive resource that features more than 500 of the best California native plants for gardening in Mediterranean-climate areas of the world. Authored by three of the state's leading native-plant horticulturists and illustrated with 450 color photos, this reference book also includes chapters on landscape design, installation, and maintenance.

Detailed lists of recommended native plants for a variety of situations and appendices with information on places to see native plants and where to buy them are also provided.

With the coming age of leisure residence, the whole world, the seaside or the inner cities with totally different geographic and climate conditions, is crazy about this style, keeping the California villas hot in residential market. However, there lacks of excellent masterpiece with value of reference.

This book chooses the local California villa architectures and condenses them in a typical modern style to offer a visual feast to the readers. This book displays the native California villas in the aspects of design concept, design inspiration, architecture façade in a way which takes account of the whole layout and highlights the details, thoroughly presenting the quintessence of California villas to the professional readers.

Contents:
006...........................Diamond Residence
022.....................................Eagle,s Wings
036.................................Kent Residence
052........................Christine Smith Residence
066....................................Frank Residence
078..................................Halum Residence
090........................................ Westlund
098............................................ Westgate
110....................................Rosenblatt House
124..........................................ALTA: Plan . A
136.........................................ALTA: Plan . B
148.............................................ALTA: PLAN . C
158...............................Aarthum Residence
174.....................................Smith Residence
180.......................................................Nautilus
194..............................Ozonian Residence
210...........................................Patel House

The focus of this monograph on Spanish-born Felix Candela (1919–1997) is on modern Mexican architecture and its international influence. Conducting daring structural experiments with materials such as reinforced concrete and experimenting with shell vaulting to find new methods to save costs and material in building, Candela not only succeeded in putting his engineering knowledge into high-quality constructions but also into high-quality architecture. Geometry marks his impressive sculptural work, not only in the industrial buildings but also in churches, restaurants, university buildings, and sport facilities. With this book, readers are invited to discover how construction problems result in poetic and bizarre forms, and how advances in engineering can lead to expressionist architecture.

About the Series:

Every book in TASCHEN's Basic Architecture Series features:

• approximately 120 images, including photographs, sketches, drawings, and floor plans
• introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
• the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
• an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

In the summer of 1937, Walter Gropius, founder of the Bauhaus and a professor at Harvard’s new Graduate School of Design, rented a house on Planting Island, near the base of Cape Cod. There, he and his wife, Ise, hosted a festive reunion of Bauhaus masters and students who had recently emigrated from Europe: Marcel Breuer, Herbert Bayer, László Moholy-Nagy, Xanti Schawinsky and others. Together they feasted, swam and planned their futures on a new continent, all sensing they were on the cusp of a momentous new phase in their lives. Yet even as they moved on, the group never lost its connection to the Cape Cod coast. Several members returned, when they had the means, to travel farther up the peninsula, rent cabins, buy land and design their ideal summer homes. Thus began a chapter in the history of modern architecture that has never been told--until now.

The flow of talent onto the Outer Cape continued and, within a few years, the area was a hotbed of intellectual currents from New York, Boston, Cambridge and the country’s top schools of architecture and design. Avant-garde homes began to appear in the woods and on the dunes; by the 1970s, there were about 100 modern houses of interest here. In this story, we meet, among others, the Boston Brahmins Jack Phillips and Nathaniel Saltonstall; the self-taught architect, carpenter and painter Jack Hall; the Finn Olav Hammarström, who had worked for Alvar Aalto; and the prolific Charlie Zehnder, who brought the lessons of both Frank Lloyd Wright and Brutalism to the Cape. Initially, these designers had no clients; they built for themselves and their families, or for friends sympathetic to their ideals. Their homes were laboratories, places to work through ideas without spending much money. The result of this ferment is a body of work unlike any other, a regional modernism fusing the building traditions of Cape Cod fishing towns with Bauhaus concepts and postwar experimentation.

The selection of over 50 projects, presented in large-scale photos as well as complementary ground-floor plans and sketches, communicates a differentiated impression of post-Soviet architecture, ranging from the picturesque Vodka Pavilion in the Ostoshenka Forest to the futuristic Main Railway Station in Samara. Capitalist Realism focuses on the artistic aspect of architecture in today’s Russia and has some architectural surprises in store for the reader.

Carlos Cruz-Diez (Caracas, 1923) promotes experimentation with color and is one of the most relevant examples of the Kinetic Art Movement. The catalogue covers Cruz-Diez´s career including his beginnings as a graphic designer. The 1950s and 1960s are presented through a carefully selected group of unedited documents including magazines and catalogues that he illustrated and designed during that time period. This chapter in Cruz Diez´s career directly correlates with his unique artistic language, which he continues to apply in his works today. The catalogue illustrates almost thirty works by Carlos Cruz-Diez. Their presentation takes into account the original series in which they were first exhibited. These series allow insight into the artist´s personal concept and organization of his body of work. At the same time, the series reflect his incredible ambition and eagerness to experiment. His invented jargon stands out in all of the series with titles so typically Cruz-Diez such as Chromatic induction , Physichromie Chromosaturation .

'Carlos Cruz-Diez: Colour Happens' is the title of the first individual Spanish exhibition, an official institution, dedicated to the work of Carlos Cruz-Diez (Caracas, 1923). His work has been present in the greatest European exhibitions dedicated to Kinetic Art since the 60's, as well as in the most important collective exhibitions devoted to Latin American art. Carlos Cruz-Diez has worked in many of the most dignified museums worldwide, including, Musee National d'Art Modern Centre Georges Pompidou in Paris, of which loaned works of Cruz-Diez for this exhibition, as with the private Foundation Allegro, the Altelier Cruz-Diez and MUGAB (Diputation of Alicante).

When the motor car first came to England in the 1890s, it was a luxury item with little practical purpose - drivers couldn't travel very far or very quickly without paved roads or traffic laws. Thus began a transformation that has affected the architecture, infrastructure, and even the natural environment of the country.

"Carscapes" relates the history of the car's impact on the physical environment of England from its early beginnings to the modern motorway network, focusing especially on its architectural influence. The authors offer a detailed look at the litany of structures designed specifically to accommodate cars: garages, gas stations, car parks, factories, and showrooms.

Presenting a comprehensive study of these buildings, along with highways, bridges, and signage, "Carscapes" reveals the many overlooked ways in which automobiles have shaped the modern English landscape.

La tapisserie d’Aubusson témoigne des heures de gloire d’une époque révolue et méconnue. Afin de réaliser une tapisserie, le lissier se sert d’un modèle peint ou dessiné sur un support. Ce modèle appelé « carton de tapisserie » constitue le motif à reproduire. Les figures, scènes et paysages qui furent réalisés au XIXe siècle par les peintres cartonniers rendent hommage à ces peintres discrètement disparus et à la vie des ateliers de tapisserie.

Sommaire :
L’histoire de la tapisserie. Les fleurs. Les scènes de chasse. Les oiseaux et les verdures. Les fables de La Fontaine. La basse-cour. Le médiéval. Les chinoiseries. Les bouquetières. Jardiniers et pêcheurs. Les scènes galantes et les lettres. Les angelots et les putti. La musique. Les oiseleurs. Les visages. Les tapis.

This is probably the first detailed guide to one of the most important of traditional woodcarving skills, now reissued. Wilbur takes the reader, step-by-step, from the basic building blocks of classical design to the practicalities of carving enriched mouldings, volutes, rosettes and capitals. A thorough primer in the vocabulary of classical ornament, this book will be indispensable to cabinetmakers and furniture restorers as well as carvers.

A mouthwatering tour of over 50 of the Mediterranean’s most luxurious and finely appointed houses.
Includes through-the-keyhole looks into the houses of many stellar talents old and new, including Dolce & Gabbana, Alberta Ferretti and Salvador Dalí.

This book showcases a sumptuous selection of some of the most beautiful houses found around the Mediterranean, providing glorious visions for dreaming as well as concrete sources of inspiration for creating one’s own personal style.

Listri’s stunning photographs include sweeping panoramas of the houses in their wonderful settings down to close-ups of individual rooms, furniture and design details.

Massimo Listri’s photographs have appeared in many international style journals, including Connaissance des Artes, Ambiente and Architectural Journal, as well as in such books as Magnificent Italian Villas and Palaces and Villas of Tuscany.