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Adaptations of 16 of the renowned Russian-born French painter's finest stained glass works, among them I and the Village, The Cellist, Bride and Groom with Eiffel Tower, Equestrienne, The Green Violinist, and Girl on Horseback. Place colored plates near a source of bright light to create a glowing stained glass effect.
Today’s chalets have come a long way from their original function as herdsman’s hut in the Alps. They now serve as sites for relaxation and retreat from everyday life, they provide room for soul-searching and introspection. The particular attractiveness of chalets is derived from the interplay of architecture and interior design with the topography and mountainous nature around them.
This volume presents new constructions as well as renovated and reconstructed historical chalets from around the world – in Aspen and Zermatt, the South American Andes and the mountain regions of Japan. The designs are multifaceted, ranging from traditional to modern, simple to luxurious, but the individual expression of each project captures the particular charm of the surrounding landscape.
Against a backdrop of fluctuating real estate markets in China in recent years, it is imperative that developers stay relevant and ahead of their competition. With 39 unique projects that cover a range of themes from the integration of local Chinese culture and human oriented designs to the use of eco-technology Changing and Unchanging II plots a course for better understanding of the changing demands and increasing competitiveness in this industry. Colour throughout.
Arguably America's most beloved designer of Country French interiors, Charles Faudree has been working his magic on homes domestically and internationally for more than thirty-five years. His fourth book, Charles Faudree Interiors, continues to reveal his versatility in classic and international styles, and showcases his newest signature country French interior-his own new cabin nestled in the Oklahoma countryside-along with a tropical island retreat, a chic metropolitan high-rise, and homes done up in Georgian, contemporary and ranch high style.
Here, in his personal, engaging manner, Faudree walks us through the challenges and successes of his newest designs that prove French Country can keep its traditional spirit and still be modern, surprising and edgy.
About the Authors:
Charles Faudree was named one of America's top 100 designers in 2002. He is often featured in design magazines, including Traditional Home, Southern Living and House Beautiful. His previous books, Charles Faudree's French Country Signature, Charles Faudree's Country French Living, and Florals and Interiors have been widely lauded. While designing homes and creating books, Charles maintains a retail shop in Tulsa, and has launched a fabric line, The Charles Faudree Collection, for Vervain. He lives in Tulsa, Oklahoma.
Jenifer Jordan is a Texas-based photographer whose work has been featured in Traditional Home, Renovation Style, House Beautiful, Southern Accents and Veranda, as well as in two of Faudree's previous books, Charles Faudree's French Country Signature and Charles Faudree's Country French Living.
Charles Faudree has elevated French Country style to a fine art. With an exuberant decorating attitude based around his favorite principle that "too much is never enough", Faudree has achieved an international reputation for creating settings that have all the elegant accoutrements of a French Country estate, lacking pretension but never charm.
With a discerning taste for the eclectic, Faudree is a master at one of the main tenets of this style-combining traditional prints, patterns, colors, and textures with just the right furnishings. Faudree has always been drawn, almost charismatically, to the charm of Country French. He comments, "There is simplicity, a gentle softness to the furnishings I find very calming and soothing. I love the mix of fabrics, blending plaids with florals and old tapestries. Country French is a truly working-class style."
Faudree is delighted to finally share his extensive knowledge with the public, in this long-overdue book that focuses on how to make any home into an elegant, inviting, and comfortable French Country retreat.
About the Author:
Charles Faudree graduated from Northeastern State University in Tahlequah, Oklahoma, with a degree in art. His client list is international, and he is regarded as a master of Country French style. This is his first book. He lives in Tulsa, Oklahoma.
In the spring of 1903, Country Life’s first staff photographer, Charles Latham, set off from London’s Victoria station with his large-format camera and several boxes of fragile glass negatives bound for Rome. He spent the months that followed photographing some of Italy's finest historic gardens. In all, Latham photographed thirty-seven gardens, and his powerfully evocative pictures were published by Country Life in 1905 in two volumes under the title of The Gardens of Italy, with a text by the well known contemporary garden writer, Evelyn March Phillipps. Latham’s photographs were immediately acclaimed and the images are characteristic of his work in their exceptional clarity. As a result of the political turmoil that overtook Italy in the nineteenth century, many of the gardens had already fallen into a state of picturesque decrepitude; others, around Florence, had been taken over by English and American expatriates and were in the process of restoration. But even though some of the aristocratic owners and their gardeners might have gone, the elaborate architecture, statuary and ingenious waterworks which Renaissance designers so admired remained largely intact and were brilliantly captured in all their faded magnificence by Latham’s camera. Today, many of these gardens have vanished, destroyed by social upheaval and war, though a few were painstakingly restored in the post-war years.
Charles Latham's outstanding compositions bear testament to the rich heritage of some of Italy's great gardens in the golden age just before the First World War. The 200 superbly reproduced photographs are accompanied by Helena Attlee's incisive commentary on twenty-one of these magnificent Renaissance and Baroque gardens.
Helena Attlee has made Italy and its gardens her special subject for over twenty years. A leading authority on garden history, she writes for a range of journals and magazines, lectures widely, and leads specialist tours to Italy, France and Portugal. She is the author of several books, including Italian Gardens, A Cultural History (2006).
Charles Rennie Mackintosh’s finest work dates from about a dozen intensively creative years around 1900. His buildings in Glasgow, and especially his craggy masterpiece the Glasgow School of Art, are more complex and playful than anything in Britain at that time. His interiors, many of them designed in collaboration with his wife, Margaret Macdonald, are both spare and sensuous, creating a world of heightened aesthetic sensibility.
Finally, during the 1920s, he painted a series of watercolours which are as original as anything he had done before. Since his death, Mackintosh has been lauded as a pioneer of the Modern Movement and as a master of Art Nouveau.
This book, with illustrations that include specially prepared plans and sections, takes a clear-eyed view of Mackintosh and his achievement, revealing a designer of extraordinary sophistication and inventiveness.
The interior designer’s singular vision revealed through an extraordinary collection of her acclaimed rooms. With her inimitable flair for style, Charlotte Moss has led a celebrated career in the interior design world. Recently honoured with Elle Decor’s Vision Award, Moss’s design philosophy of "couture living" describes her preference for gracefully curated spaces in which one is meant to live, enjoy, and entertain. Charlotte Moss Decorates affords the reader a glimpse into the methods behind her magic.
For each of the rooms featured - from a sumptuous Directoire-style bedroom inspired by the incomparable Pauline de Rothschild to a gentlemen’s billiard room with rich details and a smart tailored feel - Moss breaks down the various stages of her design process, revealing her inspiration and storyboards, as well as sketches and notes she develops for every project. In each chapter, she offers the reader quick "doses" of decorating advice with her signature "Why Not?" decorating maxims.
The book also includes Moss’s recommendations for her favourite flowers and fragrances for the final flourish in creating the perfect room. Her interiors, with a nod to both the historical elegance of the past and the modern necessities of today (comfort and livability), are truly sublime spaces. With over 200 sumptuous photographs, Moss graciously invites the reader to be engaged, inspired, and "ready to decorate."
About the Author:
Charlotte Moss is a renowned interior designer and author. A trusted voice on design and style, she has authored six books, lectures frequently about her design philosophies, is featured in design and shelter magazines worldwide, and has appeared on national television and radio.
Ce livre technique propose un panorama professionnel du métier de charpentier, de la conception de la charpente en bois à sa réalisation.
L’auteur aborde la conception de la charpente à travers la technologie des matériaux (bois massif ou collé et matériaux annexes), puis traite de la description des principaux ouvrages du charpentier (toiture, planchers, parois), du tracé géométrique, de la statique et de la résistance des bois, des assemblages et des charges qu’ils supportent.
La réalisation des charpentes en bois est décrite depuis l’élaboration du projet jusqu’à la facturation, en passant par le traçage, la taille du bois, le levage et la mise en oeuvre. Les renseignements et indications nécessaires au charpentier sont rassemblés dans une centaine de tableaux.
La technologie des charpentes en bois ainsi que les solutions proposées concernent souvent des cas simples, trop souvent négligés, ceux rencontrés tous les jours dans le métier de la charpente. Ainsi, sans que le livre soit l’ouvrage d’un spécialiste traitant d’un seul sujet jusqu'à l'extrême, le métier de charpentier y est embrassé sous tous ses aspects.
René Demotz écrit : « Les auteurs de la fin du XIXe siècle développaient à l’extrême l’art du trait de charpente. Mais à l’art s’est substitué la technique. La construction des charpentes a évolué et les calculs de résistance occupent maintenant une place primordiale dans l’élaboration des ouvrages. Ce livre tente d’apporter la solution des principaux problèmes actuels. »
Sommaire :
Technologie des matériaux : Le bois, Défauts et dommages, Retraits et déformation, Les sciages, Destruction et protection, Technologie des matériaux annexes.
Les ouvrages en bois : Principes d'isolation des bâtiments, Les toitures, Les chevrons, Façonnage des toitures, Les pannes, Les planchers, Les parois, Les fermes, Les complications des toitures.
Géométrie - Statique et résistance des bois : Tracés géométriques élémentaires, Tracés spéciaux, Statique élémentaire, Résistance des bois, Les assemblages et les charges admissibles, Le bois collé, Les ancrages.
La réalisation : L'élaboration des ouvrages, Épure et traçage, La taille, Le levage, Le parachèvement
Public : Apprentis charpentiers, jeunes techniciens ou candidats aux examens supérieurs.
Les livres techniques consacrés à la menuiserie historique sont rares. Grâce aux nombreuses croisées d’époque que l’auteur a pu examiner, copier ou restaurer, il nous présente ici le fruit de sa longue étude des châssis de fenêtre datant du XVe au XVIIe siècle. Jean-Louis ROGER est en effet un des rares artisans dont les recherches historiques et techniques ont été couronnées par une thèse de doctorat passée en Sorbonne au titre des métiers d’art.
À partir d’exemples de châssis anciens, l’auteur présente leur conception et leurs techniques de construction telles qu’elles étaient pratiquées depuis la Renaissance. C’est en effet à partir de cette époque que l'on commença à demander aux menuisiers de construire des fenêtres plus confortables : meilleure étanchéité à l’air et à l’eau, meilleur passage de la lumière, esthétique plus recherchée. L’assemblage, la mouluration et le montage des cadres, les ferrures, les volets, les systèmes de fermeture, tout y est présenté sous forme de plans cotés et commentés par l'auteur, classés par époques.
L'ensemble constitue un document unique sur la menuiserie et son évolution. Il permet ainsi de restaurer des châssis anciens en connaissance de cause ou de les refaire dans l’esprit de l’époque. Si vous ne voulez pas entendre parler de joints en silicone, de fermeture hermétique ou de double vitrage, vous trouverez dans ce livre tout pour réaliser vos fermetures à l'ancienne
Sommaire :
Préfaces (d’Henri Enguehard, Architecte des Monuments historiques, et de P. Levêque, président d’honneur de l’U.N.A.) Avant-propos. Le nom de menuisier ébéniste. Le menuisier.
Aperçu historique depuis les origines. Principes des fenêtres au Moyen-âge.
1 - MENUISERIES ET FERRURES AU XVe SIÈCLE
Début du XVe siècle : Châssis d’une baie quadrangulaire, description du châssis bas (cadre, volet, ferrures), reconstitution du châssis haut. Remarques historiques.
Milieu du XVe siècle : Étude de la fabrication d’un châssis.
Fin du XVe siècle : Description des châssis haut et bas d’une baie quadrangulaire.
Extrême fin du XVe siècle : Étude du châssis de fenêtre du château de Martigné-Briand.
Conclusions sur les châssis du XVe siècle.
2 - MENUISERIES ET FERRURES AU XVIe SIÈCLE
Étude de la fabrication d’un châssis du Manoir de la Roche-Thibault. Détail de construction. Conclusion sur la fabrication.
Autres châssis du XVIe siècle. Leur reconstitution.
Deux solutions pour la fabrication suivant la largeur de la baie.
Conclusions sur les châssis du XVIe siècle.
3 – MENUISERIES ET FERRURES AU XVIIe SIÈCLE
Texte de lois établissant la contribution sur les portes et fenêtres.
Le manoir de la Chappe : Étude de la fabrication d’un châssis du XVIIe siècle reconstitution d’après des éléments d’époque : bâti dormant, châssis ouvrant, volet intérieur ouvrant et pliant, ferrages et fermetures.
Châssis à petit bois avec meneaux en bois. Étude de sa fabrication, détails de construction, charnières.
4 – CONCLUSIONS ET ANNEXES
L’étanchéité des châssis anciens et de leurs copies : Conclusions et mise en garde.
Lexique des principaux termes et mots techniques employés dans la menuiserie jusqu’à nos jours.
Les outils traditionnels
Bibliographie
This stunning volume provides an enchanting visit to one of the most storied and beautiful English country houses.
No place embodies the spirit of the English country house better than Chatsworth. From best-selling books such as Georgiana: Duchess of Devonshire and Chatsworth: The House by Deborah Mitford, the late Dowager Duchess of Devonshire, American audiences have long been transfixed by this remarkable place and its extraordinary collection of art and decorative objects.
Today, Chatsworth’s facade is newly cleaned and its windows freshly gilded. The forward-looking current Duke of Devonshire, who likes to say that “everything was new once,” has redone the public and private rooms. This tour-de-force volume is his telling of the story of Chatsworth through seven historical periods accompanied by stunning photographic portraits of the house, its collections, and the grounds.
Chatsworth contains countless treasures from Nicolas Poussin’s Et in Arcadia Ego and Antonio Canova’s Endymion to seminal modern works by Lucian Freud and David Hockney. Though filled with works from different time periods, the collection represents the very best of the “new” from each artistic era.
About the Authors:
John-Paul Stonard is an art historian educated at the Courtauld Institute of Art and contributes to the London Review of Books and Times Literary Supplement. The Duke and Duchess of Devonshire reside at Chatsworth, home to the family since 1549. Victoria Hely-Hutchinson is a photographer whose work has appeared in Dazed & Confused, New York, the New Yorker, Vanity Fair, Vogue, and the Wall Street Journal Magazine.
Par une approche stylistique, cet important ouvrage s’attache à présenter les cheminées françaises depuis l’époque gothique jusqu’à la première moitié du XXe siècle. Essentiellement en pierre et en marbre, mais aussi en bois, elles témoignent des constantes recherches des architectes, ornemanistes, tailleurs de pierre et sculpteurs pour sublimer le décor de la cheminée.
Without the expenses of a retail space, smaller independent brands can set up and start trading with ease, giving us access to a wider range of chic boutiques than ever before. The growth of online shopping also means that we can buy from brands that are based abroad, many of which have introduced international shipping at competitive prices to attract a global customer base.
In 'Chic Boutiquers at Home', interiors journalist and stylist Ellie Tennant meets the characters and creative forces behind leading online stores around the world, from the US to Europe, and explores their beautiful homes in a series of inspiring case studies.
The result is part-decorating book, part-shopping directory – a smorgasbord of fascinating interiors from a new generation of online style gurus who do much more than just sell homewares – they inspire and delight their customers, too, offering glimpses into their gorgeous homes and covetable lifestyles.
Packed with plenty of ideas to use in your own home and a wealth of tempting new shops to explore, this is the perfect book for browsing but, if you dream of selling online yourself, the final ‘How to Launch Your Own Online Shop’ chapter is crammed with invaluable practical advice, comparing popular platforms such as Big Cartel and Etsy and containing advice from the online shopkeeper experts as well as plenty of insider top tips. Now we can shop and sell for our homes wherever we want, whenever we want.
About the author
Ellie Tennant is a London-based interiors journalist, specialising in design, vintage, home shopping, style, and trends. She was among the first in the UK to start blogging about interiors and wrote the award-winning HomeShoppingSpy blog for Ideal Home before going freelance. Her features are regularly published in Livingetc, Grand Designs, Homes & Antiques and Country Homes & Interiors and she has worked for commercial clients including Heal’s and Cath Kidston.
Chillout-cafes, bars and clubs; for example the legendary 30-year-old Helsinki Club, located in Helsinki, Finland. The "chillout" concept lies somewhere between space and music, architecture and sound. Ever since the electronic music boom, chillout spaces became a common feature inside of clubs and raves, offering a place in which to relax from the hectic beats and enjoy more mellow tunes, which became baptized under the general term ambient. This encounter between space and sound opened up a whole new field in architecture and design that not only stimulated the evolution of this music genre, but also inspired a rich variety of lounge spaces around the world in which to wind down and chill out in style. Is a book on the most interesting lounges and chill out places of the world, with an additional lounge music CD included.