Архитектура

One of the great architects of our time, Frank Gehry has revolutionized the use of materials in design and redefined how architects use computers as a design tool to advance form-making as we know it. He has achieved worldwide fame for such large-scale public projects as the Guggenheim Museum in Bilbao, Spain, and the Walt Disney Concert Hall in Los Angeles, California, but it was in private houses that Gehry first explored and interrogated the principles of modern architecture.

In these houses - most notably his own, in Santa Monica, California - Gehry distorted, expanded, and collapsed the modernist box, exploring everyday materials (corrugated metal, unfinished plywood, and chain-link), experimenting with colour, and challenging accepted notions about geometry and structure. In houses such as the Schnabel House in Brentwood, California, and the Winton Guest House in Wayzata, Minnesota, he experimented with collage and assemblage. More recently, Gehry’s work has taken on sculptural forms, aided by new structural and geometric potentials of digital design, as in the near-legendary Lewis House in Lyndhurst, Ohio.

Colour photographs, sketches, and plans create an illuminating visual record of some of the most groundbreaking, seminal projects of Gehry’s oeuvre.

Frank Lloyd Wright is one of the great masters in the history of modern architecture. His career spanned over sixty years, and his unique stylistic invention kept ahead of any passing fashion.

This definitive monograph provides an unparalleled account of Wright’s career. It explores the key themes in Wright’s work, and presents the consistent qualities that underlie all of his designs. The themes of space and the spatial experience of the user are thus examined, together with a discussion of construction and Wright’s search for what he termed the ‘nature of materials'. The relationship between Wright’s architecture and landscape is also investigated.

The book includes an extensive selection of archival drawings and photographs; clear, redrawn plans and detail drawings; beautiful colour photographs; and a complete list of Wright’s buildings and projects compiled by Bruce Brooks Pfeiffer of the Frank Lloyd Wright Archives.

The American Architect Frank Lloyd Wright (1867-1959) exerted unique influence on architecture during the first half of this century. This book contains more than 100 full-color and black-and white photographs of exteriors and interiors of Wright's most admired buildings as well as many of his drawings.

Wright on. The star pieces of Americas greatest architect

Frank Lloyd Wright’s paradigm-shifting projects. This authoritative overview, based on TASCHEN’s previous three-volume monograph and unlimited access to the Frank Lloyd Wright archives, scours the length and breadth of Wright's career to bring you all the gems of his genius at a new, bargain price.

A building by Frank Lloyd Wright (1867-1959) is at once unmistakably individual and evocative of an entire era. Notable for their exceptional understanding of an organic environment, as well as for their use of steel and glass to revolutionize the interface of indoor and outdoor, Wright’s designs helped announce the age of modernity, as much as they secured his own name in the annals of architectural genius.

This meticulous compilation from TASCHEN’s previous three-volume monograph assembles the most important works from Wright’s extensive, paradigm-shifting oeuvre into one authoritative and accessibly priced overview of America's most famous architect. Based on unlimited access to the Frank Lloyd Wright Archives in Taliesin, Arizona, the collection spans the length and breadth of Wright’s projects, both realized and unrealized, from his early Prairie Houses, through the Usonian concept home, epitomized by Fallingwater, the Tokyo years, his progressive “living architecture” buildings, right through to later schemes like the Guggenheim Museum, New York, and fantastic visions for a better tomorrow in the “living city.”

Author Bruce Brooks Pfeiffer, who served as Wright’s apprentice during the 1950s, discusses recent research on Wright and gives his own insights on these game-changing buildings.

About the Author:

Bruce Brooks Pfeiffer became Frank Lloyd Wright’s apprentice at the Taliesin Fellowship in 1949. In 1957, he attended the Ecole Nationale des Beaux-Arts in Paris, returning in 1958 to continue his apprenticeship with Wright until his death in 1959. He remains at Taliesin to this day, as director of the Frank Lloyd Wright Archives, a vice-president of the Frank Lloyd Wright Foundation, and author of numerous publications on Wright's life and work.

The editor:

Peter Gössel runs an agency for museum and exhibition design. He has published TASCHEN monographs on Julius Shulman, R. M. Schindler, John Lautner, and Richard Neutra, as well as several titles in the Basic Architecture series.

That’s Wright! One of the greatest pioneers in the history of architecture

From prairie houses to skyscrapers and the Guggenheim Museum, explore the life and work of one of the greatest pioneers in the history of architecture, Frank Lloyd Wright. Sketches, plans, and photographs chronicle all of Wright’s major works, celebrating his organic architecture philosophy, innovative use of industrial materials, and vision for a new way of American living.

Acclaimed as the “father of skyscrapers,” the quintessentially American icon Frank Lloyd Wright (1867–1959) was an architect of aspiration. He believed in giving cultivated American life its fitting architectural equivalent and applied his idealism to structures across the continent, from suburban homes to churches, offices, skyscrapers, and the celebrated Guggenheim Museum.

Wright’s work is distinguished by its harmony with humanity and its environment, a philosophy he called organic architecture, and which found its paradigm at Fallingwater, a house in rural Pennsylvania, cited by the American Institute of Architects as “the best all-time work of American architecture.” Wright also made a particular mark with his use of industrial materials, and by the simple L or T plan of his Prairie House which became a model for rural architecture across America. Wright was also often involved in many of the interior elements of his buildings, such as the furniture and stained glass, paying particular attention to the balance between individual needs and community activity.

Exploring Wright’s aspirations to augment American society through architecture, this book offers a concise introduction to his at once technological and Romantic response to the practical challenges of middle-class Americans.

The author

Bruce Brooks Pfeiffer became Frank Lloyd Wright’s apprentice at the Taliesin Fellowship in 1949. In 1957, he attended the Ecole Nationale des Beaux-Arts in Paris, returning in 1958 to continue his apprenticeship with Wright until his death in 1959. He remains at Taliesin to this day, as director of the Frank Lloyd Wright Archives, a vice-president of the Frank Lloyd Wright Foundation, and author of numerous publications on Wright's life and work.

The editor

Peter Gössel runs an agency for museum and exhibition design. He has published TASCHEN monographs on Julius Shulman, R. M. Schindler, John Lautner, and Richard Neutra, as well as several titles in the Basic Architecture series.

About the series: 

Each book in TASCHEN’s Basic Architecture series features:
- an introduction to the life and work of the architect
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)

With the advent of Prairie style architecture, Frank Lloyd Wright embarked on a journey that would forever change the course of architecture.

During this extraordinarily prolific period, roughly the first quarter of the twentieth century, Wright built the first great modern American houses. He cast aside many of the conventions of the past, opening up interior spaces so that there might be a more subtle flow of rooms. The plans for Prairie style architecture were based on a tartan plaid of main spaces and secondary spaces, of public rooms and circulation spaces. Their decentralized asymmetry did not follow the Beaux-Arts insistence on a primary, often dominating, focal point — a vestige of its roots as a symbolic architecture for divine-right royalty. Following Wright's philosophy, Prairie design was emphatically democratic and non-hierarchical.

Frank Lloyd Wright Prairie Houses comprehensively demonstrates this philosophy. Focusing on interiors and details, the book features more than 70 Prairie style houses and other buildings, still extant, in lavish, full-color photography.

The Wright stuff. The definitive publication on America’s greatest architect

Frank Lloyd Wright (1867-1959) is widely considered to be the greatest American architect of all time; indeed, his work virtually ushered in the modern era and remains highly influential today. His wide-ranging and paradigm-shifting oeuvre is the subject of TASCHEN's three-volume monograph that covers all of his designs (numbering approximately 1100), both realized and unrealized.

Made in cooperation with the Frank Lloyd Wright Archives in Taliesin, Arizona, this collection leaves no stone unturned in examining and paying tribute to Wright's life and work. From his early Prairie Houses (typified by the Robie House) to the Usonian concept home and progressive "living architecture" buildings to late projects like the spiral Guggenheim Museum in New York and the development of his fantastic vision of a better tomorrow via his concept of the "living city," all of the phases of Wright's career are painstakingly described and illustrated herein.

Volume 1 covers the early Chicago years and the Prairie Houses, the period which provoked a profound influence on European architects. Wright's architectural work during these early years was mostly residential, as it would be throughout his career, and from his earliest work, Frank Lloyd Wright demonstrated a knowledge of and respect for natural materials.
In the ten years betweeen 1896 and 1906 he developed and perfected the so-called "prairie house." Wright believed the architect should have complete charge of architectural design, and for him this meant interior furnishings as well as exterior landscape. The 1908 Avery Coonley residence, the administration building for the Larkin Soap Company (1903–1905), and the Unity Temple (1905) are examples of major works from the period.

The author:
Bruce Brooks Pfeiffer became Frank Lloyd Wright’s apprentice at the Taliesin Fellowship in 1949. In 1957, he attended the Ecole Nationale des Beaux-Arts in Paris, returning in 1958 to continue his apprenticeship with Wright until his death in 1959. He remains at Taliesin to this day, as director of the Frank Lloyd Wright Archives, a vice-president of the Frank Lloyd Wright Foundation, and author of numerous publications on Wright's life and work.

The editor:
Peter Gössel runs a practice for the design of museums and exhibitions. He has been the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series, and continues to work for TASCHEN as a freelance-editor.

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Посмотреть книгу Frank Lloyd Wright, Complete Works, Vol.2, 1917-1942

Посмотреть книгу Frank Lloyd Wright, Complete Works, Vol.3, 1943-1959

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Другие книги серии XL

Jean Nouvel by Jean Nouvel, Complete Works 1970-2008

Zaha Hadid, Complete Works 1979–2009

Santiago Calatrava. Complete Works 1979-2007

Ando. Complete Works, Updated Version 2010

Shigeru Ban, Complete Works 1985-2010

Renzo Piano. Complete Works

Микеланджело: Полное собрание произведений

Frank Lloyd Wright (1867-1959) is widely considered the greatest American architect of all time; his work ushered in the modern era and remains highly influential today - half a century after his death. TASCHEN's three-volume monograph covers all his designs (numbering approximately 1100), realized and unrealized. Made in collaboration with the Frank Lloyd Wright Archives in Taliesin, Arizona, this collection leaves no stone unturned in examining and paying tribute to Wright's astonishing life and work.

Volume Two starts with the years spent working in Japan, mainly on the Imperial Hotel, and followed by personal turmoil; in late 1922, Wright divorced from first wife Catherine, and the following year married Miriam Noel. Yet barely six months later she left, initiating a bitter divorce. Shortly after, Wright met his third wife, Olgivanna. During this difficult period a second fire at Taliesin strained his already parlous finances; the bank foreclosed, leaving him without home or studio. With nowhere to practice, he started writing magazine articles, and his autobiography (published in 1932 to great acclaim).

From 1917 through the Depression, up until 1942, though he designed continually, Wright saw many projects go unrealized, but nevertheless had the chance to build on new concepts and in new regions. His block building system led to idiosyncratic works like the famous Ennis house in Los Angeles, and in 1936 he completed the Herbert Jacobs house, using his new "Usonian" techniques, designed to be affordable for the middle-American family. The same year he moved to Arizona where, at the age of 71, Wright embraced his rugged new life in the desert, and with his students started building the Taliesin West complex. After receiving a gold medal from the Royal Institute of British Architects in London, he returned to see his Johnson Administration Building opened to great fanfare, nationwide publicity, and lines around the block waiting to tour inside.

Despite adversity, Wright emerged from this era with reputation restored and vitality renewed - as manifested in Fallingwater and the Johnson building - while his Usonian homes began to alter the way Americans lived.

Другие книги серии XL

Frank Lloyd Wright, Complete Works, Vol. 1, 1885–1916

Frank Lloyd Wright, Complete Works, Vol.3, 1943-1959

Jean Nouvel by Jean Nouvel, Complete Works 1970-2008

Zaha Hadid, Complete Works 1979–2009

Santiago Calatrava. Complete Works 1979-2007

Ando. Complete Works, Updated Version 2010

Shigeru Ban, Complete Works 1985-2010

Renzo Piano. Complete Works

Микеланджело: Полное собрание произведений

Part of an exhaustive three-volume monograph featuring all of Wright's 1,100 designs, both realized and unrealized. This volume covers the postwar years and the "living architecture" period.

Frank Lloyd Wright (1867-1959) was one of the fathers of modern architecture; his work helped define the modern era, had a widespread cultural influence, and remains highly influential today, half a century after his demise. The mature work of his final years is the subject of this monograph, including all his designs from that period, even those never built. Based on unlimited access to the Frank Lloyd Wright Archives in Taliesin, Arizona, this penetrating study gives an unrivalled overview of Wright’s groundbreaking work and eventual 'starchitect' status – included are drawings he made for an unrealized house intended for Marilyn Monroe and Arthur Miller.

Together with two forthcoming companion titles, this three-volume monograph will cover Wright's entire oeuvre, from his early Prairie Houses, through the Usonian concept home and "living architecture" buildings, to late projects like the Guggenheim Museum and his fantastic vision of the "living city." Author Bruce Brooks Pfeiffer, who served as Wright's apprentice during the 1950s, highlights the latest research and gives fresh insights into the work, providing new dates for many of the plans and houses. A wealth of personal photos also illustrates the working routine at Frank Lloyd Wright’s fellowship.

This volume starts in 1943, when Wright’s organic "living architecture" introduced ideas for the use of solar energy and curved open spaces. In addition to many private projects and the Guggenheim museum, the period up to 1959 includes Wright's astonishing plans for a new Baghdad, his only realized high-rise tower in Bartlesville, Oklahoma, the crystal figure of the Beth Sholom Synagogue in Pennsylvania, and plans for an endless row of houses with floor plans based on hexagons.

Другие книги серии XL

Frank Lloyd Wright, Complete Works, Vol. 1, 1885–1916

Frank Lloyd Wright, Complete Works, Vol.2, 1917-1942

Jean Nouvel by Jean Nouvel, Complete Works 1970-2008

Zaha Hadid, Complete Works 1979–2009

Santiago Calatrava. Complete Works 1979-2007

Ando. Complete Works, Updated Version 2010

Shigeru Ban, Complete Works 1985-2010

Renzo Piano. Complete Works

Микеланджело: Полное собрание произведений

Frank Lloyd Wright: From Within Outward features a lifetime of achievement by this titan of American architecture through newly commissioned contemporary photography, archival photography, and wonderfully detailed drawings of more than 200 projects, including such masterworks as the S. C. Johnson & Sons Administration Building in Wisconsin, the Guggenheim Museum in New York, and Taliesin West, Wright’s desert home in Arizona, as well as less-known projects designed for Baghdad, Iraq, and beyond.

The book is richly accompanied by authoritative text from some of the most important Frank Lloyd Wright scholars and writers at work today, and presents a timely reevaluation of the work and life of Frank Lloyd Wright within the context of social spaces, in the spirit of the exhibition.

This volume brings together all the projects realized by Frank O. Gehry since his pivotal stylistic metamorphosis of 1997, embodied by the Guggenheim Museum in Bilbao, until today.

Among the featured works: the Walt Disney Concert Hall in Los Angeles (1989-2003), the DZ Bank Building in Berlin (1995-2001), the Jay Pritzker Pavilion in Chicago (1999-2004), the Corcoran Gallery in Washington, D.C. (1999-2005), the Experience Music Project in Seattle (1995-2000), the Art Gallery of Ontario (2000-2008), the Interactive Corporation headquarters in New York (2003-2007), the Beekman Street residential complex in New York (2003-2009), and two projects begun in 2005-06 that are still underway, the Atlantis Sentosa resort in Singapore and the Guggenheim Museum in Abu Dhabi.

Published in concomitance with the major exhibition curated by Germano Celant at the Triennale di Milano.

Based on The Metropolitan Museum’s renowned collection, French Art Deco presents more than eighty masterpieces by forty-two designers.

Art Deco – the term conjures up jewels by Van Cleef & Arpels, glassware by Lalique, furniture by Ruhlmann – is best exemplified in the work shown at the exhibition that gave the style its name: the Exposition Internationale des Arts Décoratifs et Industriels Modernes, held in Paris in 1925. The exquisite craftsmanship and artistry of the objects displayed spoke to a sophisticated modernity, yet were rooted in past traditions.

Although it quickly spread to other countries, Art Deco found its most coherent expression in France, where a rich cultural heritage was embraced as the impetus for creating something new. The style drew on inspirations as diverse as fashion, avant-garde trends in the fine arts – such as Cubism and Fauvism – and a taste for the exotic, all of which converged in these exceptionally luxurious and innovative objects. While the contemporary practice of Art Deco ended with the Second World War, interest in it has not only endured to the present day but has also grown steadily.

Examples include Süe et Mare’s furniture from the 1925 Exposition; Dufy’s Cubist-inspired textiles; Dunand’s lacquered bedroom suite; Dupas’s monumental glass wall panels from the SS Normandie; and Fouquet’s spectacular dress ornament in the shape of a Chinese mask.

Jared Goss’s engaging text comprises a discussion of each object together with a biography of the designer who created it, and is enlivened by generous quotations from contemporary writings. The extensive introduction provides historical context and explores the origins and aesthetic of Art Deco.

Accompanying the text are sumptuous, atmospheric photographs of the objects themselves, making this not only one of the rare books on French Art Deco in English, but also an objet d’art in its own right.

Jared Goss is an independent scholar and former associate curator in the Department of Modern and Contemporary Art at The Metropolitan Museum of Art.