Архітектура

Arthur L. Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing.

This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers.

Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media.

The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.

The world's enthusiasm for Art Nouveau reached its apex at The World Fair in Paris in 1900. There René Binet created the main entrance, "la Porte Monumentale." To coincide with the exposition, Binet published in Esquisses decoratives (1896) the plate designs for the gate, along with other sketches of furniture, jewelry, wallpaper, lighting, stained glass windows, signs, wrought iron, and architectural details.

The entire collection of Binet's sketches for Esquisses decoratives are beautifully presented here in color and black and white. Like his renowned gate, they feature the organic structures and intricate embellishments that mirror the great variety of patterns and ornamentation found in the microcosm of nature and epitomize the Art Nouveau aesthetic. Binet credited scientist and artist Ernst Haeckel's work on radiolarians as his inspiration. Two prominent experts on art and architectural history lend their perspectives to this important work in the realm of the decorative arts.

The wide array of designs presented in this volume offers a wide and varied vision of the latest trends in renovating buildings. Reputed architects suggest ingenious solutions for giving old structures a fresh, renewed look and for creating effective spaces for domestic use. Each project includes a detailed explanation through the use of plans, sketches, notes, construction explanations, materials and photographs.

"The array of buildings by Renzo Piano is staggering in scope and comprehensive in the diversity of scale, material, and form. He is truly an architect whose sensibilities represent the widest range of this and earlier centuries." Such was the description of Renzo Piano given by the Pritzker Prize jury citation as they bestowed the prestigious award on him in 1998.Whereas some architects have a signature style, what sets Piano apart is that he seeks simply to apply a coherent set of ideas to new projects in extraordinarily different ways. "One of the great beauties of architecture is that each time, it is like life starting all over again," Piano says. "Like a movie director doing a love story, a Western, or a murder mystery, a new world confronts an architect with each project." This explains why it takes more than a superficial glance to recognize Piano's fingerprints on such varied projects as the Pompidou Center in Paris (1971-77), the Kansai airport in Osaka, Japan (1990-94), and the Tjibaou Cultural Center in Nouméa, New Caledonia (1993-98). This stunning monograph, illustrated by photographs, sketches, and plans, covers Piano's career to date.

The updated publication includes new photographs of projects completed since the previous edition, such as his The New York Times Building in New York, the Zentrum Paul Klee in Bern, Switzerland, The Morgan Library in New York, as well as some sneak peeks at his current projects, including the 66-story London Bridge Tower, which is set to be Europe's tallest building.

Volume 1 features numerous case studies including the Bari Sports Stadium in Italy and the first stages of the Kansai Airport International Terminal in Japan. Widely acclaimed on publication, the book includes an authoritative introductory essay as well as specially redrawn drawings and plans.

As Peter Buchanan has shown in the first three volumes of Renzo Piano’s complete works, he follows no fashions of form or theory, nor is he limited to a personal idiom. Instead he concerns himself with the specifics and potential of a particular situation and moment, meeting the challenges of the programme, pushing the limits of technology, but always responding sensitively to the topography or urban fabric of the building’s site. This fourth volume on Renzo Piano provides an illuminating study of the architect’s working method, in particular his regard for context, followed by a presentation of his projects from 1989 to 2000. These range from urban works such as the Potsdamer Platz masterplan in Berlin, a science museum in Amsterdam and high-rise towers in Rotterdam and Sydney, to the acclaimed Beyeler Foundation and the Jean-Marie Tjibaou Cultural Centre in New Caledonia, which exemplifies the architect’s sensitivity to site and local tradition, combining traditional materials and techniques with those from the cutting edge of technology.

As Peter Buchanan has shown in the first three volumes of Renzo Piano’s complete works, he follows no fashions of form or theory, nor is he limited to a personal idiom. Instead he concerns himself with the specifics and potential of a particular situation and moment, meeting the challenges of the programme, pushing the limits of technology, but always responding sensitively to the topography or urban fabric of the building’s site. This fourth volume on Renzo Piano provides an illuminating study of the architect’s working method, in particular his regard for context, followed by a presentation of his projects from 1989 to 2000. These range from urban works such as the Potsdamer Platz masterplan in Berlin, a science museum in Amsterdam and high-rise towers in Rotterdam and Sydney, to the acclaimed Beyeler Foundation and the Jean-Marie Tjibaou Cultural Centre in New Caledonia, which exemplifies the architect’s sensitivity to site and local tradition, combining traditional materials and techniques with those from the cutting edge of technology.

"The array of buildings by Renzo Piano is staggering in scope and comprehensive in the diversity of scale, material, and form. He is truly an architect whose sensibilities represent the widest range of this and earlier centuries." Such was the description of Renzo Piano given by the Pritzker Prize jury citation as they bestowed the prestigious award on him in 1998.

Whereas some architects have a signature style, what sets Piano apart is that he seeks simply to apply a coherent set of ideas to new projects in extraordinarily different ways. "One of the great beauties of architecture is that each time, it is like life starting all over again," Piano says. "Like a movie director doing a love story, a Western, or a murder mystery, a new world confronts an architect with each project." This explains why it takes more than a superficial glance to recognize Piano’s fingerprints on such varied projects as the Pompidou Center in Paris (1971-77), the Kansai airport in Osaka, Japan (1990-94), and the Tjibaou Cultural Center in Nouméa, New Caledonia (1993-1998).

This stunning monograph, illustrated by photographs, sketches, and plans, covers Piano’s career to date. Also included are sneak peeks at Piano’s current projects, including the New York Times Tower, a 52-story skyscraper to be built in Times Square, and the 80-story London Bridge Tower, which is set to be Europe’s tallest building.

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Микеланджело: Полное собрание произведений

Ein spektakulärer Überblick über die schönsten Museumsbauten des Pritzker-Preisträgers.

Pritzker-Preisträger Renzo Piano gilt als der führende Architekt für Museumsbauten, herausragende Kunstinstutionen weltweit haben ihm ihre Sammlungen anvertraut. 18 seiner Museumsentwürfe aus den letzten 35 Jahren stellt der großformatige Band anhand von atmosphärisch dichten Fotos und präzisen Architekturzeichnungen und Grundrissen vor.

Der Bogen spannt sich vom damals revolutionären Centre Pompidou (1977), bis hin zu noch nicht fertig gestellten Projekten, etwa dem Los Angeles County Museum of Art, dem Art Institute of Chicago (Eröffnung 2009) oder dem geplanten Museum für zeitgenössische Kunst in Sarajevo. Meilensteine der Museumsarchitektur werden ausführlich präsentiert: die Menil Collection in Houston, die Fondation Beyeler in Riehen bei Basel, das Zentrum Paul Klee in Bern, das Nasher Sculpture Center in Dallas und die Erweiterung der Pierpoint Morgan Library in New York. Eine Einführung von Victoria Newhouse diskutiert zentrale Elemente von Pianos Ästhetik – natürliches Licht, Transparenz und die Piazza als öffentlicher Treffpunkt.

 

In this small, but sharply-pointed book, renowned theorist Sanford Kwinter addresses the sometimes subtle, sometimes brutal transformations that characterized the modernization processes set into motion at the turn of the millennium.

From the strange appearance of the 'Trojan Horse' that was the Centre Pompidou which served as the harbinger and template of the new idea of "Europe", through the dot.com bubble of the late 1990s, to the destruction of the World Trade Center Towers in New York, a new world came into being that design thinking has yet to fully take into account.

The City is here seen not only as the last frontier of human history currently under threat of total eclipse, it is the indomitable form of collective experience upon which one can count as assuredly as one can on death and taxes.

Requiem, to quote from Thomas Daniell's introduction, is first and foremost redemptive: "Kwinter's most negative assessments of the city are driven by a deep commitment to its sublime potentials--a desire to sacralize the most profane and fecund of human creations"

Research building is a very comprehensive architectural structure, and it must meet requirements on aspects of functional area, technical equipment, economic cost and law. They represent innovative means of production - that is why the design of research building is always changing.

According to the changes in the field of scientific research, the challenges faced by research architecture are how to make the high-tech equipments merged into the environment with better communication and how to integrate the institution itself into the atmosphere of communication and interaction through design. The former strictly functional organization is bound to be replaced by the beneficial communication cycle.

This book presents us that technical improvements are not necessarily the key to the design of great research buildings. The best research buildings position the researchers as the most creative agents in the process of scientific experiments. The building is not a machine which the scientists manipulate but a tooth at the macroscopic level. Meanwhile it is also a cultural construction with collaborative cohesion and creating imaginative.

This title succeeds in providing a platform for the communication between clients, designers and the supply sources of their material. It also includes 50 outstanding home designs complete with floor plans. In total it reflects the expanding aspiration and demand in China for designers to offer higher quality living environments.

Пролистать книгу  Residence Awards: 50 Works of the 50 Most Influential Chinese Designers

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At the end of the 20th century, the longevity of modern man and the lack of time of the younger population to take care of elderly people led to a profound analysis of the new environments and the search for a suitable habitat for the elderly. The new architectures and building technologies offer a wide range of specific solutions that help to improve the living conditions of the elderly. This book presents several models of architecture for the elderly, with details of schemes for geriatric homes, reception centres and special residential projects by architects from different countries as Toyo Ito, Mahler, Gunster & Füchs, MVRDU, Wiel Arets, Vicens and Ramos, Architecture Studio.

Citizens in retirement age are becoming an ever greater but also more active part of society.

Architects and designers have discovered that this requires a new way of thinking and detected nursing homes and senior citizens’ residences as a new area of professional interest. They apply creative concepts and intricate designs to increase the comfort and quality of life for the elderly.

The projects presented in this volume are outstanding examples of architectural and interior design solutions that meet the complex and special needs of senior citizens. It presents newly constructed and converted buildings that contradict the common perception of "old folks' homes". They show that it is possible to reconcile nursing and medical requirements with an attractive design, skillfully combining functionality and aesthetics.

• Skyline at First Hill in Seattle, USA (Perkins+Will)
• Elbschloss Residence in Hamburg, Germany (feddersenarchitekten)
• Apartments for Life in Sydney, Australia (PTW Architects)
• Aging in Africa in Lagoon Aby, Ivory Cost (HWKN)
• Sun City Park Machida in Tokyo, Japan (BAR Architects)

Residential Skin & Details provides analysis of both the technical and the aesthetic importance of details in modern residential architecture.

Featuring the work of renowned architect from around the world, this book presents 32 of the most recently completed designs for residential architecture. Each project is presented with colour photographs, plans, sections and elevations, as well as numerous construction details. There is also a descriptive text, detailed captions and in-depth information for each project.

Residential Skin & Details is an excellent reference work for practising architects as well as architecture and design students.

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