Книги по архитектуре городов мира

Bella Figura. Milan’s sumptuous modernist hallways

First impressions count, especially in Milano. In this unprecedented photographic journey, editor Karl Kolbitz curates 144 of the finest Milanese entrance halls from 1920 to 1970. Sumptuous in diversity and splendor, the volume features some of Milan’s most famous architects, from Gio Ponti to Piero Portaluppi, and showcases the city’s design DNA across high to low architecture.

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First impressions count, especially in Milano. In this unprecedented photographic journey, editor Karl Kolbitz opens the door to 144 of the city’s most sumptuous entrance halls, captivating in their diversity and splendor. These vibrant Milanese entryways, until now hidden away behind often restrained façades, are revealed as dazzling examples of Italian modernism, mediating public and private space with vivid configurations of color and form, from floors of juxtaposed stones to murals of minimalist geometry.

The collection spans buildings from 1920 to 1970 and showcases the work of some of the city’s most illustrious architects and designers, including Giovanni Muzio, Gio Ponti, Piero Portaluppi, and Luigi Caccia Dominioni, as well as non-pedigreed architecture of equal impact and interest. The photographs for the publication were exclusively created by Delfino Sisto Legnani, Paola Pansini, and Matthew Billings, each evoking the entryways with individual sensibility and a stylistic interplay of detail shots — such as stones, door handles, and handrails — with larger architectural views.

The images are accompanied by outstanding written contributions from Penny Sparke, Fabrizio Ballabio, Lisa Hockemeyer, Daniel Sherer, Brian Kish, and Grazia Signori, together bringing a wealth of architecture, design, and natural stone expertise to guide the reader through the applied materials and fittings as well as the art-historical and social implications of each of the ingressi. As much an architectural city guide as an aesthetic study, the book provides the exact address and an annotated Milan map for all featured entryways, as well as the architect name and date of construction.

In the well-documented realm of 20th-century Italian design, Kolbitz has stepped over the threshold and delivered a brand new area of inquiry in Milanese modernism. With the rigor of its multifaceted research, poised photography, and breadth of its featured hallways, this is an invigorating new reference work and an inside look at the city’s design DNA across high to low architecture.

The editor:

Karl Kolbitz is an editor based in Berlin. Growing up in the reunited German capital, he became interested in architecture and how the built environment shapes our lives. He worked with Mario Testino and Wolfgang Tillmans for many years before founding his own creative practice, which focuses on the development and design of art and architecture publications.

The contributing authors:

Fabrizio Ballabio is an architect and writer. He teaches history and theories studies at the Architectural Association (AA) and the Royal College of Art (RCA) and is a founding member of åyr.

Daniel Sherer teaches architectural history and theory at Columbia GSAPP and Yale School of Architecture. His research focuses on the modern reception of humanist architecture and on Italian modernism. Dr. Sherer has published extensively in journals in Europe and the U.S. including Artforum, Domus, Log, Perspecta, and Journal of Architecture.

Lisa Hockemeyer lectures on design history and criticism at the Polytechnic University of Milan and Istituto Marangoni. Her research focuses on 20th-century Italian design, industry, art, and ceramics. Dr. Hockemeyer has published widely and curated exhibitions in both Italy and the UK. She is Visiting Research Fellow at Kingston University, UK.

Penny Sparke is Professor of design history and Director of the Modern Interiors Research Centre at Kingston University, UK. She has lectured, curated exhibitions, broadcast, and published widely on design history, including her own books An Introduction to Design and Culture, 1900 to the Present and Design in Context. Professor Sparke is an Honorary Senior Fellow of the Royal College of Art.

Grazia Signori has been working in the dimension stone sector (testing and identification) since 2001. Her research focuses on the petrographical composition and technical properties of natural stones. She is a Visiting Professor at several Italian universities, including Politecnico di Milano and the Earth Sciences Department of Università di Milano and regularly publishes in Italian journals.

Brian Kish is an art historian and curator of Italian 20th-century design. His specialist knowledge includes designers Ico & Luisa Parisi, Gio Ponti, BBPR, Carlo Mollino, and Carlo Scarpa. He organized the first exhibition on Gio Ponti in the United States.

The photographers:

Delfino Sisto Legnani lives and works in Milan. His photography has been featured in a number of international magazines as well as in leading culture forums like the Victoria and Albert Museum in London, La Triennale in Milan, and the Venice Biennale of Architecture in 2012 and 2014.

Matthew Billings is a Berlin-based photographer and video artist whose work considers the intersection of moving and still imagery and the formal shifts brought about by technological advance. His work has been featured in magazines including Basso, Butt, and Paper.

Paola Pansini lives and works in Milan. Her photography focuses on still life and interiors and has been featured by some of the most prestigious fashion houses, international magazines, and architecture studios, including Armani, Prada, Valentino, Wallpaper*, Esquire, and David Chipperfield Architects.

This book offers a comprehensive account of the architecture of Florence, setting the city’s extraordinarily beautiful buildings within the political, economic, and cultural contexts in which they were made.

The rapid expansion of its banking interests and its wool and textile industries brought Florence prosperity, and it became, under Medici power, the heart of the European Renaissance, and the sponsor of pivotal architectural works. Stretching from the city’s foundation by Julius Caesar in 59 BC to modern times, the text takes a thematic approach. It begins with a historical overview, then moves on to look at buildings associated with the powers of Church and State, followed by the practicalities of building and the main architectural types, ending with modern developments. Buildings covered range from the Duomo, with Brunelleschi’s prodigious cupola, and the sprawling grandeur of the Palazzo Pitti, to neighbourhood churches and elegant lesser-known piazzas. Landmark modernist buildings include those by architect Pier Luigi Nervi.

The extraordinary visual wealth of the city is reflected in specially commissioned photography, while original plans and paintings by Florentine masters emphasize the historical context. In addition to a glossary of Italian terms and biographical notes on major figures, the book includes a foldout map with a key to the buildings discussed.

Soon after Giorgione introduced the fresco to Venice in the early 16th century, Venetian noble families began to commission the greatest masters of European painting to create grand fresco cycles for the interiors of their city palaces and their splendid villas on the mainland. This superbly photographed volume celebrates these frescoes, among the supreme achievements of Italian art and culture, providing an expertly guided tour of the beautiful residences in which they appear.

From complex allegories to Baroque masterpieces to fanciful distant worlds, Frescoes of the Veneto explores the changing nature of this tradition over the course of three centuries and features work by major artists such as Andrea Urbani and Giambattista Tiepolo, as well as lesser-known painters such as Giovanni Antonio Fasolo, Luca Ferrari da Reggio, and Jacopo Guarana. This splendid volume will be irresistible to lovers of Italian art and architecture and aficionados of the Veneto alike.

Berlin ist bis in die jüngste Vergangenheit hinein eine Stadt mit bewegter Geschichte und jede Epoche, jedes Gesellschaftssystem hat Spuren im städtischen Erscheinungsbild hinterlassen. Mitte des 13. Jahrhunderts erstmals urkundlich erwähnt, machte Berlin bald Karriere als Hauptstadt des Kurfürstentums Brandenburg, des Königreichs Preußen, des Deutschen Kaiserreichs und der Weimarer Republik, des Dritten Reichs, der DDR und seit 1990 wieder als Hauptstadt Gesamtdeutschlands. Entsprechend vielfältig, oft auch widersprüchlich ist das architektonische Vermächtnis: Es reicht von Residenzen und Palais über Mietskasernen, die Musterbauten der Avantgarde und das Olympiastadion bis hin zur (ehemaligen) Stalin-Allee. Nach zwei Weltkriegen, Teilung und Wiedervereinigung wird die Stadt langsam wieder zur Metropole, die sie einmal war. Das umstrittene Sony-Center und das neue Regierungsviertel sind die jüngsten Marksteine auf dem Weg dorthin. Für sein neues Photobuch Berlin stellte Gerrit Engel eine Typologie von 170 Berliner Bauten zusammen. Wie schon in seinem 2006 bei uns erschienen Band Manhattan New York geht er auch hier chronologisch vor: Angefangen mit dem ältesten erhaltenen Bauwerk Berlins, der Nikolaikirche von 1230, und endend in der unmittelbaren Gegenwart, David Chipperfields Umstrukturierung der Museumsinsel, werden die historischen Brüche und Verwerfungen ebenso sichtbar wie der oft hilflose Umgang mit einer übermächtigen Stadtgeschichte.

A photographic typology of major Berlin buildings in chronological order and a testimony of the city’s controversial history: from Prussian palaces through to the Bauhaus architecture of the Weimar Republic, the Nazi Olympic Stadium, the Cold War Soviet classicist Stalin Allee, and today’s post-Wall architecture such as the controversial Sony Center.

When German photographer Gerrit Engel moved to New York in 1994 to study architecture, he combed through bookstores in search of a book documenting the city’s most important buildings—not just some eccentric details but each edifice as a whole from the street level to the roof; no fancy photographic distortions but captured as the structures present themselves to the ordinary pedestrian. Having
searched in vain he decided to do it himself. Documenting prefabricated housing estates in East Berlin neighborhood of Marzahn, and Buffalo grain elevators, he knew what he was looking for. What he came up with is no less than a typology of Manhattan architecture: 150 buildings in chronological order of their creation between 1793 and 2005, complete with names of the architects and locations. Engel’s brilliant color photographs present a survey of the mix of styles that make Manhattan a unique architectural environment. We now get what Gerrit Engel had been looking for.

This work offers a visually stunning exploration of the hundreds of works of art hidden in plain sight around the fabulous city of Barcelona. It offers dedicated mailing and e-mail campaign to targeted art and photography related media. Barcelona is a city filled with some of the world's finest examples of art, architecture, and design. But most people will never see them. Why? Because they are all around us - from modernist facades to traffic signs, from busy streets to quaint shops, stunning art can be found everywhere, but you have to know where to look! "Graphicity Barcelona" brings together hundreds of full-colour photographs that showcase the very best of Barcelona's real 'street art'.

A portrait of Havana before it changes forever. A unique look inside the old mansions of the Cuban capital

Havana. Just saying the name evokes images of bright Caribbean colors, American cars with fins from the 1950s, and once-glorious buildings fallen into ruin. Now that this socialist island country is open once more, this picture will soon change. Now is the time to pause for a moment and take a closer look at Cuba’s capital city. Bernhard Hartmann starts on the streets, showing us cafes, shops, and boxing clubs, but he also takes us behind the facades of the mansions, whose well-worn charms immediately captivate the viewer. Crumbling plaster, cracked walls, worn stair treads — we see all of this in the pictures, and yet these places are vibrant and alive. Traces of bourgeois life, dignified and stylish, survive despite the adversity, masterfully captured in brilliant photographs.

About the Author:

Bernhard Hartmann was born in 1955 in Frankfurt am Main, Germany, and began working as a photographer for a major German newspaper at the age of 18. While he was still in law school, he became a self-taught landscape and architecture photographer. In addition to solo and group exhibitions in Germany and abroad, his photos have appeared in German and international publications, and many of his pictures have won awards (the Sony Awards, Epson International Pano Awards, and International Color Awards, among others). Bernhard Hartmann particularly enjoys photographing art venues. He has done photo series of opera houses, theaters, and country manors in Europe.

In ad 79, the volcano Vesuvius erupted, burying the cities of Pompeii and Herculaneum under ash and rock, and leaving them remarkably well preserved for centuries. While Pompeii has been extensively written about and popularized, the remains of its sister city, a smaller yet wealthier community close to the sea, are less widely known, but they have yielded spectacular archaeological evidence.

This is the first major study of Herculaneum since that of Joseph Jay Deiss, published in 1966 and last revised in 1993. And in any language there have only ever been a handful of books available, mostly guidebooks and exhibition catalogues. Herculaneum is based on the latest excavation work and incorporates much new material that has revolutionized our understanding of the site. The book draws on a decade’s work with the Herculaneum Conservation Project which, thanks to the Packard Humanities Institute, has begun to reverse the neglect of previous years which had reduced this extraordinary site to a critical condition. Illustrated with more than 300 newly taken colour photographs and archive illustrations, plus eight spectacular 360-degree panoramas, it is the definitive overview for the general public of what we know and understand about Herculaneum, of what is still unknown and mysterious, and of the potential for future discoveries in both archaeological and political contexts.

* A comprehensive insider’s guide to the Big Apple, with sections on shopping, culture, sights, restaurants, hotels, and more…
* Ranging from boutiques to bars, museums to landmarks, this guide’s got all bases covered

300 color photographs

A unique glimpse inside a world of luxury, tradition, and splendor. 

Many historic homes in Paris serve as residences to foreign ambassadors; these historical sites are closed to the general public. From a seventeenth-century hôtel particulier, to a Belle Epoque palace, to a distinctively contemporary setting, each residence rivals the next in its beauty, art collection, and period furniture set against a backdrop of accomplished refinement. 

Alain Stella invites us over the threshold inside the most prestigious chancelleries and ambassador residences in Paris — from China and Peru to Egypt and Poland. Tapestries inspired by Goya’s drawings grace the lavish salons at the Spanish residence. Jean Prouvé and Charlotte Perriand created a minimalist interior at the Japanese residence that evokes the refined style of a traditional Japanese home. The palace of Eugène de Beauharnais — home to the German ambassadors since 1818 — retains its elaborate Empire style, intact since the time of Josephine. 

Superb photographs, specially commissioned for this book over the course of a year, divulge the secrets of these previously unpublished artistic and architectural treasures.

About the Author:

Alain Stella is a traveler and writer. He has published numerous books with Flammarion including The Book of Coffee (1997), The Book of Tea (1992/2005), The Little Book of Coffee (2001), French Tea: Mariage Frères—Three Centuries of Savoir-Faire (2009), Distinctive Vintages (2008), and The Book of Spices (2000). 

Francis Hammond’s photographs have been published in French Tea: Mariage Frères and Elegant Entertaining (2009). He regularly works in the fashion and advertising industries, contributes to international magazines, and divides his time between New York and Paris.

A visual feast on ‘the extravagance of the bohemian’, the homes in this collection are a testament to personal style that readers will find inspiring and influential. Since the 1970s, Oberto Gili has been one of the most prolific lenses in the world of editorial photography, his lush images of fashion and interiors gracing the pages of House & Garden, Town & Country, and Vogue. This collection of his signature interior photography spans this significant career.

Gili’s passion for the grand, bold, and quirky granted him access to the inner sanctums of both high society and the bohemian demimonde. The selection includes numerous homes of French and Italian nobility, lords of the European and American creative class, and the photographer’s own remarkable Piedmont farmhouse. This volume of Gili’s best work is a sumptuous and voyeuristic study of his most arresting interiors and emphasizes the adventurous nature of both the homes and their occupants. These homes exude in turns grandeur, whimsy, and tranquility, each interior imbued with the unique style of its occupants.

The book features more than 40 homes throughout the world--from New York penthouses and artist lofts to seventeenth-century Italian villas and country homes in Morocco--each personally selected by Gili and shown in full. Each house is accompanied by a short descriptive text by Susanna Salk. Sprinkled throughout the book are 10 short texts by selected homeowners (Isabella Rossellini, Mary Randolph Carter, Muriel Brandolini, Marella Caracciolo, Paul Fortune, and Beatrice Monti, among others) describing a personal history of the individual spaces.