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Packaging products are designed to last as long as possible before recycling, where the vital process starts all over again. The importance of recyclable packaging is clearly recognised by all market sectors; either because the product itself is natural and eco-friendly or manufacturers wish to draw attention to the essence of the product, demonstrating commitment to environmental protection through company products. On the whole, awareness as regards the importance of recycled products is gradually increasing. Some products are even manufactured solely from sustainable, recycled and eco-friendly materials even though this is not openly illustrated.
The interest shown by designers in this field of packaging is clearly demonstrated by the outcome of numerous remarkable projects. Recyclable packaging, packaging produced from sustainable, eco-friendly recycled materials, re-usable packaging in its existing state, at least for a couple of times more or even repeatedly.

Whatever the product, all of this packaging has one thing in common: a container intentionally designed to protect and preserve our environment.

Fashion consciousness interpreted as modern, ethical living - "ecodesign" considers every project a life-cycle that has to be well thought out, from production to disposal.

This new "green" approach reflects a dynamic lifestyle that imaginatively brings together design, innovation, and the responsible use of resources. The objects and products featured in this book provide attractive solutions for the demands of contemporary life. A wide, fascinating range of unusual possibilities is presented on 352 richly-illustrated pages: from stylish energy savers for everyday life and multifunctional systems of furniture to the natural cosmetics of the future.

The book also offers an insight into the basic principles of ecodesign and sets benchmarks for modern, stylish product design.

Fashion consciousness interpreted as modern, mindful existence ecodesign considers every project a lifecycle that has to be well thought-out, from production to disposal. This new green esthetics reflect a dynamic ifestyle that imaginatively brings together design, innovation, and dealing with resources responsibly.

The objects and products featured in this book provide attractive solutions for the demands of contemporary life. A wide, fascinating range of unusual possibilities is presented on 352 richly-illustrated pages: from stylish energy wonders for everyday life and multifunctional systems of furniture to the natural cosmetics of the future.

The book also offers an insight in the basic principles of ecodesign. This illustrated volume sets benchmarks concerning topicality and modern, stylish product design.

The use of environmentally friendly packaging is becoming ever more popular across a wide range of products from food and drink to cosmetics, and from clothing to furniture. This volume presents a superbly illustrated look at some of the most innovative ideas for environmentally friendly packaging from around the world. Each featured project is accompanied by a short description, and full details of the designer/studio.

This book offers an accessible and comprehensive guide to visual journalism today the design of magazines and newspapers for a wide variety of markets. Generously illustrated and including case studies, practical tips, examples of best practice and profiles of individual designers, the book explains the fundamentals of editorial design and layout. It provides an overview of current methods and shows how and why editorial design is its own discipline, differing from other areas of graphic design.

Subjects covered include branding, how to create layouts, handling copy and images, design and production skills and trends in editorial design. With advice and opinions from leading practitioners in the field, the book is a practical reference and learning resource that will teach readers everything they need to know to reach the top of the profession.

Edward Steichen was already a famous painter and photographer when, in 1923, he was offered one of the most prestigious and most lucrative positions in photography – that of chief photographer for Condé Nast’s Vogue and Vanity Fair.

Over the next fifteen years, Steichen produced an oeuvre of unequalled brilliance, dramatizing and glamorizing contemporary culture and its achievers – in politics, literature, journalism, dance, theatre, opera and, above all, the world of high fashion.

The 1920s and 1930s represent the high point in Edward Steichen’s photographic career, and the work he did for Condé Nast will stand forever among the most striking creations of 20th-century photography. The list of Steichen’s portraits is astounding in its range.

Steichen created a new style of fashion photography: his crisp, detailed, high-key style is a strong wind felt in the field to this day – George Hoyningen-Huene, Horst P. Horst, Richard Avedon, Robert Mapplethorpe and Bruce Weber are only his most illustrious descendants.

The Steichen archive at Condé Nast contains more than two thousand original vintage prints. A few of the images are well-known and indeed feature as iconic images in various histories of photography. Until now, however, no more than a handful of these prints has been exhibited or published.

Eero Saarinen was born in Finland in 1910. After his family moved to the United States in 1923 Eero graduated from Yale University where he subsequently completed post-graduate work at the Cranbrook Academy of Art. This famous school of architecture and design was directed by his father Eliel and, it was here that Eero met Charles Eames and Florence Schust Knoll. The three became close friends and worked together on some of the most remarkable projects in the history of American and international design.Throughout his career Saarinen divided his time between architecture and design. He designed some of the most important post-Second World War buildings in America (the General Motors Technical Center, the MIT chapel and auditorium, the TWA Terminal at J.F.K. Airport in New York), and his objects, most of which manufactured by Knoll, are absolute icons of contemporary design. He died prematurely at the age of 51 in Ann Arbor, Michigan.

Published in the same style as the successful Minimum Architects series, the Minimum Design series includes books about the major figures in the field of design, creators of objects that have become a part of our daily lives. The lamp on our desk, the chair we are sitting on or the glasses we are wearing have a genius behind them to be discovered. These volumes introduce in a practical manner the personalities and the works of the world's major designers by way of an historical-critical introduction to the work and life of each individual designer. An accurate selection of the designer's most famous objects arranged in chronological order and a critique of his or her work summarising the most significant reviews published in magazines and newspapers completes the subject.

Contents: Eero Saarinen by Giampiero Bosoni; Eero Saarinen's vocation for synthesis; Catalogue of Objects; The Objects; Saarinen's thinking; Critique; Selected References.

Eileen Gray is now celebrated as a pioneer of modern design and one of the most influential designers of the twentieth century, together with Le Corbusier, Charlotte Perriand, Marcel Breuer, Ludwig Mies van der Rohe, Alvar Aalto, Gerrit Rietveld and Charles Eames.

Her Bibendum chair and E.1027 table are today familiar icons around the world, while E.1027 and Tempe à Pailla – two houses that she built and furnished entirely with her own designs – are cited among the purest examples of Twenties and Thirties architecture.

Peter Adam, a long-time friend of Gray’s, has had privileged access to her surviving correspondence, drawings and journals as well as her architectural sketchbooks and photographic archives. From these sources he has built up a full-scale picture of her eventful life, from her aristocratic beginnings in Ireland, to the extravagant Art Deco period in Paris, and her productive years in the south of France.

Enriched by a wealth of previously unpublished material and an extensive plates section in full colour and duotone, this volume is a mine of rare and fascinating information which reveals above all the contemporary relevance of Eileen Gray’s work.

Join internationally renowned fashion illustrator Megan Hess as she explores the timeless beauty and glamour of ten of France's best-loved designers in a stylish celebration of one of the world’s favourite fashion destinations.

From the courts of Versailles to the cobbled streets of Paris, French fashion has always been the epitome of elegance. Whether it's Dior's New Look, Yves Saint Laurent's Le Smoking jacket or Chanel's little black dress, the masters of French fashion understand that clothing is more than a craft: it’s an art form.

Megan Hess’s love for French-style sparked her career in fashion illustration. In these pages, she unspools the threads of ten legendary designers – Chanel, Dior, Saint Laurent, Lanvin, Givenchy, Chloé, Balmain, Louis Vuitton, Hermès and Celine – to discover the origins of haute couture, prêt-à-porter and everything chic.

Accompanied by Megan’s exquisite illustrations of current and archival collections, Elegance: The Beauty of French Fashion tells the story of how France’s iconic fashion houses have influenced the very fabric of design. 

About the Author:

Megan Hess was destined to draw. An initial career in graphic design evolved into art direction for some of the world’s leading design agencies. In 2008, Hess illustrated the New York Times number-one-selling book Sex and the City, written by Candace Bushnell. She has since illustrated for Dior Couture, created iconic illustrations for Cartier and Louis Vuitton in Paris, dreamed up animations for Prada and Fendi in Milan, illustrated the windows of Bergdorf Goodman in New York, and created a capsule collection of bags for Harrods of London.

Hess’s signature style can also be found on her bespoke, limited-edition prints and homewares sold around the globe. Her renowned clients include Chanel, Dior, Fendi, Tiffany & Co., Saint Laurent, Vogue, Harper’s Bazaar, Harrods, Cartier, Balmain, Louis Vuitton and Prada.

Megan is the author of five bestselling fashion books and a picture book for children. She is the Global Artist in Residence for the Oetker Masterpiece Hotel Collection.

Перед вами книга, которая представляет элементы китайских и японских декоративных орнаментов. Китайские и японские орнаментальные традиции приобрели популярность во всём мире.

One of the world's most renowned makeup artists, Yasmin Heinz works at the cutting edge of fashion

From photoshoots to runway shows and from music videos to advertising, Heinz's expertise is in demand by photographers, designers, and celebrities alike. This sumptuous volume of her most striking creations is divided into sections that echo the universe's four elements: earth, air, fire, and water.

Chosen from Heinz's vast archive, and featuring renowned illustrators and artists, the images in this book reveal her extraordinary skills-whether adding contour to a beautiful face, or completely transforming another. Weaving together the best of fashion, beauty, and photography, this irresistible volume shows that makeup can be an exciting form of art.

About the Authors:

Yasmin Heinz is one of the world’s most in-demand makeup artists. During her career she has worked with designers such as Chanel, Dior, Thierry Mugler, Jean-Paul Gaultier, and Sonia Rykiel; magazines like Elle, Harper’s BAZAAR, Vanity Fair, and Vogue; and with celebrities from all walks of life.

Jess Henley is a beauty writer, stylist, and director. She has spent the past 15 years reviewing, analyzing, and testing all things beauty to see what really is the best on the market as well as producing shoots with top photographers and makeup artists such as Yasmin Heinz.

The art of embroidery has been practised for thousands of years. In the West, traditions have been at the mercy of trade and fashion, but in other regions, embroidery continues to be rooted in ancient beliefs and superstitions.

This beautifully illustrated book examines in detail the fascinating symbolism of the motifs and patterns that give life to these traditional textiles from around the world.

The global range is as remarkable as the variety of materials and motifs on display. Each textile – whether Chinese court insignia, Japanese kimono, Sumatran sarong, Turkish napkin, Ghanaian banner, Native American pouch or Peruvian Nasca textile, among others – bears its own distinctive designs.

Complete with:

  -  glossary
  -  dictionary of stitches
  -  information on public collections
  -  how to collect textiles
  – this is an unrivalled guide for anyone interested in textiles, costume or craft.

Embroideries and Patterns from 19th Century Vienna is the first book devoted entirely to the petit-point of nineteenth-century Vienna. Raffaella Serena surveys samplers motifs and decorative patterns such as garlands, flowers, animals and landscapes. The most significant patterns of the Nowotny collections are integrated with other examples drawn from different sources in order to give a more rounded and complete historical and stylistic account of the period under consideration.

This book contains stunning images for use as a graphic resource, or inspiration. All the illustrations are stored in high-resolution format on the enclosed free CD-ROM and are ready to use for professional quality printed media and web page design. The pictures can also be used to produce postcards, or to decorate your letters, flyers, etc. They can be imported directly from the CD into most design, image- manipulation, illustration, word-processing and e-mail programs; no installation is required. For most applications, single images can be used free of charge. Please consult the introduction to this book, or visit our website for conditions.

Like weaving, embroidery consists of the use of strands of thread for the decoration of fabrics. But unlike in weaving, in which the fabric itself is created, in embroidery the decoration is applied to an already existing surface by use of a needle. The technique is therefore especially suited for the application of ornaments and borders. Embroidery contains a rich collection of such ornaments and borders, with imagery from the natural world, such as animals, leaves and flowers, but also religious and heraldic symbols and some complete embroidered alphabets.