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The term “flower power” is an expression associated with the peace movement of the late 1960s and early 1970s. It permeated practically all forms of popular culture of the time, including music, painting and design. In fashion, flower power represents a striking style, using lots of strong and contrasting colours and bold, flowery imagery.

This second volume in the PEPIN series contains more than 100 reproductions of typical flower power designs, as well as photographs of many amazing and beautiful flower power garments, such as flared trousers, tent dresses, jumpsuits and mini skirts.

The new PEPIN Fashion, Textiles & Patterns series contains large-format, stunningly illustrated volumes on a wide range of styles. Each volume in the series will include concise, authoritative texts as well as information about technical aspects and a wealth of inspiration and visual resource material. The illustrations include photographs of clothes, historical images (including fashion plates), cutting schemes, decorative details and reproductions of fabric designs. Each volume includes a CD with ready-to-use files.

With this book Giorgio Armani — the “king” of Italian fashion and one of the most recognized designers in the world — retraces, in his own words, his life, work, and thoughts.

This is the only autobiographical text written by designer Giorgio Armani, in which he speaks about himself, his youth, his early career, and the people close to him, and shares his ideas about creativity and what fascinates him in today’s world.

Based on the official illustrated book released by Rizzoli in 2015, this unfiltered text has been revised and updated by the author and is accompanied by personal photos. The book tells an intimate story and chronicles the beginning of a great era for Italian fashion. Starting from Milan’s extraordinary energy in the 1960s up until the most recent events for which Armani has taken a stand through his work, his thinking has always been, and continues to be, consistent and straightforward.

About the Author:

Giorgio Armani was born in Piacenza, Italy, in 1934. He founded his namesake company in 1975, launching his line of ready-to-wear. In 2015, to mark his fortieth anniversary, he opened Armani/Silos in Milan, an exhibition space that houses his creations and hosts temporary exhibitions.

A beautifully made scent can encapsulate a particular feeling, transport you to a very specific time in life with clarity, or remind you of a special loved one or friend. And just like wearing your favourite outfit or shoes, your favourite perfume can make you feel invincible. The question is, how do you find such a creation? With the number of new releases steadily increasing, it can be bewildering even attempting to find a perfume you like, let alone love.

In Perfume, Neil Chapman guides readers through a world that can at times seem overwhelming. Fragrances of every variety are listed ‘note by note’ in clearly divided categories that will steer you in the direction of a perfume you not only like, but love and cherish as ‘your’ signature scent. Chapters explore popular notes (for example, vanilla, sandalwood, jasmine, rose, patchouli, chocolate) or a broader identifiable group (such as ‘oceanics’, ‘green florals’ or ‘anti-perfume’), giving an insight into that particular category as well as a clear sense of the similarities and differences between the scents described within it.  

Featuring over 700 scents, from vintage perfumes to department store classics, rarities and niche boutique fragrances, Perfume is a true portal into the beautiful world of perfume. The further you go on this journey, the more you will be amazed by how many beautiful creations do exist if you take the time to look.

Persia had a distinct tradition of ornamental design, setting it apart from other countries in the region. While sharing with them an interest in geometric patterns and ornate calligraphy, traditional Persian design is special in its emphasis on the natural world and its treatment of figurative elements, such as birds and other animals; it is most famously employed in the creation of rugs. Persian Designs presents a diverse collection of patterns and designs, ranging from simple and elegant elements to complex and highly ornate interlocking patterns. It also contains some examples of practical applications of the designs.

Посмотреть переиздание - Persian Designs - Revised Edition

Persian Designs is a completely revised edition of one of Agile Rabbit’s best-selling volumes. All designs have been re-traced and perfected, and a vast number of exciting designs have been added.

Agile Rabbit Editions contain stunning images for use as a graphic resource, or inspiration. All the illustrations are stored in high-resolution format on the enclosed free CD-ROM and are ready to use for professional quality printed media and web page design. The pictures can also be used to produce postcards, or to decorate your letters, flyers, etc. They can be imported directly from the CD into most design, image-manipulation, illustration, word-processing and e-mail programs; no installation is required. For most applications, single images can be used free of charge.

Persian Rugs and Carpets: The Fabric of Life presents a pictorial journey around Persia, reflecting the weaving and pattern styles of the many regions and tribes - including Esfahan, Kashan, Nain, Qum, Kerman, Tabriz, Bakhtiari, Senneh, Malayer and Qashqa'i - showing the vast range of carpets woven in Persia from about 1850 to the third quarter of the 20th century. The introductory text to each section explains the particular aspects of that region's weaving style. In addition, each caption gives an in-depth account of the carpet, not only the date and region in which it was woven, but also the motifs and patterns, the technique used, even the weaver, and, in the case of pictorial carpets, the fascinating stories being depicted.

The introductory essay takes the reader through the history and geography of the Persian rug, including information on structure, weaving and knotting, the different output of the city and urban workshops compared to tribal and village weaving, flatweaves, and identification. It also features points of note for the collector, such as conservation and cleaning, as well as highlighting the difficulties in dating rugs, and the problems with fakes.

Lavishly illustrated in colour throughout, Persian Rugs and Carpets: The Fabric of Life shows these carpets at their very best, with incredible clarity of detail, bringing together in one place the diversity of weaving styles and the great variety of patterns, allowing the reader to compare carpets at a glance.

This exquisite book - an essential addition to the bookshelves of all carpet collectors and aficionados - is a testament to the rich and vibrant art form of Persian carpets.

Born in Iran to a family with a long history of dealing in Persian carpets, perhaps it was inevitable that Essie Sakhai should become a respected expert on Oriental and Persian carpets, gaining much of his great knowledge from his father Benayahoo Sakhai. Essie lives in North London, though he spends most of his time at ESSIE CARPETS on the corner of Albemarle Street and Piccadilly in London's Mayfair, carrying on the family tradition started in the 18th century.

Essie is a true enthusiast and hopes through his extensive lectures, interviews and writing (his previous books include The Story of Carpets, which has been translated into many languages, and The Buyers' Guide) to share his knowledge and passion for carpets with a wider audience.

This book combines Robert W. Gill’s two classic volumes – Basic Perspective and Creative Perspective – to provide a complete, clear and simple explanation of the principles of perspective. It demonstrates that an understanding of them – even in our technology-led world – is the key for architects and designers who want to produce great work.

Perspective: From Basic to Creative provides:
• The all-in-one authoritative guide to perspective that all designers, architects and students need on their shelves.
• Accessible text and timeless illustrations giving explanations of visual principles and step-by-step demonstrations of how to create accurate and convincing artwork.
• A complete set of creative tools enabling you to gain a mastery of the illusion of perspective on page or screen.

The Love of Black. The powerful collaborations between Peter Lindbergh and Azzedine Alaïa

Peter Lindbergh and Azzedine Alaïa, the photographer and the couturier, were united by their love of black, a love that they would cultivate alike in silver print and solid color garments. Lindbergh ceaselessly turned to black and white to signify his search for authenticity in the faces he brought to light. Alaïa drew on the monochrome of timeless clothes to create veritable sculptures for the body.

In this book, the unique dialogue between the two artists is immortalized in print. Illustrating their community of spirit, its images are a celebration of their artistic partnership and testament to their history-making achievements in photography and fashion.

Despite their geographically opposed origins, Lindbergh and Alaïa pursued similar horizons. At the same time as Lindbergh’s reputation in Germany was growing thanks to his work in Stern magazine, and he set up his studio in Paris in 1978, Alaïa was the couturier shrouded in discretion whose sophisticated techniques were a treasured secret amongst the most important clients of Haute Couture.

Alaïa became the architect of bodies, revealing and unveiling them, while Lindbergh distinguished them by shining a light on their soul and personality. Step by step, they became the creators that dominated their respective disciplines. Both rejected any artifice that distracted from their true subject, and it is with great ease that they came together for a number of powerful collaborations.

Shared inspirations and aesthetic values are visible throughout their work. A beach in Le Touquet and the streets of old Paris reference a mutual love of black and white cinema and vast panoramas. The backdrop of an engine room illustrates the memory of an industrial German landscape for one and references the inordinate passion for functional design and architecture held by the other. Alaïa’s clothes act as pedestals for the smiles and eyes of the women who wear them: Nadja Auermann, Mariacarla Boscono, Naomi Campbell, Anna Cleveland, Dilone, Lucy Dixon, Vanessa Duve, Helene Fischer, Pia Frithiof, Jade Jagger, Maria Johnson, Milla Jovovich, Lynne Koester, Ariane Koizumi, Yasmin Le Bon, Madonna, Kristen McMenamy, Tatjana Patitz, Linda Spierings, Tina Turner, Marie-Sophie Wilson, Lindsey Wixson. For Lindbergh, who built his notoriety on the images of these supermodels, the authenticity of their traits is all that matters. The result is a potent black and white catalogue that reverberates with truthfulness and beauty.

The book accompanies the exhibition Azzedine Alaïa, Peter Lindbergh at the Fondation Azzedine Alaïa, 18 rue de la verrerie, Paris, France.

With contritutions by Fabrice Hergott, director of the Musée d’Art Moderne de la Ville de Paris, Paolo Roversi, photographer, and Olivier Saillard, fashion historian and director of the Fondation Azzedine Alaïa, Paris.

The photographer:

Peter Lindbergh (1944–2019) was a master of his craft who made his mark in the halls of photography history, with such credits as shooting the first American Vogue cover under Editor-in-Chief Anna Wintour, bringing together for the first time a group of young women who would become the ’90s supermodels, and numerous exhibitions at renowned institutions including Victoria & Albert Museum in London and Centre Pompidou in Paris, as well as in solo exhibitions at Hamburger Bahnhof, the Berlin Museum for Contemporary Art, Bunkamura Museum of Art in Tokyo, the Pushkin Museum of Fine Arts in Moscow, and Kunstpalast in Düsseldorf.

* Комплект из трех книг, каждая из которых содержит уникальный материал по классике промышленного дизайна
* Описание наиболее инновационного, законченного и показательного продукта, с точки зрения дизайна, созданного за последние 200 лет.
* 999 объектов, выбранных группой экспертов, в которую вошли дизайнеры, архитекторы, коллекционеры, критики, кураторы, журналисты и ученые.
* Каждый предмет сопровождается текстом, написанным одним из пятидесяти специалистов в области дизайна, с   подробной информацией о каждом продукте, его дизайнере, его производителе и истории его создания.
* Иллюстрированный материал с большим количеством оригинальных эскизов, патентов, прототипов и редких фотографий, полученных в результате кропотливой работы исследователей и собранных из первых рук.

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* A three-volume set containing the ultimate selection of design classics
* Featuring the most innovative, beautiful and influential products created in the last 200 years
* 999 objects selected by a panel of experts that includes designers, architects, auctioneers, critics, curators, journalists and academics
* Each object is accompanied by a text written by one of over fifty experts from the field of design, with precise information about each product, each designer, each manufacturer and their history
* Illustrated with a wide range of photographs, original sketches, patents, prototypes and rarely seen archival images, painstakingly researched and collected directly from designers, archives and manufacturers

Philippe Starck is one of the world's most prolific and famous designers. Well known for his luxurious hotels and restaurants, he is equally celebrated for his inspirational reworkings of everyday household items.

Whether it be his iconic lemon squeezer, dubbed the 'Juicy Salif', or his colourful stylized toothbrushes, Starck's works are some of the earliest examples of 'democratic design'. This idea, that exceptional products should not be exclusive and elite, but be accessible and affordable, would eventually revolutionise modern design.

Starck has worked privately for French president Francois Mitterand, decorating a suite in the Palais d'Élysée in Paris in 1982. He has designed products for a number of internationally renowned organisations including Microsoft, Lacie, Eurostar, Alessi and Fossil.

These volumes will introduce in a practical manner the personalities and the works of the world's major designers by way of an historical-critical introduction to the work and life of each individual designer. An accurate selection of the designer's most famous objects arranged in chronological order and a critique of his or her work summarising the most significant reviews published in magazines and newspapers will complete the subject.

Christina Morozzi is the editor of Design magazine and works as a curator of exhibitions in Italy and abroad. She is also a visiting professor at Domus Academy of Milan and University of Art and Design, Lausanne, Switzerland.

A unique collection of photographs by Brigitte Niedermair, celebrating her original, creative collaboration with the House of Dior.

Informed by her parallel paths as an artist and a photographer, Brigitte Niedermair expands the conventions and biases of the fashion image system. Her work focuses on representations of women’s bodies in art and culture, with deeply constructed images and striking compositions that make for a distinctive style.

This volume explores the remarkable relationship between Dior and Niedermair’s aesthetic, resulting in photographs radiating a strong sense of unconventional femininity. The first section is devoted to the collaboration throughout the recent years, followed by a portfolio of exclusive images of historical and iconic Christian Dior creations. Captured with an analogic, classical technique in a five-by-four-inch format — which was used during photography’s early beginnings — 42 pieces from Dior archives are photographed twice, with each version of the image offering a unique perspective and revealing hidden details, such as the construction of the designs. With the principal essay by Olivier Gabet and contributions by Dior’s creative director, Maria Grazia Chiuri, and artists and friends of Niedermair, this beautifully crafted book offers an extraordinary look into one of today’s most fascinating creatives.

About the Authors:

Brigitte Niedermair is an Italian photographer alternating artistic research with fashion photography. Her works are included in private collections, museums, and public institutions. Olivier Gabet is the director of the Musée des Arts Décoratifs (MAD) in Paris. Maria Grazia Chiuri is the creative director of Dior. Brigitte Lacombe is a French photographer. Martino Gamperis an Italian designer. Marcello Jori is an Italian visual artist and designer.

Полное, развернутое описание всех возможностей последней версии лучшего графического редактора — Adobe Photoshop Creative Suite 4 — сопровождается рекомендациями по практическому применению функций и инструментов программы. Большое количество примеров позволяет получить навыки работы в Photoshop. Особое внимание уделено нововведениям CS4, в частности возможностям версии Photoshop CS4 Extended. Материал структурирован таким образом, чтобы облегчить читателю поиск необходимой информации. Часть иллюстраций представлена на цветной вклейке. Прилагаемый компакт-диск содержит видеоуроки, дополнительные фильтры, макросы и многое другое.
Для всех пользователей Photoshop, а также для тех, кто хочет научиться эффективно работать в этой программе.

Оглавление.

Отрывок.

Лучший способ научиться что-нибудь делать — это попробовать. Книга, которую вы держите в руках, поможет вам в этом. Приведенные примеры не просто научат эффективно использовать возможности Photoshop CS4, но и обеспечат дизайнерскими рецептами на все случаи жизни. Вы сможете сразу перенести описанные приемы на практику. Много полезного содержит компакт-диск: дополнительные фильтры, кисти, макросы, а самое главное — видеоуроки и цветные иллюстрации к книге. Самые важные рисунки вынесены на цветную вклейку.
Для всех, кто хочет быстро получить практические навыки работы в Photoshop, а также иметь под рукой сборник готовых дизайнерских решений.

Отрывок.

The stories told with graphics and infographics are now being visualized through photography. Photoviz shows how these powerful images are depicting correlations, making the invisible visible, and revealing more detail than classic photojournalism.

Photoviz explores the intersection of photography, infographics, and data visualization. Combining cutting-edge technology and classic photographic techniques enables us to tell stories and visualize information more powerfully and compactly than ever: a full day of flights all at once, invisible Wi-Fi networks, global trade, intimate psychology, movement, time itself, and more.  The concept of Photoviz invites us to simultaneously reinvent our collective reality and demystify our surroundings.

Within this mesmerizing photographic world, striking images reveal the power of tools ranging from long exposure and slit-scan photography to post-processing, collage, and metadata. Photoviz is a source of inspiration and a crucial resource for designers and photographers alike.

Already renowned for his work on data visualization, editor Nicholas Felton examines the past and present realms of photographic visualization and points to innovative possibilities for the future. He is best known for his work on Facebook’s Timeline and his Felton Personal Annual Reports.

Picnic is the compliation of the best works from the new-wave of international artists, setting new directions in retro-inspired modernist and folkloric illustration. Their old-school methods of using silk-printed graphics, collage photocopying, engraving, hand-drawing, lettering and stencilling, lend the work a strong personality and originality, far removed from the more sterile, minimal cutting-edge design trends seen over the last decade. This refereshing work is a nod to the golden age of graphic design in the 50s and 60s in 20th century Europe.

This book recalls the techniques used by the grand maestros of design and illustration, Saul Bass, John Hubley (Mr.Magoo), Friz Felang (Pink Panther and legends of pop graphic design, Milton Glaser, Paul Rand and Edelman.