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Spectacles and sunglasses are the most popular fashion accessories of our time.

This book provides a comprehensive account of the design of spectacles in their many guises and of the historical developments that influenced them. A detailed history of spectacles is presented through a brief synopsis and more than 500 photos. Spectacles and Sunglasses devotes considerable attention to 20th century designs: a period that witnessed the creation of innumerable outlandish and extravagant spectacles. Jackie Kennedy's and Audrey Hepburn's sunglasses; the frames worn by Buddy Holly, Nana Mouskouri and Yves Saint Laurent; and the famous models by Pierre Cardin, Courreges, Ray-Ban and Christian Dior may all be found in this book.

A wide range of contemporary innovative designs is also represented.

This is the premiere showcase for imaginative illustration, sculpture, and Fine Art. Challenging, controversial, educational, and irreverent, the award-winning "Spectrum" series reinforces both the importance and prevalence of fantastic art in today's culture.

With exceptional images by extraordinary creators, this elegant full-color collection showcases an international cadre of creators working in every style and medium, both traditional and digital.

The best artists from the United States, Europe, China, Australia, South America and beyond have gathered into the only annual devoted exclusively to works of fantasy, horror, science fiction, and the surreal, making Spectrum one of the year's highly most anticipated books.

Featured in "SPECTRUM 19" are 300 diverse visionaries, many of them world-renowned, including Michael Whelan, Sam Weber, Donato Giancola, Leo & Diane Dillon, Kinuko Craft, James Gurney, Peter de Seve.

With art from books, graphic novels, video games, films, galleries, and advertising, "Spectrum" is both an electrifying art book for fans and an invaluable resource for clients looking for bright new talent. The entire field is discussed in an invaluable, found-nowhere-else "Year In Review".

Contact information for each artist is included in a handy index. Often imitated, never equaled, "SPECTRUM 19" continues the freshness and excellence that was established seventeen years ago.

This is the premiere showcase for imaginative illustration, sculpture, and Fine Art. Challenging, controversial, educational, and irreverent, the award-winning "Spectrum" series reinforces both the importance and prevalence of fantastic art in today's culture.

With exceptional images by extraordinary creators, this elegant full-color collection showcases an international cadre of creators working in every style and medium, both traditional and digital.

The best artists from the United States, Europe, China, Australia, South America and beyond have gathered into the only annual devoted exclusively to works of fantasy, horror, science fiction, and the surreal, making Spectrum one of the year's highly most anticipated books.

Featured in "SPECTRUM 19" are 300 diverse visionaries, many of them world-renowned, including Michael Whelan, Sam Weber, Donato Giancola, Leo & Diane Dillon, Kinuko Craft, James Gurney, Peter de Seve. With art from books, graphic novels, video games, films, galleries, and advertising, "Spectrum" is both an electrifying art book for fans and an invaluable resource for clients looking for bright new talent. The entire field is discussed in an invaluable, found-nowhere-else "Year In Review".

Contact information for each artist is included in a handy index. Often imitated, never equaled, "SPECTRUM 19" continues the freshness and excellence that was established seventeen years ago.

A visual analysis of the colours used in furnishing fabrics and wallpapers from the 15th century to now, providing inspiration for designers

Spectrum offers a fascinating visual analysis of the colour palettes used in furnishing fabrics and wallpapers from the 15th century to the present day. Presented in chronological order, the earliest detail is taken from an early 15th-century embroidery in brick red, dusky pink, sage green, mustard yellow and smoky blue, the last from a graphic wallpaper design of 2009 that combines orange and yellow on a dramatic, dark background. Next to each pattern is a colour grid, which shows the relative proportions of the colours used, each labelled with its CMYK number – a worldwide standard printing code for colour that precisely identifies it. The grid gives a clear understanding of the ways colours have been expertly combined at different periods to create the beautiful designs we admire and emulate today.

This unique sourcebook will provide inspiration for all designers, both amateur and professional.

Contents List:

Introduction • About this book • About these objects • 15th century • 16th century • 17th century • 18th century • 19th century • 20th–21st century • Further reading

About the Author:

Ros Byam Shaw is a journalist who writes on design and interiors for The World of Interiors and House and Garden. She is the author of Farrow & Ball Living with Colour and Farrow & Ball Decorating with Colour as well as numerous other books on historic houses and interiors.

Цвет является одним из важнейших выразительных средств архитектуры – он создает настроение и оказывает воздействие на наше восприятие. Однако он способен воздействовать не только на эмоциональном, но и на рациональном уровне: заложенные в здании цветовые коды могут апеллировать к культурной памяти или актуальным модным тенденциям, нести в себе не только явные или завуалированные смысловые послания, но и мгновенно считываемую невербальную информацию. Цветовое решение почти всегда субъективно (и как бы необязательно) – для него не существует утвержденных стандартов или предписаний, оно не заложено в функциональной программе здания. Однако именно цвет зачастую придает проекту неповторимость и законченность, благодаря ему даже ординарную по форме постройку можно превратить в произведение искусства. Работая с цветом, архитектор проявляется как художник. И в его распоряжении сегодня огромная палитра красок и материалов – от традиционных до самых современных. Полихромность в архитектуре уходит корнями в древность и имеет такую же долгую историю, как сама архитектура. Однако эта линия развития никогда не была непрерывной. И если в интерьерах цвет на протяжении многих эпох присутствовал неизменно, то во внешнем облике, на фасадах зданий, он то появлялся, то исчезал – иногда очень надолго. Такие перепады, с периодами полного изгнания цвета, можно наблюдать и в недавнем прошлом – в истории архитектуры ХХ века они случались неоднократно. Чтобы убедиться в этом, достаточно бросить взгляд из окна или посмотреть вокруг. Окружающая нас городская среда и есть эта история. Преимущественно монохромная. Тому, как за счет цвета можно нарушить эту монотонность, – созданию притягивающих взгляд, узнаваемых и запоминающихся архитектурных акцентов и градостроительных доминант, многообразию возможностей в использовании цвета в современной архитектуре и посвящен этот номер SPEECH:Наряду с рассмотрением основных современных тенденций, в журнале по традиции анализируется исторический опыт обращения с цветом как в русском, так и в западно-европейском зодчестве, а на примере опыта Голландии и Испании показываются возможности создания за счет цвета эстетически и эмоционально продуманной, комфортабельной городской среды.

В номере опубликованы интервью со звездами мировой архитектуры – Уильямом Олсопом (William Alsop), Матиасом Зауербрухом и Луизой Хаттон

Журнал speech: артикулирует актуальные темы и позиции в современной архитектуре, раскрывая их с разных сторон – с точки зрения теории и практики, истории и современности, на основе зарубежного и российского материала и опыта, сопоставляя глобальные тенденции и локальные особенности.

Каждый номер журнала speech: полностью посвящен одной теме, раскрывая ее в разных ракурсах. Выбор темы связан с той частью профессии архитектора, которая дает основания считать ее искусством, а не только частью торговли квадратными метрами. speech: предоставляет возможность прямого высказывания российским и зарубежным архитекторам, культурологам, критикам и историкам архитектуры, экспертам в самых разных связанных с архитектурой областях.

тема

Нина Фролова

Больше цвета

история

Владимир Седов
Цвет в русской архитектуре

Бернхард Шульц

Цвет: другая сторона «белого модернизма»

за и против

Ричард Майер

Белый – это самый прекрасный цвет
Интервью Владимира Белоголовского

объект

Ян Скуратовский

«Эта зеленая штука»
Жакоб + Макфарлейн. Доки на Сене – центр моды и дизайна. Париж

Дэвид Кон

По ту сторону прозрачности
Алехандро Муньос Миранда. Детский сад. Эль- Чапарраль, Испания

Йохен Пауль

Яркий акцент современности
Там & Видегард. Музей современного искусства. Мальмё, Швеция

Анна Мартовицкая

Супрематизм в стекле и бетоне
Дэвид Аджайе. Школа управления «Сколково». Москва

Бернхард Шульц

Разноцветные кубики Дэвида Чипперфилда
Дэвид Чипперфилд. Город правосудия. Барселона, Испания

Анна Мартовицкая

Каменная бонбоньерка с ярким наполнением
Меканоо. Театр и конгресс-центр «La Llotja». Леида, Испания

Анна Мартовицкая

Волшебный фонарь
Жан Нувель. Концертный зал Датского радио. Копенгаген

среда

Иван Невзгодин

Яркие цвета в отраженном свете
Колористика голландской архитектуры

Дэвид Кон

Подобно яркому птичьему оперению
Цвет в современной испанской архитектуре

эксперт

Матиас Зауербрух

Цвет – основной материал в нашей работе
Интервью Бернхарда Шульца

портрет

Уилл Олсоп

Смешивание красок
Интервью Владимира Белоголовского

галерея

Уилл Олсоп

Серия картин «Городской туман»

This is the only book you’ll need to learn the craft and art of upholstery from start to finish. With clear instructions illustrated by more than 900 step-by-step photographs, the five projects included here are designed to teach all of the techniques and skills you need to reupholster any piece of furniture to suit your own taste and style.

Nowadays stage designs reach proportions that by far exceed the classical definition of a stage as we know it from theatre.

Modern stage environments require increasingly more effort in terms of architecture and technology. For example LED screens of all shapes and sizes are becoming more important than ever, especially in the field of concert or television productions. Those two fields, as well as musical, concert, opera and theatre productions, are documented in this volume photographed by Ralph Larmann. Among the 30 top productions are

• Disney's Lion King
• Tosca in the Snow
• Red Hot Chili Peppers - Stadium Arcadium
• Robbie Williams - Close Encounters
• Echo 2007
• Pop Idol 2006 - Finals
• SkyArena Frankfurt. 

All the projects provide a look behind the scenes and detailed insight into the complex stage constructions. Besides this, a short text gives some background information about the place and time of the production, the making of and the responsible creatives as well as involved enterprises and institutions.

New product presentation needs and the ever-growing importance companies give to attending trade shows and exhibitions has generated a new brand of architecture whose capacity for innovation has drawn some of the world’s top architects and designers. When it comes time to conceive ideas for show stands, these individuals bring to the table a new perspective to combine sales strategy and architectural creativity.

"We have to replace beauty, which is a cultural concept, with goodness, which is a humanist concept." – Philippe Starck

Philippe Starck wants to bring love and happiness into your life by designing objects, environments, and appliances that will brighten your days. He spent his childhood under his father's drawing boards, sawing, cutting, gluing, and sanding, dismantling bikes, motorcycles and other objects. Several years and several prototypes later, he has changed life at the French presidential palace, the Italians have asked him to renew the notion of furniture, and he has turned the Royalton and Paramount in New York into the first classics of the new hotel world.

Starck's overwhelming international success and cult-star status are proof that people everywhere are receptive to his kindhearted philosophy and distinctive aesthetic sensibility. The democratic design projects that he has undertaken with Target (USA) and j/ii (Japan), as well as the TASCHEN bookshops in Paris and Los Angeles and the Bon restaurant chain, are among the projects included in this volume that traces the entire career of today's foremost design superhero.

The designer:
Philippe Starck is an internationally acclaimed French creator, designer and architect. This untiring and rebellious citizen of the world, who considers it his duty to share his ethical and subversive vision of a fairer planet, creates unconventional objects whose purpose is to be “good” before being beautiful. Most of his designs have become cult objects, and his hotels are timeless icons that have added a new dimension to the global cityscape. An enthusiastic advocate of sustainability, this visionary recently developed the revolutionary concept of “democratic ecology” by creating affordable wind turbines for the home, soon to be followed by innovative wooden prefabricated ecological houses and solar boats. He himself lives, with his wife Jasmine, mostly on airplanes, and in Paris, Burano, and on his oyster farm in the southwest of France.

A love letter to the cinema from the House of Dior, featuring legendary screen actresses in signature Dior.

Embraced by Hollywood and the iconic women who are its stars, the fashions of Christian Dior have been worn by the likes of Marlene Dietrich in Stage Fright, Lauren Bacall in How to Marry a Millionaire, Ava Gardner, Marilyn Monroe, Sophia Loren, Elizabeth Taylor and, more recently, Charlize Theron, Penélope Cruz, and Nicole Kidman.

Well before the successes that were to propel Dior to the forefront of the fashion world, the master couturier put his talent to work as a costume designer for the cinema, collaborating with renowned filmmakers and creating timeless ensembles for legendary actresses. Following the untimely death of the designer, the House of Dior’s involvement with the cinema continued, from 1958 to the present, with more than fifty films featuring the stars of the silver screen dressed in signature Dior.

Combining fashion photography and rarely seen and never before published behind-the-scenes photographs, this gorgeously produced volume showcases Dior’s creations for film and the movie stars who brought them to life, and is a must for those who aspire to high style.

During his more than forty years as a film historian, Ira M. Resnick amassed a superb collection of more than 2,000 vintage movie posters and 1,500 stills. They were never shared with the public until Starstruck: Vintage Movie Posters from Classic Hollywood was published in 2010. This remarkable volume features the best of Resnick’s collection, with vivid reproductions of 250 posters and 40 stills from 1912-1962, Hollywood's golden age.

Ira M. Resnick founded the Motion Picture Arts Gallery in Manhattan — the first gallery exclusively devoted to the art of the movies. A renowned institution amongst movie poster collectors, the gallery is now located just outside of New York City in East Rutherford, NJ. A respected figure in the NYC film community, Resnick served as chairman of the board of the Film Society of Lincoln Center from 1999 to 2005. A one-of-a-kind art book, STARSTRUCK combines cinematic history, a guide to poster collecting, firsthand account, and dramatic full-colour artwork — a blend of genres that is unlike any other movie poster book. Resnick offers entertaining anecdotes about how he managed to acquire such stellar examples of movie poster art, as well as historical information about the stars and films shown on the pieces he collected. Bonus material includes a list of Resnick’s fifty favourite one-sheets, advice for the movie poster collector, and a glossary of terms and poster sizes.

A must-have book for every collector and film buff, STARSTRUCK offers a beautifully illustrated, personal tour of a bygone age of the motion picture advertising industry.

About the Author:

Author Ira M. Resnick started his impressive collection while studying at New York University Film School. A professional photographer, he founded the Motion Picture Arts Gallery, the first gallery devoted exclusively to the art of the movies. Resnick is a trustee of the Film Society of Lincoln Center and served as chairman of the board from 1999 to 2005. Resnick is also a trustee of the International Center for Photography and MUSE Film and Television. He resides in New York City with his wife and two children.

This concise yet wide-ranging survey of collectable antique furniture, illustrated throughout in full colour, guides the new collector through almost three centuries of Western Furniture with clarity and authority.

Invaluable as a reference tool, it offers collectors the means to identify key features of a wide variety of pieces, ranging from the Gothic and Renaissance period to Art Nouveau, and the beginning of the twentieth century. The book is structured chronologically by century and, within each time period, by country. Existing collectors will find all titles in the series act as a handy and portable reference, and beginners will welcome a reliable, accessible starting point from which their interests can develop.

Readers will find succinct sections detailing all major phases in Western Furniture, with full-colour coverage of English, American, French, Italian, German, Austrian, Low Countries, Spanish and Portuguese pieces. The work of important furniture designers is discussed, from the French ébénistes and Chippendale, through key 19th century figures such as Biedermeier, Pugin and Stickley and the mass producers of bentwood such as the Austrian Thonet, to the Belgian and French Art Nouveau designers.

 - Clear, relevant information on Western furniture from 1660 to 1900 by a leading authority

 - Comprehensive, full-colour illustrations throughout

 - Succinct details of all important design features, styles, terminology and historical context

 - Features country and provincial furniture, including Windsor, Alsatian and Shaker pieces, as well as the work of all major designers of the period

Why is Faberg, unique? What is champlev, enamel? Why should emeralds be regarded with suspicion? Which jewels contain miniature coffins? Starting to Collect Antique Jewellery tracks the progress of jewellery designs from early times to the twentieth century, assisting the professional jeweller, the collector and the student in making informed and balanced judgments upon scores of crucial topics from the setting of old gems, to fakes and forgeries. This book is superbly illustrated with hundreds of colour photographs provided by auction houses, dealers, leading shops and private collectors. From Castellani to Cartier, from hair combs to cameos, Starting to Collect Antique Jewellery represents a key companion which is relevant, readable and comprehensively informative.

John C. Benjamin served a four-year apprenticeship at Cameo Corner, the Bloomsbury antique jewellers specialising in rare and historic jewellery from Ancient Rome to the nineteenth-century. He was International Director of Jewellery for Philips Fine Art Auctioneers, before setting up on his own as an independent jewellery consultant in 1999. A lecturer, writer and broadcaster, he has lectured extensively to professional groups, universities and societies in Britain, Europe and America, and regularly appears on BBC Television's Antiques Roadshow. He is a fellow of the Gemmological Association and was admitted to the Goldsmith's Company in 2000.