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Published on the occasion of the couture house’s ninetieth anniversary, this book celebrates Elsa Schiaparelli’s shared creative passion with the twentieth century’s most esteemed artists.

Known for her bravado and boundary-pushing dresses, Elsa Schiaparelli is undoubtedly one of the greatest icons of twentieth-century fashion. After launching her eponymous haute couture house in Paris in 1927, the Roman-born designer captured the attention of the world at large not only thanks to her trompe l’oeil patterns and surrealist forms — but also because of her creative relationships with some of the epoch’s most renowned artists.

From Salvador Dalí, who collaborated with Schiaparelli on her infamous Lobster Dress to Alberto Giacometti’s furnishings for her salon and René Magritte, whose surrealist works inspired some of the designer’s creations, this beautifully illustrated tome delves into the couturiere’s fascinating rapports with these artistic legends. Through never-before-seen photography, intimate anecdotes, and essays penned by some of today’s most authoritative fashion critics, curators, and personalities, this volume is the first definitive work dedicated to the shared inspiration between the designer and her circle of artist friends.

Unique in its breadth of artwork and diverse contributors, this visually stunning book is a must for anyone interested in avant-garde art, twentieth-century fashion, or thought-provoking design.

About the Authors:

Hamish Bowles is the International Editor at Large for Vogue, and recognized as one of the most respected authorities on fashion and interior design. In addition to collecting and amassing an extensive private collection of historic haute couture, Bowles has curated numerous exhibitions, including Jacqueline Kennedy: The White House Years (2001); Balenciaga: Spanish Master (2010); and Balenciaga and Spain (2011), and has also written countless articles, reviews, and books, including: Vogue: The Covers (2011); Vogue: The Editor’s Eye (2012); Vogue Weddings: Brides, Dresses, Designers (2012); and Vogue and The Metropolitan Museum of Art Costume Institute: Parties, Exhibitions, & People (2014).

Donald Albrecht is an American curator specializing in design and architecture. He’s curated exhibitions such as Paris/New York: Design Fashion Culture, 1925–1940 for the Museum of the City of New York and New Directions in Sustainable Architecture and Design for the National Building Museum. He has worked with famous designers like Andrée Putman and Michael Gabellini. He teaches architecture at the American Academy.

André Léon Talley is an esteemed fashion authority, author, and contributing editor at Vogue.

Dawn Ades is Professor Emeritus of art history at Oxford University. She has additionally collaborated on exhibitions in London and Venice, including the exhibition celebrating Salvador Dalí’s centennial at the Palazzo Grassi.

Dilys Blum is a curator of costume and textiles at the Philadelphia Museum of Art.

Justine Picardie is a British author who wrote the bestselling 2011 biography of Coco Chanel, Coco Chanel: The Legend and the Life. She is the editor in chief of British Harper’s Bazaar and British Town and Country.

Angelo Flaccavento is an Italian fashion journalist whose work has appeared in Vogue and Business of Fashion, among others.

Suzy Menkes is a British journalist and fashion critic. 

Christian Lacroix is a French fashion designer and founder of his eponymous label.

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Пролистать книгу Schiaparelli and the Artists

Gilles Perrault, ancien restaurateur des musées nationaux, nous offre ici un livre de référence sur la sculpture sur bois, une somme couvrant tous les aspects cette technique décorative, qu’il s’agisse de l’histoire ou des procédés mis en œuvre : dessin, modelage, moulage, connaissance du matériau, outillage, taille et ornementation.
Les techniques sont abondamment documentées par un millier d’illustrations : documents anciens, chefs d’œuvre tirés de musées ou de collections particulières, artisans au travail, ateliers, sculptures photographiées pas à pas lors des différentes étapes de réalisation, schémas et figures des principaux motifs ornementaux.
Le professionnel trouvera dans ce livre la réponse aux questions qu’il est amené à se poser dans l’exercice quotidien de son métier. L’amateur, pour qui la maîtrise des problèmes techniques est la condition préalable à toute création artistique, y cherchera de quoi enrichir ses connaissances pour accroître son plaisir.

Sommaire :
Historique : De la préhistoire au XXe siècle
Le dessin : techniques et moyens d’expression, ombres, perspective, géométrie
Le modelage et le moulage : matériaux, outillage et technique
Le bois : propriétés, défauts, abattage, séchage, collage, assemblages, essences
Les outils : évolution, outillage manuel (manches, affûtage), machines
La taille : processus, coupe, tenue des gouges, planisculpture, remplages gothiques, copies de pièces anciennes et exemples modernes (Henry Moore, Marta Pan, André Affolter Condé, José Subira Puig, Christian Renonciat)
L'ornementation et ses déclinaisons : moulures, ornements géométriques, végétaux, feuilles d’acanthe, palmettes, rosaces, fruits, coquilles, rocaille, cartouches, rubans, bestiaire ornemental.

Artist, collector, and entertaining guru Cathy Graham shares her secrets for gracious living and memorable get-togethers in Second Bloom. 

Graham covers the essential elements that make every event shine – flowers, paper components, table setting, and food presentation. Quentin Bacon’s photographs of a seaside gathering, a casual cocktail party, or a lively dinner in honor of a friend show how to achieve winning possibilities with ease. Approaching life with a sense of whimsy, Graham demonstrates how to arrange flowers and create original touches, such as hand-drawn one-of kind invitations or her practice of scattering collectable miniatures on her dinner tables. Filled with Graham’s charming sketches, Second Bloom shows how to create truly special occasions.

About the Author:

Alexis Clark, a former editor at Town & Country, writes for numerous publications, including Condé Nast Traveler and the New York Times. She is an adjunct assistant professor at Columbia University Graduate School of Journalism.

Joanna Coles, former editor in chief of Cosmopolitan, is chief content officer of Hearst Publications. Coles lives in New York.

Quentin Bacon and Andrew Ingalls are New York–based entertaining and lifestyle photographers.
 

400 photos/illustrations

Secrets of Digital Animation sets out to demonstrate and showcase a range of cutting-edge work, new techniques, and influential practitioners within all forms of contemporary animation, from anime to flashware, and from animated shorts to machinima, offering creative hints and tips from the genre masters. This book offers young practitioners, and those interested in broadening their skills, an insider’s view of the fast evolving work of animation; showcasing professionals and their creations, working methods, and inspiration, along with jargon-busting explanations and easy to follow demonstrations. Stunning examples of finished work are shown alongside conceptual drawings and works in progress. The book contains practical advice and case studies that explore the professional techniques behind designing innovative characters and fantastical worlds, and bringing them to life.

Steven Withrow is a writer and editor, and is the author of Character Design for Graphic Novels and Vector Graphics and Illustration. He studied creative writing, print and electronic publishing, and journalism at Roger Williams University and Emerson College and teaches children’s literature and sequential art in the continuing education program at Rhode Island School of Design.

300 color photos/illustrations

The definitive guide to the growing discipline of illustration

Illustration is a hot subject, and professional designers, illustrators, and students are all looking for a well-researched, informative, and practical guide to this area of design. Continuing on from the best-selling Digital Illustration, Secrets of Digital Illustration develops themes and features work from countries with emerging graphic design industries, such as China, Singapore, and India. It uses the same format as the previous book, accommodating step-by-step tutorials, but this time it includes working sketches and thumbnails to provide a greater level of depth. Each chapter includes a brief introduction into the subject area, moving on to portfolios of leading image makers, and concluding with a step-by-step tutorial, making the book an informative, and highly enjoyable, exploration of this popular area.

Highly creative people are good at seeing connections. By enhancing your ability to see connections, you can enhance your creativity. Supported by the latest neuroscience, this book gives you hands-on advice on how to enhance your own creativity. An inspiring combination of theory, techniques, anecdotes and exercises to help you access better ideas and bigger breakthroughs.

"Love the book. Terrific work. An excellent idea and a great contribution to our field. It was a pleasure to read". - Dr. Gerard Puccio, Director of the International Center for Studies in Creativity

"Guess what? The Secret of the Highly Creative Thinker isn't a secret any more. Nielsen and Thurber have spilled the beans. Bravo!" - Tim Hurson, author of Think Better

The 5th edition of the Spanish Graphic Design yearbook is dedicated to the different categories in Graphic Design - editorial, packaging, corporate identity, logos, posters, catalogues, exhibitions, etc. - also including a New Media section featuring websites, video and multimedia projects. The jury members for this years' selection have been: Sergi Arévalo, Laura Armet, Ricardo Bermejo, Ramón Castillo, Oyer Corazón, Pilar Gorriz, Marc Guardiola, Enric Jardí, Jose Mª Morera, Alfredo Olmedo, Ibán Ramón, Sebastián Saavedra and Tilman Solé.

Clad in white, this year's Select H sticks to its 3-volume format introduced in its last edition, dividing the book into three blocks: Graphic Design, New Media (DVD inclusive) and Schools.

Its daring, innovative design, outlined from its very first issue, Select A, offers a format which is smaller than usual, to emphasize its thickness, while every project featured is presented on a double-page spread.

Select is considered a book of reference in the world of Graphic Design and an essential guide for keeping up-to-date with Spanish creativity, year after year.

Contributors to Select H's selectors team have been: Alberto Salván, Diego Feijóo, Enric Batlle, Astrid Stavro, Xose Teiga, Marga Castaño, Tavo Ponce, Gonzalo Zaragoza, Raquel Pelta, Marina Vilageliu y Hernán Ordoñez.

Selected is not an award, but rather, as its name suggests, it is a "selection" of the best European design projects completed within year 2009 by graphic studios, designers and students from across Europe.

The projects are chosen by a team of renowned professionals - Selectors - from various fields in the visual communication and graphic design industries, who meet to make a selection of the best work pieces among all the entries received. Only the projects which are chosen from their expert point of view are ultimately included in the book.

The annual is presented with an original design and in a special format, smaller than the average yearbook. The book is divided into three different categories (Graphic Design, New Media and Schools) and each project is featured individually on a double-page spread. Instead of being numbered, each edition of Selected is assigned a letter, in alphabetical order, which is also the initial of the font face used in the book. Namely, the first volume in the series, Selected A, refers to the font face AkzidGroBe. This is Index Book's special way of paying homage to typography as an iconic element in design.

Sin and temptation, wisdom and deceit, death and damnation, but also eternity and renewal, protection and healing power - the symbolic meanings of the snake are as manifold as the myths, sagas and legends in which it plays a significant role. The snake led Adam and Eve into temptation in the Garden of Eden, the Uraeus snake was the symbol of the pharaohs in ancient Egypt, the Midgard serpent inhabited the ocean of Germanic mythology, it was the ancient symbol of the art of healing, was worshipped as the snake spirit in India and as a deity in African and Central American cultures.

In all eras and in all cultures, the snake has fascinated humankind and inspired the creation of striking works of art. Serpentina is dedicated for the first time to the whole spectrum of the snake in jewellery, for few artists, jewellers or even the jewellery industry could resist the temptation to incorporate this creature into jewellery design. The examples span everything from Hellenistic snake bangles to the glittering art nouveau creations by Lalique and Fournet, from the luxurious creations by Cartier and Fabergé to the playful objects of contemporary jewellery artists, from snake motifs from Mexico and the golden snakes of the Akan in Ghana to Indian snake jewellery and Japanese snake netsukes. In jewellery the seductive power of the snake is unfailing. Let it put you under its spell!

Sünde und Versuchung, Klugheit und List, Tod und Unheil, aber auch Ewigkeit und Erneuerung, Schutz und Heilkraft – die symbolischen Bedeutungen der Schlange sind so vielfältig wie die Mythen, Sagen und Legenden, in denen sie eine bedeutende Rolle spielt: die Schlange führte Adam und Eva im Paradies in Versuchung, war als Uräusschlange im Alten Ägypten Symbol der Pharaonen, bewohnte als Midgardschlange das Weltmeer der germanischen Mythologie, war in der griechischen Antike Symbol der Heilkunst, wurde als Schlangen-Geist in Indien, als Gottheit in afrikanischen und mittelamerikanischen Kulturen verehrt.

Zu allen Zeiten und in allen Kulturen faszinierte die Schlange den Menschen und inspirierte ihn zu herausragenden Kunstwerken. Die Publikation widmet sich erstmals der gesamten Bandbreite der Schlange im Schmuck, denn kaum ein Künstler, Juwelier oder selbst die Schmuckindustrie konnte der Versuchung widerstehen, diesem Wesen im Schmuck Gestalt zu verleihen. Die Beispiele reichen vom hellenistischen Schlangenarmreif bis zu den glanzvollen Kreationen des Jugendstils von Lalique und Fouquet, von den luxuriösen Kreationen von Cartier und Fabergé bis zu verspielten Objekten zeitgenössischer Schmuckkünstler, von Schlangenmotiven aus Mexiko, den goldenen Schlangen der Akan in Ghana über indischen Schlangenschmuck bis zu den japanischen Schlangen-Netsukes – im Schmuck ist die Verführungskraft der Schlange ungebrochen. Lassen Sie sich in ihren Bann ziehen!

Summer at the Serpentine. Ten years of temporary pavilions by top architects

Since 2000, the Serpentine Gallery in London’s Kensington Gardens has called on some of the world’s top architects to design summer pavilions – temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a showplace for exhibitions of modern and contemporary artists ranging from Matthew Barney to Dan Flavin, Ellsworth Kelley, Louise Bourgeois or Rachel Whiteread.
The pavilions in the Programme that was conceived in 2000 by the Serpentine Director Julia Peyton-Jones, are the work of international architects or design teams who at the time of the Serpentine’s invitation have not completed a building in England. A maximum of six months from invitation to completion is allotted. The only architecture program of its type in the world, the Serpentine Gallery Pavilions attract up to 250,000 visitors each summer. The Serpentine Pavilion is regularly ranked in the top 5 most attended architecture and design exhibitions worldwide in The Art Newspaper’s annual survey of museums and galleries visitor figures. The architect Richard Rogers has stated, “The pavilions, erected for reatively little money, are unbelievably good. I coudn’t single one out that I have liked more than the others – they have all been masterpieces.”

The projects completed or envisaged include the work of

* Zaha Hadid, 2000
* Daniel Libeskind, 2001
* Toyo Ito, 2002
* Oscar Niemeyer, 2003
* MVRDV, 2004 (un-realised)
* Alvaro Siza and Eduardo Souto de Moura with Cecil Balmond, 2005
* Rem Koolhaas and Cecil Balmond, 2006
* Olafur Eliasson and Kjetil Thorsen, 2007
* Frank Gehry, 2008
* SANAA, 2009
* Jean Nouvel, 2010
* Other works such as Zaha Hadid's temporary 2006 installation Lilas are included in the book as well.

This book is the first to bring together all of the Serpentine Pavilions. Interviews of Serpentine Director Julia Peyton-Jones and Co-Director Hans Ulrich Obrist complete the description of the pavilions, illustrated by the original drawings by each architect and photos of the completed works.

The author:

Philip Jodidio studied art history and economics at Harvard, and edited Connaissance des Arts for over 20 years. His books include TASCHEN’s Architecture Now! series, and monographs on Tadao Ando, Norman Foster, Richard Meier, Jean Nouvel, and Zaha Hadid. He is internationally renowned as one of the most popular writers on the subject of architecture.

This sumptuously illustrated book reveals the decorative seams, exquisite stitching, voluptuous drapery, strict corseting and slashing and stamping that make up the clothing in the V&A’s superlative seventeeth- and eighteenth-century fashion collection. Using an authoritative text, exquisite colour photography and line drawings of complete garments, the reader is allowed the unique opportunity to look closely at clothing, often too fragile to be on display.

Part of the V&A Fashion in Detail series, Seventeenth and Eighteenth-Century Fashion in Detail is an inspirational resource for students, designers, collectors and all followers of fashion.

This handy reference offers more than 40 major corner and edge techniques for garments and home decorating projects. The easy, step-by-step instructions are appropriate for all experience levels and cover everything from tablecloths and napkins to pillows, shams, vest, and ties.

Пролистать книгу Sewing Edges and Corners: Decorative Techniques for Your Home and Wardrobe на Google Books.

It's undeniable: sex is everywhere: advertisements, fashion, art, film, music and television. All proliferating the "sex sells" adage. SEX DESIGN is a great looking, graphic, and entertaining book presenting an exciting selection of designers and their work on the pursuit of pleasure. Included are both product and graphic designs, objects relating to sex, hearts, love, provocative ads using sex as an enticement, phallic architecture, sex toys, and lots of sexual innuendo.

This amusing collection is amassed from sources around the world, from a diverse group of designers who are happy to cross the line into risqué territory. From the subliminal to the overt, SEX DESIGN takes a look at the way this subject has become ingrained in popular culture and brings ingenious new meaning to the word "erotica".