Дизайн

Turkish design is heavily dependent on the use of ornate calligraphy, geometric patterns and floral elements, such as foliage and creeping vines. This new, revised and expanded edition of Turkish Designs contains a collection of carefully reproduced, stunning images, with an emphasis on decorations taken from ceramics, mosaics and tile design.

Agile Rabbit Editions contain stunning images for use as a graphic resource, or inspiration. All the illustrations are stored in high-resolution format on the enclosed free CD-ROM and are ready to use for professional quality printed media and web page design. The pictures can also be used to produce postcards, or to decorate your letters, flyers, etc. They can be imported directly from the CD into most design, image-manipulation, illustration, word-processing and e-mail programs; no installation is required. For most applications, single images can be used free of charge. Please consult our section on image rights for conditions.

This glamorous book, part of the V&A Fashion in Detail series, illustrates the intricate details of twentieth-century fashion. Spectacular photographs, accompanied by expert commentaries and specially commissioned line drawings, focus on fanciful Dior bows, Chanel button-holes and metal sprinfs on a Schiaparelli jacket. This unique study provides an insight into the techniques and craft practices used by couturiers and the construction of these amazing garments. Twentieth-Century Fashion in Detail will delight all followers of fashion. Previously available as Modern Fashion in Detail.

About the Authors: 

Claire Wilcox is Senior Curator of the Department of Furniture, Textiles & Fashion at the V&A and Professor of Fashion Curation at the London College of Fashion. She curated the exhibitions Vivienne Westwood (V&A 2004), and The Golden Age of Couture: Paris and London 1947–1957 (V&A 2007), and also edited the accompanying catalogues. 

Valerie D. Mendes is a fashion and textiles historian who became Chief Curator of the former Textiles and Dress Department at the V&A. She has curated numerous exhibitions and published widely on twentieth-century dress and textiles.

Twentieth-century Jewellery presents an extraordinary collection of jewels, jewellers and international maisons which, from the start of the twentieth century to the present day, have mirrored the changing taste of the twentieth century. It is a global journey which takes us from France to Russia, from the United States to Italy, from Britain to Germany and from the Netherlands to Scandinavia. From the Art Nouveau masterpieces of Lalique, Vever and Fouquet to Art Deco elegance and the wonders of Cartier, Boucheron, Tiffany, Mario Buccellati and Fabergé. From the inventions of Van Cleef & Arpels and Bulgari in the 1950s to the Dutch avant-garde and the artist’s jewel of the 1960s, ending with illustrations of up-to-date and contemporary jewellery design. A brilliant historical-critical essay introduces a magnificent selection of pictures, designed to be an ideal gallery of masterpieces of twentieth-century jewellery, accompanied by technical explanations and an exhaustive glossary.

This wonderful collection of inspirational period carving projects ranges from the quick and simple to the long and complex, so caters for hobby carvers of all abilities. The new carver can start with the simplest project and, over a period of time, work through to the intermediate and advanced levels, while experienced carvers will find pieces to challenge and engage them. Each project is designed to capture the spirit and style of a particular period throughout history and at the end of each project readers will have developed new skills, gained an understanding of another style, and created a carving to proudly display in their home. Projects each have an introduction, setting it in historical context, a tracing pattern, an inspirational picture of the finished carving and comprehensive, easy-to-follow step-by-step instructions and photographs.

This is a recipe book of twenty-two tips in creating the best typography and twenty-two things you should never do with lettering. Secrets which many designers will never reveal. In an era of typographic fundamentalism and the cult of forms, this list of dos and don'ts explodes myths and provides a fresh view of typography.

Enric Jardí is Professor of design at prominent institutions including Eina, Elisava, and Universitat Ramon Llull. He is President of the ADG-FAD, based in Catalonia, one of the most important graphic design institutions internationally.

Know your type

Type 2: A Visual History of Typefaces and Graphic Styles, 1901-1938 offers a connoisseur's overview of typeface design, exploring the most elegant fonts from the history of publishing. Taken from a distinguished Dutch collection, this exuberant two-volume edition traces the evolution of the printed letter via exquisitely designed catalogs, showing type specimens in roman, italic, bold, semi-bold, narrow, and broad fonts. Borders, ornaments, initial letters and decorations are also included, along with lithographic examples, letters by signwriters, inscription carvers, and calligraphers. 

Featuring works by type designers including William Caslon, Fritz Helmuth Ehmcke, Peter Behrens, Rudolf Koch, Eric Gill, Jan van Krimpen, Paul Renner, Jan Tschichold, A. M. Cassandre, Aldo Novarese, and Adrian Frutiger.

In order to accommodate a vast amount of material, we have divided this text into two volumes. This, the second volume, covers the period from 1900 to the mid-20th century and contains a historical outline by Alston W. Purvis.

Includes exclusive access with TASCHEN keycard to online image library: over 1400 high-resolution scans of type specimens downloadable for unrestricted use.

The editors and authors: 

Cees W. de Jong is a designer and publisher based in Laren, the Netherlands. He has published numerous books on design, architecture and art, and is now working as a design/publishing consultant and author. He has also published many books on graphic design.

Alston W. Purvis is a professor of the visual arts division of the School of Arts at Boston University, USA. He is also the author on many books on graphic design.

The late Jan Tholenaar was a collector of the printed letter in all its various incarnations, but especially exquisite design catalogs and specimen books. He lived in Amsterdam, where he passed away in 2009.

From 2D to 3D design, types are another key visual besides pure graphics and illustration. How to deal with types is a common challenge among designers/artists from various design disciplines. We are excited to present you our latest title Type Addicted which shows you the new trend of A to Z typo-graphics.

Type is one of the graphic elements that designers always get addicted to play with. It is commonly used on almost every item in our daily life. The title not only presents a rich selection of experimental and inspirational typefaces and its application, it also reveals the diversity and innovative approaches of contemporary typography. Examples of work by up-and-coming practitioners as well as international and renowned icons are demonstrated; new directions and trend of nowadays typography around the world will also be disclosed eventually. This is truly developed for type addicts!

Among the graphic design competitions on a global scale, there is a sparkling and well-targeted competition which never seeks to make money by charging extra expense and always adheres to its own principles and quality requirements. It is: Type Directors Club of New York (NY TDC). The entry fee for this competition is very low, enabling students and rookie designers to participate. The jury consists of young and top creatives from around the world who treat every piece of work with caution and criticism and make judgments based on their professional competence. The winning entries will be exhibited in major cities around the world. Collecting all the winning entries of the year, “Type Directors Club of New York: Typography 39”will also be released globally. In this wonderful book, you will experience works of world-class quality and be inspired to move forward at the same time.

NY TDC was founded in 1946, and its Best Typeface Design Award is one of the most influential typeface design awards. The exhibition of the wining entries is an annual event with high reputation and professionalism in the industry, and 64 exhibitions have been held so far. The NY TDC typeface design competition is the world’s first typeface-based competition and one of the most important graphic design competitions in the world, attracting graphic designers, art directors, editors, multimedia professionals, students and entrepreneurs to it every year. This year, the competition attracted 1,835 pieces of work from more than 55 countries across 5 continents. The Collection of the winning entries of the year is released worldwide and regarded as a bible by designers all around the globe.

Type, Form, and Function is a useful, comprehensive typography resource that both students and professional designers should have in their library. It looks at the influences of modern typography and symbols going back through time and examines certain type treatments and movements in design and logo types. It focuses on how type works and emphasizes typographic fundamentals, while touching on logo/logotype design and page layout (print and interactive). This book promises to guide designers through the visual typographic clutter to make their designed messages more meaningful.

Jason Tselentis is a designer, writer, and educator living in North Carolina. He has completed print and interactive design for: Experience Music Project and Science Fiction Museum; Henry Art Museum; Intel Labs; the National Park Service; Sony BMG Music; Continental Tires; and 20th Century Fox. As Assistant Professor at Winthrop University’s Department of Design, Jason teaches graphic design and typography.

Пролистать книгу Jason Tselentis - Type Form & Function: A Handbook on the Fundamentals of Typography: A Handbook on the Fundaments of Typography на Google Books

‘Type Tricks’ is about typographical rules and the underlying structure of the work process in the design of new typefaces. In that way, it is both a reference book and a user manual. In an illustrative format, it presents the different stages of type design in an easily accessible manner. Being an expert as a typography professor, Sofie Beier knows exactly what the students need to know and how they can improve their skills.

‘Type Tricks’ is not only perfect for students, it also comes in handy for every type designer. It gives them the opportunity to reread information they were taught at during their time at school. It’s the perfect reference book. The book contains a number of essential tricks that designers need to know and understand. The typographic guidelines are difficult to remember, but with this book you don’t have to remember every single one of them.

300 photos/illustrations

Working with type and image and the integration of these two elements to create persuasive and effective design pieces are the foundations of good graphic design. Yet, very little practical information exists for these tasks.

This book changes all it. It gives designers the practical know-how to combine type and image for dynamic effect as well as to use them in contrast to create tension and meaning in design. Creating strong layouts is the most important as well as the most challenging of any project. This book inspires through excellence by exhibiting great design work then deconstructing the processes in simple visual terms.

Type, Image, Message: Merging Pictures and Ideas looks at this respected art form while providing practical information that can be used by any designer wishing to hone the skills needed to merge type with images in an inspired manner.

Nancy Skolos and Thomas Wedell are the principals of Skolos-Wedell, an interdisciplinary graphic design and photography studio.

Husband and wife, photographer and designer, the two work to diminish the boundaries between graphic design and photography - creating collaged three-dimensional images influenced by modern painting, technology, and architecture. With a home and studio halfway between Boston and Providence, they balance their commitments to professional practice and teaching at the Rhode Island School of Design, where Skolos is Head of the Department of Graphic Design.

The studio's work has received numerous awards and has been widely published and exhibited. Skolos-Wedell's posters are included in the graphic design collections of the Museum of Modern Art, the Library of Congress, the Metropolitan Museum of Art, the Israel Museum, and the Museum fur Gestaltung, Zurich, Switzerland. Skolos is an elected member of the Alliance Graphique Internationale.

Know your type. A visual history of fonts and graphic styles: 1628–1938

This book offers a connoisseur’s overview of typeface design, exploring the most elegant fonts from the history of publishing. Taken from a distinguished Dutch collection, this exuberant two-volume edition traces the evolution of the printed letter via exquisitely designed catalogs, showing type specimens in roman, italic, bold, semi-bold, narrow, and broad fonts. Borders, ornaments, initial letters, and decorations are also included, along with lithographic examples, letters by signwriters, inscription carvers, and calligraphers.

Featuring works by type designers including: William Caslon, Fritz Helmuth Ehmcke, Peter Behrens, Rudolf Koch, Eric Gill, Jan van Krimpen, Paul Renner, Jan Tschichold, A. M. Cassandre, Aldo Novarese, and Adrian Frutiger.

In order to accommodate a vast amount of material, we have divided this text into two volumes. The first volume covers pre–20th-century typeface specimens, with texts by editor Cees de Jong and collector Jan Tholenaar. The second volume covers the period from 1900 to the mid-20th century and contains a historical outline by Alston W. Purvis.

Includes exclusive access with TASCHEN keycard to online image library: over 2,400 high-resolution scans of type specimens downloadable for unrestricted use.

The editors and authors:

Cees W. de Jong is a designer and publisher based in Naarden, the Netherlands. He has published numerous books on design, architecture, art and graphic design, and is now working as a design/publishing consultant and author.

Alston W. Purvis is professor of the visual arts division of the School of Arts at Boston University, USA. He is also the author on many books on graphic design.

Jan Tholenaar was a collector of the printed letter in all its various incarnations; especially in the form of design catalogs and specimen books. He lived in Amsterdam, where he passed away in 2009.

For the Love of Letters. A history of fonts and graphic styles from 1628 to 1938

A connoisseur’s overview of typeface design, Type offers a dependable history of elegant fonts from 1628 to the mid-20th century. Derived from a distinguished Dutch collection, exquisitely designed catalogues trace the evolution of the printed letter through specimens in roman, italic, bold, semi-bold, narrow, and broad fonts, as well as borders, ornaments, and initial letters.

This comprehensive collection offers a thorough overview of typeface design from 1628 to the mid-20th century. Derived from a distinguished Dutch collection, a series of exquisitely designed catalogues traces the evolution of the printed letter via specimens in roman, italic, bold, semibold, narrow, and broad fonts. Borders, ornaments, initial letters, and decorations are also included, along with lithographic examples, letters by sign writers, inscription carvers, and calligraphers.

The first part of the book covers pre-20th-century typefaces, with texts by editor Cees de Jong and collector Jan Tholenaar. The second part deals with the period from 1900 to the mid-20th century and contains a historical outline by Alston W. Purvis. Featured type designers include William Caslon, Fritz Helmuth Ehmcke, Peter Behrens, Rudolf Koch, Eric Gill, Jan van Krimpen, Paul Renner, Jan Tschichold, A. M. Cassandre, Aldo Novarese, and Adrian Frutiger.

The editors and authors:

Cees W. de Jong is a designer and publisher based in Naarden, the Netherlands. He has published numerous books on design, architecture, art and graphic design, and is now working as a design/publishing consultant and author.

Alston W. Purvis is a professor of the visual arts division of the School of Arts at Boston University, USA. He is also the author of many books on graphic design.

Jan Tholenaar was a collector of the printed letter in all its various incarnations; especially in the form of design catalogs and specimen books. He lived in Amsterdam, where he passed away in 2009.

Faces And Characters Of Distinction. 

A visual history of fonts and graphic styles, volume 1: 1628–1900

This exuberant selection of typographic fonts and styles traces the modern evolution of the printed letter, reproducing pages from exquisitely designed catalogs showing type specimens in roman, italic, bold, semi-bold, narrow, and broad fonts. Also included are borders, ornaments, initial letters and decorations, and many spectacular examples of their use. Victorian fonts, spectacular in their complexity, are accorded a prominent place. In addition, examples from lithography and letters by inscription carvers and calligraphers are also included and described.

Featuring works by type designers William Caslon, Fritz Helmuth Ehmcke, Peter Behrens, Rudolf Koch, Eric Gill, Jan van Krimpen, Paul Renner, Jan Tschichold, A. M. Cassandre, Aldo Novarese, and Adrian Frutiger.

To accommodate the vast amount of material, we have divided the subject into two volumes. This, the first volume, covers pre–20th Century typeface specimens, with texts by editor Cees de Jong and collector Jan Tholenaar.

Includes exclusive access with TASCHEN keycard to online image library: over 1000 high-resolution scans of type specimens downloadable for unrestricted use.