Дизайн

Typo Latino is a publication where we showcase the work of emerging typographers as well as established type designers from across the globe. What differentiates Typo Latino from other font books is that we feature typefaces, outline the process of constructing them and provide short explanations from the authors on the formal characteristics or applications of each typeface. We want to show the working process, the final result and the end uses where they exist. As a compilation of best works by Latin authors, this text serves as a tribute to and an emphasis on Latin character. Among the 30 typographers are Andreu Balius, Alexander Paul, Eduardo Manso and Iñigo Jerez.

CD: 271 изображение высокого качества в формате TIFF

Хорошее типографское оформление книги зависит от правильного выбора и размещения многих элементов декора: разделителей, буквиц, рамок, концевых украшений. Каждое украшение имеет четко определенное место в структуре книги и усиливает, выделяет, подчеркивает или уравновешивает текст на ее страницах. Типографские украшения часто объединены между собой, орнаменты могут быть многофункциональными, это приводит к целому ряду взаимосвязанных повторяющихся и изменяющихся элементов декора, включающих концевые элементы, разделители и рамки.

16-е столетие - золотой век типографского декорирования. Такие художники как Жан Казин и Джефри Тори разработали прекрасные флероны, концевые украшения, рамки и арабески.

В 17-м веке книги были главным образом украшены с титульной стороны, а также полностраничными иллюстрациями, в то время как в 18-м столетии - веке Рококо - декоративные украшения и иллюстрации становятся тесно связанными между собой, образуя художественное смешение декоративного и иллюстрационного оформления.

В 19-м столетии типографские мастера одновременно являлись прекрасными художниками, которые сами оформляли и декорировали издаваемые книги. Гравюры размещались сверху или на нижней части страниц текста, с бесчисленными разновидностями орнаментов, заимствованных из прошлых веков, также как и в сегодняшней архитектуре и индустриальных искусствах. Все эти прекрасные декоративные элементы со временем постепенно теряли свою роль в визуальной структуре книг и использовались в рекламном деле.

Предлагаемая книга, с сотнями уникальных примеров, позволит Вам использовать декоративные элементы из прошлого и находить вдохновение для создания ваших собственных композиций.

Все иллюстрации, представленные в этой книге сохранены на прилагающемся компакт-диске.
Могут использоваться как на PC, так и на Mac компьютерах.
Изображения сохранены в файлах формата TIFF высокого разрешения и могут свободно применяться в некоммерческих целях.

Typograpic Design is a book about the last tendencies in the universe of fonts. Designers from all over the world create multiple typographies which have born from the experimentation of its shapes, ligatures or proportions.
This title presents a comprehensive selection of complete alphabets and its applications on posters, logos, advertisements, magazines, club flyers, or exhibitions.

Este libro aborda las últimas tendencias en el universo de las fuentes. Diseñadores de todo el mundo crean múltiples y variadas tipografías, que han nacido de la experimentación de sus formas, ligaduras, o proporciones.
Este libro presenta una amplia selección de alfabetos completos y sus aplicaciones en pósters, logotipos, publicidad, magazines, flyers, o exposiciones.

For over fifty years, the Type Directors Club has encouraged the worldwide graphic arts community to achieve excellence in typography through its annual international competitions. Typography 31 is the only annual devoted exclusively to typography and presents the finest work in this field for the year 2009. Selected from approximately 2300 international submissions to the annual Type Directors Club competition, the winning designs are models of excellence and innovation in the use of type design, encompassing a wide range of categories, including books, magazines, corporate identities, logo types, stationery, annual reports, video and web graphics, and posters.

A deep understanding of letterforms and knowledge of their effective use can only be obtained with constant observation and experimentation; it evolves over a lifetime of design practice and study. This comprehensive guide is intended to advance the progress of designers seeking to deepen their typographic expertise. Typography Essentials is a practical, hands-on resource to distill, organize, and compartmentalize - but not to oversimplify - the many complex issues surrounding the effective use of typography. It is for designers of every medium in which type plays a major role, and is organized and designed to make the process enjoyable and entertaining, as well as instructional.

This book is divided into four easy-to-use sections: The Letter, The Word, The Paragraph, and The Page. Each of the 100 principles has an explanation and examples representing the principle in action.

Ina Saltz is an art director, designer, writer, photographer and professor (of Electronic Design and Multimedia at The City College of New York) whose areas of expertise are typography and magazine design. For over 22 years, Ina was an editorial design director at Time Magazine (International Editions), Worth Magazine, and other magazines including Golf Magazine, Golf for Women Magazine, and World business Magazine. Ina frequently lectures on topics related to magazine design and typography, including Toronto, Atlanta, Denver, Moscow, Amsterdam and Calgary. She lives with her husband in New York City.

Пролистать книгу Ina Saltz - Typography Essentials: 100 Design Principles for Working with Type на Google Books

Посмотреть новое издание 2019 года -  Typography Essentials: 100 Design Principles for Working with Type

Following up on Layout Now and Color Now, SendPoints continues to craft practical guidebooks for readers in the design cosmos. This time, it is about the type, which we read and use every day.

Typography Now guides readers through everything they need to know to understand, create, and use Latin, Chinese, and Japanese typefaces in an increasingly interrelated world. The fundamentals, including typographic terms, character structures, style classifications, size, weight, text families, and more will provide readers with prerequisite knowledge to understand and identify different types. Typography Now introduces readers to esteemed type foundries and their design processes and techniques to demonstrate how type is created. The coverage of layout rules will help readers grasp how to effectively design with text on the page as well as combine text with mixed scripts (Chinese, Japanese, and Roman).

In addition, you will find some of the best examples of typographic choices, as well as talks with experts at type foundries about the present and future of type, and demonstrations of some of the hottest new typefaces.

Typography, Referenced is the single most comprehensive volume covering every aspect of typography that any design student, professional designer, or design aficionado needs to know today.

In these pages, you'll find:

- Thousands of illustrated examples of contemporary usage in design
- Historical developments from Greek lapidary letters to the movie Helvetica
- Landmark designs turning single letters into typefaces
- Definitions of essential type-specific language, terms, ideas, principles, and processes
- Ways technology has influenced and advanced type
- The future of type on the web, mobile devices, tablets, and beyond

In short, Typography, Referenced is the ultimate source of typographic information and inspiration, documenting and chronicling the full scope of essential typographic knowledge and design from the beginnings of moveable type to the present "golden age" of typography.

"The many authors who worked on this volume - Haley (ABC’s of Type), Richard Poulin (typography, Sch. of Visual Arts NY; The Language of Graphic Design), Jason Tselentis (Type Form and Function), Tony Seddon (Graphic Design for Non-Designers), Gerry Leonidas (typography, Univ. of Reading, UK), Ina Saltz (electronic design & multimedia, City Coll., CUNY), Kathryn Henderson (Online and on Paper), and Tyler Alterman - have created an attractive, informative book with an uncertain purpose. The introduction pitches the title as something between a reference and a book for casual perusal (likening it to Judy Jones and William Wilson’s An Incomplete Education). A later section, ostensibly on designing with type, provides plenty of colour pictures of modern applications but little textual analysis, making this section like part of a coffee-table book. However, the overall breadth of material, both conceptual and practical - including information about existing typefaces and how to work with them - and a section at the end listing schools, periodicals, conferences, museums, and websites related to typography, make it suitable as a textbook for an introductory college class on typography. Unsurprisingly, the book is also well designed. VERDICT: This title is somewhat technical for average readers, and the number of authors leads to uneven writing. Still, high school seniors and college students beginning their path toward careers as graphic designers or commercial artists will find this guide invaluable." — Library Journal

About the Authors:

Jason Tselentis teaches graphic design and typography at Winthrop University in Rock Hill, South Carolina. He is the author of Type, Form, and Function by Rockport Publishers.

Allan Haley is Director of Words & Letters at Monotype Imaging, based in Woburn, Massachusetts. He is responsible for strategic planning and creative implementation of just about everything related to typeface designs, and editorial content for the company’s type libraries and websites.

Richard Poulin is design director and principal of Poulin + Morris Inc., in New York City. He is a faculty member at the School of Visual Arts, and he is the author of The Language of Graphic Design by Rockport Publishers.

Tony Seddon is a designer living in Alfriston, East Sussex, UK. He has written three books: Images: A Creative Digital Workflow for Graphic Designers, Graphic Design for Nondesigners, and Art Directing Projects for Print.

Gerry Leonidas is a Senior Lecturer in Typography at the University of Reading, UK. He teaches typographic design and typeface design at under- and postgraduate levels.

Ina Saltz is an art director, designer, and author of numerous articles on design and typography. She is the author of Typography Essentials by Rockport Publishers. She lives in New York City.

Kathryn Henderson is a writer, editor, and designer interested in the convergence between design and pop culture. Currently, you can find her at Pentagram Design obsessing over new design work and assisting with daily communications as deputy editor of Content Development for https://www.pentagram.com. She resides in Brooklyn, NY.

Tyler Alterman is a fourth-year student in The City University of New York's Macaulay Honors College studying creative behavior change. His obsessions include the science of persuasion, cognitive neuroscience, graphic design, cinnamon pita chips, and any fine type with high contrast, ball terminals, or geometric forms. He lives in New York City.

Typography brings together the most creative typography projects from all over the world. Whether they are used in branding, advertising, packaging or other creative designs, the typefaces featured here have the power to catch the eye and inspire the mind. Typography is an essential introduction to this fascinating and fundamental area of graphic design. 

Graphic designers love music. This is attested not least by the tremendous enthusiasm that readers of the typography magazine Slanted bring to its "Typo Lyrics" column, in which designers interpret music in entirely new ways with the help of fonts.

For this publication of the same name, celebrated graphic designers like Fons Hickmann as well as talented young designers from all over the world have taken song lyrics and used them as the inspiration for innovative font designs.

The result is a collection of fascinating visuals – "typographic images" that present contemporary fonts a little bit differently. The extraordinary interplay of type design and music brings the fonts to life and practically sets them dancing. In contrast to classical pattern books and font fans, this volume provides a special, more emotional experience of typography and illustrates the great expressive potential of typefaces.

On analogy with the traditional classification of fonts, the book is organized into eleven chapters, each of which treats a particular font family and song lyrics from a particular musical style.

This is the first book in the new Typo collection, which is conceived as a source of inspiration for designers who use typography as one of the main resources in their projects –from both an expressive and communicative standpoint. The first volume of the collection is TypoMag and is dedicated to typography as used in magazines. TypoMag analyzes excellence in the use of typography, custom-made fonts and the personalized fonts used in almost 30 magazines on a variety of topics.

Featuring more than 1,700 unique designs from all over the world, TypoShirt One is the first book to focus exclusively on T-shirt typography. Spanning message and logo T-shirts to more abstract and arty models that transmit more cryptic messages, TypoShirt One showcases current and historical T-shirts from small, independent labels and artists to those created by globally recognized names and brands. Ever since the T-shirt crossed over from unadorned male innerwear item to a hugely popular unisex wardrobe staple more than half a century ago, no other piece of apparel has featured as many expressive and fascinating claims, statements, typefaces and “instant messages.” These transmitted messages gain an irreversible strength and power through the motifs that, in this book’s pages, are reduced to their substance, related to the form and content. Created for fans of graphic design, fashion and popular culture, TypoShirt One is an intriguing look at the wearable fabric canvases where these worlds–and words–meet.

In a time defined by digital interaction, receiving a physical invitation can often feel like receiving a gift - especially when the invitation is as elaborate as those in U R Invited. Far from plain form letters on cardstock, these invitations are embossed, engraved and laser-cut, wrapped around bars of chocolate or records, and contain everything from seeds and masks to rice to be thrown at weddings.

U R Invited beckons readers to join in celebrations all over the world with invitations for fashion events and award ceremonies on show.

Ultimate Guide to House Framing leads homeowners through the steps of building a structure by means of platform framing, the most popular style of framing in use today. The book also covers the latest in eco-friendly materials as well as green framing techniques.
The most up-to-date source for framing information, the book provides readers with everything they need to know about building, including structural loads and how they interact, sizing lumber, working with tools, and reading blueprints. It then takes the reader through the framing process - from foundations to fl oor framing, wall framing, roof framing, sheathing, and more.
This expanded and revised edition ends with three project chapters: building stairs, finishing a basement with steel studs, and framing a bay window.
Each chapter covers both construction and design information.
 

825 photos and illustrations to guide readers through the framing process

Over 320,000 of previous editions sold to date. Has consistently ranked as one of BookScan's top 50 titles within the House & Home category

Step-by-step instruction on floor, wall, and roof framing, with information on selecting and sizing lumber

An entire section devoted to the latest in "green" framing materials and techniques

Building stairs, finishing a basement using steel studs, and installing a bay window

Resource guide, index, and glossary

Ultimate Illustration! takes a comprehensive look at more than 300 illustrations by today's most celebrated illustrators from around the world. Each artist goes beyond the traditional and sparks imagination by experimenting with different design ideas, styles, and techniques. Interviews - in which they discuss their artistic backgrounds, techniques, and professional ambitions - are also included. This book is a must-have resource for artists, creative professionals, art students, and all those who take pleasure in illustration.

Пролистать книгу Ultimate Illustration! можно на сайте издательства.