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Open your notebooks, sharpen your pencils, and get ready for a history lesson like none you’ve ever experienced. Yes, that’s right: you’re about to learn everything you could ever want to know about the world history of men’s magazines—not sports, not fashion, not hunting or fishing or how to build a birdhouse in ten easy steps, but those titillating periodicals embracing the subject dearest to all heterosexual men’s hearts and other organs: the undraped female form. A twenty-five-year veteran of the genre, former men’s magazine editor Dian Hanson traces its development from 1900 to 1980 in six massive and informative volumes.
Volume I explores the period from 1900, when sexy magazines first started to appear in France and Germany, through the decades of subterfuge and censorship up to the great global change wrought by WWII. Along the way the USA, England, Argentina, and many other countries join the publishing fun.
Volume II starts in the post-war period of the 1940s when the US surged ahead in magazine production while the rest of the world rebuilt and recovered, and ends in 1957 when censorship at last began to ease.
Volumes III and IV cover the short but crucial transformation period of 1958 to 1967: ten years in which the world and its men’s magazines changed out of all recognition to anything that had came before. Volume III begins with the redefinition of American obscenity laws and follows the flowering of mass distribution, or newsstand, men’s magazines around the world. Volume IV traces the roots of "special interest" and under-the-counter publications during this same period, ending with the Scandinavian sexual/social revolution that resulted in the repeal of all obscenity laws for most of Northern Europe.
Finally, in Volumes V and VI you’ll find the years 1968 to 1980: the post-sexual revolution era of sudden publishing freedom. Volume V covers the newsstands of the world, showing everything from homemade hippie ‘zines to periodicals for big bottom fanciers.
Volume VI, the final word in this encyclopedic series, is reserved for the most daring and extreme edges of the publishing field. Here you’ll peek inside the adult bookstores of Denmark, Sweden, Germany, the US and Japan to see what sexual freedom really meant.
Publisher comments
Each volume contains over 400 pages and 15 to 20 chapters, profiling important or quirky publishers and their magazines, single countries in a given era, distinctive genres such as swinging ("Suburban Sin") or spanking ("Spank You Very Much!"), top models, and those back-of-the-magazine advertisements for male girdles and X-ray spectacles. Most importantly: while the books are amply supplied with fascinating and educational text, they are also chock full of magazine covers and photos—a whopping 5000 images in all! Who knew learning could be so much fun?
The definitive annotated and illustrated history of girlie periodicals (1960s part 1)
Open your notebooks, sharpen your pencils, and get ready for a history lesson like none you've ever experienced. You're about to learn everything you could ever want to know about the world history of men's magazines—not magazines about sports, not fashion, not hunting or fishing or how to build a birdhouse in ten easy steps, but those titillating periodicals embracing the subject dearest to all heterosexual men's hearts and other body parts: the undraped female form. Former men's magazine editor Dian Hanson traces its development from 1900 to 1980 in six massive and informative volumes.
For Volume 3 author/editor Dian Hanson searched the world for the mass-market men's magazines of the 1960s. With the international economy on the upswing and censorship in a losing battle with lust the sixties were a time of great political, social and moral change. Suddenly hundreds of men's magazine titles were right out in public, openly sold on newsstands all over the world.
Volume 3 begins with an explosion of new American men's magazines following the redefinition of US obscenity laws in the late fifties. We examine the enormous impact of Playboy, not only on American titles, but on magazines worldwide. This is the decade when France finally declines as a great force in magazine production; England starts to show her pervy side; Argentina embraces burlesque; and Germany once again blends political activism with nudity. By 1965 even Australia has a booming men's magazine industry. The volume ends with a look at those great back-of-the-magazine ads for party pills and the first inflatable "dates".
The History of Men's Magazines, Volume 3 contains over 400 full color pages of vintage covers and interiors and a well-researched text profiling quirky publishers and artists, individual magazines, and the place of it all in the Swinging Sixties culture. This hardcover volume is a fascinating instant collectable all on its own, and a must have to complete the six volume set of Dian Hanson's: The History of Men's Magazines.
The definitive annotated and illustrated history of girlie periodicals (1960s part 2)
"Separation is great, as long as the separation is of my thighs." —Adults Only
Open your notebooks, sharpen your pencils, and get ready for a history lesson like none you've ever experienced. You're about to learn everything you could ever want to know about the world history of men's magazines—not magazines about sports, not fashion, not hunting or fishing or how to build a birdhouse in ten easy steps, but those titillating periodicals embracing the subject dearest to all heterosexual men's hearts and other body parts: the undraped female form. Former men's magazine editor Dian Hanson traces its development from 1900 to 1980 in six massive and informative volumes.
Why two volumes on the 1960s? Because when men's magazines were finally accepted on the newsstands something had to fill their old niche under the counter. On the cusp of the sixties a new breed of men's magazine emerged in Southern California. Made in smaller print-runs, aimed at more specific markets, these new magazines, called "slicks" for the thick glossy paper they were printed on, first embraced bad girls and big hair, beatniks, booze, and fetish photographers like Elmer Batters. As the decade progressed these were the first men's magazines to showcase hippy culture, and to expose all that hippy hair, years before it made its appearance on the newsstand.
Volume 4 concentrates on the emergence of California's specialty magazine industry and how it spawned the state's multi-billion dollar sex industry of today, but also includes fetish master Irving Klaw, the specialty magazines of England, and concludes with Sweden and Denmark's emergence as the new powers in European publishing.
Together with Volume 3, Volume 4 gives a complete picture of this fascinating decade of rapid social change, but also stands on its own, covering a distinctly different, more risqué side of 1960s men's magazine publishing.
Volume 4 contains over 400 full color pages of magazine covers and interiors with well-researched text profiling important publishers and artists, individual magazines, and specialty magazine categories. This hardcover volume is an instant collectable and is vital to completion of Dian Hanson's: The History of Men's Magazines six-volume set.
From magazines and newspapers to ads, websites, album covers, and even mobile phone wallpaper, illustration is a crucial element in visual communication today. With unlimited creative possibilities, illustration is as unbound as imagination itself; whether it's a simple pencil drawing, an ornate airbrushed painting, or a computer-generated image, an illustration speaks the international language of ideas. This comprehensive guide showcases 150 of today's best commercial and editorial illustrators from over 50 countries; each entry highlights examples of recent work and includes the artist's contact information, favorite media, awards, clients, and work philosophy. Look no further for what works and who's who in the world of illustration: it's all here.
Following the success of Illustration Now!, this installment presents a new selection of illustrators from all around the world on a budget price. Whereas the first volume brought together a fascinating mix of star illustrators and brand new faces that together formed the face of illustration around the world, Illustration Now! Vol. 2 is even more exciting, featuring illustrators from over 20 countries, with styles ranging from cutting edge to traditional. Also included is a dialog between design specialist Steven Heller and German illustrator Christoph Niemann about illustration’s role in the world today. This book is perfect not only for creative professionals and illustration students, but also artists and anyone with an appreciation for visual language.
2000 color photos/illustrations
If you're searching for a font that goes beyond ho-hum, this book is for you. Today's computers provide a selection of fonts that serve reasonably well for workaday letters and publications, but have become utterly boring from overuse. To attract a reader's attention, you need an original font.
This third volume of Indie Fonts provides a showcase collection of 1,600 new fonts from today's hottest digital type foundries, and features the best work of these designers. As with the first two volumes, Indie Fonts 3 will help readers find some of the highest quality fonts available today.
Type styles range from the best of Matthew Carter's classic designs to the latest irreverence of ingoFonts. Designers searching for unique typefaces will find what they are looking for, whether historical revivals or futuristic techno faces.
On the included CD, you'll also get a collection of 53 bonus fonts.
Organized so as to encourage creativity, serendipitous discovery, and inspiration, Layout Look Book 2 is an essential guide to layout design for both amateur and professional designers. The book includes techniques that can be used to enhance any layout, as well as insights into the factors that helped make each layout an effective piece. The styles covered in the volume range from traditional to cutting edge, and will enable any designer to become a more creative thinker and produce fantastic work.
Пролистать книгу Layout Look Book 2 можно на сайте издательства.
Part of the successful Art series, Mag-Art looks at an international collection of innovative graphic design within the continually developing area of print magazine design and packaging. From mass-market to exclusive, limited-edition magazines, Mag-Art explores both the creative inspiration behind the work—the artwork and photography, typography, paper stock and materials, printing techniques, finishes, and formats—and the practical considerations of magazine production—inclusion of essential advertisements, navigation, credits captions, and budgets.
Mag-Art analyzes format, pagination, layout, art direction, production values, and style, and reveals emerging trends in the industry, what makes a magazine successful, and how good design works. This definitive volume will arm designers with the tools to create innovative magazines that are covetable, collectible objects.
В последнее время интерес к печатным изданиям стал заметно снижаться. Борясь за каждого читателя, издатели призывают дизайнеров создавать яркие, неординарные обложки, броские заголовки, интригующие, яркие страницы. Mag-Art - инновационный проект, содержащий коллекцию уникальных работ дизайнеров со всего мира. В издании не только анализируется творческий потенциал работ, но и приводятся практические сведения по производству журналов. Хороший дизайн превращает журнал из простого источника информации в объект коллекционирования. Mag-Art полон креативных идей. На наших страницах Вы найдете примеры различных стилей оформления журналов использования стандартных и новых форматов, применения разнообразных материалов для обложки и упаковки издания. Интересные приемы внутренней навигации, иерархии заголовков, оформления колонтитулов и, конечно же, постпечатной обработки не оставят равнодушным ни одного профессионального дизайнера. Mag-Art полезен тем, кто наслаждается творчеством, не боится экспериментировать и использует новейшие технологии, чтобы сделать свои работы неординарными.
250 color images
A sumptuously extravagant book which examines design that appeals to the senses through luxury, profusion and excess
After a decade in which minimalism has held sway over the design industry, many designers are now rejecting the limitations of pared-down modernism in favor of a more rich and vibrant “maximal” aesthetic.
This book celebrates the qualities of maximalism, or “enriched modernism” -- its role in creating fantasy, a sense of luxury, the multi-sensory appeal -- and teaches designers how to apply it by bringing together a selection of projects from around the world that typify maximalism in graphic design -- whether through use of materials, print processes, layout and composition or sheer extravagance of purpose.
The book is not just about expensive projects for luxury brands (although of course these feature): it is about examples of print that appeal to any one of the senses in a powerful and unusual way. These include packaging, magazines, brochures, books, identity jobs and other forms of print work.
Books about visual culture are generally conceived to appeal to the most discerning and design-literate consumer. Consequently these are usually the most painstakingly produced books on the market, employing unusual print techniques and materials and exploring unconventional formats. New Book Design is a showcase of the most interesting and accomplished designs of the last ten years. Highly illustrated and featuring a series of interviews with influential designers and publishers, it examines a wide variety of books, from paperback novels to architectural monographs, analysing the most distinctive elements of each volumes design.
A visual guide to the best in contemporary typographic design, this book features examples and usages of modern typography from around the world. Covering a wide variety of applications, from design to print - magazines, books, brochures, posters, etc - to signage systems and screen-based typography, the book gives an insight into the current trends and directions of modern typography and provides a rich source of inspiration for design students and established designers alike. An introductory essay by David Jury discusses the role of change in typographic design in the last two centuries. The book is then divided into four showcase sections that illustrate key areas of typography today. Contributors include Antoine et Manuel, Eggars Diaper, Emigre, Hort, M/M, Meta Design, Norm, North, Projekt Triangle, RGB, Stefan Sagmeister, Stiletto NYC and Surface.
With 400 colour illustrations
