Книги о дизайне полиграфии

This full-sized album of Saturday Evening Post covers captures everyday events and historic moments in American history.

Although technically Norman Rockwell was an academic painter, he had the eye of a photographer and, as he became a mature artist, he used this eye to give us a picture of America that was familiar — astonishingly so — and at the same time unique. Rockwell best expressed this vision of America in his justly famous cover illustrations for magazines like The Saturday Evening Post. 332 of these cover paintings, from beloved classics like “Marbles Champion” to lesser-known gems like “Feeding Time,” are reproduced in stunning full-colour in this large-format volume, which is sure to be treasured by art lovers everywhere.

Christopher Finch’s books include the bestsellers Norman Rockwell’s America, The Art of Walt Disney, and Rainbow, a biography of Judy Garland, which was turned into a motion picture for NBC television. His other books have dealt with various aspects of contemporary painting and popular culture.

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Norman Rockwell's best-loved works, collected in a handsome clothbound volume

Norman Rockwell gave us a picture of America that was familiar – astonishingly so – and at the same time unique, because only he could bring it to life with such authority.

Rockwell best expressed this vision of America in his justly famous cover illustrations for the Saturday Evening Post, painted between 1916 and 1963. All of his Post covers are reproduced in splendid full colour in this oversized volume, with commentaries by Christopher Finch, the noted writer on art and popular culture.

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Пролистать книгу Norman Rockwell 332 Magazine Covers на Google Books

Ever wondered how different the world will be without calendars? Try arranging meetings with your colleagues, or even remembering the anniversaries and birthdays of your loved ones, or try booking your next vacation withoutthe calendar or any form of date and time. Thinking back, we are truly grateful to renowned historians, astronomers and kings (yes, kings) for giving us the humble calendar that we so rely on today. In this showcase of great calendar designs, 365 Calendars will provide a good selection of examples that offers a unique and innovative touch to one of the most traditional of products—the calendar.  This collection offers uniquely-designed calendars by designers and studios such as Kenji Yano, Masaaki Kimura, the Hong Kong Polytechnic University, "Sonner, Vallee u. Partner", Massachusetts College of Art and Design and many more.

Featuring designs that are exceptionally unusual to the downright bizarre, 365 Calendars initially began as a quest to explore the far reaches of calendar design, pushing the limits of what is aesthetically and conceptually possible. The result is an extraordinary range of calendar designs contributed by various designers and studios from around the world that have rewritten the rules and conventions of calendar design as we know it. The 365 Calendars collection consists of ring-binded calendars, calendars that can be folded into cubes, calendars that come in highly configurable cutout sheets as well as calendars that resemble measuring tapes, just to name a few. In total, the 365 Calendars collection offers uniquely designed calendars by designers and studios such as Kenji Yano, Masaaki Kimura, the Hong Kong Polytechnic University, "Sonner, Vallee u. Partner", Massachusetts College of Art and Design and many more.

Sound Art. An unprecedented collection of artists’ record covers from the 1950s to today

Art history acquires a new rhythm in this unique anthology of artists’ record covers from the 1950s to today. More than 500 covers trace the interaction of music and visual art through modernism, Pop Art, conceptual practice, and beyond. Featured covers include Salvador Dalí’s skewered butterfly for Jackie Gleason and Damien Hirst’s symbolic skull for the Hours.

Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance.

In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 500 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter.

Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, Damien Hirst’s symbolic skull for the Hours, and a skewered Salvador Dalí butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.

The author:

Francesco Spampinato is a writer and historian of contemporary art and visual culture currently doing his PhD at the Sorbonne Nouvelle in Paris. He lectures on art, design, and media and was also Adjunct Professor of Contemporary Art History and Theory, and Performance Art at Rhode Island School of Design in Providence, U.S., from 2011 to 2015. In 2015 he authored Come Together: The Rise of Cooperative Art and Design (Princeton Architectural Press) and Can You Hear Me? Music Labels by Visual Artists (Onomatopee).

The editor:

Julius Wiedemann studied graphic design and marketing and was an art editor for newspapers and design magazines in Tokyo before joining TASCHEN in 2001. His titles include the Illustration Now! and Record Covers series, as well as the infographics collection and books about advertising and visual culture.

Like a well-made playlist, the album covers in this volume combine to create a portrait of cool and culture desired by art, music, and record lovers alike.

Art Sleeves is a time capsule of visual art and music culture as shown through the most important record covers designed by visual artists and graphic designers in the past forty years. This tightly curated collection of covers chosen includes works with significant cultural impact as well as collaborations that themselves created cultural fascination.

The eclectic roster of visual artist-musician collaborations presented spans art and musical genres as well as generations, including Ryan McGinley for Sigur Rós, Kara Walker for Arto Lindsay, Peter Saville for Joy Division, Barbara Kruger for Growing Up Skipper, Jeff Koons for Lady Gaga, Tauba Auerbach for Glasser, and Stanley Donwood for Radiohead, to name a few. From postmodernist paintings and minimalism to collage and photography, as well as New Wave, emo, pop, and punk, the albums chosen present a bright and rich visual and cultural history.

This inspiring volume celebrates this long creative tradition of visual artist-musician collaborations and, just like a perfect album, it will be treasured by art, music, and record lovers alike.

About the Author:

DB Burkeman is a creative director, art consultant, author, and influential DJ. Born and raised in London, he lives in Brooklyn, New York, with his wife and two children.

The first chronological global history of comics, from 1968 through to the present day

The story begins in 1968, a key year in comics’ shift from being driven by commercial potential into a means of self-expression respected not just as entertainment but also as art. The book traces comics’ evolution up to the emergence of today's global, digital scene and the medium’s likely future.

Robert Crumb and Gabrielle Bell, Jack Kirby and Alan Moore, Moebius, Yumiko Oshima and Osamu Tezuka are just a few of the hundreds of artists and writers included – making it unprecedented in its global reach.

The broad reach of Comics extends to artists, styles and movements, spanning Marvel and DC superheroes; the Underground movement and manga powerhouse Osamu Tezuka; politically charged Italian fumetti and sexually charged ladies’ manga; the Francophone technique of ligne claire; sci-fi; Métal Hurlant; the pioneering Japanese alternative journal Garo; the graphic memoir and the graphic novel; and, finally, the moment comics made the jump from page to web page.

Featuring the best-known artists and writers – from Jack Kirby, Hergé and Moebius to Katsuhiro Otomo, Neil Gaiman and Alan Moore – Comics also introduces readers to some creators they may not yet have encountered, such as Andrea Pazienza, the Fort Thunder collective and Fabrice Neaud.

A startling look at the golden age of surgery through gruesome yet beautiful technical illustrations and paintings from the Wellcome Collection, written by the bestselling author of The Sick Rose

The 19th century saw a complete transformation of the practice and reputation of surgery. This fascinating book follows its increasingly optimistic evolution, drawing on the very best examples of rare surgical textbooks, with a focus on the extraordinary visual materials, held by the Wellcome Collection.

Unnerving and graphic, yet beautifully rendered, these fascinating illustrations include step-by-step surgical techniques paired with medical instruments and painted depictions of operations in progress. Arranged for the layman from head to toe, and accompanied by an authoritative, eloquent and inspiring narrative from medical historian Richard Barnett, this is an engrossing and enlightening volume.

Why does a newspaper look different than a magazine or a book? What effect does using a certain typeface or a specific grid have? And why do some layouts just seem right, and others seem simply wrong?

This comprehensive handbook and reference volume elaborates by means of sketches and explanations on the basics and terminology that are indispensable for the design and production of print media. From the initial layout and the correct use of colour and typefaces to the right column width and line spacing: "Design, Typography, etc." covers all aspects of good design for books, posters and advertising.

_ Comprehensive handbook
_ Considering all aspects of print media 
_ Practical explanations and illustrative application examples
_ Including extensive glossary

A sequel to the extremely popular I Adulted: Stickers for Grown-Ups, I Adulted at Work! is a whimsically illustrated book containing 250 removable stickers that congratulate supposed grown-ups on a job well done . . . or at least a job done.

Despite official reports, most adults feel completely and totally ill-prepared to deal. With anything. They still, as purportedly self-sufficient grown-ups, look toward older generations and think, "How did they do that?" So the easiest and best way to find comfort is to look not ahead at uncertainty (or, heaven forbid, around at the chaos currently surrounding them), but to the past to their simpler childhoods. And it is with brightly colored stickers in the workplace that they will finally find peace of mind. For a little while, at least.
Filled with 250 full-color removable stickers that can be used to decorate journals, notebooks, or your lapel to proudly and publicly proclaim work life's little victories, I Adulted at Work! is the ideal nostalgic and practical book for anyone who feels a sense of accomplishment by making it through a day on the job without calling their mother for help.

About the Author:

Robb Pearlman is an editor, author, and pop culture junkie. He is the author of more than thirty books for adults and kids, including I Adulted!, What Would Skeletor Do?, and The Wit and Wisdom of Star Trek.

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Пролистать книгу I Adulted at Work!: Essential Stickers for Hardworking and Home-Working Grown-Ups

Take your design work to the next level with Making and Breaking the Grid: A Graphic Design Layout Workshop (Third Edition), the essential easy-to-use guide for designers working in every medium.

With over 150,000 copies in print, this new edition makes a classic text relevant to a new generation of designers. Updates include:

 - A cross-cultural inclusive re-envisioning of design history related to the grid, including alternative approaches to layout
- Expanded discussion of grid use in interactive, UX/UI scenarios
- Greater equity in the representation of design work by women and BIPOC designers

Grids are the most basic and essential forms in graphic design — and they can be the most rigid. This book shows you how to understand the rules of the grid to use them effectively, and then how to break them, resulting in phenomenal cohesive layouts. Timothy Samara explains the history of the grid and shows examples of grid basics, such as column, compound, and modular grids. He shows methods for building and using grids, and offers numerous examples of stunning design projects using a variety of imagery and typography.

Pages are filled with hundreds of large, full-color layout concepts and diagrams that educate and inspire. After mastering the grid, discover how to break it using conceptual designs that deconstruct and flip the grid successfully. Split, splice, and shift; create spontaneous compositions; make narrative constructs; work on an axis; use intuitive design; and more to create unique layouts or other projects. See ideas in action with eye-catching layout examples.

With this book you will:

 - learn how grids work.
- be inspired to explore new concepts for using — or not using — grids.
- discover achievable alternatives for boring layouts.
- get the results you want using fresh design elements.
- learn designers’ processes via fascinating case studies.
- see numerous examples of successful layouts created with and without grids.
- communicate ideas effectively using visual language.

This new, expanded edition presents the most comprehensive, accessible, in-depth exposition of layout concepts ever published.

About the Author:

Timothy Samara is a graphic designer based in New York City, where he divides his time between teaching, writing, lecturing, and freelance consulting through STIM Visual Communication. His 18-year career in branding and information design has explored projects in print, packaging, environments, user interface design, and animation. He has been a senior art director at Ruder Finn, New York’s largest public relations firm, and senior art director at Pettistudio, a small multidisciplinary design firm. Before relocating to Manhattan, he was principal of Physiologic in Syracuse, located in upstate New York.

In 1990, he graduated a Trustee Scholar from the Graphic Design program at the University of the Arts, Philadelphia. Mr. Samara is a faculty member at New York’s School of Visual Arts, New York University, Purchase College/SUNY, and The New School, and has published six books on design and typography, all through Rockport Publishers: Making and Breaking the Grid; Typography Workbook; Publication Design Workbook; Type Style Finder; Design Elements; and, most recently, Design Evolution, released in January 2008. Mr. Samara and his partner live in the Williamsburg neighborhood of Brooklyn.

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Пролистать книгу Making and Breaking the Grid, Third Edition: A Graphic Design Layout Workshop на Google Books.

Unveiling the special edition of Marvel By Design

A rare treat for any comic superfan, the special edition of Marvel By Design is bursting with bonus features. Encased in an exclusively designed presentation box, the book becomes a collectible in and of itself. Three bold screenprints on heavy uncoated paper are ready to adorn your walls and a cluster of embroidered graphic fabric patches, boasting designs from the Marvel Universe, are also included inside.

Celebrating the company’s visual language with an in-depth exploration of the design process behind the brand’s most recognizable graphical elements, Marvel By Design is an expansive, five-part visual encyclopedia highlighting examples of the comic powerhouses’ exceptional approach to logos, layout, lettering, cover design, and colouring. Offering insights from legendary colourist Laura Martin, artist Klaus Janson, and letterer Todd Klein, as well as essays from industry-defining graphic designers like Mike Essl and Paul Sahre, this title illustrates comic culture’s indisputable influence on the creative industry as a whole.

Limited to 1000 copies, this special edition takes a deep dive into Marvel's storied past and dynamic present, tracing the visual evolution of ten iconic characters by presenting hundreds of images from the brand’s iconic archive.

About the Author:

Liz Stinson is a writer and an editor with more than a decade of experience covering the design and technology worlds. She’s currently the executive editor of Eye on Design, a publication about graphic design and its intersection with the wider world.

Full color, hardcover, stitch bound, 320 pages, screenprints, graphic fabric patches, linen bound

As one of the most recognizable brands in the world, Marvel has spent the last 80-plus years inspiring generations of creatives through its approach to visual storytelling. Marvel’s comic books, in particular, established a distinct graphic language that has found its way into mainstream culture, including 1960s Pop Art, and present-day digital culture, gaming, advertising, and more.

Marvel By Design will celebrate the company’s visual language with an in-depth exploration of the design process behind the brand’s most recognizable graphical elements including logos, covers, lettering, layout, and color palettes. Readers will learn how the renowned Marvel Method established a unique approach to the creative process and how that process can serve as a template for creatives working beyond comics.

Throughout the book, Marvel By Design will connect the dots between comic culture and its undeniable influence in every creative field including the evolution of graphic design, editorial design, movies, and visual culture at large.

About the Author:

Liz Stinson is a writer and an editor with more than a decade of experience covering the design and technology worlds. She’s currently the executive editor of Eye on Design, a publication about graphic design and its intersection with the wider world.

© 2021 MARVEL

Since the end of the 19th century, our aesthetics have been challenged by various avant-garde artistic ideas, especially astounded by the chaotic visuals. But there are many more stories behind the chaos in art. This book digs into chaotic art heritage in human history, and features the most exciting graphic designs distinguished with chaotic styles, which have been broken down into four different approaches: distortion, redundancy, diversity, and randomness. As a tribute to the chaotic art refined by the courageous predecessors, as well as an applause to the chaotic visuals nourished by our contemporary designers, it serves as a bridge between artistic ideals and graphic communication, between puzzled readers and expressive designers.

The story of the illustrated book from the earliest printed books to the present day, told through the collections of the V&A’s National Art Library

Throughout history, images have been used to reflect the meaning of words and to enhance our understanding of texts. With the invention of mechanized printing in Germany in the 15th century, illustrated books were no longer the preserve of the elite and became a source of knowledge, instruction and pleasure for a wider audience.

Traditional accounts of the illustrated book survey its history in terms of technological advances, from illumination to hand-drawn illustrations and photography. This study offers a new approach, grouping books by subject – from natural history and travel to art, architecture and fashion. Gathered here are some of the most influential and compelling examples of the illustrated book, all chosen from the collections of the National Art Library at the Victoria and Albert Museum, London.

Each chapter starts with a general introduction to the subject, followed by key examples accompanied by narrative captions. The commentaries range beyond the illustrations to consider the whole book, the design, typeface, binding, inks and papers. Many of the books are not on display to the public and have been specially photographed for this volume. Most examples have been chosen for their significance, being innovative and beautiful. But humble books, often overlooked in histories, have also been selected, when particularly effective in their field, or simply memorable.

From beautiful printed Psalters and Books of Hours, to striking natural history books such as Audubon’s Birds of America, La Fontaine’s Fables illustrated by Marc Chagall, Serlio’s treatise on architecture and Owen Jones’s Grammar of Ornament, this book gives a fascinating overview of some of the finest illustrated books ever created. In the face of recent pronouncements about the death of the printed book, this volume demonstrates the enduring appeal of the illustrated book.

Contents List:

Introduction
1. Religion
2. Natural History
3. Travel
4. Fables & Folk Tales
5. Literature
6. Art Making
7. Art History
8. Architecture
9. Ornament and Pattern
10. Festivals
11. World Fairs
12. Fashion
13. Shopping

About the Author:

Julius Bryant is the Keeper of the Word and Image Department at the Victoria and Albert Museum, London. He is responsible for the museum's National Art Library, a major public reference library for the fine and decorative arts.

How can infographics help magazines and newspapers succeed? Francesco Franchi, author of Designing News, answers this question in The Intelligent Lifestyle Magazine.

Francesco Franchi is the art director of IL: Ideas and Lifestyle, the monthly magazine supplement to the Italian daily newspaper Il Sole 24 Ore. From its typography concept to its infographics, its striking editorial design makes a significant contribution to the high brand recognition that IL enjoys worldwide. The Intelligent Lifestyle Magazine is the first comprehensive monograph about this magazine. From an insider’s perspective, it tells the story of how IL’s consistent visual and journalistic quality developed. Numerous examples are used to explain editorial concepts and branding elements. The book offers inspiration for art directors, designers, media professionals, and anyone who ever wished they could learn more about this groundbreaking Italian publication in English.

About the Authors:

Francesco Franchi, one of the most exceptional talents working in graphic design today, has been IL’s art director since 2008. Thanks to his distinctive visual concepts, the magazine has received worldwide acclaim and is widely considered to be a modern classic. In 2013, Gestalten published Franchi’s Designing News, which explores the future of the news and media industries in our digital age.
Christian Rocca is IL’s editor-in-chief and an expert on Italian and American politics. He appears regularly in Italian talk shows and on radio programs and has written several books, including one about Italy’s recent economic crisis. Since 2010, he has written a column on international politics for Il Sole 24 Ore. Previously he served as the American correspondent for Il Foglio.

A beautifully gruesome and strangely enthralling visual tour through disease in an age before colour photography

This stunning volume, combining detailed illustrations of afflicted patients from some of the world's rarest medical books, forms an unforgettable and profoundly human reminder of mankind's struggle with disease.

Incorporating historic maps, pioneering charts and contemporary case notes, Richard Barnett's evocative overview reveals the fears and obsessions of an era gripped by epidemics.