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For over eight decades, domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, and Pop, to Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1980 – 1984: Postmodern preoccupations
The early '80s saw the rise of Postmodernism. Italian design groups Alchimia and Memphis, led by Alessandro Mendini, Andrea Branzi, Michele de Lucchi, and Ettore Sottsass, questioned the functionality of design objects. Everyday items and classic designs were reinterpreted with ironic relish. In architecture, similar ideas took shape in the buildings of Hans Hollein, Michael Graves, Studio Nizzoli, and the offices of Venturi, Rauch & Scott Brown, while deconstructivist tendencies were recognizable in early designs by Zaha Hadid.

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1985–1989: The eighties in full force
Along with the Postmodern - buildings, interior decoration, and designs by Peter Shire, Richard Meier, Gustav Peichl, Ricardo Bofill, Ettore Sottsass, Arata Isozaki, and Arquitectonica – the High-Tech Style was dominant, led by the Hong Kong & Shanghai Banking Corporation offices by Foster Associates, and the Lloyds Building by Richard Rogers. Contemporary avant-garde led with designs by Daniel Libeskind in Berlin. In product design, furniture and lamps by Alberto Meda and Philippe Starck were published in domus for the first time.

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.

Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1990–1994: The next generation
The early 1990s saw a generational shift in architecture and design: domus documented the rise of architects Tadao Ando, Jean Nouvel, David Chipperfield, Philippe Starck, Rem Koolhaas, Peter Eisenman, Jacques Herzog, and Pierre de Meuron, while still featuring architectural greats like Frank O. Gehry, Mario Bellini, Richard Meier, Renzo Piano, Norman Foster, and Santiago Calatrava. In product design, Marc Newson, Rodney Kinsman, Jasper Morrison and Fernando and Humberto Campana made waves.

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1995–1999: Leaving the 20th century
At the century's end, domus remained the bible of avant-garde design, showcasing the best architecture, interiors, domestic and industrial designs. This volume features buildings by Mario Botta, Arata Isozaki, Josef Paul Kleihues, Richard Meier, Günther Domenig, Herzog & Meuron, Frank O. Gehry, Peter Zumthor, Daniel Libeskind, and designs by Philippe Starck, Ross Lovegrove, Jonathan Ive, Alberto Meda, Paolo Rizzatto, Perry A . King, and Santiago Miranda. It also includes a CD-ROM with a complete index of all 12 volumes in the domus reprint collection.

Anyone wanting to find out about the current design trends needs and reads form, the international design magazine. Each issue focuses on the design process proper: Wide-ranging features offer insights into how extraordinary products and graphic projects have unfolded. In form, renowned designers and specialist authors comment, but promising new talents also get their say. An up-to-date layout, refined printing graphics and contributions by visual designers ensure form is a special visual and haptic experience. As a trade journal, it provides in valuable information on new materials and production technologies, as well as theoretical essays and tips for everyday life as a designer.

Wer sich über neue gestalterische Trends informieren will, liest die internationale Design-Zeitschrift form. Im Mittelpunkt jeder Ausgabe steht der Entwurfsprozess, umfangreiche Berichte geben Einblick in die Entstehung von Produkten und grafischen Projekten. Hier kommen renommierte Designer und Fachautoren wie Hella Jongerius, Konstantin Gricic oder Steven Heller zu Wort, aber auch viel versprechenden Nachwuchs-Designern wird Platz eingeräumt. Ein zeitgemäßes Layout, Sonderbeiträge von Gestaltern und druckgrafische Veredelungen machen die form außerdem zu einem visuellen und haptischen Erlebnis. Als Fachzeitschrift bietet sie wertvolle Informationen zu neuen Materialien und Produktionstechniken, liefert theoretische Diskurse und Essays und gibt anregende Tipps für den beruflichen Alltag. form erscheint zweimonatlich in deutscher und englischer Sprache.

Wer im Design arbeitet, wer Design lehrt oder studiert, liest form!

Anyone wanting to find out about the current design trends needs and reads form, the international design magazine. Each issue focuses on the design process proper: Wide-ranging features offer insights into how extraordinary products and graphic projects have unfolded. In form, renowned designers and specialist authors comment, but promising new talents also get their say. An up-to-date layout, refined printing graphics and contributions by visual designers ensure form is a special visual and haptic experience. As a trade journal, it provides in valuable information on new materials and production technologies, as well as theoretical essays and tips for everyday life as a designer.

Wer sich über neue gestalterische Trends informieren will, liest die internationale Design-Zeitschrift form. Im Mittelpunkt jeder Ausgabe steht der Entwurfsprozess, umfangreiche Berichte geben Einblick in die Entstehung von Produkten und grafischen Projekten. Hier kommen renommierte Designer und Fachautoren wie Hella Jongerius, Konstantin Gricic oder Steven Heller zu Wort, aber auch viel versprechenden Nachwuchs-Designern wird Platz eingeräumt. Ein zeitgemäßes Layout, Sonderbeiträge von Gestaltern und druckgrafische Veredelungen machen die form außerdem zu einem visuellen und haptischen Erlebnis. Als Fachzeitschrift bietet sie wertvolle Informationen zu neuen Materialien und Produktionstechniken, liefert theoretische Diskurse und Essays und gibt anregende Tipps für den beruflichen Alltag. form erscheint zweimonatlich in deutscher und englischer Sprache.

Wer im Design arbeitet, wer Design lehrt oder studiert, liest form!

Anyone wanting to find out about the current design trends needs and reads form, the international design magazine. Each issue focuses on the design process proper: Wide-ranging features offer insights into how extraordinary products and graphic projects have unfolded. In form, renowned designers and specialist authors comment, but promising new talents also get their say. An up-to-date layout, refined printing graphics and contributions by visual designers ensure form is a special visual and haptic experience. As a trade journal, it provides in valuable information on new materials and production technologies, as well as theoretical essays and tips for everyday life as a designer.

Wer sich über neue gestalterische Trends informieren will, liest die internationale Design-Zeitschrift form. Im Mittelpunkt jeder Ausgabe steht der Entwurfsprozess, umfangreiche Berichte geben Einblick in die Entstehung von Produkten und grafischen Projekten. Hier kommen renommierte Designer und Fachautoren wie Hella Jongerius, Konstantin Gricic oder Steven Heller zu Wort, aber auch viel versprechenden Nachwuchs-Designern wird Platz eingeräumt. Ein zeitgemäßes Layout, Sonderbeiträge von Gestaltern und druckgrafische Veredelungen machen die form außerdem zu einem visuellen und haptischen Erlebnis. Als Fachzeitschrift bietet sie wertvolle Informationen zu neuen Materialien und Produktionstechniken, liefert theoretische Diskurse und Essays und gibt anregende Tipps für den beruflichen Alltag. form erscheint zweimonatlich in deutscher und englischer Sprache.

Wer im Design arbeitet, wer Design lehrt oder studiert, liest form!

Anyone wanting to find out about the current design trends needs and reads form, the international design magazine. Each issue focuses on the design process proper: Wide-ranging features offer insights into how extraordinary products and graphic projects have unfolded. In form, renowned designers and specialist authors comment, but promising new talents also get their say. An up-to-date layout, refined printing graphics and contributions by visual designers ensure form is a special visual and haptic experience. As a trade journal, it provides in valuable information on new materials and production technologies, as well as theoretical essays and tips for everyday life as a designer.

Wer sich über neue gestalterische Trends informieren will, liest die internationale Design-Zeitschrift form. Im Mittelpunkt jeder Ausgabe steht der Entwurfsprozess, umfangreiche Berichte geben Einblick in die Entstehung von Produkten und grafischen Projekten. Hier kommen renommierte Designer und Fachautoren wie Hella Jongerius, Konstantin Gricic oder Steven Heller zu Wort, aber auch viel versprechenden Nachwuchs-Designern wird Platz eingeräumt. Ein zeitgemäßes Layout, Sonderbeiträge von Gestaltern und druckgrafische Veredelungen machen die form außerdem zu einem visuellen und haptischen Erlebnis. Als Fachzeitschrift bietet sie wertvolle Informationen zu neuen Materialien und Produktionstechniken, liefert theoretische Diskurse und Essays und gibt anregende Tipps für den beruflichen Alltag. form erscheint zweimonatlich in deutscher und englischer Sprache.

Wer im Design arbeitet, wer Design lehrt oder studiert, liest form!

Anyone wanting to find out about the current design trends needs and reads form, the international design magazine. Each issue focuses on the design process proper: Wide-ranging features offer insights into how extraordinary products and graphic projects have unfolded. In form, renowned designers and specialist authors comment, but promising new talents also get their say. An up-to-date layout, refined printing graphics and contributions by visual designers ensure form is a special visual and haptic experience. As a trade journal, it provides in valuable information on new materials and production technologies, as well as theoretical essays and tips for everyday life as a designer.

Wer sich über neue gestalterische Trends informieren will, liest die internationale Design-Zeitschrift form. Im Mittelpunkt jeder Ausgabe steht der Entwurfsprozess, umfangreiche Berichte geben Einblick in die Entstehung von Produkten und grafischen Projekten. Hier kommen renommierte Designer und Fachautoren wie Hella Jongerius, Konstantin Gricic oder Steven Heller zu Wort, aber auch viel versprechenden Nachwuchs-Designern wird Platz eingeräumt. Ein zeitgemäßes Layout, Sonderbeiträge von Gestaltern und druckgrafische Veredelungen machen die form außerdem zu einem visuellen und haptischen Erlebnis. Als Fachzeitschrift bietet sie wertvolle Informationen zu neuen Materialien und Produktionstechniken, liefert theoretische Diskurse und Essays und gibt anregende Tipps für den beruflichen Alltag. form erscheint zweimonatlich in deutscher und englischer Sprache.

Wer im Design arbeitet, wer Design lehrt oder studiert, liest form!