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The classic and coveted  Erwitt retrospective, republished in its original format

One of the all-time greats, Elliott Erwitt is a master whose photographs have defined the visual history of the 20th century — and the 21st. Although his work spans decades, continents and diverse subjects, it is always instantly recognizable. Spontaneous and original, Erwitt’s visions are imbued with true artistry and no trace of artifice. In this definitive collection, the master shares those works he considers his personal best. As you browse this carefully curated retrospective, you’ll feel nostalgia, wonder — and a lasting sense of life’s rich potential.

About the Photographer:

Born of Russian parents in Paris in 1928, the renowned photographer Elliot Erwitt arrived in the U.S. in the late 1930's and studied Photography in Los Angeles. He won recognition for his work in the 1940's and 1950's with the publication of photographs in Life Magazine and Collier's and in 1953, joined the prestigious Magnum photographic agency. The range of his subjects reflected his enormous talents - from the everyday reality of the post-war years to the glamour of Hollywood stars such as Humphrey Bogart and Marilyn Monroe to portraits of political leaders such as Nikita Kruschev. Erwitt later became a highly successful advertising photographer. In the 70's Erwitt refined his sense of irony, and in addition to comedy and film work, shot his landmark series of photographs of people and their dogs, memorably documenting the unique world shared by canine and human. Eliott Erwitt currently lives in New York City.

One of the leading photographers of his generation, Elliott Erwitt (b.1928) has been taking pictures since the late 1940s. A member of the prestigious Magnum agency since 1954, he has photographed all over the world and his images have been the subject of many books and exhibitions.

Containing over 500 pictures, over half of which have never been published before, Elliott Erwitt Snaps is a unique and comprehensive survey of his work. From famous images such as Nikita Khrushchev and Richard Nixon arguing in Moscow in 1959 and Marilyn Monroe with the cast of the movie The Misfits, to his many more personal images of places, things, people and animals, Erwitt's unmistakable, often witty, style gives us a snapshot of the famous and the ordinary, the strange and the mundane over a period of more than half a century, through the lens of one of the period's finest image-makers.

The book is arranged in nine chapters, each with a one-word title: Look, Move, Play, Read, Rest, Touch, Tell, Point, Stand. For Erwitt, whose photography is a study and celebration of life, these are the basic actions of life - the things people do. The photographs are not intended to illustrate the words, but the words act as a means of grouping and organizing, making broad connections and also playing with pun and ambiguity, in keeping with the visual games Erwitt plays.

About the Author:

One of the greatest image makers of his generation, Elliott Erwitt (b.1928) describes himself as 'a professional photographer by trade and an amateur photographer by vocation.' A member of Magnum since 1954, his camera has taken him all over the globe and his pictures have been the subject of many books and exhibitions worldwide. Artist and documenter, his work spans many traditions, subjects and approaches to photography.

For those already familiar with the scope and ingenuity of this photographic craftsman, this is an essential addition to your Erwitt collection. If not, you can look forward to discovering his eclecticism and expertise. Probing the limits of black-and-white photography, Erwitt's lens captures subtleties ranging from the duskiest grays to the most luminous whites. This intriguing collection of previously unpublished photographs highlights the drama in everyday moments. Its subjects range from anonymous faces in the crowd to candid glimpses of icons like John F. Kennedy, Marilyn Monroe, and Truman Capote.

Born in Paris in 1928, Elliott Erwitt arrived in the U.S. in the late 1930s. Establishing himself in the '40s and '50s as a leading magazine photographer, he joined the prestigious Magnum agency in 1953. In addition to his work in magazines, he achieved great success as an advertising photographer and filmmaker. He currently lives in New York City. After Personal Best, this is his second book published with teNeues.

“Fetish Girls came out in 1994 and I immediately moved with my family from New York City to San Francisco. I wanted a different light to shoot by. I went from a studio to shooting in a classic Victorian mansion. I’m still a fetishist. I live with my muse, Gwen, and my children. I made about a dozen more videos and two books of photo sexual narratives involving Gwen entitled "The Transformations of Gwen" Volumes 1 and 2 (NBM Publishing). I am more interested in capturing intimate sexual ‘play’ than before. The players have to be in heels, hose must be within frame, rubber nearby, with a hint of leather. It is the game of pleasure that I seek on film. Don’t come naked to me. Come with attitude and kneel or stand above me. My audience is particular, born as it were, from Fetish Girls.” —Eric Kroll

Electrical lines that turn into the strings of a massive guitar in the sky. A man dragging a bed sheet, which turns into a road, across an empty field. A charming cottage on an island that is actually the back of a giant fish. Digital photography artist Erik Johansson has achieved international fame by taking and then combining photos into surreal, M.C. Escher like worlds. This is his first book, and it captures the improbable and impossible in fifty distinctive images.

Digital artist Erik Johansson starts with a simple hand-drawn sketch, but what you see in the end is anything but simple: dazzlingly realistic scenes made of hundreds of photographs all meticulously staged and propped and then stitched together in software offer a glimpse into wholly invented, incredibly detailed worlds. While shooting takes only a few days, Johansson s planning and retouching process each take months, resulting in out-of-this-world images that have won him fans worldwide.

Erik Johansson has created a portfolio of stunning images combining photography, raw materials, and digital editing.
Daily Mail UK

Erik Johansson has [taken] the blogosphere by storm by producing heavily manipulated photographs [that] invert aesthetics as we understand them, inspired by MC Escher and other surrealist artists.
Independent UK

About the Author:

Erik Johansson was born in Sweden and started taking pictures when his parents gave him a digital camera for his 15th birthday. He has lived in Berlin and currently lives in Prague. His pictures have been exhibited all over the world and his latest major exhibition is opening at Fotografiska in Stockholm in December 2019.

 88 duotone photographs

This lush volume presents a collection of startlingly erotic, black and white photographs by a man who is sure to emerge as a master of the medium. A model himself during the last several years, Jeff Marano has brought his own experience in front of the camera to bear to tease out the energy, vitality, and sensuality of these beautiful men. Shot using only natural light in a variety of settings-on the beach and poolside, in hotel rooms and on rooftops, on terraces and in the woods-Marano's pictures evoke old time Hollywood glamour while still allowing his subjects to retain an individuality and spontaneity rarely seen in contemporary erotic photography.

Jeff Marano's photography was inspired by his storied modeling career. He began shooting his collection in 1996 while still working as a model in Milan, Paris, and New York. In 2000 he left modeling to devote all his energies to photography. This is his first book.

* Lush presentation of startlingly erotic, black and white photographs by an emerging master
* Collection that evokes old time Hollywood glamour while allowing subjects to retain an individuality and sensuality rarely seen in erotic photography

88 duotone photographs

Published this season in a handsomely designed trade edition, Jeff Marano's startlingly erotic collection of photographs is also available in a beautifully produced slip-cased Collector's Edition. Shot using only natural light in a variety of settings-on the beach and poolside, in hotel rooms and on rooftops, on terraces and in the woods-Marano's pictures evoke old time Hollywood glamour while still allowing their subjects to retain an individuality and spontaneity rarely seen in contemporary erotic photography.

Jeff Marano's photography was inspired by his storied modeling career. He began shooting this collection in 1996 while still working as a model in Milan, Paris, and New York. In 2000, he left modeling to devote all of his energies to photography.

* This beautifully designed, slip-cased Collector's Edition is the ideal gift for fans of erotic photography
* Lush presentation evokes old-time Hollywood glamour while allowing subjects to retain an individuality rarely seen in erotic photography

Erwin Blumenfeld (1897–1969) was born into a Jewish family in Berlin. In 1941, he left Europe for the United States, where five years later he became a citizen. During the forties and fifties, he was one of the most sought-after fashion photographers in the world. However, most people are not familiar with the artist’s early work: the often bitingly humorous Dada montages he produced between 1916 and 1933.

This book by Helen Adkins, a renowned expert on the Berlin Dada movement, is the first to provide an extensive study of these early works. Blumenfeld did not intend for them to be shown publicly - they were personal gifts to his friends and acquaintances or enclosed in love letters to his fiancée. The approximately one hundred works - including many that have not previously been published and which the author discovered in the artist’s family archives and in other public and private collections - will be examined within the context of Blumenfeld’s life, photographs, drawings, and literary works.

Dutch photographer Erwin Olaf's highly stylized mode of image-making offers a blend of mid-century modern and noir aesthetics, seen through a contemporary, fashion-inflected lens. In this enticing volume — the first time these three bodies of work have been presented as a whole — Olaf seduces the viewer via a mannered, restrained palette replete with faded avocado greens, golden-hued oranges, and subtle lilacs.

Each richly colored and sleekly composed image offers a sly reinterpretation of Norman Rockwell-like iconography and characters, manifesting a nostalgia that both burlesques and wryly celebrates America of the 1950s and '60s. As a whole, the material investigates what critic Jonathan Turner defines as "Olaf's recent fascination with the visual representation of such emotions as loss, loneliness, and quiet despair.... [He] plays games with the idea of cold reality versus cruel artifice, capturing that precise moment when innocence, hope, and joy are lost."

This project was made possible, in part, by generous support from the Mondriaan Foundation, Amsterdam; Hasted Hunt Gallery, New York; and the Consulate General of the Netherlands in New York.

About the Author:

Erwin Olaf (born in Hilversum, the Netherlands, 1959) graduated from the Utrecht School for Journalism, in 1980, with a degree in newspaper journalism and photojournalism. Olaf has earned several Silver Lions for his commercial work, which has appeared in the New York Times Magazine, London Sunday Times, and Vanity Fair. He is represented by Flatland Gallery, Utrecht/Paris and Hasted Hunt, New York. A  solo exhibition of his work opened at the Fotomuseum, The Hague, in 2008.

Paris promenade. Eugène Atget’s unique city portrait

A flâneur and photographer at once, Eugène Atget (1857–1927) was obsessed with walking the streets. After trying his hand at painting and acting, the native of Libourne turned to photography and moved to Paris. He supplied studies for painters, architects, and stage designers, but became enraptured by what he called “documents” of the city and its environs. His scenes rarely included people, but rather the architecture, landscape, and artifacts that made up the societal and cultural stage.

Atget was not particularly renowned during his lifetime but in the 1920s came to the attention of the Dada and Surrealist avant-garde through Man Ray. Four of his images, with their particular fusion of mimesis and mystery, appeared in the surrealist journal, La Révolution Surréaliste, while Ray and much of his artistic circle purchased Atget prints. Atget’s fame grew after his death, with several articles and a monograph by Berenice Abbott. Several leading photographers, including Walker Evans and Bill Brandt, have since acknowledged their debt to Atget.

This fresh TASCHEN edition gathers some 500 photographs from the Atget archives at Musée Carnavalet and the Bibliothèque Historique de la Ville de Paris to celebrate his outstanding eye for the urban environment and evocation of a Paris gone by. Down main streets and side streets, past shops and churches, through courtyards and arcades and the 20 arrondissements, we find a unique portrait of a beloved city and the making of a modern photographic master.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Twenty-seven countries under the gaze of Jordi Bernadó, a photographer who collects the places and landscapes he has lived: some comical, some excessive, some implausible.

This vision speaks of a world where life continues to alter each and every element that would initially appear well-ordered.

The author’s course carries us far and wide, making us his travelling companions, indeed his accomplices in the highly personal vision he constructs. Bernadó comes accorss successively as euridte, historian, architect, sociologist, but most often as storyteller.

With a perfect mastery of colour ranges, he employs de vocabulary of documentary photography.

This survey of her extraordinary career includes not only classic and intriguing photographs of Marlene Dietrich, Marilyn Monroe, Clark Gable, Paul Newman, Joan Crawford and Elizabeth Taylor, many of whom Eve came to know closely, but also of everyday people at work and at play around the world. Regardless of the subject’s fame, Eve’s unwavering eye and her ability to convey the spirit of the person in front of the lens remains constant.

Created with Eve’s involvement, and featuring texts by Anjelica Huston and Isabella Rossellini and contributions from friends, associates and creative colleagues – Elliott Erwitt, John Tusa, David Puttnam, Michael Rand, Mary McCartney, Sheena McDonald, Jon Snow and Beeban Kidron – this book places Eve Arnold deservedly at the heart of the canon of photographic greats. It also stands as a testament to the keen attention her work has inspired from the latest creative generation.

 100 duotone and 47 color photographs

Swiss photographer Bruno Bisang has been on a life-long artistic quest to document the unending, multi-faceted varieties of the feminine mystique. His photographs are more than mere idealizations of the female form. They are expressions of Bisang's desire to record the independent spirit of his subjects-international models and celebrities such as Claudia Schiffer, Tyra Banks, and Monica Bellucci. This collection of exquisitely observed photographies is a luminous distillation of essence and form, "a record of women's radiance" that expresses Bisang's belief that "Every woman possesses a fount of femininity and unique sensuality".

Bruno Bisang is a much sought-after Swiss fashion photographer who lives and works in Zurich, Milan, Paris and New York City. He photographs advertising campaigns for most of the major fashion houses and his work appears regularly in magazines such as Vogue, Max, GQ, and Amica.