Збірники робіт

An introduction to the groundbreaking work of Guy Bourdin (1928–91), a great innovator in the field of fashion photography

About the author(s)
Alison Gingeras is an international curator and writer based in Paris. She held the post of Curator of Contemporary Art Exhibitions and Collections at the Centre Pompidou, Paris (1999 to 2004) and was a member of the curatorial team at the Solomon R. Guggenheim Museum, New York from 1995 to 1999. She is on the editorial committee of Tate.Etc. magazine and has written dozens of exhibition catalogue texts and essays on contemporary artists.

Immortalizing the people and moments that have defined the past 60 years, world-renowned photojournalist Harry Benson has become as much a part of history as the photographs themselves. The scope of his accomplishments as a photojournalist is nothing short of remarkable: he has photographed every U.S. president since Eisenhower, as well as Robert F. Kennedy on the night he was assassinated, and Martin Luther King Jr. at his funeral; he has shot stars such as Elizabeth Taylor, Mick Jagger, Dolly Parton, Michael Jackson, Greta Garbo, and Truman Capote; he covered both the rise and fall of the Berlin wall, the IRA hunger strikes, the Freedom March through Mississippi, the Watts riots, 9/11, and conflicts in Kuwait, Bosnia, Somalia, Afghanistan, and Israel; and, on the eve of his 80th birthday, Benson is still at it, crisscrossing the globe on assignment for Conde Nast.

Harry Benson: Photographs is a visual celebration of Benson's incomparable career. Organized into chapters on celebrity, art, fashion, sports, politics, and photojournalism, Harry Benson: Photographs features a distinctive mix of iconic images alongside never-before-published photographs of Sir Winston Churchill, Nelson Mandela, Queen Elizabeth, Princess Diana, Jackie Kennedy Onassis, Billy Graham, Bobby Fischer, Muhammad Ali, the Beatles, Sonny Liston, Chuck Berry, O.J. Simpson, Yogi Berra, Sophia Loren, Kate Moss, Gloria Swanson, James Brown, Fred Astaire, Johnny Carson, Jack Nicholson, Marlon Brando, Al Pacino, Clint Eastwood, Woody Allen, Spike Lee, Alfred Hitchcock, Federico Fellini, Joseph Papp, Andy Warhol, Liza Minelli, Barbra Streisand, Halston, Giorgio Armani, Valentino, Diana Vreeland, and countless others. With unique access to the most elusive, alluring, and enduring legends of our time, Benson's magnum opus is an unsurpassed masterpiece of contemporary photojournalism and portraiture.

Whether the incredible pieces of haute couture were designed by Chanel, Dior, Gaultier, Lacroix, Elie Saab, Philip Treacy, or Valentino, their beauty is preserved in the gorgeous images captured with a large-format camera using Polaroid material by Cathleen Naundorf and collected in this book. Her well-honed technique, inspired by her mentor Horst P. Horst, which combines instant film’s distinctive colors and shadow with the artist’s remarkable instinct, results in photographs that resemble paintings - haunting, muted, and raw. Not only are they a feast for fashion-hungry eyes, but they are also a testament to the talents of this young artist who has forged a formidable reputation in the fashion world. Featuring stunning couture images, this book presents renowned fashion photographer Cathleen Naundorf’s work with Polaroid photography from the past six years..

Our sex and beauty power pack, the four-in-one complete edition of Helmut Newton's Illustrated is available in an unchanged reprint.

About the photographer:

Helmut Newton (1920-2004) was one of the most influential fashion photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He achieved international fame in the 1970s while working principally for French Vogue, and over the next three decades, his celebrity and influence continued to grow. Eschewing studios, for the most part, Newton preferred to shoot in the streets or in interiors. His mixture of controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the "Grand Prix National" for photography; in 1992 was awarded by the German government "Das Grosse Verdienstkreuz" for his services to German culture and was appointed "Officer des Arts, Lettres et Sciences" by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed "Commandeur de l`Ordre des Arts et des Lettres" by Philippe Douste-Blazy, the French Minister of Culture. Working and living in close companionship with his wife until his death at 83, through his last click of the shutter he continued to be as distinctive and influential as ever.

Instant Newton. A collection of Helmut Newton's test Polaroids

Polaroids occupy a special place in the hearts of many photo enthusiasts who remember a time when "instant photography" meant one-of-a-kind prints that developed within minutes of clicking the shutter. What was once a crucial tool for photographers to test their shots before shooting on film has now become obsolete in the face of digital photography. Luckily for us, legendary photographer Helmut Newton saved his test Polaroids, allowing a privileged and rare chance to see the tests from a selection of his greatest shoots over a period of decades, including many from the TASCHEN titles SUMO, A Gun for Hire, and Work. Selected by his widow, June Newton, from over 300 photos featured at the 2011 exhibition "Helmut Newton Polaroids" at the Museum für Fotografie in Berlin, this collection captures the magic of Helmut Newton photo shoots as only Polaroids can.

The photographer:

Helmut Newton (1920-2004) was one of the most influential photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He first achieved international fame in the 1970's while working principally for French Vogue, and his celebrity and influence grew over the decades. Newton preferred to shoot in streets or interiors, rather than studios. Controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the Grand Prix national de la photographie; in 1992 the German government awarded him Das Grosse Verdienstkreuz for services to German culture, and he was appointed Officier des Arts, Lettres et Sciences by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed Commandeur de l'Ordre des Arts et des Lettres by Philippe Douste-Blazy, the French Minister of Culture at the time. Working and living in close companionship with his wife until his death at 83, his images remain as distinctive, seductive and original as ever.

The collection “Sex & Landscapes” brings together a rich selection from Helmut Newton’s little-known landscape and travel photographs, as well as unseen “tougher” sex pictures, described by Philippe Garner of de Pury & Luxembourg as “Helmut’s world of dark, brooding seas, baroque statuary, crashing waves, a long desert highway under threatening skies, a Berlin park at dusk, enigmatic apartment buildings at night, the Rhine seen from the air, the shadows of airplanes, all this interwoven with hard and voyeuristic sexual imagery, plus a touch of his high style and glamour.” The book’s publication coincides with the exhibition of “Sex and Landscapes,” which will open on June 3 at the inauguration of the Helmut Newton Foundation in Berlin.

About the photographer:

About the author:

Philippe Garner is a Director of Christie's and is their International Head of Photographs and of 20th Century Decorative Art & Design. He is widely recognised as an authority within these fields and has written numerous essays and books on specific aspects of the history of photography and the applied arts. His books include studies of the life and work of Emile Gallé and photographers Cecil Beaton and John Cowan, as well as thematic investigations such as his Sixties Design for TASCHEN. He has also curated museum exhibitions in London, Paris and Tokyo.

Shooting Beauties: the fashion photography of Helmut Newton

"Carte Blanche" for the commissioned works between art and commerce

Helmut Newton did not distinguish compositionally or stylistically between his magazine work and assignments for commercial clients. He ironically referred to himself as “a gun for hire.” That was also the title of June Newton's legendary book about his commercial photography, which is now available in a new edition revised by the Helmut Newton Foundation.

"Some people's photography is an art. Mine is not. If they happen to be exhibited in a gallery or a museum, that's fine. But that's not why I do them. I'm a gun for hire," Helmut Newton told Newsweek in 2004. This prosaic proclamation from one of the 20th century's most celebrated photographers may be perceived as shocking. Still it firmly positions Newton as the no-frills image-maker that he was. His work is so powerful and striking, that it defies categorization. In refusing to call his work "art," Newton leaves us free to do so. Judging from the amount of museum and gallery shows that have featured his work, it is clear that the option has been widely exercised.

A Gun for Hire brings together a selection of Newton's fashion catalog work from the early 1960s to 2003 including work for BiBA (the first fashion catalog in 1962), Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Villeroy & Boch and Absolut Vodka, as well as his last editorial photographs for US and Italian Vogue — encompassing the body of work he made as a "gun for hire."

With an introduction by Matthias Harder and statements by Pierre Bergé, Tom Ford, Josephine Hart, June Newton, and Anna Wintour.

Client list: BiBA, Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Italian Vogue, US Vogue, German Vogue, Villeroy & Boch, Bikini Calendar for Sportsmagazin, Absolut Vodka

About the photographer:

Helmut Newton (1920-2004) was one of the most influential fashion photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He achieved international fame in the 1970`s while working principally for French Vogue, and over the next three decades, his celebrity and influence continued to grow. Eschewing studios, for the most part, Newton preferred to shoot in the streets or in interiors. His mixture of controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the "Grand Prix National" for photography; in 1992 was awarded by the German government "Das Grosse Verdienstkreuz" for his services to German culture and was appointed "Officer des Arts, Lettres et Sciences" by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed "Commandeur de l`Ordre des Arts et des Lettres" by Philippe Douste-Blazy, the French Minister of Culture. Working and living in close companionship with his wife until his death at 83, through his last click of the shutter he continued to be as distinctive and influential as ever.

BABY SUMO, welcome to the world! The legendary Helmut Newton SUMO in a spectacular new edition

The Helmut Newton SUMO was overwhelming in every respect: a 464-page homage to the most influential and controversial photographer of the 20th century, and a book that broke records for weight, dimensions, and resale price.

Helmut Newton (1920–2004) always demonstrated a healthy disdain for easy or predictable solutions. SUMO — a bold and unprecedented publishing venture—was an irresistible project. The idea of a spectacular compendium of images, reproduced to exceptional page size and to state-of-the-art origination and printing standards, emerged from an open, exploratory dialogue between photographer and publisher. With its awe-inspiring weight of around 35 kilos, its unusual concept and its flawless technical production, the book set new standards.

Published in a limited edition of 10,000 signed and numbered copies, the first SUMO sold out soon after release and quickly multiplied its value. As a worldwide publishing sensation, the book took the art monograph genre to an entirely new level and is today found in numerous important collections around the world, including New York’s Museum of Modern Art. Legendary SUMO copy number one, autographed by over 100 of the book’s featured celebrities, also broke the record for the most expensive book of the 20th century, selling at auction in Berlin on April 6, 2000 for 620,000 German Marks.

Created on the occasion of the centenary of Helmut Newton’s birth and TASCHEN’s 40th anniversary, this spectacular new edition edited by June Newton is now available. Shrunk to exactly half the size of the famous 1999 original, the “BABY SUMO” is no less glamorous: With more than 400 breathtaking images, reproduced and printed to the latest standards, it still has all the scope of a private exhibition of photographs. It is likewise published in a limited edition of 10,000 copies and comes with a detailed booklet documenting the making of this major publishing event. Philippe Starck has once again designed the accompanying book stand, this time including a pedestal, as an ideal way to display the volume.

BABY SUMO, the ultimate collectible. For Newton fans and anyone who wants to own a piece of art history. The legend lives on!

Collector's edition of 10,000 numbered copies with a bookstand by Philippe Starck
Edited and revised by June Newton

The photographer:

Helmut Newton (1920–2004) was one of the most influential photographers of all time. He first achieved international fame in the 1970s while working principally for French Vogue, where he became celebrated for his controversial scenarios. Most striking was his ability to make a throughly planned photograph seem fresh and dynamic. His many titles and awards included Commandeur de l’Ordre des Arts et des Lettres.

The editor:

June Newton, née Browne, was born in Melbourne, Australia, in 1923. As a young woman she was passionately interested in the theater, and worked as an actress under the name June Brunell, receiving the Erik Kuttner Award in 1956. She married the photographer Helmut Newton in Melbourne in 1948 and became a photographer herself in 1970, using the pseudonym Alice Springs. Her work has been featured in numerous exhibitions and publications, including Vanity Fair, Interview, Elle, and Vogue. Her many famous subjects include William S. Burroughs, Catherine Deneuve, Graham Greene, Roy Lichtenstein, Robert Mapplethorpe, Yves Saint Laurent, and Nicole Kidman.

Spanning more than five decades, the work of Helmut Newton (1920–2004) defies categorization. His photographic oeuvre is not only unique, but virtually unparalleled in scope, reaching millions through magazines like Vogue and Elle. Helmut Newton. Legacy showcases highlights and rediscovered images from one of the most published bodies of work in photography. A genuine visionary, this book celebrates Newton’s lasting influence on visual art to this day.

A Lasting Legacy. Helmut Newton’s prolific body of work

Virtually unparalleled in scope and spanning more than five decades, the photography of visionary Helmut Newton (1920–2004) reached millions through publication in magazines like Vogue and Elle. His oeuvre transcended genres, bringing elegance, style, and voyeurism to fashion, portrait, and glamour photography through a body of work that remains as inimitable as it is unrivaled. Having mastered the art of fashion photography early in his career, Newton’s shoots invariably went beyond standard practice, blurring the lines between reality and illusion. Newton’s clear aesthetic pervades all areas of his work, particularly fashion, portraiture, and nude photography. Women take center stage – with subjects such as Catherine Deneuve, Liz Taylor, and Charlotte Rampling. Moving beyond traditional narrative approaches, Newton’s fashion photography is imbued not only with luxurious elegance and subtle seduction, but also cultural references and a surprising sense of humor.

During the 1990s, Newton shot for the German, American, Italian, French, and Russian editions of Vogue, primarily in and around Monte Carlo where he was living from 1981 onwards. Transforming locations like his own garage into starkly contrasting or particularly minimalist theatrical stages, Newton would often portray the eccentric lives of the beautiful and rich, full of eroticism and elegance, in unconventional scenarios. He made use of and simultaneously questioned visual clichés, at times tinged with self-irony or mockery, but always full of empathy.

Helmut Newton. Legacy, which accompanies an international exhibition tour of Newton’s work, showcases highlights from one of the most published bodies of work in photography, including numerous rediscovered images. A prolific image maker and genuine visionary, this book celebrates Newton’s lasting influence on modern photography and visual art to this day.

The exhibition HELMUT NEWTON. LEGACY will be on view at the Helmut Newton Foundation, Jebensstraße 2, 10623 Berlin from October 31, 2021 to May 22, 2022.

The photographer:

Helmut Newton (1920–2004) was one of the most influential photographers of all time. He first achieved international fame in the 1970s while working principally for French Vogue, where he became celebrated for his controversial scenarios. Most striking was his ability to make a throughly planned photograph seem fresh and dynamic. His many titles and awards included Commandeur de l’Ordre des Arts et des Lettres.

The editor and author:

Matthias Harder studied Art History, Classical Archaeology and Philosophy in Kiel and Berlin. He is a member of the German Society of Photography and an advisory council member of the European Month of Photography. Head curator of the Helmut Newton Foundation in Berlin from 2004, and also its director from 2019, he has written numerous articles for books and exhibition catalogues.

The contributing author:

Philippe Garner is an expert in 20th-century photography, design, and decorative art. He has written numerous essays and books, from studies of the lives of designer Émile Gallé and photographers Cecil Beaton and John Cowan, to his Sixties Design for TASCHEN. A former director of Christie’s, he has also curated shows for museums in London, Paris, and Tokyo.

Sartorial strength. Helmut Newton in the leading fashion magazines

Helmut Newton, master of late 20th-century fashion photography, always considered the printed page the most important factor in his work. It was, he explained, in the framework of an editorial or advertising commission, that he found his inspiration and produced his best shots.

Joining the prestigious roster of TASCHEN’s Helmut Newton titles, including Sex & Landscapes, World without Men, and the much-coveted Helmut Newton SUMO, this fresh edition of Pages from the Glossies gathers the most eminent and interesting examples of Helmut Newton’s work for magazines across Europe and the United States. Facsimiles of more than 500 original spreads from the likes of Elle, Amica, and, above all, Vogue follow Newton’s ongoing ability to break the boundaries of his genre and explore the interaction of his unique, daring, pictures with typography and layout.

In lively personal anecdotes alongside the spreads, Newton talks through the inspirations and informal moments behind some of his most memorable images. We follow him scouting models, setting up a shot with the captain of a nuclear submarine, collaborating with Anna Wintour, and negotiating between different cultural attitudes towards the nude.

20 Years of SUMO. The Helmut Newton SUMO in XL, revised by June Newton, with a making-of booklet

The Helmut Newton SUMO was a titanic book that towered above anything previously attempted. Twenty years later, we celebrate the legacy of this publishing venture in an XL edition, the result of a project conceived by Helmut Newton and revised by his wife June. Gathering 464 images and a new booklet that takes us through the making of the SUMO, it’s a spectacular tribute to the larger-than-life photographer.

Helmut Newton (1920–2004) always showed a healthy disdain for the easy or predictable, so it’s no surprise that the SUMO was an irresistible project. The idea of a book the size of a private exhibition, with spectacular images, reproduced to state-of-the-art origination and printing standards, emerged from an open, experimental dialogue between photographer and publisher. With the SUMO weighing in — boxed and shrink-wrapped — at 35.4 kg (just under 80 pounds), Newton created a landmark book that stood head and shoulders above anything previously attempted, both in terms of conceptual extravagance and technical specifications.

Published in an edition of 10,000 signed and numbered copies, the SUMO sold out soon after publication and quickly multiplied its value. It now features in numerous collections around the world, including New York’s Museum of Modern Art. The legendary copy number one, signed by more than 100 of the book’s featured celebrities, broke the record for the most expensive book published in the 20th century, sold at an auction in Berlin on April 6, 2000, for 620,000 German marks — about 317,000 euros.

Now, this XL edition celebrates 20 years of SUMO, the result of a project conceived by Helmut Newton some years ago. Revised by his wife June, the volume gathers 464 images and a new booklet that takes us through the making-of this publishing venture — a spectacular tribute to the larger-than-life Helmut Newton, now in a friendly format.

Images © The Helmut Newton Estate / Maconochie Photography

The photographer

Helmut Newton (1920–2004) was one of the most influential photographers of all time. He first achieved international fame in the 1970s while working principally for French Vogue, and became celebrated for his controversial scenarios, bold lighting, and striking compositions in street or interior settings, rather than studios. His many titles and awards included Commandeur de l’Ordre des Arts et des Lettres.

The editor

June Newton, née Browne, was born in Melbourne, Australia, in 1923. As a young woman she was passionately interested in the theater, and worked as an actress under the name June Brunell, receiving the Erik Kuttner Award in 1956. She married the photographer Helmut Newton in Melbourne in 1948 and became a photographer herself in 1970, changing her name once again to Alice Springs. Her work has been featured in numerous exhibitions and publications, including Vanity Fair, Interview, Elle, and Vogue. Her many famous subjects include William S. Burroughs, Catherine Deneuve, Graham Greene, Roy Lichtenstein, Robert Mapplethorpe, Yves Saint Laurent, and Nicole Kidman.

______________

Первое издание книги "Сумо", напечатанное десятитысячным тиражом, было распродано вскоре после выхода из печати. Каждый экземпляр был пронумерован и нес автограф автора. Формат соответствовал названию - 50 х 70 см, что при 464 страничном объеме (389 фотографий) вылилось более чем 35 кг веса. Каждый фолиант комплектовался специальным дизайнерским столиком, от Филиппа Старка.

Неудивительно, что сейчас эти книги, ставшие экспонатами коллекций по всему миру, включая Нью-Йоркский Музей Современного Искусства, многократно возросли в цене, а первая копия, подписанная более чем сотней знаменитостей, получила статус самой дорогой книги ХХ века - 6 апреля 2000 года она была продана на аукционе в Берлине за 620 000 немецких марок - примерно 430 000 американских долларов.

Данное переиздание всего в два раза скромнее размерами, но многократно ценой!

White Women, Helmut Newton's legendary first work, appeared more than twenty years ago. With it's superior mixture of aesthetics, technical perfection and bourgeois decadence it has lost nothing of its potency and attractiveness. Newton's work encompasses a wealth of themes, also embodying facets of the mass-media world of glamour, masquerade and show. Using subtle, yet striking images--like those of Paloma Picasso, Veruschka, Elsa Peretti, Karl Lagerfeld, David Hockney, and Charlotte Rampling--Newton embraces the delicate, natural beauty of the naked female body. White Women is a masterpiece of erotic visual literature.

About the photographer:

Helmut Newton (1920-2004) was one of the most influential fashion photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He achieved international fame in the 1970`s while working principally for French Vogue, and over the next three decades his celebrity and influence continued to grow. Eschewing studios for the most part, Newton preferred to shoot in the streets or in interiors. His mixture of controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the "Grand Prix National" for photography; in 1992 was awarded by the German government "Das Grosse Verdienstkreuz" for his services to German culture and was appointed "Officer des Arts, Lettres et Sciences" by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed "Commandeur de l`Ordre des Arts et des Lettres" by Philippe Douste-Blazy, the French Minister of Culture. Working and living in close companionship with his wife until his death at 83, through his last click of the shutter he continued to be as distinctive and influential as ever.

Agent Provocateur. Top shots from Helmut Newton

Fashion, editorial, and personal photographs meet in this extensive Helmut Newton portfolio, including some of his most striking shots from the ’60s through to his golden heyday. From shadowy streets to hotel boudoir, it’s a showcase of Newton’s suggestive storytelling and unfailing eye for erotic impact.

Helmut Newton (1920–2004) is remembered as one of the most prolific photographers of the 20th century, channeling the sensuality and erotic power of his subjects with panache, precision, and impact. His aesthetic was uniquely his, while at the same time establishing a new way of photographing fashion and glamour.

Joining TASCHEN’s illustrious collection of Helmut Newton titles, including Helmut Newton: Polaroids, Pages from the Glossies, and the spectacular Helmut Newton: SUMO, this fresh edition of Helmut Newton: Work spans an impressive stretch of Newton’s career, including some of his most striking shots from the ’60s through to his golden heyday. From shadowy street to hotel boudoir, it’s a collection that showcases Newton’s suggestive storytelling throughout his fashion, editorial, or personal pictures.

The photographer:

Helmut Newton (1920–2004) was one of the most influential photographers of all time. He first achieved international fame in the 1970s while working principally for French Vogue, and became celebrated for his controversial scenarios, bold lighting, and striking compositions in street or interior settings, rather than studios. His many titles and awards included Commandeur de l’Ordre des Arts et des Lettres.

The author:

Françoise Marquet established a photographic department at the Musée d’Art Moderne de la Ville de Paris in 1981, acquiring the works and organizing retrospectives of Duane Michals, Herbert List, Jean-Philippe Charbonnier, Helmut Newton, Jeanloup Sieff, Jan Saudek, and Manuel Álvarez Bravo. In 1997 she was appointed to the Petit Palais, Musée des Beaux-Arts de la Ville de Paris.

The editor:

Manfred Heiting is an internationally acknowledged designer, curator, and expert on and collector of photographs and photobooks; he lives in Malibu and Brussels. He is a founding member of the J. Paul Getty Museum Council and since 2016 UCLA Distinguished Lecturer in the Humanities. He is editor and designer of Deutschland im Fotobuch, The Soviet Photobook, and The Japanese Photobook and co-editor and designer of Autopsie: Deutschsprachige Fotobücher 1918–1945.

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Творчество Хельмута Ньютона многогранно и разнообразно. В 1960-е годы оно считалось шокирующим и провокационным, а в наши дни Ньютон снискал репутацию фотографа, способного изображать женщину такой, какая она есть. Это женщина нового тысячелетия, которая принимает собственные решения, а не следует воле других, наслаждается собственным телом и единолично распоряжается им, женщина, уверенная в себе и страстная. Хельмут Ньютон – певец сюрреализма, привнесший в современность дыхание Берлина 1920-х годов. Его фотографии изображают наши тайные страхи и желания, они полны тонкой театральности и изысканного декаданса. Модная фотография, обнаженная натура, портрет – вот три категории, на которые Хельмут Ньютон разделял свои работы. Его съемки для рекламы и модных журналов всегда находились на грани приемлемого для широкой публики и вызывали самые противоречивые реакции: от восхищения до проклятий.

Let the ladies shine. From Newton's formative years to his rise to the top

Taken between the mid-1960s and early 1980s, this selection of Newton fashion editorials - one of the first books he ever published - is accompanied by journal entry-style texts by Newton providing anecdotes and describing the circumstances of each shoot. On every page is evidence of Newton‘s groundbreaking vision that transformed fashion photography - an influence that can still be seen today in the pages of the greatest fashion magazines.

In his monumental nudes of the early 80s, Helmut Newton shocked the world with a new image of women: self-assured, powerfully staged, and closer to the aesthetics of body building than fashion and luxury, Newton’s women flex their muscles in a high-heels “Here we come.” Here this Newton classic comes in a new reprint.

About the photographer:

Helmut Newton (1920-2004) was one of the most influential fashion photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He achieved international fame in the 1970`s while working principally for French Vogue, and over the next three decades, his celebrity and influence continued to grow. Eschewing studios, for the most part, Newton preferred to shoot in the streets or in interiors. His mixture of controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the "Grand Prix National" for photography; in 1992 was awarded by the German government "Das Grosse Verdienstkreuz" for his services to German culture and was appointed "Officer des Arts, Lettres et Sciences" by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed "Commandeur de l`Ordre des Arts et des Lettres" by Philippe Douste-Blazy, the French Minister of Culture. Working and living in close companionship with his wife until his death at 83, through his last click of the shutter he continued to be as distinctive and influential as ever.