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The people in Mona Kuhn’s photographs are nude but not naked. Completely relaxed before the camera, they give the impression that nothing could clothe them better than their own skin. With a unique style, Kuhn’s intimate photographs of both young and old are sensual compositions of skin and wrinkles, light and shadow, gestures and gazes. She creates taughtly composed images which balance sharply rendered portraits against blurred backgrounds to lure the eye and provoke the imagination. A Los Angeles-based artist of German-Brazilian ancestry, Kuhn photographs in naturist communities in France. The models are her friends, and the resulting photographs reveal a comfortable and graceful intimacy between the artist and her subjects. Containing luscious young bodies that suggest the meditative repose of classical statuary, the mood is languorous, projecting an almost Edenic eroticism that is neither “sexy” nor exploitative.

After his bestselling book Déja vu, Jean-Baptiste Mondino presents his equally mesmerizing sequel Two Much. His photographs, digitally processed pictures, and video clips radically changed the commercial strategies of the rock, pop and fashion industry and made him the image guru of the young generation. Presenting Mondino‘s creative output of the past five years, Two Much bears striking witness to the delight he takes in playing with zeitgeist expressions and to his boundless ingenuity. Technically brilliant, with an equally rich and scintillating mix of black humor, glamour, and bizarre erotic visions, Two Much is an essential source of inspiration for all those who by profession or by passion deal with photography, advertising, and lifestyle.

Spanning over a decade of his portrait work, showing some of the most dynamic, influential, and controversial figures in modern politics, popular culture, sports, entertainment, technology, science, space travel, and global culture, Money People Politics is an electrifying retrospective from renowned contemporary photographer, Marco Grob. Whether a candid moment of vulnerability, raw emotion, or the direct, unadulterated gaze, Grob’s portraits are uniquely ennobling, but ultimately human. Through his autonomous and intimate photographic process with each special personality that has impacted and shaped recent culture, the photographer has been granted a rare and privileged “front-row seat to history.” Wholly passionate and committed to his craft that began as a beloved hobby over 30 years ago, Marco Grob believes that when you “carry a camera, you carry a responsibility.”

This book accompanies an exhibition to be held at the Museum of National History in Denmark from August 2016 to January 2017, to be opened by HRH Crown Prince Frederik and HRH Crown Princess Mary

 - Important portraiture from the last 10 to 15 years shown together for this first time in this instantly timeless photography collection; subjects include Steve Jobs, Stephen Hawking, the Dalai Lama, and Hollywood elite
 - Poignant and dedicated quotes from some of Marco Grob’s luminary subjects as Astronaut Scott Kelly and Vice President Joe Biden are special features of this grand photography tome
 - The cover is a highlight on its own ― it includes three motives in a lenticular image
 - Design by Creative Direction Charles Blunier & Co.
 - Exhibitions and book signings to be announced soon

About the Author:

Born in Olten, Switzerland, Marco Grob worked for 20 years as a still life photographer before deciding to focus entirely on people and portrait photography in 2003. In addition to successful commercial work in the film and advertising industries, Marco’s work appears regularly in magazines like TIME, GQ, Vogue, Esquire, The New York Times Magazine, Wired, and New York Magazine. His work has earned him numerous awards throughout his career, including an Emmy Award and a prestigious Hasselblad Masters Award in 2007. Mr. Grob lives in New York, but follows his work around the world.

Latitude Zero is the culmination of a 25,000-mile odyssey that begins at the mouth of the Amazon River, moving in a westward direction, documenting the precious pact between humanity and nature within one degree north and south of latitude zero through Brazil, Colombia, Ecuador, the Republic of Kiribati, the Republic of Nauru, Indonesia, the Maldives, Somalia, Kenya, Uganda, the Democratic Republic of Congo, Republic of Congo, Gabon, and Sao Tome e Principe.

No itinerary or agenda was necessary. The purpose of Latitude Zero was to be as visually playful and uninhibited as possible, to simply be authentic and document life with a capital L. Any point within the equatorial zone was fair game, unless geography (Manaus) or politics (Mogadishu) dictated otherwise. And imagine a meal of beans and rice deep in southern Colombia’s rainforest with the FARC guerrillas, or eating turtles laced with honey with the Congolese pygmies, or dining in a loud testosterone-driven petrol platform cafeteria off Gabon’s Atlantic coast!

The work of the Swiss-American photojournalist, Monique Stauder has been published in TIME, the New York Times, Christian Science Monitor, GEO and Mother Jones, among others. She has travelled from the camps of Tamil Tigers in Sri Lanka to the island nation of East Timor, and from the Balkans to the Nuba Mountains in Sudan on behalf of international humanitarian NGOs and countless editorial publications. Stauder has master’s degrees in international relations and history.

British photographer Rankin commemorates his finest work through his largest retrospective book to date – MORE.

As one of the most compelling celebrity and portraiture photographers of our generation, Rankin brings a charged vitality to all the subjects he portrays. A new in-depth retrospective book, MORE is a comprehensive overview, documenting the photographer’s most individual and best work from the worlds of fashion, music, and media from the past 20 years.

Organised by themes, including nudes, portraits (featuring iconic personalities such as Tom Hardy, The Rolling Stones, and Emma Watson), beauty, fashion, and myths (a collaboration with artist Damien Hirst showing a contemporary portrayal of ancient mythical monsters), MORE is a rich, diverse, and revealing collection of photography.

Upon reflection of MORE, Rankin says, “If you look at my work and compare it to others, it’s a little uncomfortable, a bit strange, and a bit challenging.…I think my pictures are anti-celebrity—get them off the pedestal, get them face-to-face.…If you look at the work, it’s leveling.”

Through this philosophy, Rankin manages to make us see familiar faces such as Heidi Klum and Beth Ditto in fresh and challenging ways. “Some photographers poke and antagonize, some are really silent, some are demanding…I’m persuasive” says Rankin.

Never content with the status quo, Rankin constantly innovates through pioneering projects, such as the project ALIVE: In The Face Of Death and his current publishing venture, HUNGER magazine. Although a master of carefully constructed staging and composition, Rankin’s images are always packed to the brim with freshness and spontaneity.

With a foreword by William Boyd and an in-depth interview between Michael Holden and Rankin, MORE is indispensable for anyone who admires the work of this photographic master.  For those wanting even more of MORE, also available are 100 Collector’s Editions of the book with the title hand-written on the jacket by Rankin himself, presented in a refined clamshell box with a numbered photoprint.

British novelist and author of MORE’s foreword, William Boyd, reveals: “There are wonderful portraits in this book, world-class, in my opinion, where we see that Rankin has managed to garner something new about even the most familiar faces.”

108 color and 30 duotone photographs

Bettina Rheims came to fame in the 80s with sensational nudes and portraits and her legendary book ‘Female Trouble’. The sequel, ‘More Trouble’ presents her latest photographic visions of female glamour, beauty, fashion, fame, sex, and seduction. Once again, Rheims gives proof of her extraordinary originality and her sensitivity for both the manifold facets of femininity and pictorial eroticism.

June Newton, renowned under her photographic pseudonym Alice Springs, takes the reader on an extraordinary journey from her childhood in Australia, via work and travels with her husband, Helmut Newton, to life today in LA and Monaco.

The photographs by and of Springs featured throughout the book - a wonderful contemporary mix of personal snapshots and professional portraits of creative figures including Yves Saint Laurent, Gore Vidal, Balthus, Robert Mapplethorpe, Brassai, Nicole Kidman, and Angelica Houston - illustrate the story of her life, in which the houses and apartments where she has lived stand as milestones. Her previously unpublished diary extracts and her new writing are lit up by gentle irony, disarming honesty, and a photographer's eye for telling detail.

Intensely personal and engaging, this book charts the journey through the life of a remarkable 20th-century woman.

28 color and 59 duotone photographs

VIEW—the monthly general interest magazine from the publishers of Stern—recently held an online competition for the best nude photographs. This title presents the ten winning images chosen by Internet users as well as a "Best-Of" of the nude photography from the VIEW photo community. These pictures constitute the crиme de la crиme of amateur erotica. They convey a freshness and candor rarely seen in so-called professional work. With approaches ranging from everyday openness to stylized scenarios, these works resonate with vigor and originality. We, the readers, can share in these dreams and illusions, gazing directly at other's desires. This is a remarkable document and its photos will suprise and impress for sure.

* A unique opportunity to view original erotica by photographic enthusiasts
* An intriguing and intimate collection in a smaller, more convenient format

New York in black-and-white from the master photographer Serge Ramelli

Black-and-white urban photography has a unique effect: It can lend a historical feel or bring out perspectives and surfaces in a special way. Serge Ramelli’s New York photos do both — and much more. With his film director’s eye, he searches out locations using parameters that evoke a specific atmosphere and build tension. The New York skyline or typical New York street scenes are stylized into a stage — but a stage where nothing is required to happen. Their impressiveness is so heightened that a movie automatically plays in the viewer’s head. With New York boasting so much history and evocativeness, nothing more is needed. Although he is similar to Ansel Adams in technique and expression, Serge Ramelli is a contemporary photographer in every sense of the word, constantly experimenting with new technical options.

After Paris, New York was Serge Ramelli’s choice of second instalment for his photographic diptych of contemporary cityscapes, and it’s certainly no coincidence that the photographer selected this super-sized city as the subject of his second book. How could he fail — he, the self-taught photographer — to pay homage to this, the city of the willing, the self-made men, and the resourceful? And how could this great lover of cinema have chosen any other backdrop or any other film location than that of the Big Apple, made immortal by more than a century of legendary cinematography? An eager lover of dramatic imagery, Serge Ramelli is constantly on the lookout for spectacular lighting, whether natural or artificial, and with its gigantic advertising and garish boards New York is an almost perfect city for such a hunt.

- Breathtaking new perspectives of this fabled city
- Discover photographic masterpieces of a stunningly beautiful metropolis

About the Author:

The French photographer Serge Ramelli specializes in urban and landscape photography. He is represented by YellowKorner, the leading publisher of art photography, with more than 78 galleries worldwide. Ramelli’s hit photography courses and tutorials have more than 300,000 YouTube subscribers. He has published photo books on Paris, New York, and Venice. Los Angeles is his fourth book with teNeues.

In 2001, Nick Brandt embarked on an ambitious photographic project, a trilogy of books memorialising the vanishing natural grander of East Africa. Focusing on of the world's last great populations of large mammals; elephants, giraffes, lions, gorillas and their kin, he created two of the new century's most influential photographic books: On This Earth (2005) and A Shadow Falls (2009). His iconic portraits of these majestic animals express and empathy usually reserved for human subjects. The magisterial On This Earth, A Shadow Falls collects the most memorable images from Brandt's first two books, along with their accompanying essays. A testament to the bookmaker's craft, it is the first volume on Brandt's work to capture the superb quality of his remarkable, large format prints, which are notable for their velvet blacks and tonal subtleties. Brandt is currently completing the final volume of his trilogy documenting the fate of the great animals of East Africa.

About the Author:

Nick Brandt (b.1964) is an English-born, US-based photographer whose themes always relate to the disappearing natural world. He is the co-founder of the Big Life Foundation, in Kenya, where all of these photographs were shot.

In 2001, Nick Brandt embarked on an ambitious photographic project, a trilogy of books memorialising the vanishing natural grander of East Africa. Focusing on of the world's last great populations of large mammals; elephants, giraffes, lions, gorillas and their kin, he created two of the new century's most influential photographic books: On This Earth (2005) and A Shadow Falls (2009). His iconic portraits of these majestic animals express and empathy usually reserved for human subjects. The magisterial On This Earth, A Shadow Falls collects the most memorable images from Brandt's first two books, along with their accompanying essays. A testament to the bookmaker's craft, it is the first volume on Brandt's work to capture the superb quality of his remarkable, large format prints, which are notable for their velvet blacks and tonal subtleties. Brandt is currently completing the final volume of his trilogy documenting the fate of the great animals of East Africa.

About the Author:

Nick Brandt (b.1964) is an English-born, US-based photographer whose themes always relate to the disappearing natural world. He is the co-founder of the Big Life Foundation, in Kenya, where all of these photographs were shot.

More than 400 pictures of Nick Knight’s creative output of the past decade: his campaigns for Dior, Louis Vuitton, and Levi Strauss, his collaboration with Björk, Peter Saville, Massive Attack, Hussein Chalayan, and many others present Nick Knight’s inexhaustible inventiveness in combining shock and beauty, form and color, elegance and wit into a vision of what fashion photography of the future might look like.