Збірники робіт

Nick Knight, born in London in 1958, ranks among the international elite of the young generation of master photographers. Very early on, the fashion, commercial advertising and portrait photographer created an oeuvre of trailblazing aesthetic standards, a benchmark in virtually all sectors of applied and free photography. His clients are leading fashion designers, such as Yohji Yamamoto, Christian Dior, Jil Sander, Yves Saint Laurent, Jean Paul Gaultier, and international magazines. This book was first published in 1994 as a review of fifteen years of artistic activity. The getup itself was outstandingly aesthetic: bound in artificial blue velvet suede, designed by the English designer Peter Saville and printed with the Novaspace technique, which imparts to the photographs in Nicknight an unusual optical luster.

Born in 1940, Nobuyoshi Araki is arguably Japan’s greatest living photographer, and certainly its most controversial. His inexhaustible creative energy is attested to by the more than 300 books he has published in the last four decades, while his work, which often challenges social taboos surrounding sex and death, has drawn critical attention both at home and abroad. In 1971 Araki privately published Sentimental Journey, an intimate account of his honeymoon with his wife Yoko. In the Preface to this book, Araki declared that his ‘point of departure as a photographer was love ... and the idea of an I-novel [a form of Japanese fiction written autobiographically and in the first person]’. With this statement, Araki established the genre of ‘I-photography’, in which his own life and feelings became the central subject of his work. The idea was to have a great impact on a new generation of Japanese photographers, especially in the 1990s. By 1990, the year of Yoko’s death, Araki had produced an immense body of work. Through his photographs he has created his own universe, where the themes of sex, life and death are closely intertwined. Tokyo, Araki’s home city, often plays a leitmotif in his work, while his rich visual vocabulary is drawn from the erotic Shunga of the Eda period (1600–1867) as well as the glossy imagery of the new commercial culture.

Through his innovative approach to his medium – sometimes combining painting, drawing and film – Araki has become an influential figure in contemporary art, beyond the field of photography. This major publication provides the most comprehensive overview yet of Araki’s prolific 40-year career. Araki’s key series of works are included alongside many rare and previously unpublished photographs. Featuring an interview and essays by writers from Japan and Europe, this book examines Araki from a broad range of perspectives and gives a cultural context to his work. Also included are a large selection of Araki’s writings, translated into English for the first time, as well as complete illustrated and annotated bibliography of his own books. Reflecting Araki’s principle of ‘I-photography’, the book is divided into three sections that follow the main recurring themes in his work: Self, Life and Death.

Kishin Shinoyama is the grandmaster of contemporary Japanese photography.

From his beginnings in 1959 he has been obsessed with the nude female body. Shinoyama's erotic oeuvre is both a visual parade of earthly passions between heaven and hell and a journey through fifty years of erotic zeitgeist oscillating between art and kitsch, the sublime and the vulgar, joy and grief, pleasure and pain, classics and pop.

With a thematic explanatory introduction by the artist and fascinating behind-the-scene images, illustrating the ideas and inspirations for the artworks and their production process

Our daily lives are overwhelmed by visual stimuli. With his works, Berlin artist Yoram Roth creates a counter-draft by placing a certain focus in the picture and thus giving the work an additional dimension, thus inviting us to linger. This luxurious new coffee table book, Nudes in Steel, gathers Roth’s latest works that have a particular focus on the human body. It documents Yoram Roth’s discovery, and mastery of the unique photographic language of crops, which has become his signature style. The collection spans four Yoram Roth series, each of which bring image details to the foreground with the help of steel frames. Thematically, the series is inspired by Renaissance and Baroque painting and evolves from narrative work (Quiet Devotion, 2012-2013); a play of light and shadow (Personal Disclosure, 2014-2015); a new emphasis on figuration (White Set, 2015); and a staging of the fragile human body in a harsh, inhospitable environment (Brutalism, 2016). The carefully created book reveals the artistic motivation and technical innovation behind these masterpieces in steel. In this way, the artist takes us on a visual journey that as a counter-draft to our daily optical overload of stimuli invites us to a contemplative picture enjoyment. Nudes in Steel presents Yoram Roth´s masterpieces, carefully curated and juxtaposed in book form. Browse through the pages and take the time to let this artist photographer capture your imagination.

About the Author

Born in Berlin in 1968, Yoram Roth completed his photography studies at Fordham University in 1990. Yoram has been making images his whole life, but did not commit to fine art photography until he sold his company in the USA and moved back to his hometown in 2007. He is the father of three sons, and continues to split his time between making art, building a photography collection, and leading a business in the photographic art world.

 - A must for fans of Yoram Roth’s works and any contemporary art lover
 - A lush photography coffee table book that includes four separate series of work and a focus on the human body

Olaf Heine is best-known for his detailed, carefully staged photographic portraits of musicians, actors, authors, and athletes, such as Sting, Don Cheadle, Bret Easton Ellis, or Michael Ballack.

In this volume, Heine concentrates on his main source of inspiration: music. In casual snapshots, observations, and images taken on the edges of studio shoots, in rehearsal spaces, backstage, and on stage, or in private spheres, he has created highly emotional, intriguing portraits of international pop and rock greats.

Besides stars like Coldplay, Rammstein, Metallica, Die Fantastischen Vier, Kurt Cobain, Nick Cave, and Iggy Pop, Heine’s book also features photos of classical musicians as well as dancers from the renowned Stuttgart Staatsballett. This very personal documentation is rounded off by notes, postcards, journal entries, and souvenirs that Heine has gathered during his travels over the past fifteen years.

36 duotone and 74 color photographs

36 duotone and 74 color photograhps

Published last fall, Andreas H. Bitesnich's book of sophisticated nude portraits is now available in a beautifully designed, slip-cased edition of 300 copies. This stunning collection of mostly color photographs was hailed as an unusual departure for an artist previously acclaimed as a master of black and white photography. It includes images of nude "forms" that are erotic and highly charged yet also simple and technically perfect, images that are a hallmark of Bitesnich's signature style

Over the last fifteen years, Shawn Mortensen has photographed cutting-edge culture-makers while also revealing the gritty reality of urban street life and the world’s political climate. Truly with his finger on the pulse, Mortensen took photographs of the in crowd before they were the in crowd. His subjects range from celebrities such as Gwen Stefani, Marcello Mastroianni, and Tupac Shakur to contemporary artists like Raymond Pettibon, Brice Marden, and Francesco Clemente. Yet these portraits are juxtaposed with haunting photo essays on the Zapatista movement in Chiapas, Mexico; the ghettoes of Jamaica; and the landscape of Mongolia - often with startling results.

Irreverent, sexy, and avant-garde, Out of Mind places Shawn Mortensen alongside the most important contemporary photographers.

Це історія у фотографіях про вимір життя, який відрізняється від усіх інших. Хоча й робилися спроби створити філософію дизайну інтер'єру, рідко хто намагався відкрити душу меблів та предметів. Саме це Паоло Роверсі спробував зробити своєю камерою на цих сторінках, присвячених Poliform, італійській компанії, яка успішно перетворила давні італійські ремісничі традиції на сучасні меблі. Використовуючи те, що завжди було його сировиною – час, світло, простір – Роверсі веде нас у фотографічну подорож до середини всесвіту Poliform, допомагаючи нам пережити історію компанії та зафіксувати таємничу, безпомилкову душу, яка змушує вібрувати поверхні та об'єми її предметів.

Про авторів:

Паоло Роверсі – сучасний італійський фешн-фотограф. Його роботи були предметом персональних виставок по всьому світу, зокрема в галереї Pace MacGill у Нью-Йорку, галереї James у Москві та Comme des Garcons у Токіо. К'яра Барделлі Ноніно – фоторедактор Vogue Italia та L'Uomo Vogue. Вона є кураторкою фестивалю Photo Vogue, для якого підготувала та продюсувала виставки «Жіночий погляд», «Мода та політика у Vogue Italia», «Все, що є чоловік – мода та маскулінність зараз» та «Італійська панорама».

This monograph is the definitive guide to the photographic career of one of the most prodigious fashion photographers of our time.

From his earliest work at Harpers Bazaar to his now mythic collaboration with Vogue, Demarchelier has single-handedly redefined the fashion photograph and the fashion industry along with it. His celebrity portraits have shaped the public personae of figures ranging from Princess Diana to Madonna.

Demarchelier is everywhere at once, with a photographic sensibility that is iconic, incisive and as varied as his subject matter.

This monograph provides an invaluable fashion reference point, all the while charting the course of our own cultural obsession with celebrity and beauty.

Born outside Paris in 1943, Patrick Demarchelier relocated to New York in 1975, where he began his editorial career with Harper's Bazaar and Hearst Publications. His photographs appear regularly on the covers and in the pages of publications such as Vogue and Vanity Fair, among many others. He was the 2007 recipient of the Eleanor Lambert Award from the Council of Fashion Designers of America. He continues to live and work in New York.

Before she was a world-renowned singer/songwriter and bestowed with the title "The Godmother of Punk," Patti Smith was a struggling poet posing for the lens of photographer Judy Linn.

In intimate portraits of an artist as a young woman, Linn captures Smith at her most vulnerable, as a raw performer on the verge of becoming an iconic artist. Linn's photographs offer a fascinating document of Smith's maturation into one of the most influential women of her generation while also spotlighting her close relationships with other artists including Robert Mapplethorpe and Sam Shepard.

The book captures a moment lost in time, when a poet experimenting with music crossed paths with a young artist experimenting with photography. A must-have for anyone interested in the evolution of an artist, this collection showcases the collaboration bewteen Smith and Linn and rewrites what it means to be a woman and an artist.

50 dutone images and 45 four-color images

For Paul Strand, the great pioneer of modernism, the summers of 1926 and 1930–1932 were a return to experimentation and periods of great artistic growth. He worked in makeshift darkrooms - one in a hotel basement and another above the Taos movie theater. The Southwest period brought not only artistic renewal, but also personal turmoil. His political and social ideas were shifting, and his relationship with the two most important people in his life - his wife Rebecca and his mentor Alfred Stieglitz - were disintegrating. This book reconstructs, in an intimate, visual way, the emotional and creative swirl around Paul Strand, through beautiful reproductions of his images from the period and a comprehensive collection of notes, illustrations, and ephemera.

While a handful of Strand’s Southwest photographs have been previously published, this period of his outstanding career remains largely unexplored. Paul Strand Southwest presents many images for the first time, including dramatic landscapes, decayed ghost towns, the noble architecture of adobe churches, and his final, austere portraits of Rebecca.