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An Alice in Wonderland card game with artwork based on Sir John Tenniel's original illustrations for the books. This game can be played by several people. The 48 cards make up 16 sets of 3 cards each. The cards in each set have different pictures on them, but the same numbers so you know they belong together. The player who assembles the most sets wins. A reprint of "Alice in Wonderland" card game published by Thomas De la Rue & Co. Ltd in 1898 from The State Hermitage Museum Collection.

The divine sky. History's most beautiful celestial atlas

This collection of celestial maps by Dutch-German mathematician and cosmographer Andreas Cellarius (c. 1596 – 1665) brings back to life a masterpiece from the Golden Age of celestial cartography. First published in 1660 in the Harmonia Macrocosmica, the complete 29 double-folio maps and dozens of unusual details reproduced here depict the world systems of Claudius Ptolemy, Nicolaus Copernicus, and Tycho Brahe, the motions of the sun, the moon, and the planets, and the delineation of the constellations in various views. Cellarius’s atlas, superbly embellished with richly decorated borders depicting cherubs, astronomers, and astronomical instruments, features some of the most spectacular illustration in the history of astronomy.

This reprint includes a copiously illustrated introduction by Robert van Gent, one of the leading Cellarius experts, summarizing the history of celestial cartography from antiquity to late 17th/early 18th century and illuminating the life and work of Andreas Cellarius. Van Gent also discusses the historical and cultural context and significance of the atlas and provides detailed descriptions of the astronomical and iconographical content of the plates, allowing modern readers to fully appreciate the masterwork of Andreas Cellarius and his publisher, Johannes Janssonius.

The book’s detailed appendix includes a list of constellation figures with short descriptions of their origin and mythology, a list of star names found on the plates, a glossary of technical words, and a bibliography. Cellarius’s exquisite renditions of the constellations will excite the astronomer in anyone.

This is the perfect guidebook for all artlovers who visit or live in London, and an essential reference book for anyone interested in the history of art.

Its unique approach draws on the cream of London’s museums and galleries to create an easily navigable, narrative history of art and allows you to locate your favourite artist or style of art in any museum and follow it throughout the museums of London.

Do you like the pre-Raphaelites? This book will show you where to find their works in London, from great masterpieces in world-famous institutions to hidden gems housed in galleries off the beaten track. From Burne-Jones’s stained glass in Holy Trinity Church in Sloane Street, move on to Millais’s ‘Ophelia’ in Tate Britain; jump on the tube to visit the fine selection of pre-Raphaelite paintings at the William Morris Gallery.

The Art Guide also features concise histories and critical analyses of many important artists as well as key movements, showing you where to see, for example, Francis Bacon’s iconic works and pinpointing his London haunts.

• ‘Short tour’ and ‘also see’ sections allow you to trace your favourite period or style throughout the museums and galleries of London
• ‘Artist in focus’ sections present a full tour of London’s holdings of iconic artists
• Extensive reference sections and city maps enable you to use the book as an illustrated guide to every one of London’s museums and galleries
• Individual chapters guide the reader through a thematic, narrative history of art
• Expert commentary throughout on the movements and artists

Advice, strong opinions, and personal revelations by the world's greatest artists - exclusively researched for this new book

Featuring the most inspirational and insightful collection of quotes by artists through the ages and across the globe, this exquisite keepsake is the ideal book for artists, collectors, and armchair enthusiasts. As painters, sculptors, photographers, and other visual artists see and experience the world through a unique lens, Art Is the Highest Form of Hope & Other Quotes by Artists shows that their life lessons, private revelations, and frank, often irreverent, opinions can guide us all.

This unique and carefully curated book, packed with totally original research, is a go-to resource for revealing thoughts and personal advice on subjects as diverse as beauty, colour, light, sex, chance, discipline, money troubles, originality, fear of failure, danger of success, the creative process, and more – all messages transmitted from the artistic trenches.

Maps of England, Ireland, and Scotland from Joan Blaeu’s exquisite world atlas of 1665 The Atlas Maior, the cartographical masterpiece of the Baroque period, was brought out between 1662 and 1665 by the Amsterdam publisher Joan Blaeu, one of Holland’s leading cartographers. Originally appearing in Latin, the atlas comprised 594 maps in 11 volumes, which depicted the whole of the world as known to early modern Europe. It was the largest and most expensive book published during the 17th century. For more than 100 years it remained the definitive atlas of the world, and today is among the most sought-after and valuable antiquarian rarities. This reprinted edition in six volumes is based on the hand-colored, gold-heightened copy in the Österreichische Nationalbibliothek in Vienna, thus ensuring the best possible detail and quality. Alongside Joan Blaeu’s original commentaries on the individual maps, a new text by Peter van der Krogt explains the historical and cultural associations and introduces the reader to the fascinating world of early modern cartography. This two-volume set features all 58 maps of England and 55 maps of Scotland and Ireland and the text is in English, French, and German.

The Atlas Maior, the cartographical masterpiece of the Baroque period, was brought out between 1662 and 1665 by the Amsterdam publisher Joan Blaeu, one of Holland’s leading cartographers. Originally appearing in Latin, the atlas comprised 594 maps in 11 volumes, which depicted the whole of the world as known to early modern Europe. It was the largest and most expensive book published during the 17th century. For more than 100 years it remained the definitive atlas of the world, and today is among the most sought-after and valuable antiquarian rarities. This reprinted edition in six volumes is based on the hand-colored, gold-heightened copy in the Österreichische Nationalbibliothek in Vienna, thus ensuring the best possible detail and quality. Alongside Joan Blaeu’s original commentaries on the individual maps, a new text by Peter van der Krogt explains the historical and cultural associations and introduces the reader to the fascinating world of early modern cartography.
This volume features all 28 maps of Spain and Portugal, 13 maps of Africa and 23 maps of America and the text is in Spanish, English, and Portuguese.

Maps of Holland and Belgium from Joan Blaeu's exquisite world atlas of 1665

The Atlas Maior, the cartographical masterpiece of the Baroque period, was brought out between 1662 and 1665 by the Amsterdam publisher Joan Blaeu, one of Holland’s leading cartographers. Originally appearing in Latin, the atlas comprised 594 maps in 11 volumes, which depicted the whole of the world as known to early modern Europe. It was the largest and most expensive book published during the 17th century. For more than 100 years it remained the definitive atlas of the world, and today is among the most sought-after and valuable antiquarian rarities. This reprinted edition in six volumes is based on the hand-colored, gold-heightened copy in the Österreichische Nationalbibliothek in Vienna, thus ensuring the best possible detail and quality. Alongside Joan Blaeu’s original commentaries on the individual maps, a new text by Peter van der Krogt explains the historical and cultural associations and introduces the reader to the fascinating world of early modern cartography.
This volume includes all 63 maps of Belgium and The Netherlands and the text is in Dutch, French, and English.

Maps of Italy from Joan Blaeu’s exquisite world atlas of 1665 The Atlas Maior, the cartographical masterpiece of the Baroque period, was brought out between 1662 and 1665 by the Amsterdam publisher Joan Blaeu, one of Holland’s leading cartographers. Originally appearing in Latin, the atlas comprised 594 maps in 11 volumes, which depicted the whole of the world as known to early modern Europe. It was the largest and most expensive book published during the 17th century. For more than 100 years it remained the definitive atlas of the world, and today is among the most sought-after and valuable antiquarian rarities. This reprinted edition in six volumes is based on the hand-colored, gold-heightened copy in the Österreichische Nationalbibliothek in Vienna, thus ensuring the best possible detail and quality. Alongside Joan Blaeu’s original commentaries on the individual maps, a new text by Peter van der Krogt explains the historical and cultural associations and introduces the reader to the fascinating world of early modern cartography. This volume features all 60 maps of Italy and the text is in Italian, English, and German.

The finest and most comprehensive baroque atlas was Joan Blaeu's exceptional Atlas Maior, completed in 1665. The original 11-volume Latin edition, containing 594 maps, put Blaeu ahead of his staunch competitor, mapmaker Johannes Janssonius, whose rivalry inspired Blaeu to produce a grandiose edition of the largest and most complete atlas to date. Covering Arctica, Europe, Africa, Asia, and America, Blaeu's Atlas Maior was a remarkable achievement and remains to this day one of history's finest examples of mapmaking. This reprint is made from the National Library of Vienna's complete, colored, gold-heightened copy, thus assuring the best possible detail and quality. The book's introduction, by the University of Utrecht's Peter van der Krogt, discusses the historical and cultural context and significance of the atlas; Krogt also provides detailed descriptions of the maps, allowing modern readers to fully appreciate Blaeu's masterwork.

The authors:

Joan Blaeu (1596 Alkmaar–1673 Amsterdam) was the son of Willem Blaeu and a leading Dutch cartographer. In 1620 he became a doctor of law and subsequently joined his father’s workshop. In 1635 they published the two-volume Novus Atlas (Theatrum orbis terrarum, sive, Atlas novus). Joan and his brother Cornelius took over the workshop after their father had died in 1638. Joan became the official cartographer of the Dutch East India Company. Around 1649 he published a collection of Dutch city maps entitled Tooneel der Steeden (Theater of Cities). In 1651 he was voted into the Amsterdam council. In 1654 he published the first atlas of Scotland. In 1662 he reissued the atlas in 11 volumes, known as the Atlas Maior. A cosmology was planned as his next project, but a fire destroyed the workshop in 1672. Joan Blaeu died in the following year. Since 1990, Peter van der Krogt, the leading expert in the field of Dutch atlases, has been working on Koeman’s Atlantes Neerlandici, the cartobibliography of atlases published in the Netherlands. His second project is the compilation, in cooperation with the Nijmegen University, of an illustrated and annotated catalogue of the Atlas Blaeu-Van der Hem, the most important multivolume atlas preserved in the Österreichische Nationalbibliothek, Vienna.

We owe a great debt to Jean Marc Bourgery (1797–1849) for his Atlas of Anatomy, which was not only a massive event in medical history, but also remains one of the most comprehensive and beautifully illustrated anatomical treatises ever published in any language. In 1830, having received his doctorate in medicine three years prior, Bourgery began work on his magnificent atlas in cooperation with illustrator Nicolas Henri Jacob (1782–1871). The first volumes were published the following year, but completion of the treatise required nearly two decades of dedication.

The four parts of Bourgery's treatise cover descriptive anatomy, surgical anatomy and techniques, general anatomy and embryology, and microscopic anatomy. Jacob's spectacular hand-colored, life-size lithographs are remarkable for their clarity, color, and aesthetic appeal, reflecting a combination of direct laboratory observation and illustrative research; the images are to this day unsurpassed in anatomical illustration.

We owe a great debt to Jean Baptiste Marc Bourgery (1797–1849) for his Atlas of Anatomy, which was not only a massive event in medical history, but also remains one of the most comprehensive and beautifully illustrated anatomical treatises ever published in any language.

In 1830, having received his doctorate in medicine three years prior, Bourgery began work on his magnificent atlas in cooperation with illustrator Nicolas Henri Jacob (1782–1871), a student of the French painter Jacques Louis David. The first volumes were published the following year, but completion of the treatise required nearly two decades of dedication; Bourgery lived just long enough to finish his labor of love, but the last of the treatise’s eight volumes was not published in its entirety until five years after his death.

The four parts of Bourgery's treatise cover descriptive anatomy, surgical anatomy and techniques (exploring in detail nearly all the major operations that were performed during the first half of the 19th century), general anatomy and embryology, and microscopic anatomy. Jacob's spectacular hand-colored, life-size lithographs are remarkable for their clarity, color, and aesthetic appeal, reflecting a combination of direct laboratory observation and illustrative research; the images are to this day unsurpassed in anatomical illustration.

This reprint includes the complete color plates — 726 in total — and will finally allow not only those in the medical field but also artists, students, and anyone interested in the study of the human body to appreciate this important historical work.

The authors:

Jean-Marie Le Minor qualified as a doctor of medicine (MD) in Paris in 1989, having already gained a PhD in Paris in 1987. He has been assistant professor of anatomy at the Louis Pasteur University in Strasbourg since 1990, radiologist at the University Hospitals in Strasbourg, member of the governing board of the Société Française d'Histoire de la Médecine, Laureat of the Académie Nationale de Médecine (Paris, 2003), and officer of the Ordre des Arts et des Lettres (French Ministry of Culture). He is also the author of several historical books, including Histoire des sciences morphologiques médicales à Strasbourg du XVe au XXe siècle (2002) and numerous articles on science and history.

Henri Sick qualified as a doctor of medicine (MD) in Strasbourg in 1963. He was professor of anatomy at the Louis Pasteur University in Strasbourg from 1972 to 2003 and director of the Institute of Normal Anatomy from 1994 to 2003. He is an officer of the Ordre des Palmes Académiques (French Ministry of Education) and the author of several books on sectional anatomy, including Atlas of sectional human anatomy (1982), Imaging anatomy of the knee region (1988), and Atlas of slices of the temporal bone and adjacent region (1988), as well as numerous scientific articles.

Unlike any other city travel guide, Barcelona. Secret Museum proposes a view of the city from the subjective perspective of a writer. His contemplative, humorous, and beautifully descriptive text guides the reader through 80 sites, monuments, squares, buildings, as well as shop windows, hidden streets, poor and desolate neighborhoods, walls of posters and street art; always with fascinating cultural commentary and universal references to the history of art, cinema and literature. Each spot visited becomes a plece of a universal puzzle with poetic as well as tongue-in-cheek connections. Street plot converges with literary plot through famous quotes, forgotten verses, and recalled images of great works of art and cinema, always with a playful sense of humor.

Illustrated with the extraordinary photographs of Txema Salvans, this book is a homage to the city’s diversely rich and international urban culture.

A comprehensive travel guide dedicated to Germany’s Bauhaus architecture, this book takes an in-depth look at over 100 locations that can still be visited today.

Established in 1919 in Weimar, the Bauhaus college for design influenced one of the world’s most important Modernist movements. Divided into three geographic sections that follow the locations of the school — Weimar (1919–25), Dessau (1925–33), and Berlin (1933) — this unique travel guide leads readers through the most important Bauhaus structures in Germany.

Each section features important sites that are given historical background. These entries are illustrated with historic and contemporary photography, and are accompanied by up-to-date tourist information. Throughout the book, short essays highlight significant events and figures of the Bauhaus movement.

This guidebook is an indispensible reference for anyone travelling to Germany’s greatest extant Bauhaus structures.