Искусство

An in-depth overview of Ukrainian art from the dawn of Modernism in the late nineteenth century to the start of the Russian invasion in Spring 2022.

This new volume in the World of Art series provides an overview of Ukrainian art, artists and art movements from the dawn of Modernism and the 1900s to the Soviet period, to post-Soviet times and the beginning of the war with Russia in February 2022. Ukrainian art and artists are discussed within historical and political contexts as well as how they have contributed to, and interacted with, Ukrainian culture and identity. Filled with rich illustrations, each chapter explores a different art period or movement.

We are at a historical moment where Ukraine and its cultural identity are in grave danger, and author Alisa Lozhkina offers a powerful opportunity to connect curious and empathetic readers with the Ukrainian art tradition.

About the Author:

Alisa Lozhkina is a leading art historian, critic, and curator. She was the editor-in-chief of the major Ukrainian art magazine Art Ukraine and served as a deputy director and chief curator of Mystetskyi Arsenal, Kyiv, the largest museum and exhibition complex in Ukraine. Lozhkina has curated numerous art projects in Ukrainian and international museums and art centers, and published several books. She has contributed to numerous publications including Texte zur Kunst, The Art Newspaper, ARTnews, Etudes sur L'histoire de l'art, and Los Angeles Review of Books. She is also an artist.

A lively introduction to and history of international contemporary art from 1960 to the present

What does it mean?
Is it really art?
Why does it cost so much?
While these questions are perpetually asked about contemporary art, they are not the questions that E. H. Gombrich set out to answer in his seminal book The Story of Art. Contemporary art is very different from what came before. From the 1960s, where Gombrich’s account concludes, artists began to abandon traditional forms of art and started to make work that questioned art’s very definition. This is where Godfrey picks up the story.

Developments in contemporary art have followed no straightforward line of progress or sequence of movements. Recognizing this, Tony Godfrey creates a narrative from a series of often dramatic creative conflicts and arguments around what art is or should be. From object versus sculpture and painting versus conceptual to local versus global, gallery versus wider world, The Story of Contemporary Art traces a history in terms of drastic changes in social and political life over the last sixty years.

How do we experience being human in a world that seems to change so quickly? In exploring art’s relationship to this question, Godfrey asserts that multiple voices must be heard: critics, theorists, curators and collectors, but also audiences and artists themselves. Key to the book is the story of how a perception that art was made almost exclusively by white men from North America and Western Europe has been radically overturned. Compelling and intelligent, but never academic, this book tells us how.

About the Author:

Tony Godfrey, former Programme Director of the MA in Contemporary Art at Sotheby’s Institute, London, now lives in Manila, where he works as a curator with artists from South-East Asia. He has written for the Burlington Magazine and Art in America, and is the author of Conceptual Art and Painting Today, as well as numerous exhibition catalogues.

The Saint Louis Art Museum has assembled one of North America’s largest and most comprehensive collections of German Expressionist paintings. Rediscover a defining movement of modern art through this original study of works by 25 artists who span its famously wide arc.

This is the first publication on the Saint Louis Art Museum’s internationally renowned collection of German Expressionist art, which includes major works by the movement’s leading artists and lesser-known figures rarely seen outside of Germany. Engaging entries delve into the paintings’ histories, from their production to their arrival in St. Louis. An introduction traces the collection’s origins to the flood of Expressionist art that entered the United States during World War II. What emerges is a new account of a pivotal era in modern art.

About the Author:

Melissa Venator is assistant curator of modern art at the Saint Louis Art Museum.

The ukiyo-e masters are brought together in a volume that illustrates Japan’s “floating world” between the 17th and 19th centuries.

The so-called Edo period (1603–1868) was extremely productive for Japan from a historical and artistic standpoint; later its influence would extend beyond the archipelago, as far as the West, where it gave rise to a real passion for Japanese aesthetics and culture. The term ukiyo-e, which translates as “pictures of a floating world,” refers to the woodblock colour prints that were first created in the Edo period by combining the talents of painters like Utamaro, Hokusai, and Hiroshige with the absolute mastery of block carvers and printers. These prints are the highest aesthetic expression of what could be called a “culture of pleasure,” pervaded by the awareness that the beauties of life must be enjoyed to the full because they are bound to end. The book offers a chance to discover the world of Japanese ukiyo-e prints through over 300 works by some of the most important artists, and the themes that characterize them: from elegant female beauties to delicate flowers and birds, famous kabuki actors, valiant samurai, and even erotic subjects with their insouciant celebration of love.

About the Authors:

Francesco Paolo Campione, author and curator, teaches Cultural Anthropology at the University of Insubria (Como) and is Director of the Museo delle Culture in Lugano.
Marco Fagioli, art historian and critic, has edited many books and essays on Chinese and Japanese painting, shunga and Postimpressionist artists.
Moira Luraschi, anthropologist, is curator of the Oriental collections of the Museo delle Culture in Lugano, for which she has edited several publications on Japanese art.

The spectacular beauty of Raphael’s tapestries as you have never seen it before

In 1515, Pope Leo X commissioned the Italian painter Raffaello Sanzio (1483–1520), now generally known as Raphael in English, to make the cartoons for a series of ten tapestries with scenes from the lives of Saints Peter and Paul. This commission played an instrumental part in the stylistic development of the Flemish tapestries, a marvellous illustration of princely splendour in the sixteenth century. Under Habsburg rule, Brussels soon emerged as a leading manufactory for exquisite products. Raphael’s designs are among the most successful series in the history of tapestry production.

This publication shows the enormous richness of the tapestries through dozens of details. It accompanies a collection exhibition of the Kunsthistorisches Museum in Vienna, home to the former imperial tapestry collection, from 26 September 2023 to 14 January 2024.

About the Author:

Curator of the Kunstkammer and Tapestries, Kunsthistorisches Museum (KHM) in Vienna (Wien), Austria.
 

Brushwork and poetry – the great awakening of Venetian painting around 1500.

In the Venice of the Renaissance, master artists like Bellini, Giorgione, Palma Vecchio and Titian explored the essence of mankind and nature and their relationship to each other with an unprecedented intensity. This attractive volume shows through important portraits and landscape representations the pioneering innovations of Venetian painting, which continued to leave their mark right up to the modern age.

The painting of the city on the lagoon captivates us not only through the wealth of colours and the nuances of the light, but also through the exceptional sensitivity with which the artists focused on their works. They created sophisticated portraits, seductive idealised likenesses and history paintings whose principal character is the atmospheric landscape. The publication examines the masterpieces in depth with regard to their remarkable innovative strength, the context in which they were produced, and contemporary interpretations.

About the Author:

Andreas Schumacher is the Director of Collections at the Alte Pinakothek in Munich.

A celebration of Ukraine’s rich cultural heritage, drawing on over 100 of the country’s most important works of art and architectural monuments from prehistory to the present.

Showcasing more than one hundred objects and buildings — from Byzantine icons and wooden churches to gold-domed cathedrals, folk art, and avant-garde masterpieces — Treasures of Ukraine chronicles the rich arts and heritage of a country currently facing destruction and devastation. The significance of the pieces is explained by renowned artists, curators, and critics, revealing the nation’s complex history and its impact on the present. From the development of ancient cultures like Trypillia and Scythia to early states such as Kyivan Rus and the Cossack Hetmanate, to the dawn of Modernism and the striking contemporary paintings and political artworks being produced today, Treasures of Ukraine reminds us that art and monuments represent powerful sources of collective memory and identity.

All proceeds will be donated to PEN Ukraine, to help Ukrainian authors in need and support museums in Ukraine.

Contents List:

Introduction: Andrey Kurkov
Map of Ukraine
1. Pre-history to Early History Andriy Puchkov
2. Kyivan Rus Christian A. Raffensperger
3. The Lithuanian–Ruthenian State Diana Klochko
4. The Ukrainian Baroque Era Maksym Yaremenko
5. The Nineteenth Century and the Fin-de-Siecle Alisa Lozhkina
6. Avant-Garde Art and Theatre Myroslava M. Mudrak
7. Soviet Rule, the Ukrainian SSR and Non-conformist Art Oleksandr Soloviev
8. Postmodern and Contemporary Art Victoria Burlaka
Appendix: Folk arts Alisa Lozhkina
Timeline of Ukrainian History

About the Authors:

Andrey Kurkov is Ukraine’s most acclaimed living novelist and public commentator. Andriy Puchkov is a specialist in Ukrainian architecture and author of more than two dozen monographs. Christian Raffensperger is professor of history and department chair at Wittenberg University. Diana Klochko is a prominent art historian and author of 65 Masterpieces of Ukrainian Art. Maksym Yaremenko is Professor at the Department of History at the National University of Kyiv Mohyla Academy. Alisa Lozhkina is an art historian, critic and author of Permanent Revolution: Art in Ukraine, XX–early XXI century. Myroslava Mudrak is Professor Emeritus of Art History at the Ohio State University and a member of the National Academy of Arts of Ukraine. Oleksandr Soloviev is a leading art critic and a local expert in contemporary art; Victoria Burlaka also specializes in contemporary art.

Originating as an ancient tribal practice serving as rites of passage, symbols of religious devotion or marks of bravery, tattoo art has slowly grown into an essential fashion item, a personal statement, a decorative memorial or pledges of deep beliefs. From miniature, hand-drawn pieces to extensive tribal-inspired tattoo markings, contemporary lineworks to retrospective designs, the new wave of tattoos reveals an international aesthetic movement grounded in the love of art.

Varied by striking motifs, INK — The Art of Tattoo amasses some 700 recent and classic flash designs, original patterns and illustrations that encapsulate how tattoo styles around the world have evolved. Readers can start examining the subject by admiring a diverse spectrum of tattoo flash categorised by artist, then go on to a photography showcase of inked bodies modelled for fashion and art projects. The book continues with interviews that provide a portal into the mind of select tattoo artists, each distinct in style and approach. Available in three covers, INK is a collectable reference for practitioners and those craving for new tatts.

A richly illustrated journey through the extraordinary cinematic worlds of beloved filmmaker Hayao Miyazaki.

For over four decades, Hayao Miyazaki has been enchanting audiences of all ages. His animated films, often featuring children navigating unfamiliar and challenging worlds, offer timeless explorations of youth and what it means to grow up. Celebrated and admired around the globe for his artistic vision, craftsmanship and deeply humanistic values, Miyazaki has influenced generations of artists. The universal appeal of his evocative natural settings and complex characters, many among them strong girls and young women, cuts across cultural boundaries.

This book is published on the occasion of the 2021 inaugural exhibition at the Academy Museum of Motion Pictures in Los Angeles, in collaboration with Studio Ghibli in Tokyo. It accompanies the first ever retrospective dedicated to the legendary filmmaker in North America and introduces hundreds of original production materials, including artworks never before seen outside of Studio Ghibli’s archives. Concept sketches, character designs, storyboards, layouts, backgrounds and production cels from his early career through all 11 of his feature films, including My Neighbor Totoro (1988), Kiki’s Delivery Service (1989), Princess Mononoke (1997), Spirited Away (2001) and Howl’s Moving Castle (2004), offer insight into Miyazaki’s creative process and masterful animation techniques.

The official behind-the-scenes tie-in book to Sony Pictures Animation’s Spider-Man: Across the Spider-Verse

Miles Morales returns for the next chapter of the Oscar®-winning Spider-Verse saga in an epic adventure that will transport Brooklyn’s full-time, friendly neighborhood Spider-Man across the multiverse to join forces with Gwen Stacy and a new team of Spider-People to face off with a villain more powerful than anything they have ever encountered.

Spider-Man: Across the Spider-Verse: The Art of the Movie takes readers behind the scenes to showcase the art and artistry of Sony Pictures Animation’s highly anticipated sequel to 2018’s Academy Award–winning animated feature, Spider-Man: Into the Spider-Verse.

The ultimate deep dive into the on-screen return of the Spider-Man multiverse, the book features exclusive concept art, sketches, character designs, and storyboards from the visually innovative film as well as interviews with key creators, such as writers/producers Phil Lord and Christopher Miller, who offer insights into their creative process.

About the Author:

Ramin Zahed is a Los Angeles–based author and editor-in-chief of Animation Magazine. His books include The Art of The Mitchells vs. The Machines, Spider-Man: Into the Spider-Verse: The Art of the Movie, The Art of Love, Death + Robots, The Art of Captain Underpants, The Art of DreamWorks Puss in Boots: The Last Wish and The Art of DreamWorks Animation.

Published to accompany the Royal Academy exhibition from 29 June to 13 October 2024, a major study of Ukrainian art from 1900 to the mid-1930s – with loans from major museums in Ukraine, elsewhere in Europe, the United States (including MoMA) and Israel

How does artistic life flourish during revolution and conflict? Ukraine in the early 1900s endured unimaginable political upheaval, yet this became a period of true renaissance in Ukrainian art, literature, theatre and cinema.

In the Eye of the Storm: Modernism in Ukraine, 1900–1930s, presents the ground-breaking art produced in Ukraine in the early 20th century, focusing on the three key cultural centres of Kyiv, Kharkiv and Odesa. Against a complicated socio-political backdrop of collapsing empires, World War I, the revolutions of 1917 with the ensuing Ukrainian War of Independence, and the eventual creation of Soviet Ukraine, several strands of distinctly Ukrainian art emerged.

While émigrés such as Sonia Delaunay and Alexander Archipenko found fame outside their homeland, the followers of Mykhailo Boichuk focused on Byzantine revivalism, and the artists of the Kultur Lige sought to promote the development of contemporary Yiddish culture. The first avant-garde exhibitions in Ukraine featured the radical art of Davyd Burliuk and Alexandra Exter, and the dynamic canvases of the Kyiv-based Cubo-Futurist Oleksandr Bohomazov. In Kharkiv, Vasyl Yermilov championed the industrial art of Constructivism, while Vadym Meller, Anatol Petrytskyi, Oleksandr Khvostenko-Khvostov and Borys Kosarev revolutionized theatre design. The attempt to build a national identity in Ukraine resulted in a polyphony of styles and artistic developments across a full range of media – from oil paintings, sketches and sculpture to collages, cinema posters and theatre designs.

Twelve internationally renowned scholars, including curators from the National Art Museum of Ukraine, bring to life this astonishing period of creativity in Ukraine and all the movements it encompassed.

Table of Contents:

Foreword
Francesca Thyssen-Bornemisza
Acknowledgments
Introduction
Konstantin Akinsha

I. Kyiv

From Kyiv to Paris: The Cosmopolitanism of Alexandra Exter
Katia Denysova

The Beginning: The First Avant-Garde Exhibitions in Ukraine
Olena Kashuba-Volvach

The Art Section of the Kultur Lige: Yiddish Avant-Garde Art in Kyiv (1918–1922)
Hillel Kazovsky

Oleksandr Bohomazov: The Ukrainian Version of Futurism
Olena Kashuba-Volvach

Boichukism
Myroslava M. Mudrak

Bauhaus on the Banks of Dnipro
Olena Kashuba-Volvach

II: Kharkiv

The Tragic Sensuality of the Kharkiv Avant-Garde
Tetiana Zhmurko

Constructor Vasyl Yermylov: A Captive of the Material World 
Konstantin Akinsha

Visual and Spatial Experiments in Ukrainian Scenography of the 1920s
Olena Kovalchuk

Ivan Kavaleridze: Searching for the Hero of the New Age
Oksana Barshynova

Nova heneratsiia (1927–1930)
Myroslava M. Mudrak

III. Odesa

The Odesa Society of Independent Artists
Olha Barkovska

From Symbolism to Avant-Garde: The Emancipation of Ukrainian Cinema in the 1920s
Ivan Kozlenko

IV. Aftermath

In the Shadow of Russia: Ukrainian Art at the XVI Venice Biennale of 1928
Olena Kashuba-Volvach & Maryna Drobotiuk

The Émigrés from Ukraine: Archipenko, Delaunay and Baranoff-Rossiné
Katia Denysova

From Oblivion to Glory: Spetsfond or The Special Secret Holding
Yuliia Lytvynets

Plates
Authors’ Biographies
Picture Credits
Index

About the Author:

Konstantin Akinsha studied at the Shevchenko Art School in Kyiv, Ukraine, and in 1986 completed an MA in art history at the Moscow State University. He completed a PhD in art history at the University of Edinburgh. In the course of his career, Konstantin Akinsha has been curator at the Kyiv Museum of Western and Oriental Art, Moscow correspondent for ARTnews, contributing editor for ARTnews magazine, New York, as well as a Research Fellow at both the Germanisches Nationalmuseum, Nuremberg, and Bremen Kunstverein, East European Institute of Bremen University. From 1999 to 2000 he was also Deputy Research Director, Art and Cultural Property, Presidential Advisory Commission on Holocaust Assets in the United States, Washington, D.C. In 2006 he became the European Correspondent for ARTnews magazine in Budapest, and in 2007 he also became a Eugene and Davmel Shklar Fellow at the Ukrainian Research Institute of Harvard University. Akinsha has written a number of books, including Stolen Treasure (Weidenfeld & Nicolson, 1995), co-authored with Gregorii Kozlov, and The Holy Place, co-authored with Gregorii Kozlov and Sylvia Hochfield (Yale University Press, 2007).

In line with best-selling The Louvre: All the Paintings, and Rizzoli's successful The Hermitage Collections and The Barnes Foundation: Masterworks, this title offers an exquisite tour, unique in its lavish illustration, scholarship, extent, and graceful packaging.

As the first large survey published in 30 years, and the first large general survey of the Met's paintings collection it is the first to celebrate the greatest and most iconic paintings of one of the largest, most important, and most beloved museums in the world. This impressive book’s broad sweep of material, all from a single museum, makes it at once a universal history of painting and the ideal introduction to the iconic masterworks of this world-renowned institution.

Lavish color illustrations and details of 500 masterpieces, created over 5,000 years in cultures across the globe, are presented chronologically from the dawn of civilization to the present. These works represent a grand tour of painting from ancient Egypt and classical antiquity and prized Byzantine and medieval altarpieces, to paintings from Asia, India, Africa, and the Americas and the greatest European and North American masters.

This unprecedented book includes an introduction and illuminating texts about each artwork written by Kathryn Calley Galitz, whose experience as both a curator and educator at the Met makes her uniquely qualified.

European and American artists include Duccio, El Greco, Raphael, Titian, Botticelli, Bronzino, Caravaggio, Turner, Velázquez, Goya, Rubens, Rembrandt, Brueghel, Vermeer, David, Renoir, Monet, Van Gogh, Gauguin, Cézanne, Degas, Sargent, Homer, Matisse, Picasso, Pollock, and Warhol. For those wishing to experience the Met’s unparalleled collection or to study masterpieces of painting from throughout history, this important volume is sure to become a classic cherished by art lovers around the world.  Iconic works in the Met include: Sargent's Madame X, Velazquez Juan de Pareja, Brueghel The Harvesters, Van Gogh Cypresses; Rembrandt Aristotle and Bust of Homer; Pollock Autumn Rhythm; Emanuel Leutz George Washington Crossing the Delaware; El Greco View of Toledo; Caravaggio Musicians; Vermeer Young Woman with Water Pitcher; Monet Water Lilies; Picasso Seated Harlequin.

About the Authors:

A scholar, author, and lecturer specializing in European art, Kathryn Calley Galitz works at The Metropolitan Museum of Art, New York, where she has been both an educator and a curator of major international exhibitions. 

Thomas P. Campbell is the director and CEO of The Metropolitan Museum of Art.

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Пролистать книгу The Metropolitan Museum of Art: Masterpiece Paintings на сайте издательства.

Tap into the world of Procreate, the groundbreaking app for the iPad that brings unbounded creativity into the hands of digital artists of all levels!

In this invaluable beginner’s guide, professional artists show you how to draw, paint, and sketch digitally, at home or on the go. Packed full of expert tips, diverse projects, and inspirational artwork, it unlocks the secrets of this affordable, versatile, and highly intuitive software. Exploring the creative potential of layer masks, blend modes, and how to create your own custom brushes, leading artists from across the concept art and illustration industries share eye-opening step-by-step tutorials to enable you to confidently create your own digital masterpieces. The engaging and accessible chapters take you right back to basics. From creating your first canvas to exporting your final artwork, Beginner’s Guide to Digital Painting in Procreate shows beginners and experienced creators alike how to get the most from this digital art game-changer.

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Пролистать книгу Beginner's Guide to Digital Painting in Procreate: How to Create Art on an iPad® на Google Books.

Посмотреть видео о книге Beginner's Guide to Digital Painting in Procreate: How to Create Art on an iPad®

The definitive visual guide to the cityscapes and buildings of the most celebrated and influential anime movies

The influence of anime, one of Japan’s most successful cultural exports, has been felt across cinema, literature, comic books and videogames for decades, yet the artwork behind the genre remains somewhat enigmatic, particularly in the pre-digital period before the early 2000s. A genuine behind-the-scenes journey into the original background paintings, storyboards and early drafts of the industry’s most revered directors and illustrators, Anime Architecture presents the otherworldly buildings and megacities of these visionaries as celebrations of – and lessons for – the near future.

Includes exclusive material from:

AKIRA, 1988
Patlabor: The Movie, 1989
Patlabor 2: The Movie, 1993
Ghost in the Shell, 1995
Metropolis, 2001
Innocence, 2004
Tekkonkinkreet, 2006
Rebuild of Evangelion, 2007, 2009

Contents List:

Introduction • 1. The Multilayered Landscape • 2. Tokyo Scale: The Endless Megacity • 3. Special Effect City • Biographical Information

About the Author:

Stefan Riekeles is a curator based in Berlin. He has been the Artistic Director of the Japan Media Arts Festival Dortmund, and curated the 2011 exhibition ‘Proto Anime Cut’. He served as the Programme Director of the International Symposium on Electronic Art 2010 and curated exhibitions for transmediale festival for art and digital culture Berlin. He holds an MA in Culture Studies and Audio Communication Science from the Humboldt University and the Technical University in Berlin.

Framed Ink – The ultimate guide to visual storytelling! How to make the audience “feel” the story while they are “reading” the story. Using his experiences from working in the comic book industry, movie studios and teaching, Marcos introduces the reader to a step‑by‑step system that will create the most successful storyboards and graphics for the best visual communication. After a brief discussion on narrative art, Marcos introduces us to drawing and composing a single image, to composing steady shots to drawing to compose for continuity between all the shots. These lessons are then applied to three diverse storylines ‑ a train accident, a cowboy tale and bikers approaching a mysterious house. In addition to setting up the shots, he also explains and illustrates visual character development, emotive stances and expressions along with development of the environmental setting to fully develop the visual narrative.

About the Author:

Born in Palma de Mallorca, Spain, Marcos Mateu-Mestre is a lead animation designer and graphic novel artist with three decades of experience in feature animation. Some of his film credits include Balto, The Prince of Egypt, Asterix and The Vikings, Surf's Up, and How to Train Your Dragon 2. His work in film, primarily for DreamWorks Animation, Netflix Animation and Sony Pictures Animation, has focused on the design and cinematic aspects of frame composition, lighting, and visual continuity, experience he shared in his international best-sellers, Framed Ink: Drawing and Composition for Visual Storytellers, Framed Ink Vol 2: Frame Format, Energy, and Composition for Visual Storytellers, Framed Perspective Vol.1, Framed Perspective Vol. 2, and Framed Drawing Techniques. In addition to his work in film, he has taught drawing, illustration, and visual storytelling techniques for more than a decade. Mateu-Mestre currently lives in Los Angeles and is a production designer at Netflix.