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Brilliance in a Bowler Hat. Delving into the archives of slapstick genius

Within a year of arriving in Hollywood in 1914, British-born Charlie Chaplin had become the slapstick king of America. By the end of his second year on the silver screen, Chaplin’s fame had spread worldwide. He was the first international film star and rapidly one of the richest men in the world, with a million-dollar contract, his own studio and his stock company of close collaborators. From Alaska to Zimbabwe, the bowler hat, cane, baggy trousers and outsized shoes of the Tramp became, and remains, an instantly recognizable silhouette.

With unrestricted access to the Chaplin archives, TASCHEN presents the ultimate book on the making of every one of his films. With 900 images, including stills, memos, storyboards and on-set photos, as well as interviews with Chaplin and his closest collaborators, it reveals the process behind the Chaplin genius, from the impromptu invention of early shots to the meticulous retakes and reworking of scenes and gags in his classic movies: The Kid (1921), The Gold Rush (1925), The Circus (1928), City Lights (1931), Modern Times (1936), and the provocative Hitler parody The Great Dictator (1940).

The book includes:

- The Chaplin life history in words and pictures
- 900 images including many previously unseen stills, on-set photos, memos, documents, storyboards, posters, and designs, plus scripts and images for unmade films
- An oral history, told from the point of view of Chaplin himself, drawing upon his extensive writings, many of which have never been reprinted before.
- Supplementary interviews with some of his closest collaborators.
- Material from over 150 books of press clippings in Chaplin’s archives, which range from his early days in music halls to his death
- Chaplin’s short films, from Making a Living (1914) to The Pilgrim (1923), as well as all of his feature-length movies, from The Kid (1921) to A Countess from Hong Kong (1967)

The editor:

Paul Duncan is a film historian whose TASCHEN books include The Star Wars Archives, The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, and Horror Cinema, as well as publications on film directors, film genres, and movie stars.

Images and documents from the Chaplin Archives, © and/or Property of The Roy Export Company Ltd., scanned by Cineteca di Bologna

Selections from Steve Schapiro's photographs provide an insider's view of the making of the legendary trilogy.This edition is limited to 1,000 copies, each numbered and signed by Steve Schapiro.

Imagine the experience of witnessing renowned actors as they made their most memorable performances. Steve Schapiro has had such a privilege as special photographer on some of American cinema's most beloved movies. For Francis Ford Coppola's Godfather trilogy, Schapiro immortalized actors such as Marlon Brando, Al Pacino, Robert De Niro, James Caan, Robert Duvall, and Diane Keaton. His photographs of the Godfather holding the cat and the whisper in the Godfather's ear have become iconic images known throughout the world. Brought together in a book for the first time is a vast selection of images from all three Godfather films, reproduced from Schapiro's original negatives.

This lavish, limited edition book, which also includes background articles and interviews about the films, contains over 400 color and black & white images, most of which have never been published before. It allows fans a privileged peek behind the scenes at the making of film history and it truly is a once-in-a-lifetime offer you can't refuse.

As special photographer on the sets and locations of Francis Ford Coppola's The Godfather trilogy, Steve Schapiro had the remarkable experience of witnessing legendary actors giving some of their most memorable performances.

Schapiro immortalized Marlon Brando, Al Pacino, Robert De Niro, James Caan, Robert Duvall and Diane Keaton in photos that have since become iconic images, instantly recognisable and endlessly imitated. Gathered together for the first time in this book are Schapiro's finest photographs from all three Godfather films, lovingly reproduced from the original negatives. With contextual essays and interviews covering the trilogy in its entirety, this book contains over 400 color and black & white images.

Schapiro's images take us behind the scenes of this epic and inimitable cinematic saga, revealing the director's working process, capturing the moods and personalities involved, and providing insight into the making of movie history.

On November 24, 2008 The Ingmar Bergman Archives editors Paul Duncan and Bengt Wanselius won the August Prize 2008 for the Best Non-Fiction Book published in Sweden. This is the most prestigious literary prize in Sweden, voted for by booksellers and librarians throughout the country.

The complete works of Ingmar Bergman: an homage to one of the most esteemed film and theater artists of all time, began in cooperation with Bergman himself and made with full access to his archives

Since 1957, when he released The Seventh Seal and Wild Strawberries, Ingmar Bergman has been one of the leading figures in international cinema. In a career that spanned 60 years, he wrote, produced, and directed 50 films that defined how we see ourselves and how we interact with the people we love, in films like Persona, Scenes from a Marriage, and Fanny and Alexander.

Before his death in 2007, Bergman gave TASCHEN and the Swedish publishing house Max Ström complete access to his archives at The Bergman Foundation, and permission to reprint his writings and interviews, many of which have never been seen outside of Sweden. Picture researcher Bengt Wanselius, who was Bergman’s photographer for 20 years, scoured photo archives all over Sweden, discovered previously unseen images from Bergman’s films, and selected unpublished images from the personal archives of many photographers. Text editor Paul Duncan gathered a team of Bergman experts as contributing editors - Peter Cowie and Bengt Forslund (for film/TV), and Ulla Åberg & Birgitta Steene (for theater) - who have researched and written a narrative that, for the first time, will combine all of Bergman’s working life in film and theater. Such is the depth of Bergman’s writings that most of the story is told in his own words. This book also features a new introduction by Bergman’s close friend, actor and collaborator Erland Josephson, as well as a DVD full of rare and previously unseen material, and an original film strip from Fanny and Alexander.

The publishers have been given complete access to the files and archives of the Swedish Film Institute, Svensk Filmindustri, Sveriges Television, and the Royal Dramatic Theater, as well as many other institutions, publishers, and newspapers, making this not only the most complete book ever published on Ingmar Bergman, but also about an individual director.

Special bonuses

* an original film strip from a copy of Fanny and Alexander (1982) that has been played on Bergman’s own film projector.
* a DVD containing over 110 minutes of new and rare documentary footage: Bergman’s On Set Home Movies (18 mins, with commentary by Marie Nyreröd); Behind the scenes of Autumn Sonata (20 mins); An Image Maker (32 mins), behind the scenes of The Image Makers by Bengt Wanselius; and A Video Diary of Saraband (44 mins), assistant director Torbjörn Ehrnvall’s video diary from Bergman’s last film, in which Bergman talks about his life and work.

Shaken, not stirred. The ultimate book on all things Bond

"Bond, James Bond." Since Sean Connery uttered those immortal words in 1962, the most dashing secret agent in the history of cinema has been charming and thrilling audiences worldwide. This impeccably British character created by author Ian Fleming has starred in 23 EON-produced films, played by 6 different actors over five decades.

To celebrate 50 years of this innovative franchise, EON Productions opened their archives of photos, designs, storyboards, and production materials to editor Paul Duncan, who spent two years researching over one million images and 100 filing cabinets of documentation. The result is the most complete account of the making of the series, covering every James Bond film ever made, beginning with Dr. No (1962) and ending with Skyfall (2012), including the spoof Casino Royale (1967) and Never Say Never Again (1983).

The stunning imagery is accompanied by an oral history recounted by over 150 cast and crew members, relating the true inside story of how the Bond films were made. Containing previously unpublished photography and artwork, as well as production memos from filming, this book is a comprehensive tribute to the legend of James Bond

- Celebrating the 50th anniversary of the most successful and longest-running film franchise in cinema history!
- Made with unrestricted access to the Bond archives, this XL tome recounts the entire history of James Bond in words and pictures
- Among the 1,100 images are many previously unseen stills, on-set photos, memos, documents, storyboards, posters, and designs, plus unused concepts, and alternative designs
- Behind-the-scenes stories from the people who were there: producers, directors, actors, screenwriters, production designers, special effects technicians, stuntmen, and other crew members
- Includes every Bond film ever made, from Dr. No (1962) to Skyfall (2012)

Hello, HAL. On the set of 2001: A Space Odyssey

Part visual majesty, part meticulous science, part limitless imagination. Previously available as part of the multi-volume and instant sell-out Collector's Edition, this exhaustive compendium of photographs, pre-production paintings, and conceptual designs explores the genius behind 2001: A Space Odyssey, the sci-fi classic that remains the benchmark for all cinema space epics.

Get closer than ever to the movie that changed the movies. This behind-the-scenes spectacular of 2001: A Space Odyssey sheds light on the lead actors, senior production designers, special-effects experts and masterminds of Stanley Kubrick and Arthur C. Clarke, who together revolutionized science fiction and the art of cinema.

Previously available as part of the multi-volume and instant sell-out Collector's Edition, this comprehensive visual record includes on and off set photographs, pre-production paintings, and conceptual designs from the Kubrick archives. These dazzling images offer insight both into Kubrick's meticulous directorial methods and into the mysteries and magnetism of a film at once vast in scope and intricate in its exploration of our relationship to technology.

Written and researched over several years by the outer space, special effects, and technology journalist Piers Bizony, this compendium is both an exhaustive labour of love and a monument to a masterpiece of 20th-century culture.

The author:

Piers Bizony is a science and technology writer. His publications include Atom, The Man Who Ran the Moon, Starman, and The Making of Stanley Kubrick’s 2001: A Space Odyssey.

The Man from La Mancha

An in-depth exploration of Almodóvar’s complete works

Un film de Almodóvar: whether appearing in his stylish opening credits or on the suggestive poster that invariably accompanies each of his films, this announcement triggers a range of expectations. Sexy and subversive, colorful and controversial, passionate and provocative, Pedro Almodóvar’s world is unlike any other director’s. Thanks to his remarkably cohesive and consistent œuvre, the Manchegan maverick has become a reliable brand, his name a byword for the visual opulence, experimentation and eroticism of post-Franco Spanish cinema.
Almodóvar found fame with self-penned, gender-bending plots depicting the often comic misfortunes of junkies, nuns, housewives, whores, transvestites and transsexuals. Praised by critics, championed by fellow film-makers, adored by actors and adorned with international awards, he is the most successful Spanish film-maker since Luis Buñuel, with films such as Women on the Verge of a Nervous Breakdown, All About My Mother, Talk to Her, and Volver.

A self-taught auteur, Almodóvar draws on influences as diverse as Douglas Sirk, Frank Tashlin, Andy Warhol and John Waters. His feature films borrow liberally from, and frequently invert, traditional genres of classic American cinema - including film noir, melodrama and screwball comedy. Yet they remain unmistakably Iberian, rooted predominantly in the director’s beloved Madrid, exploring Spanish myths and modernity to the rhythms of bolero-laden soundtracks. Most recently, the enfant terrible of the 1980s arthouse scene has matured into the Academy Award-winning director of All About My Mother, a film universally acknowledged for its emotional resonance, sophistication and craftsmanship. Almodóvar’s distinctive, once marginalized world has finally entered the mainstream.

For this unprecedented monograph, Pedro Almodóvar has given TASCHEN complete access to his archives, including never-before-published images, such as personal photos he took during filming. In addition to writing captions for the photos, Almodóvar invited prominent Spanish authors to write introductions to each of his films, and selected many of his own texts to accompany this visual odyssey through his complete works.

• Over 600 images, including many previously unpublished.
• Includes images from his new film, The Skin I Live In (2011), which will be released worldwide at the same time as the book.
• Book includes a film strip from Volver (2006), taken from Almodóvar’s archive.

We’re so excited! Pedro Almodóvar gives a unique insider's tour through his mysterious, sexy world

An updated edition of The Pedro Almodóvar Archives, offering inside access to the cult Spanish director who beguiles audiences worldwide with his thrilling dissertations on desire, passion, and identity. With behind-the-scenes pictures and personal reminiscences, Almodóvar himself guides the reader through his singular journey from its early days through to I’m So Excited (2013) and Julieta (2016)

One of the most prolific and influential auteurs at work over the past 40 years, cult Spanish director Pedro Almodóvar has beguiled audiences worldwide with his thrilling dissertations on desire, passion, and identity. Cast an eye over his long list of productions and you’re confronted with intoxicating tales of psychological melodrama, black comedy, familial feud, and violent lust.

This edition of The Pedro Almodóvar Archives offers unique inside access to behind-the-scenes pictures and personal reminiscences as the director guides us through his journey, from his early days right through to I’m So Excited (2013) and Julieta (2016). Based on and expanded from the original TASCHEN XL volume produced in collaboration with Almodóvar himself, the book offers a fascinating insight into the creative process behind such cinematic tours de force as Women On The Verge Of A Nervous Breakdown and the Academy Award-winning All About My Mother and Talk To Her.

Each film is featured with its original poster, full cast and crew listings, as well as an essay by a leading Spanish author. Almodóvar personally supplements the vivid photographic material, captioning each image with his own reflections and comments. As an overview of a true original’s creativity and a luminous era of cinema, this is an indispensable companion to the mighty Almodóvar canon created by the master himself.

The editor:

Paul Duncan is a film historian whose TASCHEN books include The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, and Horror Cinema, as well as publications on film directors, film genres, movie stars, and film posters.
 

Absolute Kubrick. An intimate look through the archives of a cinematic genius

“The Stanley Kubrick Archives showed up one morning in our offices, where my editor and I circled it like curious apes.” —Time Out, New York

This is the first book to explore Stanley Kubrick’s archives and the most comprehensive study of the filmmaker to date. In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: “It’s not a message I ever intended to convey in words. 2001 is a nonverbal experience…. I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with emotional and philosophic content.” The philosophy behind Part 1 of The Stanley Kubrick Archives borrows from this line of thinking: from the opening sequence of Killer’s Kiss to the final frames of Eyes Wide Shut, Kubrick’s complete films are presented chronologically and wordlessly via frame enlargements. A completely nonverbal experience.

The second part of the book brings to life the creative process of Kubrick’s filmmaking by presenting a remarkable collection of mostly unseen material from his archives, including photographs, props, posters, artwork, set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules.

Accompanying the visual material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick’s best interviews.

The editor:

Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from NYU/International Center of Photography. She is editor of photography, film, and design titles, including Some Like It Hot, The Stanley Kubrick Archives, Linda McCartney. Life in Photographs, and Marc Newson. Works.

The Kubrick files. From the archives of cinematic genius

From the opening sequence of Killer’s Kiss to the final frames of Eyes Wide Shut, this dazzling collection includes some of Kubrick’s most unforgettable shots and revealing interviews, as well as abundant material from his own archives, such as set designs, screenplays, notes, correspondence, and shooting schedules.

In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: “It’s not a message I ever intended to convey in words. 2001 is a nonverbal experience… I tried to create a visual experience, one that directly penetrates the subconscious with an emotional and philosophic content.”

Now available as part of our Bibliotheca Universalis series, The Stanley Kubrick Archives borrows from the director’s philosophy. From the opening sequence of Killer’s Kiss to the final frames of Eyes Wide Shut, it allows the masterful visuals of Kubrick’s films to impress through a sequence of compelling, mesmerizing stills. We uncover Kubrick’s creative process through fascinating archival material, including set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules.

Accompanying the visual and archival material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick’s best interviews. The result is a visual, archival, and scholarly journey through masterworks of 20th-century cinema and the meticulous mind of the director behind them.

The editor:

Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from NYU/International Center of Photography. She is editor of photography, film, and design titles, including Some Like It Hot, The Stanley Kubrick Archives, Linda McCartney. Life in Photographs, and Marc Newson. Works.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

The Star Wars Archives. The definitive exploration of the original trilogy

Star Wars exploded onto our cinema screens in 1977, and the world has not been the same since. After watching depressing and cynical movies throughout the early 1970s, audiences enthusiastically embraced the positive energy of the Star Wars universe as they followed moisture farmer Luke Skywalker on his journey through a galaxy far, far away, meeting extraordinary characters like mysterious hermit Obi-Wan Kenobi, space pirates Han Solo and Chewbacca, loyal droids C-3PO and R2-D2, bold Princess Leia and the horrific Darth Vader, servant of the dark, malevolent Emperor.

Writer, director, and producer George Lucas created the modern monomyth of our time, one that resonates with the child in us all. He formed Industrial Light & Magic to develop cutting-edge special effects technology, which he combined with innovative editing techniques and a heightened sense of sound to give audiences a unique sensory cinematic experience.

In this first volume, made with the full cooperation of Lucasfilm, Lucas narrates his own story, taking us through the making of the original trilogy — Episode IV: A New Hope, Episode V: The Empire Strikes Back, and Episode VI: Return of the Jedi — and bringing fresh insights into the creation of a unique universe. Complete with script pages, production documents, concept art, storyboards, on-set photography, stills, and posters, the XXL-sized tome is an authoritative exploration of the original saga as told by its creator.

The author:

Paul Duncan is a film historian whose TASCHEN books include The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, and Horror Cinema, as well as publications on film directors, film genres, movie stars, and film posters.

The Star Wars Archives. 1977–1983 The definitive exploration of the original trilogy

Star Wars exploded onto our cinema screens in 1977, and the world has not been the same since. In this book, George Lucas guides us through the original trilogy like never before, recounting the inspirations, experiences, and stories that created a modern monomyth. Complete with script pages, concept art, storyboards, on-set photography, and more.

Star Wars exploded onto our cinema screens in 1977, and the world has not been the same since. After watching depressing and cynical movies throughout the early 1970s, audiences enthusiastically embraced the positive energy of the Star Wars galaxy as they followed moisture farmer Luke Skywalker on his journey through a galaxy far, far away, meeting extraordinary characters like mysterious hermit Obi-Wan Kenobi, space pirates Han Solo and Chewbacca, loyal droids C-3PO and R2-D2, bold Princess Leia Organa and the horrific Darth Vader, servant of the dark, malevolent Emperor.

Writer, director, and producer George Lucas created the modern monomyth of our time, one that resonates with the child in us all. He formed Industrial Light & Magic to develop cutting-edge special effects technology, which he combined with innovative editing techniques and a heightened sense of sound to give audiences a unique sensory cinematic experience.

In this first volume, made with the full cooperation of Lucasfilm, Lucas narrates his own story, taking us through the making of the original trilogy — Episode IV A New Hope, Episode V The Empire Strikes Back, and Episode VI Return of the Jedi — and bringing fresh insights into the creation of a unique universe. Complete with script pages, production documents, concept art, storyboards, on-set photography, stills, and posters, this is the authoritative exploration of the original saga as told by its creator.

The editor:

Paul Duncan is a film historian whose TASCHEN books include The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, and Horror Cinema, as well as publications on film directors, film genres, movie stars, and film posters.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.

An updated edition – with completely new chapters – of the most accessible and compelling history of the cinema yet published, and complements Mark Cousins’ fascinating 15-hour film documentary The Story of Film: An Odyssey.

Filmmaker and author Mark Cousins shows how filmmakers are influenced both by the historical events of their times, and by each other. He demonstrates, for example, how Douglas Sirk’s Hollywood melodramas of the 1950s influenced Rainer Werner Fassbinder’s despairing visions of 1970s Germany; and how George Lucas’ Star Wars epics grew out of Akira Kurosawa’s The Hidden Fortress.

The Story of Film is divided into three main epochs: Silent (1885–1928), Sound (1928–1990) and Digital (1990–Present). Films are discussed within chapters reflecting both the stylistic concerns of the film-makers and the political and social themes of the time. This edition includes new text that encompasses the further-reaching scope of world cinema today, and the huge leaps in technology that have changed cinema screens forever.

Film is an international medium, so as well as covering the great American films and film-makers, The Story of Film explores cinema in Europe, Africa, Asia, Australasia and South America, and shows how cinematic ideas and techniques cross national boundaries. Avoiding jargon and obscure critical theory, the author constantly places himself in the role of the moviegoer watching a film, and asks: ‘How does a scene or a story affect us, and why?’ In so doing he gets to the heart of cinematic technique, explaining how film-makers use lighting, framing, focal length and editing to create their effects. Clearly written, and illustrated with over 400 stills, including numerous sequences explaining how scenes work, The Story of Film is essential reading for both film students and moviegoers alike.

About the Author:

Mark Cousins is an Irish-Scottish filmmaker and author. His films – including The Story of Film, The First Movie, The Eyes of Orson Welles, Atomic, I am Belfast, Stockholm My Love and Women Make Film: A New Road Movie Through Cinema – have won the Prix Italia, a Peabody and the Stanley Kubrick Award. They have premiered at the world’s major film festivals. Their themes are looking, cities, cinema, childhood, and recovery. 

His other books include Imagining Reality: The Faber Book of Documentary, and The Story of Looking. He loves walking across cities such as Los Angeles, Moscow, Paris, Beijing, Berlin, London and Mexico City with his camera. 

The Master Magician. A fantastic voyage through Walt Disney’s animation works

One of the most expansive illustrated publications on Disney animation, finally available in a compact edition. The landmark volume includes behind-the-scenes photos, story sketches, and cel setups of famous film scenes. It covers each of the major animated features made during Walt’s lifetime, as well as lesser-known short films and episodic musical films.

One of the most creative minds of the 20th century, Walt Disney created a unique and unrivalled imaginative universe. Like scarcely any other classics of cinema, his astonishing collection of animated cartoons revolutionized storytelling on screen and enchant to this day across geographies and generations.

This expansively illustrated publication on Disney animation gathers hundreds of images as well as essays by Disney experts, taking us to the beating heart of the studio’s “Golden Age of Animation.” We trace Disney’s complete animation journey from the silent film era, through his first full-length feature Snow White and the Seven Dwarfs (1937) and Fantasia (1940), right up to his last masterpieces Winnie the Pooh and the Honey Tree (1966) and The Jungle Book (1967).

With extensive research conducted through the historical collections of the Walt Disney Company, as well as private collections, editor Daniel Kothenschulte curates some of the most precious concept paintings and storyboards to reveal just how these animation triumphs came to life. Masterful cel setups provide highly detailed illustrations of famous film scenes while rare pictures taken by Disney photographers bring a privileged insider’s view to the studio’s creative process.

Each of the major animated features that were made during Walt’s lifetime — including Pinocchio, Fantasia, Dumbo, Bambi, Cinderella, Peter Pan, and One Hundred and One Dalmatians — is given its own focus chapter, without forgetting less-familiar gems such as the experimental short films of the Silly Symphonies series and under-appreciated episodic musical films such as Make Mine Music and Melody Time.

Realizing the Disney style was a collective project and, as much as the master himself, The Walt Disney Film Archives acknowledges the outstanding animators and designers who influenced the style of the studio, among them Albert Hurter, Gustaf Tenggren, Kay Nielsen, Mary Blair, Sylvia Holland, Tyrus Wong, Ken Anderson, Eyvind Earle, and Walt Peregoy.

Copyright © 2020 Disney Enterprises, Inc.

The editor and author

Daniel Kothenschulte is an author, curator, and lecturer on film and art history, and a lover of animation since he first saw The Jungle Book at the age of three. As a film journalist, he is responsible for the film section in the German national daily newspaper Frankfurter Rundschau and a regular contributor to WDR Television. He has taught at various universities, including Städelschule in Frankfurt; the University of Applied Sciences and Arts, Dortmund; and the University of Television and Film Munich. He is the author of Hollywood in the ’30s and The Art of Pop Video, as well as books about Robert Redford, Fritz Lang’s Metropolis, and artist Mike Kelley. In addition, he provides accompanying music to silent films on the piano.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.

It started on Christmas Day in 1994. Dark water suddenly rose from the land, invading our homes and lives. They say it came from the depths inside the Loop. Whatever it was the Flood changed everything. Nothing would ever be the same again.

Simon Stalenhag takes us to an extraordinary world, a world of fear and discovery, in a story told through his gut-punchingly spare narrative and lush illustrations. 

Stories told in both words and haunting illustrations, Things from the Flood captures a not-too-distant reality that is both haunting and imminent: addressing the many ways developing technology and nature can create havoc and wonder in our world... and the hope we might still find in that future. 

About the Author:

Simon Stålenhag (b. 1984) is the internationally acclaimed author, concept designer and artist behind Tales from the Loop and Things from the Flood. His highly imaginative images and stories depicting illusive sci-fi phenomena in mundane, hyper-realistic Scandinavian and American landscapes have made Stålenhag one of the most sought-after visual storytellers in the world. Tales from the Loop was ranked one of the "10 Best Dystopias" by The Guardian, along with such works as Franz Kafka's The Trial and Andrew Niccol's Gattaca.

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Пролистать книгу Things from the Flood на Google Books.