Збірники робіт з мистецтва

Основний огляд KAWS та його карколомних робіт, від колекційних художніх іграшок до футболок UNIQLO, від графіті до музейних виставок

Використовуючи персонажів, образи та ефекти з поп-культури, робота KAWS стирає межі між високим і низьким мистецтвом, а також між мистецтвом і модою.

Ефективно використовуючи улюблені фільми та телебачення для своїх іграшок, великомасштабної скульптури та сміливого, майже абстрактного живопису, KAWS перебудовує звичні кольори та форми популярних розваг у зухвалих і часто гостро людських термінах. Під впливом Енді Воргола та інших поп-художників, різкого абстрактного живопису та графіті роботи KAWS спритно поєднують споживчу культуру та художні інновації, а його особливий стиль відчувається як у його іграшках, так і в його монументальній скульптурі. KAWS: Where the End Starts детально досліджує плідну кар’єру художника, показуючи ключові картини, скульптури, малюнки, іграшки, а також модний і рекламний дизайн.

Ця обширна монографія, включаючи внески Андреа Карнеса, Майкла Аупінга, Дітера Бухарта та Фаррелла Вільямса, розкриває важливі аспекти формального та концептуального розвитку KAWS за останні 20 років, коли його кар’єра змінилася від графіті до образотворчого мистецтва та співпраці з дизайнерами та брендами, такими як Comme des Garçons, SUPREME, Nigo (A Bathing Ape) і Nike.

Опубліковано у твердій обкладинці з більш ніж 150 кольоровими репродукціями Музеєм сучасного мистецтва, Форт-Ворт у поєднанні з великою осінньою виставкою 2016 року на KAWS.

Про авторів:

KAWS (народився в 1974 році) з Брукліна вважається одним із найактуальніших художників свого покоління. У традиції поп-арту він створив плідну кількість впливових робіт, які залучають молодих людей до сучасного мистецтва та охоплюють світ мистецтва та дизайну, включаючи як продукт, так і графічний дизайн, картини, фрески та скульптуру.

Марла Прайс є директором Музею сучасного мистецтва Форт-Ворта.

Майкл Опінг – головний куратор Музею сучасного мистецтва у Форт-Ворті, штат Техас, і автор книг про абстрактний експресіонізм, Кліффорда Стілла та Аршила Горкі.

By the time of his death from AIDS at the age of 31, Keith Haring (1958-1990) was already a wildly successful and popular artist. Haring`s original and instantly recognizable style, full of thick black lines, bold colours, and graffiti-inspired cartoon-like figures won him the appreciation of both the art world and the general public; his work appeared simultaneously on T-shirts, gallery walls, and public murals. In 1986, Haring founded Pop Shop, a boutique in New York`s SoHo selling Haring-designed memorabilia, to benefit charities and help bring his work closer to the public and especially street kids, with whom he never lost contact.

Bursting with colour and featuring Keith Haring’s powerful messages, this collection of posters includes insightful commentary and dazzling reproductions

Whether Keith Haring was raising awareness of the AIDS epidemic and apartheid or celebrating life, music, and dance, his signature illustrations became part of the cultural landscape of the 1980s. Posters were central to Haring’s oeuvre and the perfect medium for his inclusive, accessible, and figurative style. Author Jurgen Doring offers fascinating insights into Haring’s work, providing commentary on each of the exquisitely reproduced posters. Important reference work and a vibrant celebration of a world-renowned artist, this book will delight Haring’s many fans throughout the world.

Exuberant, profane, witty, and provocative, the images in this book reveal the political dimension of Keith Haring’s artistic concerns

Through his graffiti-inspired drawings, paintings, sculptures, murals, and other works, Keith Haring created an immediately recognizable visual iconography that spoke to an enormous population — gay and straight, young and old, male and female. His importance in the annals of popular culture is indisputable, but little attention has been paid to his advocacy for social justice.

Haring’s political perspective is the focus of this visually arresting selection of works that traces the artist’s development and historical significance and gives new gravitas to his career. Accompanying a major exhibition at the de Young museum in San Francisco, this book features more than 130 works of art, including large-scale paintings on tarpaulin and canvas, sculptures, and subway drawings. Together they create a narrative that explores Haring’s responses to nuclear disarmament, racial inequality, capitalist excess, environmental degradation, and other prevalent social issues.

Essays and conversations with writers, critics, and art dealers round out this important analysis of Haring’s life, career, and passion.

About the Author:

Dieter Buchhart is an art critic for Kunstforum International and the author of Keith Haring: The Political Line (DelMonico Books·Prestel).

An updated and expanded edition of the definitive monograph on R. B. Kitaj (1932–2007), a major figure of the School of London alongside Lucian Freud, David Hockney and Francis Bacon

R. B. Kitaj (1932-2007) is recognized universally as a modern master. His powerful, controversial and highly personal paintings, pastels and drawings reflect his unfashionable commitment to the human figure as a subject and his complex involvement with the art of the past, with political and social issues and with his own Jewish identity. 

In the fourth and final edition of his definitive and much-praised monograph on the artist, Marco Livingstone has updated his text to include a survey of Kitaj's work from 1999 to 2007. 30 illustrations of recent works and 20 additional illustrations of earlier works have been added. Virtually all of the illustrations that were in black-and-white in earlier editions are now reproduced in full colour. 30 new 'prefaces' written by Kitaj himself have been added, some of them never before published. A full catalogue of every work from his entire career completes the book. 

This updated edition is a significant extension of the volume's scope, providing a more complete picture of the artist's work as a life achievement, as well as greatly enhancing the beauty of the book itself. The previously essential monograph on Kitaj is now the definitive volume.

Geometrical figures and hieroglyphic elements

The delightfully unclassifiable work of a master painter

Designated as "degenerate" by the Nazis, Paul Klee (1879-1940) is today considered one of the most important artists of the 20th century. His works stand out for the variety in their forms of artistic expression.

His Tunisian water-colours depicting landscape, architecture and, above all, the North African light of this Mediterranean land constitute the true beginning of Klee’s painting career. Although these paintings still fall under the heading of ’objective,’ they already exhibit indications of his tendency toward abstraction and a language of forms.

Geometrical figures and hieroglyphic elements characterize the majority of these works, which for this reason seem reminiscent of ’naive’ and playful children’s painting. In reality, however, Klee’s paintings have their roots in theoretical considerations, their recurrent symbols conveying personal and at times political content.

About the Series:
Every book in TASCHEN's Basic Art Series features:

• a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
• approximately 100 color illustrations with explanatory captions
• a concise biography

Since the 1950s, German painter Konrad Klapheck has been producing a rigorous body of work. The bulk of his extraordinarily focused artistic career comprises a continued painterly investigation of technological machines and everyday objects such as typewriters, sewing machines, and ventilators. The artist’s canvases, however, are not mere depictions; the objects Klapheck presents are subtly anthropomorphized and charged with psychological, social, and political meaning. A telephone, for example, takes on a playful, eroticized quality in one canvas, while a typewriter becomes a menacing object evocative of brute power in another. An artist’s artist, Klapheck has never painted according to fashions dictated by the art world; he is a painter guided by his own obsessions. However, his work bears a number of crucial relationships to the history of painting and to the artistic and intellectual concerns of postwar art. In its unexpected combination of deadpan depiction and evocative playfulness, Klapheck’s canvases forge an important link in twentieth-century art, melding elements from Surrealism and Pop Art with a singular painterly sensibility to create a uniquely influential body of work.

This long-overdue English-language monograph comprises an in-depth examination of Klapheck’s work, bringing together an extensive group of paintings that span the continued course of his career. The publication provides an overview of important paintings of technological devices and machinery, while also presenting examples of more recent evocative, figurative work.

Конрад Віц (бл. 1400 – бл. 1446) належить до найрадикальніших відродженців живопису першої половини XV століття. Хоча його досягнення свідчать про його знання старонідерландського живопису свого часу, вони також становлять надзвичайно оригінальний почерк Віца. Безперечною родзинкою його творчості є Женевський вівтар (1444), на якому зображено біблійну сцену з Петром, який ловить рибу, вбудовану в ведутоподібний вид на Женевське озеро – перший топографічно точний, ідентифікований пейзаж в історії німецького живопису.

Серед дослідників майже немає сумнівів, що приблизно двадцять панелей для чотирьох замовлених вівтарів були створені самим Віцем. Тим більше різноманітними є думки щодо його освіти, кар'єри, сфери впливу та наступників. У цій публікації обговорюються нові тези щодо художнього досвіду Віца.

В творческой среде современных московских художников живописная манера Константина Батынкова не имеет аналога. Соединяя каллиграфическую точность рисунка с зыбкостью акварели, он «строит» монохромный мир своих полотен из мегаобъектов и микромножеств. На первый взгляд воспринимаемые как безобидные натурные этюды, его работы имеют отношение скорее к социальному пейзажу России. Немного мрачные депрессивные полотна притягивают особой эстетикой письма – живым мазком и потеками туши. Открывая экзистенциальную неустроенность жизни, являя зрителю фантомы коллективного бессознательного, Константин Батынков остается одним из самых востребованных персонажей культурной жизни российской столицы.

"Hortus Eystettensis, "Le Jardin d'Eichstätt" demeure sans doute, pour les plus anciens exemplaires connus (1613), l'un des plus somptueux parmi les ouvrages représentant des fleurs.
(...) Le Florilège de Basilius Besler (1561-1629) nécessita une quinzaine d'années de travail. Il vise à décrire les végétaux qui ornaient le jardin épiscopal occupant, autour d'un château, le sommet de la colline de Willibadsburg, au nord-ouest d'Eichstätt.
(...) Ainsi se perpétue jusqu'à nous une horticulture réduite au précieux florilège dont quelques planches sont réunies ici, issues de l'exemplaire de la Bibliothèque nationale de France."
Gérard G. Aymonin

Avec 75 reproductions à pleine page représentant 208 espèces
Noms français et familles précisés
Bibliographie
Préface de Gérard AYMONIN du laboratoire de phanérogamie, Muséum national d’histoire naturelle de Paris.

Throughout his career Moholy-Nagy produced brilliant works in painting, film, photography, sculpture, set design and typography. A leading proponent of the Bauhaus School, he strove to apply artistic principles to every aspect of daily life.

This companion volume to a retrospective features 170 works from all phases of Moholy-Nagy s career. Essays on his involvement with the Bauhaus School; his late paintings; his photographs, photograms, and photosculptures; and his accomplishments in the field of graphic art are complemented by numerous colour illustrations.

The book also documents the reconstruction of a never completed work,

The Room of Today, which incorporates the most important themes Moholy-Nagy brought to his art. Readers viewing his work for the first time, along with those already possessing a deep appreciation for his art, will celebrate this long-overdue volume.

"Derrière moi, à Edo Je laisse mon pinceau
En route pour un nouveau voyage
Laissez-moi admirer
Toutes les vues célèbres du Paradis"
Utagawa Hiroshige, Poème d'adieu, 1858

(...) Son oeuvre d'une originalité surprenante, fascinera les japonais et influencera les occidentaux (Whistler, Pissarro, van Gogh, Monet, Bonnard). L'une des suites d'estampes les plus évocatrices offertes aux amateurs de paysages et de voyages, Les Cinquante-trois relais du Tôkaido, publiée en 1833-34, lui valut une célébrité immédiate et universelle."
Giséle Lambert
Ces 53 estampes (55 avec le départ et l'arrivée) reproduites en couleurs, à pleine page, exécutées par Utagawa Hiroshige (1797-1858) en 1832 le long de la route du Tôkaidô (Edo-Kyoto).

.Carte
.Bibliographie

Leonardo: from art and anatomy to helicopters and submarines

One of the most accomplished human beings who ever lived, Leonardo remains the quintessential Renaissance genius. Creator of the world's most famous painting, this scientist, artist, philosopher, inventor, builder, and mechanic epitomized the great flowering of human consciousness that marks his era. And yet, so wide-ranging and prolific were his interests that he brought hardly any major undertaking to a final end.

If Leonardo seems so modern, it is perhaps because of his non-speciality, his magpie mind and curiosity, and his thousands of notes and sketches. In these pages, he would anticipate some of the great discoveries and inventions that would follow him, from key points in anatomy - such as the principles behind blood circulation - through to plans for armoured military vehicles, planes, helicopters and submarines.

Leonardo also advanced numerous artistic techniques, and implicated a complex psychology into his paintings of The Last Supper and the enigmatic La Gioconda, or Mona Lisa. Famous horseman, rival to Michelangelo, military engineer to the Borgias, he died in 1519 in a chateau given to him by Francis I, King of France. Not bad for the illegitimate son of a Florentine notary.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 colour illustrations with explanatory captions
* a concise biography

Посмотреть русскоязычное издание книги Leonardo - Леонардо да Винчи