Книги по живописи

Picasso called Dali "an outboard motor that's always running." Dali thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter, sculptor, writer, and filmmaker, Salvador Dali (1904-1989) was one of the century's greatest exhibitionists and eccentrics - and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination. This lively monograph presents the infamous Surrealist in full color and in his own words. His provocative imagery is all here, from the soft watches to the notorious burning giraffe. A friend of the artist for over thirty years, privy to the reality behind Dali`s public image, author Robert Descharnes is uniquely qualified to analyze Dali - both the man and the myth.

Посмотреть русскоязычное издание книги Salvador Dali. The Paintings - Сальвадор Дали. Живопись

The seminal surrealist. Exploring Dalí's grandiose and grotesque oeuvre

Picasso called Dalí "an outboard motor that’s always running." Dalí thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter, sculptor, writer, and filmmaker, Salvador Dalí (1904-1989) was one of the century’s greatest exhibitionists and eccentrics — and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination.

This publication presents the entire painted oeuvre of Salvador Dalí. After many years of research, Robert Descharnes and Gilles Néret finally located all the paintings of this highly prolific artist. Many of the works had been inaccessible for years— in fact so many that almost half the illustrations in this book had rarely been seen.

About the authors:

Robert Descharnes, a photographer and writer, has published studies of major artists, among them Antoni Gaudí and Auguste Rodin. Since 1950, he has been documenting and cataloguing Dalí's paintings and writings and is now considered the leading expert on the artist.

Gilles Néret (1933–2005) was an art historian, journalist, writer and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Elie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

With his graphic style, figural distortion, and defiance of conventional standards of beauty, Egon Schiele (1890–1918) was a pioneer of Austrian Expressionism and one of the most startling portrait painters of the 20th century.

Mentored by Gustav Klimt, Schiele dabbled in a glittering Art Nouveau style before developing his own much more gritty and confrontational aesthetic of sharp lines, lurid shades, and mannered, elongated figures. His prolific portraits and self-portraits stunned the Viennese establishment with an unprecedented psychological and sexual intensity, favouring erotic, exposing, or unsettling poses in which he or his sitters cower on the floor, languish with legs akimbo, glower at the viewer, and thrust their genitalia into the foreground. His models are at times skeletal and sickly, at other times strong and sensual.

Many contemporaries found Schiele’s work to be not only ugly but morally objectionable; in 1912, the artist was briefly imprisoned for obscenity. Today, his oeuvre is celebrated for its revolutionary approach to the human figure and for its direct and particularly fervent, almost furious brand of craftsmanship. This book presents key Schiele works to introduce his short but urgent career and his profound contribution to the development of modern art, which reaches right through to such contemporary talents as Tracey Emin and Jenny Saville.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Is a self-portrait of an artist a medium of reflection—or is it merely a black void, the “false mirror,” as the surrealist René Magritte entitled his 1928 painting of an eye? Do self-portraits reveal how artists see themselves, or how they wish others would see them? From the 15th century to today, this collection brings together many of the best examples of self-portraiture in art history whilst exploring these and many more questions pertaining to the art of self-reflection.

Featured artists: Meister Gerlachus, Fra Filippo Lippi, Albrecht Durer, Giorgione, Parmigianino, Michelangelo, Caravaggio, Peter Paul Rubens, Salvator Rosa, Nicolas Poussin, David Bailly, Diego Da Silva Y Velazquez, Rembrandt Harmensz. Van Rijn, Rosalba Carriera, Jean Baptiste Simeon Chardin, Francisco De Goya, Vincent Van Gogh, Edvard Munch, James Ensor, Pablo Picasso, Egon Schiele, Ernst Ludwig Kirchner, Frida Kahlo, Felix Nussbaum, Max Beckmann, Diego Rivera, Salvador Dali, Lucian Freud, Andy Warhol, Francis Bacon, David Hockney, Albert Oehlen, Martin Kippenberger, Jeff Koons, Gerhard Richter

About the Series:
Each book in TASCHEN's Basic Genre Series features:

* a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period
* a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work and brief biography of the artist as well as additional information such as a reference work, portrait of the artist, and/or citations

The development of Soviet realist painting over fifty years through a selection of works from Russias leading museums.

Socialist Realism was and remains an exceptional phenomenon in twentieth-century art. It bore the challenge of promoting realist figuration on a scale without parallel in the rest of the world, employing the talents of thousands of artists over decades and spreading over an immense and varied empire. By glorifying the social role of art, affirming the primary value of content as opposed to form and restoring the central role of traditional practices, socialist Realism was the declared opponent of the modern movement, and in fact represented the only completely alternative artistic system.

Created by the great Russian artists (Deineka, Malevic, Adlivankin, Laktionov, Plastov, Brodskij, Korzhev) the works present a multiplicity of questions, themes and formal approaches to art spanning from the last phases of the civil war to the beginnings of the Brezhnev era, stopping at the early 1970s when trends in official Soviet art took on varied and inconsistent directions such that the cultural supremacy of the socialist-realist current faded definitively.

A non-monolithic view emerges, in which the movement does not originate exclusively as the product of totalitarian control and political pressures but as an evolving organism that reflected internal issues and echoed the great historic events of the twentieth century.

The revised edition of "Soviet Impressionism," including fresh information as well as 140 additional colour plates.

This book is a completely revised and updated edition of "Soviet Impressionism," published in 2001 and quickly sold out. Vern Swanson has included a mass of new information as well as 140 additional colour plates. Soviet Art of the 1930s to the 1980s is now considered the twenieth century's major realist school of painting, although much of it had remained hidden during its heyday due to the politics of the Cold War. Now percipient and adventurous art historians are turning the balance and addressing the presence of Soviet Impressionist paintings. This is a vibrant and powerful school of art. Beautiful colour illustrations throughout and a highly perceptive text make this a reference book no art lover or historian would wish to be without.

The subject matter of these vibrant paintings is the intimate life of the Soviet man, woman and child: at work in field, factory, school and mine, and at home or at play. The policy-makers dictated the message: art should be readily understood and appreciated by the people, reflecting their hopes and aspirations for themselves and their efforts.

Together, the stunning illustrations and highly perceptive, fully up-to-date text serve to make Soviet Impressionist Painting a true testament to this powerful and vibrant school of art.

Vern G. Swanson, Ph. D. is the author of numerous books, catalogues and articles on Soviet painting, 19th century European classicist artists and American realist art. Swanson is the director of the Springville Museum of Art in Utah, USA, and is a graduate of the Brigham Young University and the Courtauld Institute of Art, University of London.

Among the pictorial genres, still life, which depicts in detail the common objects of domestic life (fruit, vegetables, food, but also animals and tableware), holds an important place. It is an art form which gives us valuable insights into changes of mentality and philosophy. Each still life is emblematic of a specific time and place and of a certain metaphysical perspective. This condensed, well-priced overview of the genre features some sixty works from antiquity to the present and analyzes the history and significance of each.

Setting up a still life may take no more than gathering a few objects on a table, but infusing its depiction with depth, texture, feeling, and even beauty takes great skill. The origins of the still life can be traced back at least to classical antiquity (such wall paintings have been found in the ruins of Pompeii) but the genre's name wasn't coined until the 17th century in Holland, a few centuries after it was re-popularized during the Renaissance. This book explores a stimulating selection of still lifes from the 15th century to the modern day, revealing the historical importance and creative possibilities of this genre.

Featured artists:
Meister der Maria von Burgund, Ludger tom Ring the Younger, Annibale Carracci, Michelangelo Merisi da Caravaggio, Juan Sánchez Cotán, Jan Bruegel the Elder, Frans Snyders, Pieter Claesz Rembrandt, Sebastian Stoskopff, Jan Fyt, Evaristo Baschenis, Jan Davidsz de Heem, Willem Kalf, Otto Marseus van Schrieck, Giuseppe Maria Crespi, Jean-Siméon Chardin, Luis Eugenio Meléndez, Théodore Géricault, Eugène Delacroix, Adolph Menzel, Edouard Manet, Vincent van Gogh, John Haberle, Paul Cézanne, Pablo Picasso, Georges Braque, Henri Matisse, Umberto Boccioni, Giorgio De Chirico, Giorgio Morandi, Chaïm Soutine, Salvador Dalí, Daniel Spoerri, and Gerhard Richter

About the Series:
Each book in TASCHEN's Basic Genre Series features:

* a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period
* a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work and brief biography of the artist as well as additional information such as a reference work, portrait of the artist, and/or citations

Symbols of a deeper reality

"A book like the rooms of an imaginary museum." - La Libre Belgique, Brussels

"To clothe the idea in perceptible form," proposed the poet Jean Moréas in his 1886 Manifesto of Symbolism.

It was in France and Belgium, the cradles of literary Symbolism, that Symbolist painting was born. It plunged headlong into the cultural space opened up by the poetry of Baudelaire and Mallarmé and by the operas of Wagner. Symbolist painters sought not to represent appearances but to express "the Idea," and the imaginary therefore plays an important part in their work. "Dream" was their credo; they execrated, with a fanatical hatred, impressionism, realism, naturalism, and the scientistic. The main principle of Symbolism, that of "correspondences," was to attain harmony between all the different arts, or even to realise the total work of art (Gesamtkunstwerk) that Wagner had dreamt of creating.

What we rediscover today, after a period of neglect, is this: Symbolist painting is essential to our understanding of modern art, not only because it spread across the world like wildfire, creating disciples from Russia to the United States, from Northern Europe to the Mediterranean, but because it was the source of a series of mutations without which modern art would not be what it is.

The author:

Michael Gibson is an art critic, art historian, anthropologist, writer, independent scholar and philosopher (currently editor in chief of UNESCO's World Heritage Review) who has been writing on art over the past forty years for numerous publications, including the International Herald Tribune. He has published numerous books, including studies of Bruegel, Gauguin, Duchamp and Calder.

The editor:

Gilles Néret (1933–2005) was an art historian, journalist, writer and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Elie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.

Emotional intelligence. A synthesis of form and feeling

First applied to the poems of Stéphane Mallarmé and Paul Verlaine in 1886, the term symbolist was soon applied to the visual arts where a realistic depiction of the natural world gave way to imaginary dream scenes of psychological, sexual, and mystical content.

Symbolism was a broad international phenomenon but particularly present in France, where painters such as Gustave Moreau and Odilon Redon turned their backs on realism, naturalism, and impressionism to populate their canvases with esoteric, often erotic, visions. In place of Monet s light-suffused landscapes or the frank working-class subjects of Courbet, the Symbolists turned to figures from literature, the Bible, and Greek mythology to express experiences of love, fear, anguish, death, sexual awakening, and unrequited desire.

With featured work from Edward Burne-Jones, Puvis de Chavannes, Gustav Klimt, James Abbott McNeill Whistler, Gustave Moreau, Odilon Redon and many more, this book introduces Symbolism s great reach, intensity, and influence.

About the series

Each book in TASCHEN's Basic Genre series features:

- approximately 100 colour illustrations with explanatory captions
- a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period
- a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of
the respective work, plus a portrait and brief biography of the artist

This oversized collector’s edition showcases antique paintings and drawings of birds and animals from the most important natural history collection in France.

An unparalleled collection of the most beautiful—yet scientific—depictions of flora and fauna ever produced, these artworks document three centuries of exploration of the far reaches of the world—a rich visual record harking back to a time when science relied upon painstaking human illustration as the only way to record exotic plants and unknown animals observed during voyages of discovery.

All the artworks included here were depicted on vellum, a high-quality, long-lasting parchment that fell out of use around 1900 when it was supplanted by photography. France’s national collection consists of over 7,000 such artworks and is among the world’s finest. Flora and fauna from every corner of the globe are represented in precisely rendered color and detail.

Sadly, many of the species depicted in these masterful yet hauntingly accurate portraits are now endangered, threatened—or in many cases, already extinct. This volume is both a celebration of the human quest for knowledge and an epitaph for a fast disappearing world—as well as a feast for the eyes for anyone who loves birds or vintage natural history art. This exquisite and timeless book is beautifully presented in a jacketed volume within a slipcase and luxuriously packaged within an illustrated mailer with a handle for portability.

About the Author:

Pascale Heurtel is chief curator and director of libraries and Michelle Lenoir is honorary director of the Muséum national d’histoire naturelle in Paris.

This deluxe reconsideration of mid-19th-century painting casts a newly appreciative eye on Salon painting — whose masterpieces have been largely dismissed from the canon of modern art, in favor of those that were famously rejected by the artistic establishment of the time.

The Paris Salons of the mid-19th century are more famous today for the paintings that were rejected than for those that were actually shown. The rejected works form today’s canon of art history and are regarded as heralds of a modern age. This book looks to reassess the other side of the art history of the 19th century. Salon painting has often been dismissed as overly academic or staid. Art historian Norbert Wolf turns back the pages of history as he reintroduces readers to the artistry and excellence of Salon painting in Europe, Britain, Russia and the US. In an opulent new book, illustrated throughout with gorgeous reproductions of masterpieces by Cabanel, Manet, Biertstadt, the Pre-Raphaelites, and Sargent, naming a few, Wolf looks at Salon painting from a variety of perspectives, such as the rise of the bourgeoisie and Paris’s position as Europe’s cultural capital. He explores styles and themes that were especially prevalent in Salon painting: history painting; portraits from home and in society; the rise of »Orientalism«; and the nationalism of landscape. Readers will come away from this well-researched and absorbing book with a steadfast appreciation of the Salon’s disciplined and academic approach to painting, and an understanding of why these works were once so revered by the general public

The Blaue Reiter (“Blue Rider”) group of artists was formed in Munich in 1911 on the initiative of two leading artists of Modernism: Wassily Kandinsky, the pioneer of purely abstract painting, and Franz Marc, the creator of mysterious, abstracted animal pictures. The Russian and the German, together with many other visionary painters in their train, hoped to pursue a new spirit in art. They wanted nothing less than an apotheosis of the spiritual in art. The outbreak of the Great War seemed to put a brutal end to what was at the time the most important avant-garde movement in Germany, but its influence continued unabated and inspired whole generations of international artists to create similar utopias.

Featured Artists: Wladimir Burljuk, Heinrich Campendonk, Robert Delaunay, Alexej Jawlensky, Wassily Kandinsky, Paul Klee, Alfred Kubin, August Macke, Franz Marc, Gabriele Münter and Marianne von Werefkin.

About the Series:
Each book in TASCHEN's Basic Genre Series features:

* a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period
* a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work and brief biography of the artist as well as additional information such as a reference work, portrait of the artist, and/or citations